Where there is no vision the people perish: reflections on the african renaissance



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CONCLUSION

The African renaissance is ANC policy that informs its activities in government, including its economic and foreign policies. In his report to the fiftieth National Conference of the ANC, December 1997, President Mandela summarises the principal aims of the African renaissance as follows:




  • the establishment of democratic political systems to ensure the accomplishment of the goal that ‘the people shall govern’;

  • ensuring that these systems take into account African specifics so that, while being truly democratic and protective of human rights, they are nevertheless designed in ways which really ensure that political means can be used to address the competing interests of different social groups in each country;

  • establishing the institutions and procedures which would enable the continent collectively to deal with questions of democracy, peace and stability;

  • achieving sustainable economic development which results in the continuous improvement of the standards of living and the quality of life of the masses of the people;

  • qualitatively changing Africa’s place in the world economy, so that it is free of the yoke of the international debt burden and no longer a supplier of raw materials and an importer of food and manufactured goods;

  • a rediscovery of Africa’s creative past to recapture the people’s cultures, encourage artistic creativity and restore popular involvement in both accessing and advancing science and technology;

  • advancing in practical ways the objective of African unity; and

  • strengthening the genuine independence of African countries and the continent in our relations with the major powers, and enhancing our collective role in the determination of the global system of governance in all fields, including politics, the economy, security, information and intellectual property, the environment and science and technology.

These are also the grand themes of the Mbeki presidency. There may be steep hills to climb and high hurdles to scale but the vision espoused in the African renaissance is not of a romantic, numinous world. The vision of the rise of a once oppressed people is a concrete one, entirely realisable, as the triumph over slavery, colonialism, and Apartheid amply demonstrate. Beyond the political, economic, cultural, scientific and technological aspirations that President Mbeki articulates, the final vision is of a humanity liberated from all forms of oppression and exploitation. It is a vision of tightening the ‘ties that bind’, of the restoration of the rights of African people, and of the recognition of their dignity and humanity. It is for most Africans, throughout the ages, a compelling and sustaining vision – for where there is no vision, the people perish.


You may write me down in history

With your bitter, twisted lies

You may trod me in the very dirt

But still, like dust, I’ll rise.


Maya Angelou

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MBULELO VIZIKHUNGO MZAMANE PH.D., Distinguished Visiting Scholar at the Hawke Institute, has held academic posts at the University of Botswana, Lesotho, and Swaziland (U.B.L.S.); University of Sheffield; Ahmadu Bello University, Nigeria; Yale University; University of Georgia; and University of Vermont. He has also been Visiting Professor at Boston University and University of Essen (Germany). He returned to South Africa in 1993 after three decades in exile and became the first post-Apartheid Vice Chancellor and Rector at the University of Fort Hare. He was appointed by President Nelson Mandela to serve on the boards of the South African Broadcasting Corporation and the Heraldry Council. He has also chaired and served on the following boards, among others: the African Arts Fund (affiliated to the U.N. Centre against Apartheid), the Institute for the Advancement of Journalism (affiliated to the University of the Witwatersrand), the Newtown Television and Film School (RSA), and the International Advisory Board of Directors of the Institute of International Studies at the University of Michigan (USA). He is the presiding chair (with Nawal el Saadawi and Ngugi wa Thiong’o) of the African renaissance initiative, Against All Odds: African Languages and Literature into the 21st Century. His works of fiction, some of which were banned in Apartheid South Africa, include: Mzala: The Short Stories of Mbulelo Mzamane (Ravan Press and Longman); Children of Soweto (Ravan Press and Longman); and Children of the Diaspora and Other Stories of Exile (Vivlia Press and Africa World Press). He is the editor of Selected Poems: Mongane Wally Serote (Ad Donker); Selected Poems: Sipho Sydney Sepamla (Ad Donker); Hungry Flames and Other Black South African Short Stories (Longman); and co-editor of Global Voices: Contemporary Literature from the Non-Western World (Prentice Hall). His scholarly publications include Multicultural Education in Colleges and Universities, with Howard Ball and S.D. Berkowitz (Lawrence Erlbaum) and Images of the Voiceless: Essays on Popular Culture and the Media, with John Haynes and Aderemi Bamikunle (Ahmadu Bello University Press). His most recent book due for publication soon is The Mbeki Turn: South Africa after Mandela (Rowman & Littlefied).

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