10. The Pictorial Arts Catch up: Massacio and Alberti’s Codification



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10. The Pictorial Arts Catch up:
Massacio and Alberti’s Codification


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Birth Plate, 1420s, sometimes attributed to Masaccio

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Lorenzo Monaco, Coronation of the Virgin, 1414 (originally for Santa Maria degli Angeli)

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Gentile da Fabriano, Adoration of the Magi, 1423

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Gentile da Fabriano,  Nativity from predella panel of the Adoration of the Magi altarpiece, 1423

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Masaccio, Madonna, Child and Angels, 1426 (originally central panel of polyptych for Santa Maria del Carmine, Pisa)

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Masaccio, Trinity, Santa Maria Novella, ca. 1426-27 (?)

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Masaccio (with Masolino), Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27

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Masaccio (with Masolino), Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27; Left wall

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Masaccio (with Masolino), Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27; Right wall

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Masaccio (with Masolino), Baptism of the Neophytes, Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27

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Masaccio (with Masolino), Expulsion, Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27

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Masaccio (with Masolino), The Tribute Money, Brancacci Chapel, Santa Maria del Carmine, ca. 1424-27

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Fra Filippo Lippi, Coronation of the Virgin, 1447 (originally for Sant’ Ambrogio, Florence)

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Domenico Veneziano, St. Lucy Altarpiece, ca. 1445-47

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Andrea del Castagno, Last Supper, Sant'Apollonia, Florence, 1447

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Andrea del Castagno, Vision of St. Jerome, Santissima Annunziata, Florence, ca. 1454-55

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Paolo Uccello, Sir John Hawkwood, Florence Cathedral, 1436

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Piero della Francesca, Discovery of the True Cross, from the Legend of the True Cross cycle, apse of San Francesco, Arezzo, ca. 1450

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