This component plan is summarized, including the recommendations, in the body of the plan above, Development of the Creative Economy, beginning on page 26
.
Introduction
The
CreativeBROWARD 2020 plan for the creative economy is developed from an extensive analysis of primary and secondary data; numerous interviews, focus groups, and community forums; and several discussions with the Creative Economy Task Force. From this analysis and discussions, strategies to facilitate the development of the creative industry in Broward County were developed. This chapter will summarize the analysis and its results and discuss the recommended strategies.
The Creative Economy in Broward County
This section briefly describes
the data and methodology, analytical methods, and results of the analysis of the creative economy. In order to assess the past, current, and future state of the creative economy in Broward County, we used a variety of data sources and analytical techniques. This analysis is somewhat complicated by the current financial crisis, but since this is a plan for the next ten years, the strategies developed to some extent transcend the current crisis, as the economy will surely have grown out of the current recession, even in areas impacted as much as the Broward County economy.
Data and Methodology1
Data
All of the data used in the analysis is at the county level, including data used for the comparative analysis with other communities. While some data from the Quarterly Census of Employment and Wages (QCEW) provided by the U.S. Bureau of Labor Statistics is used, most of the data for the analysis is provided from Economic Modeling Specialists, Inc. (EMSI). The QCEW database contains “employment and wage information for workers covered by State unemployment insurance (UI) laws and Federal workers covered by the Unemployment Compensation for Federal Employees (UCFE) program.”2 This is a very rich source of data covering about 98% of U.S. employment,3 but the other 2% will include the self-employed or those who work for very small businesses who do not have to report under UI laws. Since many who work in the creative industry are self-employed or work for small businesses who may not report, it is important to capture them in the data. The data from EMSI resolves this issue, as they estimate the number of employees and their wages not included in the QCEW and include them in their database. Thus, it is a more complete source of data.
The results of the surveys conducted, as previously described, and anecdotal evidence and feedback provided from the numerous interviews, focus groups, and meetings with key leaders in the industry were also vital pieces of information used in the development of the strategies.
Methodology
We used several different techniques to analyze the secondary data. Each technique was chosen based on the specific insight it would provide about the creative economy in Broward County and its potential for development. The techniques used include: economic impact, economic base analysis, shift-share analysis, leakage/gap analysis, growth-share analysis, and an analysis of the labor market.
Economic impact: The impacts of the employment and earnings are measured both by industry and occupation. Self-employed/entrepreneurial workers within the creative economy
are included in the study, as previously mentioned. The impact analysis was conducted using an input-output model of the region. The economic impact includes both current and projected impacts.
Economic base analysis: This technique identifies those industries that bring money into the local economy through their exports (the basic industries) and those industries that serve or support other industries in the region (the non-basic industries). As part of this analysis, location quotients for the industries were calculated. These indicate the concentration of the industry within the region relative to the concentration at the national level. It has long been argued in regional economic theory that the basic industries drive the development of the economy because they bring new money into the region. This will identify those industries, but new thought and research has provided evidence that the non-basic industries are also vital to the development of the economy. These non-basic industries can be especially important to the development of neighborhoods or smaller areas in need of development within the region. Thus, we also identify those key non-basic industries with an eye toward how they can be developed, as well, or used in the development of sub-regions or neighborhoods.
Shift-share analysis: This technique breaks down economic growth (most often measured by employment growth) into three components: (1) that part of regional industry growth due to growth in the national economy (i.e., national growth effect), (2) that part of regional industry growth that can be attributed to overall growth in the industry across the nation (i.e., industry mix effect), and (3) that part of growth of the industry within the industry due to the competitiveness of the industry within the region (i.e., competitiveness effect). This provides direct evidence about where the competitive advantages within the creative economy are.
Leakage/gap analysis: This part of the analysis uncovers the portions of the supply chain of the creative industries within Broward County where there exists gaps in the ability to supply the necessary good and services to support the growth of these industries. In other words, it identifies where the creative industries are buying their inputs outside of the region (i.e., where leakages in spending are occurring). These leakages are estimated using the EMSI input-output model of Broward County. Once these leakages are identified, strategies were created to plug the leakages and strengthen the development of the creative economy.
Growth-share analysis: This analysis compares the growth of the sectors of the creative economy within Broward County to other key regions as identified by the Creative Economy Task Force.
Labor market analysis: This is a thorough analysis of the labor market and occupations within the creative economy. For example, we analyzed the knowledge, skills, and abilities required of the occupations, how they match to the programs in the region providing programs to develop these competencies, and other occupations from which workers could possibly be transitioned into creative economy occupations with minimal training.
Comparative/Best practices analysis: This is complementary to the growth-share analysis. In this analysis, research was conducted to determine the best practices of creative economy development in comparative regions throughout the world. The comparative regions were determined in part by the Creative Economy Task Force, but additional regions were included as deemed appropriate.
Creative Economy Defined
The industries that compose the creative industry were determined based on previous definitions used in past reports of the industry in Broward County, definitions used in other regions, and insider knowledge of the local economy. The industries were defined using the North American Industry Classification System (NAICS) codes at the six-digit level. Specifically, the definition of the creative economy is shown in the following table.4
Table1: Industry Composition of the Creative Economy
|
NAICS Code
|
Industry Title
|
323110
|
Commercial lithographic printing
|
323111
|
Commercial gravure printing
|
323112
|
Commercial flexographic printing
|
323113
|
Commercial screen printing
|
323114
|
Quick printing
|
323115
|
Digital printing
|
323116
|
Manifold business forms printing
|
323117
|
Books printing
|
323118
|
Blankbook and looseleaf binder manufacturing
|
323119
|
Other commercial printing
|
323121
|
Tradebinding and related work
|
323122
|
Prepress services
|
327112
|
Vitreous china and earthenware articles manufacturing
|
451140
|
Musical instrument and supplies stores
|
453920
|
Art dealers
|
511110
|
Newspaper publishers
|
511120
|
Periodical publishers
|
511130
|
Book publishers
|
511199
|
All other publishers
|
512110
|
Motion picture and video production
|
512120
|
Motion picture and video distribution
|
512131
|
Motion picture theaters, except drive-ins
|
512132
|
Drive-in motion picture theaters
|
512191
|
Teleproduction and postproduction services
|
512199
|
Other motion picture and video industries
|
512210
|
Record production
|
512220
|
Integrated record production and distribution
|
512230
|
Music publishers
|
512240
|
Sound recording studios
|
512290
|
Other sound recording industries
|
515111
|
Radio networks
|
515112
|
Radio stations
|
515120
|
Television broadcasting
|
515210
|
Cable and other subscription programming
|
516110
|
Internet publishing and broadcasting
|
519120
|
Libraries and archives
|
541310
|
Architectural services
|
541320
|
Landscape architectural services
|
541410
|
Interior design services
|
541420
|
Industrial design services
|
541430
|
Graphic design services
|
541490
|
Other specialized design services
|
541511
|
Custom computer programming services
|
541810
|
Advertising agencies
|
541921
|
Photography studios, portrait
|
541922
|
Commercial photography
|
611511
|
Cosmetology and barber schools
|
611610
|
Fine arts schools
|
711110
|
Theater companies and dinner theaters
|
711120
|
Dance companies
|
711130
|
Musical groups and artists
|
711190
|
Other performing arts companies
|
711310
|
Promoters with facilities
|
711320
|
Promoters without facilities
|
711410
|
Agents and managers for public figures
|
711510
|
Independent artists, writers, and performers
|
712110
|
Museums
|
712120
|
Historical sites
|
712130
|
Zoos and botanical gardens
|
712190
|
Nature parks and other similar institutions
|
722110
|
Full-service restaurants
|
722320
|
Caterers
|
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