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All references and notes related to the World Wide Web are cited on 19 March 2002 computer science (e.g. Herbert Simon) or archaeology (e.g. Brian Shiffer) om artifact Auslander, P. ”Ontology vs. history. Making distinctions betweern the live and mediatised” in The 1997 Performance Studies Conference, 1997. At: http://webcast.gatech.edu/papers/arch/Auslander.html Auslander, P. Liveness. Routledge, London, 1999. Bal, M. “Visual Essentialism and the object of Visual Culture” in Journal of Visual Culture vol, 2003. Bolter, J. D. & Grusin, R. Remediation: Understanding New Media. The MIT Press, Cambridge, 1999. Bolter, J.D. 2003a er hocks and ...ikke morrison. Bolter, J.D. 2003b er morrison Birringer, J. Media & Performance. Johns Hopkins, Baltimore, 1998. 351pp Bonnett, J. in Journal of the Association for History and Computing, Vol xxx 2002.http://mcel.pacificu.edu/JAHC/JAHCV1/p-resources/bolt.html Buckingham, D. Grahame, J. & Sefton-Green, J. Making media: Practical production in media education. The English and Media Centre, London, 1995 Causey i auslander (ed.) Chatman, S. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Cornell University Press, Ithaca 1990. Carlson, M. Performance. A critical introduction. Routledge , London, 1996. Cheesmond, R. “To Behold the Swelling Scene, The Emergence of ‘Scenography’ in Twentieth Century Theatre” in the of the on-line journal Scenography International, Issue no 3, 1999. Counsell, C. & Wolf, L. (eds.) Performance Analysis. An introductory course book, Routledge, London, 2001. Kun 2002? DeLahunta, S. 1996. 'New media and information technologies and dance education'. Paper given at international symposium Future Moves, Rotterdam, Sept. At: http://www.art.net/~dtz/scott1.html deLahunta, S. 1998a. 'Sampling ... convergences between dance and technology'. Paper presented at the Art Crash Symposium, Aarhus, Denmark, 2-4 April. At: http://www.art.net/~dtz/scott2.html deLahunta, S. 1998b. 'Speculative paper: theatre/ dance and new media and information technologies'. Paper and presentation, Working Groups on Dance and Drama, Research Group on Reorganisation of Professional Arts Education, Amsterdam, April. At: http://www.art.net/~dtz/scott3.html Díaz-Kommonen, L. “Expressive artifacts and artifacts of expression” in in the conference series and journal Research into Practice, volume xxx, 2004 http://www.herts.ac.uk/artdes1/research/papers/wpades/vol3/ldkabs.html Di Benedetto, S. A. "Concepts in Spatial Dynamics: Robert Wilson's dramaturgical mechanics and their relation to the visible on stage" in Scenography International Issue 7, [2000] 2003. Engström, Y. ”Developmental work research as educational research” in Nordisk Pedagogik, VOL 16, NR 3, 1996. Engeström, Y. Miettinen, R. Pünamäki, R. (eds.) Perspectives on Activity theory. Cambridge University Press, Cambridge, 1999. Engeström, Y. "Expansive learning at work: toward and activity theoretical reconceptualisation", Journal of Education and Work, vol.14, no.1, 2001. pp.133-156.
Flyvbjerg, B. Making social science matter : why social inquiry fails and how it can succeed, Cambridge University Press, Cambridge, 2001. Galanter, P. “What is Generative Art? Complexity Theory as a Context for Art Theory” in Generative Art Proceedings» Milan, 2003, p.4 Hammer, A. “Transdisciplinarity and Theory of Theatre in the Digital Space” in Norsk Medietidsskrift, Vol 2, 2002. Jarvis, P. The Practitioner-Researcher: Developing Theory from Practice. Jossey-Bass, San Francisco, 1999. Jonassen, D. & Rohrer-Murphy, L. Activity Theory as a Framework fr Designing Constructivist Learning Environments. ETR&D, 47(1) 1999. 61-79. Kaasbøll, J. J. & Smørdal, O. ”First Contribution: Human work as context for development of object oriented modelling techniques” in Brinkkemper, S. (ed.) IFIP WG 8.1/8.2 working conference on principles of method construction and tool support. Method Engineering’ 96, Atlanta, USA, 1996. Kjølner, T. & Szatkowski, J. “Dramaturgy in Building Multimedia Performances: Devising and Analysing”. in Madsen, K.H., (ed.) Production Methods. Behind the Scenes of Virtual Inhabited 3D Worlds. London. Springer-Verlag, 2003. Kress, G. xxxx in “English” in Hawisher, G. & Selfe, C. the Crossroads. Rethinking Curricula of Communication in the Context of the Turn to the Visual, xxxx 1999 Kress, G. & Van Leeuwen, T. Reading Images. The Grammar of Visual Design xxx ,[1996] 2001. Liestøl, G. ”Research into the development of digital media as an interdisciplinary field based in the scinece and the humanities” in Liestøl, G. & Morrison, A. (eds.) Tverrfaglighet og Digitale Medier. InterMedia/UniPub, Oslo, 2001. 41-55. Liestøl, G & Morrison, A (eds.) Tverrfaglighet og digitale medier : en forskningsrapport fra KTK. InterMedia Unipub, Oslo, 2001. Liestøl, G. Morrison, A. & Rasmussen, T. (eds) Digital Media Revisited. The MIT Press, Cambridge, 2003. Liestøl, G. ”From synthesis to analysis (and vice versa): topics of conceptualisation and construction in digital media” in Liestøl, G. Morrison A. & Rasmussen, T. (eds) Digital Media Revisited: theoretical and conceptual innovation in digital domains. The MIT Press, Cambridge, 2003. Miles xxx 2001 http://hypertext.rmit.edu.au/essays/currents01/ Morrison, A. “Dancing with postcolonial theory: digital scenography and the performance of local culture”” in Norsk medietidsskrift. Vol. 10, No. 2. 2003. 28-56. Morrison, A. 2004 Artful roles in blended learning: reflections on collaborative digital arts and Zimbabwe Morrison, A. “Border crossing and multimodal composition in the arts” in IJEDICT. Vol. 1, No. 2, 2005. Penny 2004 xxxx Rivett, X. ”Approaches to Analysing the Web Text, A consideration of the Web Site as an Emergent Cultural Form” in xxxx 2000 Rush, M. New Media in Late 20th-Century Art. Thames & Hudson, New York, 1999. Schechner, R. Performance Studies. An introduction, xxx 2002.Scrivener & Chapman “The practical implications of applying a theory of practice based research: a case study” http://www.herts.ac.uk/artdes1/research/papers/wpades/vol3/ssabs.html in the conference series and journal Research into Practice, volume xxx, 2004. http://www.herts.ac.uk/artdes1/research/papers/wpades/vol1/index.html Sem, I. Morrison, A. & Havnør, M. ”Behind the wallpaper” in Morrison, A. (ed.) Inside Multimodal Composition. Hampton press, Cresshill, forthcoming 2006/7. Skjulstad, S. Morrison, A. & Aaberge, A. “Researching performance, performing research: dance, multimedia and learning” in Morrison, A. (ed.) Researching ICTs in Context. Intermedia/UniPub, Oslo. 2002. 211-248. Wartofsky, M. W. Models. Representation and the Scientific Understanding. Dordrecht Reidel, hvor? 1979 Williams, R. Television. Technology and cultural form. Routledge, London, [1975] 1990. Winograd, T. (ed.) Bringing Design to Software. Addison-Wesley, New York, 1996. Morrison, A. “Inside the Rings of Saturn” , 2005. Morrison, A. “Border crossing and multimodal composition in the arts” 2005.(http://ijedict.dec.uwi.edu//viewarticle.php?id=45&layout=html. http://www.sciencedirect.com/science?_ob=ArticleURL&_aset=V-WA-A-W-AU-MsSWYVW-UUW-U-AABVSWUYUS-AABWWUASUS-VDSVUCSDD-AU-U&_rdoc=1&_fmt=summary&_udi=B6W49-4FBM249-1&_coverDate=01%2F01%2F2005&_cdi=6537&_orig=search&_st=13&_sort=d&view=c&_acct=C000050221&_version=1&_urlVersion=0&_userid=10&md5=3e79400fd5588c6227bd4a8d0f3300fb ) Download 27.98 Kb. Share with your friends:
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