Auction 148 auction closing Date: Wednesday, 12 April, 2017
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| H & D Pathé 0288 (2291/2365),
recorded 1920, only form of issue, Sd.2. A to M-A, choice copy in Original Pathé sleeve. MB 25 J0481. EMMA CALVÉ: NOZZE - Voi che sapete (in French) / AMADIS DE GAULE - Amour, que veux-tu de moi? (Lully). 10" silver IRCC 196, RRs-1919, Pathé. Numbered Copy #10 of a Limited Edition; Calvé's Photo is affixed to Sd.1 label. M-A MB 15 J0482. EMMA CALVÉ: LA VIVANDIÈRE – Viens avec nous, petit (Godard) / SAPHO – Pendant un an je fus ta femme (Massenet). 11¾” green H & D Pathé 0290 (2363/2364), only form of issue, 1920; [Sd.2 is a Creator Record, 27 November 1897, Opéra-Comique, at the Théâtre Lyrique on the Place du Châtelet, Paris]. M-A, a spectacular copy in Original Pathé sleeve! MB 45 J0483. EMMA CALVÉ: LA PERLE DU BRÉSIL – Charmant oiseau (1920 Version) (Félicien David), 2s. 11¾” green H & D Pathé 0276 (2334/2343), recorded 1920. M-A, a spectacular copy! MB 25 J0484. EMMA CALVÉ, w.Landon Ronald (Pf.): CAVALLERIA – Voi lo sapete (1902 Version, in Italian). 10" Victor Monarch 91003 (2063-R), POM-1902, Never Doubled. A, excellent copy has faintest rubs, inaud. MB 35 J0485. EMMA CALVÉ: CAVALLERIA – Voi lo sapete (1919 Version, in French) / CARMEN – Chanson bohème. 11¾” green H & D Pathé 0274 (2293/2304), recorded 1919. M-A, spectacular copy has wee pap.scr, end Sd. 1, inaud. MB 25 J0486.EMMA CALVÉ, w.Landon Ronald (Pf.): CARMEN - Habañera (1902 Version). 10" Victor Monarch 91000, Original "A" Plate Issue, (2058-R), POM-1902. A, excellent copy has very light rubs, inaud. [Thrilled with her rendition, Calvé emits an enthusiastic laugh at the end!] MB 35 “What perfect singing [the above] is! The rich mezzo-soprano is as smooth as velvet, but there is an ocean of feeling beneath the even flow of creamy tone. These modern singers…should cease their would-be dramatic screams for a while and learn how to act with the voice and keep it beautiful at the same time.” - Cedric Wallis, THE AMERICAN MUSIC LOVER, July, 1936 J0487. EMMA CALVÉ, w.Landon Ronald (Pf.): CARMEN – Séguedille (2062-II) [Less-than-thrilled with her final note, Calvé emits ‘Ah, mon Dieu!’ after the very end!] / JEANNE GERVILLE-RÉACHE: En vain pour éviter. 10" silver Victor IRCC 5, POM-1902/ 30 Oct., 1909, resp. Numbered Copy #54 of an Limited Edition. M-A, choice copy of preferred 1930s pressing. MB 35 J0488. EMMA CALVÉ: CARMEN – Habañera / CAVALLERIA – Voi lo sapete (in French). 11¾” black H & D England-Pathé 55559 (2292/2293), recorded 1920. A to M-A, a glorious copy! MB 25 J0489. EMMA CALVÉ, w.Landon Ronald (Pf.): CARMEN - Séguedille. 10" Victor G & T 91002, (2062-II), POM-1902. A, exceptional copy! [Less-than-thrilled with her final note, Calvé emits ‘Ah, mon Dieu!’ after the very end!] MB 35 “…in coming up to the final high note [above], Calvé had a small but noticeable disaster….This time Calvé's performance was still more intense. There was more dancing, and then the final phrase...emerged precisely as it had done before. 'Ah, Mon Dieu!' exclaimed Calvé through her teeth, and these words were also recorded. After that, they gave up on Carmen." - Jerrold Northrop Moore, A MATTER OF RECORDS, pp.73-74 J0490. EMMA CALVÉ: CARMEN - En vain pour éviter / Habañera (1920 Version). 11¾” green H & D Pathé 0273 (2313/2292), Recorded 1920, only form of issue, Sd.1. A/M-A, beautiful copy has, Sd.1 only, faint rubs, inaud. MB 25 J0491. EMMA CALVÉ: CARMEN - En vain pour éviter / Habañera (1920 Version). 11¾” green H & D Pathé 0273 (2313/2292) (Late pressing), Recorded 1920, only form of issue, Sd.1. A to M-A, beautiful copy of late issue. MB 25 “For whatever reason, [Calvé] had never previously recorded the Carmen ‘Air des cartes’, and here for Pathé she delivers a dark and brooding interpretation that goes well beyond the nice ‘vocalization’ of most of her recordings and gives, for once, a suggestion of the dramatic intensity for which she was so famous.” - Victor Girard, notes to Marston’s Calvé CD J0492. EMMA CALVÉ: CARMEN – Chanson bohème / CAVALLERIA – Voi lo sapete (in French). 11¾” black H & D Pathé 0274 (2304/2293), recorded 1920. A to M-A MB 25 J0493. EMMA CALVÉ & CHARLES DALMORES: CARMEN - Là-bas dans la montagne. 12” Pat.'12 Vla 89019, POM-20 March, 1908, Never Doubled, USA. M-A, choice copy has wee rub, inaud. MB 12 J0494. BLANCHE MARCHESI: L’Été (Chaminade) / Queen Anne Boleyn in prison (O death, rock me asleep) (arr. Dolmetsch). 10" silver AC / Orth Victor IRCC 97, RR, 1906 / POM-1936. Numbered Copy #87 of Limited Edition, Sd.1 label is Autographed by Marchesi, to which her photo is affixed. [The Chaminade song is a fabulous tour-de-force!] M-A MB 75 "In 1906, Mme Marchesi made some records for the HMV Company in Berlin; the matrices were destroyed the same year in submission to an ultimatum of Nellie Melba - a dark chapter in the story of recorded song....Then, after a lapse of thirty years, Mme Marchesi returned to the HMV Studios to make three records, already historic....The records which [she] has recently made in London represent the first major triumph of the record collectors....There is thus preserved for us the most important link in that chain which constitutes the history of recent song, a chain that leads back through the grandure of the Golden Age directly to Manuel Garcia." - Stephen Fassett, HOBBIES, Feb., 1937 J0495. ANNA TARIOL-BAUGÉ: LA CRUCHE CASSÉE – Chanson espagnole (Vasseur). 10” black Paris G & T G.C.- 33580 (9095u), POM-1905. A-, lovely copy has very occasional lt. rub & tiny ndl cut, momentarily ltly. audible. MB 12 J0496. ANNA TARIOL-BAUGÉ: BARBE-BLEUE – Couplets de Boulotte / LAGRANDE DUCHESSE DE GÉROLSTEIN – Dite-lui (Offenbach). 10” black Disque Gram. G.C.- 33809/08 (6531h/14101u), POM-19 / 25 Nov.,1908. M-A, a fabulous copy! MB 20 J0497. ANNA TARIOL-BAUGÉ: LE GRAND MOGOL - Sois Gentil mon petit mari (Audran) / LES RENDEZ VOU STRASBOURGEOIS – Couplets de Bertha (Cuvillier). 10” dark-green Paris Zonophone X-83279/82 (6530/33h), POM-19 Oct.,1908. A to M-A, fabulous copy has harmless sl.warp. MB 12 J0498. ANNA TARIOL-BAUGÉ: LE PETIT DUC – La leçon de chant / La leçon de solfège / (Lecocq). 10” dark-green Paris Zonophone X-83297/98 (14097/98u), POM-25 Nov.,1908. M-A, fabulous copy has harmless sl.warp; Sd.1 only has faintest rubs, positively inaud. MB 15
10” black Disque Gram. G.C.-83297/98 (14097/98u), POM-25 Nov.,1908. A to M-A, lovely copy has faintest rubs, positively inaud.; Sd.1 has pressing bump, very ltly audible. MB 10
(14521/20u), POM-30 March,1909. A to M-A, lovely copy has, Sd.1 only, lt.label scrs. MB 15 J0501. ANNA TARIOL-BAUGÉ & ALFRED DAMBRINE: LE JOUR ET LA NUIT – Nous sommes deux amoureux (1906 Version) (Lecocq) / CHARLUS: L’Invalide belge (recitation) (Delormel & Garnier). 10” dark-green Paris Zonophone X-84004/81102 (6003/6033o), POM-1906. A-, lovely copy has harmless sl.warp; Sd.2 primarily has lt. rubs, inaud. MB 10 J0502. ANNA TARIOL-BAUGÉ & ALFRED DAMBRINE: LE JOUR ET LA NUIT – Nous sommes deux amoureux (1909 Version) (Lecocq) / ALIX MARTELL & MARTHE BAKKERS (as Mme CEZAC): LES BRIGANDS – Duetto du notaire (Offenbach). 10” black Disque Gram. G.C.-34269/68 (14519/15847u), POM-30 March,1909 / 7 June, 1910. M-A, a fabulous copy! MB 20 J0503. ANNA TARIOL-BAUGÉ & ALEXIS BOYER: LE COEUR ET LA MAIN – Par toi, divine créature (Lecocq) / LE GRAND MOGOL – Dans ce beau palais (Audran) 10” black Disque Gram. G.C.-34179/80 (6691/90), POM-1907. A to M-A, a fabulous copy! MB 20 “Tariol-Baugé began her career at the Grand Théâtre in Bordeaux. Here she appeared in CARMEN, MIGNON, WERTHER and FAUST. She made guest appearances in Russia and began to appear with great success in operettas. She toured through the French provinces and North Africa. She made her début at the Nouveau Théâtre in Paris in Suppé’s BOCCACCIO and had a sensational success. After her appearance at the Théâtre Eldorado in Paris, she became the big star of the Théâtre des Bouffes Parisiens. Here she took over in the premieres of operettes. Her career reached its climax when she created the role of Agathe in Messager’s VÉRONIQUE at Théâtre des Bouffes Parisiens, Paris, on 10 December 1898, then the part of Fiorella in Offenbach’s LES BRIGANDS in 1900 at the Théâtre des Variétés in Paris. In 1925 she sang at the Opéra-Comique in Paris in its première of VÉRONIQUE (together with her son, André). - Ashot Arkelyan J0504. JULIETTE SIMON-GIRARD & DELVOYE: LA MASCOTTE – Duo des dindons (Audran). 10” black Paris G & T 34018 (1918-P), Original Stamper, only form of issue, 1903. M-A, an outstanding copy; uncommonly bright label. MB 20
10” red PW French Col. D 12022 (C-3/4), POM-3 Dec., 1926. M-A MB 15 J0506. YVONNE GEORGE (Chanteuse), w.Georges van Parys (Pf.): C'est pour ça qu'on s'aime (Borel-Clerc) / w.Armand Bernard Cond.: L'autre (Lenoir). 10” dark-blue PW French Col. D 19093 (L 1136/53), POM-7 / 10 June, 1928. M-A MB 15
11½" H & D brown paper label label Pathé 3022 [1626/27], recorded 1908, Paris. M-A, choice copy. MB 25 J0509. ALBERT ALVAREZ: FAUST – Salut, demeure / Ô, mon dernier matin. 11½" H & D center-start etched label Pathé 0241/0244 [22066/54774], recorded 1905, Paris, announced. M-A, choice copy has, end Sd.1 only, faint grey. MB 25
11½" H & D center-start etched label Pathé 1628/1644 [38238/38981], recorded 1903, Paris, announced. A-, fine copy has faintest rubs, inaud.; Sd 1 only has superficial dust scrabble, inaud. MB 25
11½" H & D center-start etched label Pathé 1636/1656 [22774/10650], recorded 1903, Paris, announced. M-A, as New! MB 35 J0512. ALBERT ALVAREZ: PAGLIACCI – Entrata di Pagliaccio / Povero Pagliaccio (in French) 11½" H & D black paper label label Pathé 61 [1656/38], recorded 1903, Paris. M-A, choice copy. MB 25 J0513. ALBERT ALVAREZ: L’AFRICAINE – O Paradis! / OTELLO – Ora e per sempre addio. 10" PW silver Victor IRCC 178, RRs, 1903. Numbered Copy #24 of an extremely Limited Edition; Sd.1 label has Alvarez’s Photo affixed. M-A MB 12 “Albert Alvarez studied with Martini and made his début (1887) in Ghent as Faust, a role he reprised for his Paris Opéra début in 1892. He created more than ten roles for that house including Mirka in Augusta Holmès’ LA MONTAGNE NOIRE in 1895, Walther in (MEISTERSINGER) in 1897, Manrique (LE TROUVÉRE), Tristan in 1904, and Nicias in the world premiere of THAÏS (1894). In the 1899-1903 seasons he appeared at the Metropolitan Opera in New York.” - Historic Opera J0514. LÉON CAMPAGNOLA: SIGURD – Esprits gardiens (Reyer). 12” red Pat.’12 V 74297, Orig. ‘A’ Plate Issue, POM-10 July, 1911. Never listed in a North American Catalogue. Most elusive! M-A MB 15 J0515. LÉON CAMPAGNOLA: SIGURD – Esprits gardiens (Reyer) / CARMEN – Air de la fleur. 12” lilac Disque Gram. 032199/96, POM-10 July / 16 June, 1911. A-, fine copy has very lt. rubs, inaud. MB 10 J0516. LÉON CAMPAGNOLA: SIGURD – J’ai gardé mon âme / Un souvenir poignant (Reyer). 10” lilac Disque Gram. U 11, POM-27 Nov., 1911 / 30 Oct., 1912. A to M-A, leaning M-A, choice copy! MB 12 J0517. LÉON CAMPAGNOLA: DIE WALKÜRE – Winterstürme / Siegmund heiss’ ich (in French). 10” lilac Disque Gram. U 8, POM-14 / 21 Feb., 1922. A to M-A MB 12 J0518. LÉON CAMPAGNOLA: MANON LESCAUT - Donna non vidi mai / Ah! Manon, mi tradisce (in French). 10” black Schall.Gram.F.2015/14, POM-11 / 5 Dec., 1911. A to M-A, gorgeous copy has nr on Sd.2 label. MB 12 J0519. LÉON CAMPAGNOLA: L’AFRICAINE – O Paradis! / MARTHA – M’appari (in French). 10” lilac Disque Gram. G-C.4-32277/78, POM-21 / 26 Oct., 1911. A to M-A, leaning M-A, choice copy! MB 12 J0520. LÉON CAMPAGNOLA: MANON – Le rêve / PAGLIACCI – Non, pagliacco non son! (in French). 11” green paper label H & D Pathé 0291, only form of issue, 1919. A-, fine copy has occasional faint pap.scr, inaud. MB 12 J0521. LÉON CAMPAGNOLA: TOSCA – O dolci mani / LÉON CAMPAGNOLA & DANIEL VIGNEAU: LA BOHEME – O Mimi, tu più non torni (both in French). 10” lilac Disque Gram. U 9, POM-5 Dec. / 17 Nov.,1911. A to M-A, lovely copy has lt. rubs, inaud.; Sd.2 has faint, ltly audible scr. [Notably lyrical & beautiful renditions!] MB 8 J0522. LÉON CAMPAGNOLA & BERTHE CÉSAR: MANON – J’éris à mon père / Adieu, notre petit table. 10” lilac Disque Gram. U 22, POM-3 Nov., 1911. A to M-A, lovely copy has faint rubs, inaud.; very beg.Sd.1 has a few ‘stressed’ grooves, thus a noisy start, but not affecting voices. MB 8 J0523. LÉON CAMPAGNOLA & BERTHE CÉSAR: MANON – Et je sais votre nom / Non, votre liberté ne sera pas ravie. 12” blue Victor 55086, POM-2 Nov., 1911. A to M-A, lovely copy has, very beg.Sd.1 minuscule edge scr, inaud. MB 12
12” dark-blue Canadian HMV Victor 55089, POM-31 Oct., 1911. A to M-A MB 12 J0525. LÉON CAMPAGNOLA & JOAQUIN CERDAN: FAUST – Mais ce Dieu, que peut-il pour moi; À moi les plaisirs, 2s. 12” blue Victor 55087, RR-4 Nov., 1911. M-A MB 12 J0526. LÉON CAMPAGNOLA: WERTHER – J’aurais sur ma poitrine / La Mort de Werther. 10” lilac Disque Gram. U 8, POM-8 / 14 Nov., 1911. A to M-A MB 12 J0527. LÉON CAMPAGNOLA: RIGOLETTO – La donna è mobile / Questa o quella (in French). 10” blue Victor 45118, POM-8 / 12 July, 1911. M-A MB 10 J0528. LÉON CAMPAGNOLA: RIGOLETTO – La donna è mobile / Questa o quella (in French). 10” lilac Disque Gram. U 3, POM-8 / 12 July, 1911. A to M-A, choice copy has incipient hlc, primarily Sd.1. MB 8 J0529. LÉON CAMPAGNOLA: TOSCA – Recondita armonia / E lucevan le stelle (in French). 10” lilac Disque Gram. U 5, POM-9 July / 4 Nov., 1911. A to M-A MB 10 J0530. LÉON CAMPAGNOLA: LA FAVORITE – Un ange, une femme inconnue / Ange si pur. 10” lilac Disque Gram. U 4, POM-11 / 13July, 1911. A to M-A MB 10 J0531. LÉON CAMPAGNOLA: LA FAVORITE – Un ange, une femme inconnue / Ange si pur. 10” blue Victor 45119, POM-11 / 13July, 1911. M-A, pristine copy has wee nr, Sd.2 label. MB 8 J0532. LÉON CAMPAGNOLA: CAVALLERIA – O Lola (Siciliana) / Viva il vino (in French) 10” lilac Disque Gram. U 6, POM-3 / 30 Oct., 1911. A to M-A MB 10 “Léon Campagnola, originally a baritone who converted to tenor while undertaking further studies in Paris, was called by the critics of his time 'The French Caruso'. Campagnola made his début at Versailles in 1903 as Vincent in MIREILLE by Gounod. He spent the next five years in Belgium, moving to France in 1908 where he débuted at l’Opéra in 1910 as Roméo. He remained at that house (singing David in DIE MEISTERSINGER, the Duke in RIGOLETTO, Armel in Chabrier’s GWENDOLINE, and Faust) until 1913 in which year he sang Gennaro in the French première of Wolf-Ferrari’s I GIOIELLI DELLA MADONNA. He then appeared in several French provincial houses and in Chicago, Boston and Los Angeles where he sang with Mary Garden in Charpentier’s JULIEN.” -Zillah Dorset Akron J0533. CHARLES DALMORÈS: Bonjour, Suzon! (Delibes). 10” Pat.’12 Vla 87119, only form of issue, 28 Oct., 1912. M-A MB 15 J0534. CHARLES DALMORÈS: Je t’aime (Massenet). 10” Pat.’12 Vla 87120, only form of regular issue, 28 Oct., 1912, Orig. ‘A’ Plate Issue; this appeared otherwise only as the rare gold HRS private issue. M-A MB 15 J0535. CHARLES DALMORÈS: Je t’aime (Massenet) / SAMSON ET DALILA – Arrêtez, o mes frères. 10” gold Victor HRS 1054, POM-28 Oct., 1912 / 30 Oct., 1911. Numbered Copy #12 of an extraordinarily Limited Edition. A to M-A, lovely copy has faintest rubs, inaud. MB 35
M-A, pristine copy has pinpoint pressing bump at very end only in orchestra’s final chord. MB 10 J0537. CHARLES DALMORÈS: LE PROPHÈTE – Roi du ciel / SAMSON ET DALILA – Arrêtez, o mes frères. 10” mauve & gold HMV AGSA 15, POM-25 March,1908 / 30 Oct., 1911, Sd. 1 Unpublished. MINT MB 10 J0538. CHARLES DALMORÈS: LES CONTES D’HOFFMANN – C’est elle! (1908 Version). 10” Pat.’08 [5 line] Vla 81088, POM-25 March, 1908, ‘Take’ 1, of two issued ‘takes’; believed not to have been issued in this format! M-A MB 20 J0539. CHARLES DALMORÈS: LES CONTES D’HOFFMANN – C’est elle! (1911 Version). 10” Pat.’08 [3 line] Vla 87089, POM-26 Oct., 1911. ‘Take’ 3, of two issued ‘takes’. M-A MB 12 J0540. CHARLES DALMORÈS: LOHENGRIN – Atmest Du nicht. 10” Vla 87088, POM-26 Oct., 1911. A to M-A, lovely copy has pinpoint pressing bump, momentarily ltly audible. MB 8 J0541. CHARLES DALMORÈS: CARMEN – La fleur que tu m’avais jetée (1907 Version) / GERALDINE FARRAR: MADAMA BUTTERFLY – Un bel dì. 12” V 18141, POM-3 April, 1907 / 2 Oct.,1909. MINT MB 6 J0542. CHARLES DALMORÈS: CARMEN – La fleur que tu m’avais jetée / ROMÉO – Ah! lève-toi, soleil! (1912 Versions). 12” red vinyl RCA Heritage DeLuxe 15-1013, POM-25 / 28 Oct., 1912. MINT MB 6 J0543. CHARLES DALMORÈS: IL TROVATORE – Ah! sì ben mio / GRISÉLIDIS – Ouvrez-vous sur mon front (Massenet). 12” mauve & gold HMV AGSB 9, POM-12 April, 1907 / 25 Oct., 1912. MINT MB 8 "…[Dalmorès’] style is exemplary, and the phrasing and attack that of a consummate musician. He also supplies the written trill in the TROVATORE excerpt – a vital component of the aria, but largely ignored by contemporary tenors….” - Vivian Liff, CLASSIC RECORD COLLECTOR, Spring, 2001 J0544. ÉMILE SCARAMBERG: MANON – Ah! fuyez / LA REINE DE SABA – Inspirez-moi (Gounod). 10½” Paris Fonotipia 39174/80 (XPh 641/656). A, exceptional copy has very lt.rubs & hint of grey on peaks, endemic to his records; very beg.Sd.1 has minuscule scr, ltly audible merely a very few turns. MB 65 J0545. ÉMILE SCARAMBERG: WERTHER – Pourquoi me réveiller? / MIREILLE – Anges du Paradis. 10½” Paris Fonotipia 39186/89 (XPh 760-3/686). A-, lovely copy has very lt.rubs & hint of grey on peaks, endemic to his records; various minuscule pressing ‘bubbles’ are harmless. MB 65
10½” Paris Fonotipia 39187/76 (XPh 661/672). A-B, very decent copy has minuscule dust scr, end Sd.1; Sd.2 has nd & short nr at very beg., audible in piano introduction, into Scaramberg’s initial note. Otherwise a bright copy. MB 45 J0547. ÉMILE SCARAMBERG: ROMÉO – Ah! lève-toi, soleil! / CAVALLERIA – O Lola (Siciliana) (in French). 10½” Paris Fonotipia 39172/75 (XPh 640-2/665-3). B/A-, very decent copy has faint rubs, inaud.; Sd.1 only has sev. audible lt.scrs. MB 45
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