BOY’S LIFE
by Howard Korder
Phil, slightly neurotic, discusses his latest obsession with a girl and his feeling that he is "waiting for something to happen." Phil, an anxious and nervous self-dramatizer, regularly meets with his college friends to complain about his lack of success in meeting the right girl. Here, he shares the latest chapter in his unsuccessful pursuits with his best friend Jack and describes the brief fling he recently had with the equally neurotic Karen.
PHIL: I would have destroyed myself for this woman. Gladly. I would have eaten garbage. I
would have sliced my wrists open. Under the right circumstances, I mean, if she said, "Hey,
Phil, why don't you just cut your wrists open?" Well, come on, but if seriously... We clicked, we
connected on so many things, right off the bat, we talked about God for three hours once. I
don't know what good it did, but that intensity... and the first time we went to bed, I didn't even
touch her. I didn't want to, understand what I'm saying? And you know, I played it very casually,
because, all right, I've had some rough experiences, I'm the first to admit, but after a couple
weeks I could feel we were right there, so I laid it down, everything I wanted to tell her, and...
and she says to me, she says... "Nobody should ever need another person that badly." Do you
believe that? "Nobody should ever...!" What is that? Is that something you saw on TV? I put my
heart on the table, you give me Dr. Joyce Brothers? "Need, need," I'm saying I love you, is that
so wrong? Is that not allowed anymore? (Pause.) And so what if I did need her? Is that so bad?
All right, crucify me, I needed her! So what! I don't want to be by myself, I'm by myself I feel
like I'm going out of my mind, I do. I sit there, I'm thinking forget it, I'm not gonna make it
through the next ten seconds. I just can't stand it. But I do, somehow, I get through the ten
seconds, but then I have to do it all over again, cause they just keep coming, all these...
Seconds, floating by, while I'm waiting for something to happen, I don't know what, a car wreck,
a nuclear war or something, that sounds awful but at least there'd be this instant when I'd know
I was alive. Just once. Cause I look in the mirror, and I can't believe I'm really there. I can't
believe that's me. It's like, my body, right, is the size of, what, the Statue of Liberty, and I'm
inside it, I'm down in one of the legs, the gigantic hairy leg, I'm scraping around inside my own
foot like some tiny fetus. And I don't know who I am or where I'm going. And I wish I'd never
been born. (Pause.) Not only that, my hair is falling out, and that really sucks.
THE LARAMIE PROJECT
by Moises Kaufman and the members of the Tectonic Theater Project
A straight Wyoming Theatre major wrestles with issues of family and morality.
JEDADIAH: I've lived in Wyoming my whole life. The family has been in Wyoming, well... for generations.
Now when it came time for me to go to college, my parents can't - couldn't afford to send me to college. I wanted to study theatre. And I knew that if I was going to go to college, I was going to have to get on a
scholarship - and so, they have this competition each year, this Wyoming state high school competition. And I knew that if I didn't take first place in, uh, duets that I wasn't going to get a scholarship. So I went to the theatre department of the university, looking for good scenes, and I asked one of the professors - I was like, "I need - I need a killer scene," and he was like, "Here you go, this is it." And it was from Angels in America. So I read it, and I knew that I could win best scene if I did a good enough job.
And when the time came, I told my mom and dad so that they would come to the competition. Now you haveto understand, my parents go to everything - every ball game, every hockey game - everything I've ever done. And they brought me to their room, and told me that if I did that scene, that they would not come to see me in the competition. Because they believed that it is wrong - that homosexuality is wrong - they felt that strongly about it that they didn't want to come see their son do probably the most important thing he'd done to that point in his life. And I didn't know what to do. I had never gone against my parents' wishes. So I was kind of worried about it. But I decided to do it. And all I can remember about the competition is that when we were done, me and my scene partner, we came up to
each other and we shook hands and there was a standing ovation. Oh, man, it was amazing! And we took first place, and we won. And that's how I can afford to be here at the university, because of that scene. It was one of the best moments of my life. And my parents weren't there. And to this day, that was the one thing that my parents didn't see me do. And thinking back on it, I think, why did I do it? Why did I oppose my parents? 'Cause I'm not gay. So why did I do it? And I guess the only honest answer I can give is that, well, I wanted to win.
From Huckleberry Finn
By Mark Twain
HUCK: Miss Watson told me to pray every day, and whatever I asked for I would get it. But it warn't so. I tried it. Once I got a fish-line, but no hooks. It warn't any good to me without hooks. I tried for the hooks three or four times, but somehow I couldn't make it work. By and by, one day, I asked Miss Watson to try for me, but she said I was a fool. She never told me why, and I couldn't make it out no way. I set down one time back in the woods, and had a long think about it. I says to myself, if a body can get anything they pray for, why don't Deacon Winn get back the money he lost on pork? Why can't the widow get back her silver snuffbox that was stole? Why can't Miss Watson fat up? No, says I to my self, there ain't nothing in it. I went and told the widow about it, and she said the thing a body could get by praying for it was "spiritual gifts." This was too many for me, but she told me what she meant--I must help other people, and do everything I could for other people, and look out for them all the time, and never think about myself. This was including Miss Watson, as I took it. I went out in the woods and turned it over in my mind a long time, but I couldn't see no advantage about it--except for the other people; so at last I reckoned I wouldn't worry about it any more, but just let it go.
A Separate Peace
By John Knowles
Everyone has a moment in history which belongs particularly to him. It is the moment when his emotions achieve their most powerful sway over him, and afterward when you say to this person “the world today” or “life” or “reality” he will assume that you mean this moment, even if it is fifty years past. The world, through his unleashed emotions, imprinted itself upon him, and he carries the stamp of that passing moment forever.
For me, this moment—four years is a moment in history—was the war. The war was and is reality for me, I still instinctively live and think in its atmosphere. These are some of its characteristics: Franklin Delano Roosevelt is the President of the United States, and he always has been. The other two eternal world leaders are Winston Churchill and Josef Stalin. America is not, never has been, and never will be what the songs and poems call it, a land of plenty. Nylon, meat, gasoline, and steel are rare. There are too many jobs and not enough workers. Money is very easy to earn but rather hard to spend, because there isn’t very much to buy. Trains are always late and always crowded with “servicemen.” The war will always be fought very far from America and it will never end. Nothing in America stands still for very long, including the people, who are always either leaving or on leave. People in America cry often.
A Separate Peace
By John Knowles
Sixteen is the key and crucial and natural age for a human being to be, and people of all other ages are ranged in an orderly manner ahead of and behind you as a harmonious setting for the sixteen-year-olds of this world. When you are sixteen, adults are slightly impressed and almost intimidated by you. This is a puzzle, finally solved by the realization that they foresee your military future, fighting for them. You do not foresee it. To waste anything in America is immoral. String and tinfoil are treasures. Newspapers are always crowded with strange maps and names of towns, and every few months the earth seems to lurch from its path when you see something in the newspapers, such as the time Mussolini, who had almost seemed one of the eternal leaders, is photographed hanging upside down on a meathook. Everyone listens to news broadcasts five or six times every day. All pleasurable things, all travel and sports and entertainment and good food and fine clothes, are in the very shortest supply, always were and always will be. There are just tiny fragments of pleasure and luxury in the world, and there is something unpatriotic about enjoying them. All foreign lands are inaccessible except to servicemen; they are vague, distant, and sealed off as though behind a curtain of plastic. The prevailing color of life in America is a dull, dark green called olive drab. That color is always respectable and always important. Most other colors risk being unpatriotic.
A Separate Peace
By John Knowles
Yes, he had practically saved my life. He had also practically lost it for me. I wouldn’t have been on that damn limb except for him. I wouldn’t have turned around, and so lost my balance, if he hadn’t been there. I didn’t need to feel any tremendous rush of gratitude toward Phineas.
The Super Suicide Society of the Summer Session was a success from the start. That night Finny began to talk abstractedly about it, as though it were a venerable, entrenched institution of the Devon School. The half-dozen friends who were there in our room listening began to bring up small questions on details without ever quite saying that they had never heard of such a club. Schools are supposed to be catacombed with secret societies and underground brotherhoods, and as far as they knew here was one which had just come to the surface. They signed up as “trainees” on the spot.
We began to meet every night to initiate them. The Charter Members, he and I, had to open every meeting by jumping ourselves. This was the first of the many rules which Finny created without notice during the summer. I hated it. I never got inured to the jumping. At every meeting the limb seemed higher, thinner, the deeper water harder to reach. Every time, when I got myself into position to jump, I felt a flash of disbelief that I was doing anything so perilous. But I always jumped. Otherwise I would have lost face with Phineas, and that would have been unthinkable.
A Separate Peace
By John Knowles
“The real reason, sir, was that we just had to jump out of that tree. You know that tree …”
I knew, Mr. Prud’homme must have known, Finny knew, if he stopped to think, that jumping out of the tree was even more forbidden than missing a meal.
“We had to do that, naturally,” he went on, “because we’re all getting ready for the war. What if they lower the draft age to seventeen? Gene and I are both going to be seventeen at the end of the summer, which is a very convenient time since it’s the start of the academic year and there’s never any doubt about which class you should be in. Leper Lepellier is already seventeen, and if I’m not mistaken he will be draftable before the end of this next academic year, and so conceivably he ought to have been in the class ahead, he ought to have been a senior now, if you see what I mean, so that he would have been graduated and been all set to be drafted.
“But we’re all right, Gene and I are perfectly all right. There isn’t any question that we are conforming in every possible way to everything that’s happening and everything that’s going to happen. It’s all a question of birthdays, unless you want to be more specific and look at it from the sexual point of view, which I have never cared to do myself, since it’s a question of my mother and my father, and I have never felt I wanted to think about their sexual lives too much.”
Everything he said was true and sincere; Finny always said what he happened to be thinking, and if this stunned people then he was surprised.
A Separate Peace
By John Knowles
It was partly his doing.
The Devon faculty had never before experienced a student who combined a calm ignorance of the rules with a winning urge to be good, who seemed to love the school truly and deeply, and never more than when he was breaking the regulations, a model boy who was most comfortable in the truant’s corner. The faculty threw up its hands over Phineas, and so loosened its grip on all of us.
But there was another reason. I think we reminded them of what peace was like, we boys of sixteen. We were registered with no draft board, we had taken no physical examinations. No one had ever tested us for hernia or color blindness. Trick knees and punctured eardrums were minor complaints and not yet disabilities which would separate a few from the fate of the rest. We were careless and wild, and I suppose we could be thought of as a sign of the life the war was being fought to preserve. Anyway, they were more indulgent toward us than at any other time; they snapped at the heels of the seniors, driving and molding and arming them for the war. They noticed our games tolerantly. We reminded them of what peace was like, of lives which were not bound up with destruction.
A Separate Peace
By John Knowles
We reached the others loitering around the base of the tree, and Phineas began exuberantly to throw off his clothes, delighted by the fading glow of the day, the challenge of the tree, the competitive tension of all of us. He lived and flourished in such moments.
“Let’s go, you and me,” he called. A new idea struck him. “We’ll go together, a double jump! Neat, eh?”
None of this mattered now; I would have listlessly agreed to anything. He started up the wooden rungs and I began climbing behind, up to the limb high over the bank. Phineas ventured a little way along it, holding a thin nearby branch for support.
“Come out a little way,” he said, “and then we’ll jump side by side.”
The countryside was striking from here, a deep green sweep of playing fields and bordering shrubbery, with the school stadium white and miniature-looking across the river. From behind us the last long rays of light played across the campus, accenting every slight undulation of the land, emphasizing the separateness of each bush.
Holding firmly to the trunk, I took a step toward him, and then my knees bent and I jounced the limb. Finny, his balance gone, swung his head around to look at me for an instant with extreme interest, and then he tumbled sideways, broke through the little branches below and hit the bank with a sickening, unnatural thud. It was the first clumsy physical action I had ever seen him make. With unthinking sureness I moved out on the limb and jumped into the river, every trace of my fear of this forgotten.
A Separate Peace
By John Knowles
“I’ve been writing to the Army and the Navy and the Marines and the Canadians and everybody else all winter. Did you know that? No, you didn’t know that. I used the Post Office in town for my return address. They all gave me the same answer after they saw the medical report on me. The answer was no soap. We can’t use you. I also wrote the Coast Guard, the Merchant Marine, I wrote to General de Gaulle personally, I also wrote Chiang Kai-shek, and I was about ready to write somebody in Russia.
“Why do you think I kept saying there wasn’t any war all winter? I was going to keep on saying it until two seconds after I got a letter from Ottawa or Chungking or someplace saying, ‘Yes, you can enlist with us.’ Then there would have been a war. So don’t you dare tell me, ‘Phineas, you wouldn’t be any good in the war, even if nothing had happened to your leg.’”
A Separate Peace
By John Knowles
Finny . . .Phineas, you wouldn’t be any good in the war, even if nothing had happened to your leg.
They’d get you some place at the front and there’d be a lull in the fighting, and the next thing anyone knew you’d be over with the Germans or the Japs, asking if they’d like to field a baseball team against our side. You’d be sitting in one of their command posts, teaching them English. Yes, you’d get confused and borrow one of their uniforms, and you’d lend them one of yours. Sure, that’s just what would happen. You’d get things so scrambled up nobody would know who to fight any more.
You’d make a mess, a terrible mess, Finny, out of the war.”
A monologue from the film "Ferris Bueller's Day Off" by John Hughes
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Character: Ferris Bueller
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Gender: Male
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Age Range(s): Teenager (13-19)
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Type of monologue / Character is: Persuasive, Descriptive, Introduction to story, Talking to the audience
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Type: Dramatic
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Year: 1986
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Period: 20th Century
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Genre: Comedy
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Description: Ferris Bueller's intro monologue
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Location: 1 minutes into the film
Ferris Bueller: "The key to faking out the parents is the clammy hands. It's a good non-specific symptom. A lot of people will tell you that a phony fever is a dead lock, but if you get a nervous mother, you could land in the doctor's office. That's worse than school. What you do is, you fake a stomach cramp, and when you're bent over, moaning and wailing, (confidentally) you lick your palms. It's a little childish and stupid, but then, so is high school.
I did have a test today. That wasn't bullshit. It's on European socialism. I mean, really, what's the point? I'm not European, I don't plan on being European, so who gives a crap if they're socialist? They could be fascist anarchists - that still wouldn't change the fact that I don't own a car. Not that I condone fascism, or any ism for that matter. Isms in my opinion are not good. A person should not believe in an ism - he should believe in himself. I quote John Lennon: "I don't believe in Beatles - I just believe in me." A good point there. Of course, he was the Walrus. I could be the Walrus - I'd still have to bum rides off of people. "
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