Coordination of Ideas and Styles in the Western Musical Tradition with Oxford Anthology of Western Music



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Coordination of Ideas and Styles in the Western Musical Tradition with Oxford Anthology of Western Music, vol. 3 (OAWM 3)



Ideas and Styles chapter

Page(s)

Piece

OAWM 3

21

371-73

Gustav Mahler, First Symphony, Third movement

1

21

371-73

Gustav Mahler, Fifth Symphony, Fourth movement, Adagietto

2

22

389-91

Richard Strauss, Salome, Last scene

3

22

394-95

Arnold Schoenberg, Sechs kleine Klavierstücke (Six Little Piano Pieces), Op. 19, No. 6

4a

22

393-96

Anton Webern, Sechs Bagatellen für Streichquartet (Six Bagatelles for String Quartet), Op. 9, No. 5

5

22

393-96

Anton Webern, Fünf Stücke für Orchester (Five Pieces for Orchestra), Op. 10, No. 4

6

22

394-95

Arnold Schoenberg, Pierrot lunaire (Moonstruck Pierrot), Op. 21: No. 1, “Mondestrunken” (Moondrunk)

7a

22

394-95

Arnold Schoenberg, Pierrot lunaire (Moonstruck Pierrot), Op. 21: No. 18, “Der Mondfleck” (The Moonspot)

7b

22

384-89

Claude Debussy, Children’s Corner: “Golliwogg’s Cakewalk”

8

23

411-12

Erik Satie, Trois Sarabandes (Three Sarabandes), Sarabande 1

9

22

384-89

Claude Debussy, Pour le piano (For the piano), Second movement, Sarabande

10

22

384-89

Claude Debussy, Préludes, Book 1, “Voiles”

11

22

384-89

Claude Debussy, Pelléas et Mélisande, Act 4, Scene 4

12

21

369-70

Gabriel Fauré, La bonne chanson (The Good Song), Op. 61, No. 1

13

22

388

Lili Boulanger, Pie Jesu

14

22

391-93

Igor Stravinsky, The Rite of Spring: Introduction

15a

22

391-93

Igor Stravinsky, The Rite of Spring: “The Augurs of Spring (Dances of the Young Girls)”

15b

22

391-93

Igor Stravinsky, The Rite of Spring: “Dance of the Earth”

15c

22

391-93

Igor Stravinsky, The Rite of Spring: “Sacrificial Dance (The Chosen One)”

15d

21

379-80

Jean Sibelius, The Swan of Tuonela, Op. 22, No. 3

16

21

379-80

Ralph Vaughan Williams, Fantasia on a Theme of Thomas Tallis

17

23

416-19

Béla Bartók, Fourteen Bagatelles: Bagatelle No. 4

18a

23

416-19

Béla Bartók, Fourteen Bagatelles: Bagatelle No. 2

18b

23

416-19

Béla Bartók, Dance Suite, Movements 1–4

19

23

416

Leoš Janáček, Po zarostlém chodníčku (On an Overgrown Path), “Lístek odvanutý” (A Blown-away Leaf)

20

21

373

Alexander Nikolayevich Scriabin, Vers la flame (Toward the Flame), Op. 72

21

22

396-98

Charles Ives, The Concord Sonata, Third movement, “The Alcotts”

22

22

396-98

Charles Ives, Three Places in New England, “Putnam’s Camp”

23

23

412-14

Igor Stravinsky, Octet for Wind Instruments: Tema con variazione

24a

23

412-14

Igor Stravinsky, Octet for Wind Instruments: Finale

24b

23

403-6

Arnold Schoenberg, Suite for Piano, Op. 25: Gavotte

25a

23

403-6

Arnold Schoenberg, Suite for Piano, Op. 25: Menuett/Trio

25b

23

403-6

Arnold Schoenberg, Suite for Piano, Op. 25: Gigue

25c

23

406-8

Alban Berg, Lyric Suite, Sixth movement, “Largo desolato” (Broken-hearted largo)

26

23

408-10

Anton Webern, Symphony, Op. 21, First movement

27

23

422-24

W. C. (William Christopher) Handy, “St. Louis Blues”

28

23

412, 424

Maurice Ravel, Violin Sonata, Second movement, “Blues”

29

23

422-24

Irving Berlin and Ted Snyder, “That Mysterious Rag”

30

23

424

George Gershwin, Rhapsody in Blue

31

23

411-12

Erik Satie, Parade: “Little American Girl”

32a

23

411-12

Erik Satie, Parade: “Ragtime of the Passenger Steamer”

32b

23

411-12

Darius Milhaud, Saudades do Brasil (Memories of Brazil),
“Ipanema,” Op. 67

33

23

421-22

Virgil Thomson, Susie Asado

34

23

415-16

Paul Hindemith, Kammermusik Nr. 1 (Chamber Music No. 1), First movement

35

22

395-96

Alban Berg, Wozzeck, Act 3

36

23

422-24

Kurt Weill, Die Dreigroschenoper (The Threepenny Opera): “Moritat vom Mackie Messer” (Ballad of Mack the Knife)

37a

23

422-24

Kurt Weill, Die Dreigroschenoper (The Threepenny Opera): Zweites Dreigroschenfinale (Second-Act Finale)

37b

23

419-21

Dmitry Shostakovich, Symphony No.5 in D Minor, Op. 47, Third movement, Largo

38

23

419-21

Sergey Prokofiev, Alexander Nevsky: Third movement (“The Crusaders of Pskov”)

39a

23

419-21

Sergey Prokofiev, Alexander Nevsky: Fourth movement (“Arise, People of Russia”)

39b

23

419-21

Sergey Prokofiev, Alexander Nevsky: Fifth movement (“Field of the Dead”)

39c

23

416-19

Béla Bartók, Concerto for Orchestra, Fourth movement, “Intermezzo interrotto” (Interrupted Intermezzo)

40

4, 23

47, 414-15

Carl Orff, Carmina Burana (Songs of Beuren): “O Fortuna” (No. 1)

41a

4, 23

47, 414-15

Carl Orff, Carmina Burana (Songs of Beuren): “Tempus est iocundum” (No. 22)

41b

4, 23

47, 414-15

Carl Orff, Carmina Burana (Songs of Beuren): “Dulcissime” (No. 23)

41c

23

424-426

Ruth Crawford Seeger, Prelude No. 6

42

23

424-26

Henry Cowell, The Tides of Manaunaun

43

22

396-98

Charles Ives, Three Quarter-Tone Pieces, No. 2, Allegro

44

23

421-22

Aaron Copland, Billy the Kid: “The Open Prairie”

45a

23

421-22

Aaron Copland, Billy the Kid: Excerpt from “Street in a Frontier Town”

45b

23

421-22

Samuel Barber, Adagio for Strings, Op. 11

46

23

411-12

Benjamin Britten, Peter Grimes, Act 3, Scene 2

47

24

431-32

Olivier Messiaen, Quatuor pour le fin du temps (Quartet for the End of Time): First movement, “Liturgie de cristal” (Liturgy of crystal)

48a

24

431-32

Olivier Messiaen, Quatuor pour le fin du temps (Quartet for the End of Time): Fifth movement, “Louange à l’éternité de Jésus”
(Praise to the eternity of Jesus)


48b

24

431-32

Olivier Messiaen, Quatuor pour le fin du temps (Quartet for the End of Time): Sixth movement, “Danse de la fureur, pour les sept trompettes”
(Dance of the fury, for the seven trumpets)


48c

24

431-32

Olivier Messiaen, Mode de valeurs et d’intensités (Scheme of Note Values and Dynamics)

49

24

431-32

Pierre Boulez, Structures, Ia

50

23

426

John Cage, Bacchanale for prepared piano

51

24

441-43

Morton Feldman, Rothko Chapel

52

24

431-32

Igor Stravinsky, Requiem Canticles: Lacrimosa

53a

24

431-32

Igor Stravinsky, Requiem Canticles: Libera me

53b

24

431-32

Igor Stravinsky, Requiem Canticles: Postlude

53c

24

431-32

Milton Babbitt, Composition for Four Instruments

54

24

431-32

Elliott Carter, First String Quartet, First movement, “Fantasia”

55

24

444-46

Steve Reich, Music for 18 Musicians

56

24

446-48

Philip Glass, Einstein on the Beach, Prologue and Knee Play 1

57

24

443-46

Arvo Pärt, Tabula Rasa (Clean slate), Second movement, “Silentium”

58

23

448-53

Leonard Bernstein, West Side Story, “Cool”

59

24

442-43

Luciano Berio, Sinfonia, Second Movement, O King

60

24

442-43

George Rochberg, Third String Quartet, Third movement

61

24

432-34, 439-40

George Crumb, Ancient Voices of Children, No. 4, “Todas las tardes en Granada, todas las tardes se muere un niño” (Each afternoon
in Granada, each afternoon a child dies) and “Ghost Dance”

62

24

442-44

Sofia Asgatovna Gubaidulina, In croce for organ and cello

63

24

442-44

Alfred Schnittke, Third String Quartet, First movement

64

24

446-48

John Adams, Nixon in China, “News, News”

65

24

442-44

Kaija Saariaho, L’amour de loin (Love from Afar),
Excerpt from Act 3

66


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