PARTICIPANT EXHIBITION DESCRIPTIONS
18th Street Arts Center
A Universal History of Infamy: Virtues of Disparity
As part of its collaboration with LACMA on A Universal History of Infamy—an exhibition focused on alternative artistic practices in Latin America and the U.S.—18th Street Arts Center will present A Universal History of Infamy: Virtues of Disparity, a companion exhibition that will present smaller-scale works that offer different perspectives on globalized contemporary art practice today. Virtues of Disparity is structured around themes of reproduction and deception. The works featured will investigate the shortcomings of different systems of writing and transcriptions and their contested relation to authenticity. 18th Street Arts Center is also hosting a series of residencies for artists and collectives—including Dolores Zinny and Juan Maidagan, Mapa Teatro, Naufus Ramirez-Figueroa, and NuMu—that will serve as the foundation for the larger A Universal History of Infamy project. The artists and collectives in residence will interact with local artists, schools, museums, and community-based organizations, in some cases giving rise to new site-specific works.
Support for artists' residencies: $60,000 (2014); Implementation and artists' residencies support: $100,000 (2015)
Caption: Gala Porras-Kim, Notes After G.M. Cowan 10, 2012. Wood, paper, graphite, ink, post-it. Courtesy of the artist.
The Academy of Motion Picture Arts and Sciences
From Latin America to Hollywood: Latino Film Culture in Los Angeles 1967–2017
The Academy of Motion Picture Arts and Sciences will present a series of film screenings, conversations with filmmakers, and online content exploring the shared influences of Latino and Latin American filmmakers and the work they created or presented in Los Angeles during the past half-century. From Latin America to Hollywood: Latino Film Culture in Los Angeles is centered on a period that began with the social, cultural, and political environment of the 1960s that sparked the Chicano and New Latin American cinema movements and extends to the present day. The Academy’s programming is grounded in its extensive series of oral histories with notable Latino and Latin American filmmakers. Their films will be presented together with public conversations about filmmaking and, in some cases, will premiere new Academy Film Archive restorations. The Academy’s programs will offer a rare opportunity for audiences to experience first-hand the perspectives of filmmakers including Gregory Nava, Lucrecia Martel, Edward James Olmos, and Alfonso Cuarón.
Exhibition research support: $100,000 (2013); Implementation and publication support: $150,000 (2015)
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