19th jihlava idff programme specials 4



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Doc-fi


Doc-fi expreses the conviction that the boundary between documentary and fi ction is porous, in fact that perhaps no such boundary exists at all – as shown by fi lms whose “otherness” alters our understadning of cinema.
Brother Dejan (Brother Dejan, Bakur Bakuradze, Russia, Serbia, 2015, 113 min); Eastern European Premiere

Goat (Goat, Ivan OstrochovskýCzech Republic, Slovakia, 2015, 75 min); distribution premiere

The Chronicles of Polyaris (The Chronicles of Polyaris, Christine Reeh, Portugal, Norway, Germany, 2015, 60 min); European Premiere

Reality TV


Reality.tv opens viewers‘ eyes to new television formats and presents the full range of current forms of crossover genres such as docudrama, docusoap, reality show, and mockumentary.
The Eichmann Show (The Eichmann Show, Feel Good Fiction, United Kingdom, 2015, 90 min)

Reality Trip (Reality Trip, TVF International, New Zealand, 2015, 45 min)
Workshop: Current TV Docudramas

A look at the most interesting western European docudramas from last season, along with an analysis of their structure, narrative approaches, and production requirements. The workshop will also include a brief historical excursion relating to this genre. The workshop will be led by Milan Kruml – media analyst with Czech Television and programmer of the Jihlava IDFF.


Slow TV – a phenomenon in Norway.
Thanks to Slow TV, viewers can experience a fun fair in real time. They get the feeling that they’re actually on the boat or train. The Slow TV phenomenon is the brainchild of Thomas Hellum, producer of award-winning Norwegian documentaries, and has worked at NRK (Norwegian Broadcasting Corporation), since 1992.

Czech Television Documentaries


Because of audience interest in its documentary work at past editions of the Jihlava IDFF, this year Czech Television is again presenting several of its films as part of the “Czech Television Documentaries” section. On Friday and Saturday at the Horácké Divadlo, festivalgoers can see documentaries produced by Czech Television, most of them made this year. The festival within a festival includes films from all of Czech Television’s documentary production groups at its Prague, Brno, and Ostrava studios. In addition to the various documentary films, the morning program also includes a selection from Czech Television’s latest documentary cycles and series.


Workshops


Workshops are a place where viewers can meet with filmmakers and their work, a studio where images say even more because we can see them, talk about them, and ask about the films.
Czech Underground Films of the 1980s

A selection of freshly restored Czech underground films focuses on the trio of artists Pablo De Sax, Karra, and Pigi. The 1980s in underground cinema is characterized by an attempt to create a parallel subculture as an alternateive existence, refl ecting the seemingly unreformable state of contemporary Czechoslovak society, but still allowing for a parallel zone for life on the edge. In this spirit, the work of the 1980s doesn’t create a strong confrontational framework of great history, but rather a peculiarly paradoxical form relating to contemporary realities, the iconography of Spartakiadas, and public celebrations.

Steve Sanguedolce: The Camera as Paintbrush

For nearly years, Canadian awardwinning experimental fi lmmaker Steve Sanguedolce has been hand-developing and hand-coloring motion picture fi lm to great acclaim. Just as painters might make their own pigments or photographers print their own prints, he has created his own color palette by applying color to the film’s emulsion. This lecture will screen Sangeudolce’s latest feature work in progress, Once, and talk about the creative process and what it means to make art film in a predominantly commercial environment.


The Vasulkas: Jimi Hendrix, Miles Davis and others

The programme presents black-andwhite recordings of private and public performances by the best interpreters of African-American culture during the early 1970s, with Jimi Hendrix and Miles Davis at the forefront. The recordings have been selected from the private video collection of Steina and Woody Vasulka, who, with their video camera, charted the events of the New York music scene in clubs and studios, at concerts, and in the streets. The rare recordings, originally released under the title Participation, have been newly sorted and digitalised thanks to the eff orts of Petr Vrána.

Three Years of Documentary Film at FAMU International

For the third year in a row, the Jihlava IDFF will present a selection of the most interesting films created during the FAMU International program. is hourlong screening is a testament to the diversity of approaches, as well as to the full spectrum of major programs at FAMU International, in which students from Sweden, Iceland, Denmark, and India have participated.


Many more workshops are planned to take place during the 19th Jihlava IDFF. More info at www.dokument-festival.com.

FAMU Presents


Grandfather’s Magin (Jan Strejcovský, Czech Republic, 2015)

Medium Grey (Greta Stocklassa, Czech Republic, 2015)

Everything Will End Up in a Pine Box (Alžběta Kovandová, Czech Republic, 2015)

Love at the Monestary (Jan Rendl, Czech Republic, 2015)

Doc Alliance selection


Doc Alliance Selection is the result of an international partnership including the Czech Republic (Jihlava), Denmark (Copenhagen), France (Marseille), Germany (Leipzig), Poland (Warsaw), Portugal (Lisboa) and Switzerland (Nyon). In each country, the project presents three selected fi lms in order to showcase current trends in documentary film.

Walking Under Water (Walking Under Water, Eliza Kubarska, United Kingdom, Germany, Indonesia, 2014, 76 min)

Homeland (Iraq Year Zero) (Homeland (Iraq Year Zero), Abbas Fahdel, Iraq, France, 2015, 334 min)

Ztracen v kantonu (Stranded in Canton, Måns Månsson, Dánsko, Švédsko, Čína, 2014, 72 min)



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