Auction 148 auction closing Date: Wednesday, 12 April, 2017
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- Royal Blue Shellac
- Z-type Shellac
| 8” pale-blue Aprelevsky-Zavod 004628/29 (33 1/3rpm),
in Original Sleeve. M-A MB 25
10" H & D paper label Edison 80681, only form of issue. M-A, lovely copy has faintest rubs, inaud. MB 25 J0167. VASA PRIHODA, w.Asta Doubravská (Pf.): La Ronde des Lutins (Bazzini) / Caprice viennois (Kreisler). 10" H & D etched label Edison 82227, only form of issue. M-A, lovely copy appears somewhat cloudy. MB 20 J0168. VASA PRIHODA, w.Asta Doubravská (Pf.): Jota de Pablo (Sarasate) / Humoresque #7 in G-flat (Dvorák-Wilhelmj). 10" H & D paper label Edison 82228, only form of issue. M-A MB 25 J0169. VASA PRIHODA, w.Asta Doubravská (Pf.): Aus flügeln des Gesanges (Mendelssohn) / Songs my mother taught me (Dvorák-Powell). 10" H & D paper label Edison 82236, only form of issue. M-A MB 25 J0170. VASA PRIHODA, w.Otto Eisen (Pf.): Le Streghe (Paganini) / LE COQ D’OR –Hymn to the Sun (Rimsky-Korsakov - Kreisler). 10" H & D paper label Edison 82318, only form of issue. M-A, lovely copy has, Sd.1 only, faintest rubs, inaud. MB 25 J0171. VASA PRIHODA, w.Otto Eisen (Pf.): DIE RUINEN VON ATHEN – Marcia alla Turka (Beethoven) / Symphonie espagnole – Andante / Rondo (Lalo). 10" H & D paper label Edison 82293, only form of issue. M-A MB 25 J0172. VASA PRIHODA, w.Otto Eisen (Pf.): Sérénade du Tzigane (Valdez) / KONZERTSTÜKE – Spanish Dance (Rehfeld). 10" H & D paper label Edison 82255, only form of issue. M-A MB 25 J0173. VASA PRIHODA, w.Otto Eisen (Pf.): Concerto #4 in d – Adagio religioso / Finale – Allegro (Vieuxtemps). 10" H & D paper label Edison 82261, only form of issue. M-A, lovely copy has faintest rubs, inaud. MB 25 J0174. GRIGORAS DINICU: Hora Staccato (Played by the Composer) / Hungarian Potpourri (arr.Dinicu). 10” dark-blue PW Eng.Col. 5684, POM-1930. M-A MB 45 “The recordings Dinicu made for Columbia in 1927–1928 reveal a powerful and well-projected sound, garnished with a very wide vibrato together with prominent and slow portamenti in more melodic passages. In faster passagework his tone is clear and vibrant, allowing a considerable variety of colour, whilst his trills and ornamental passagework are scintillatingly delivered….Dinicu’s style makes an interesting juxtaposition with that of Jenö Hubay, director of the Budapest Academy, who, although from an arguably more ‘elevated’ artistic position, embodies recognisable elements of Dinicu’s sound-world. Dinicu’s legacy is probably best represented by his generous output of small-scale compositions and arrangements, mostly for violin and piano. Best known is his 1906 showpiece ‘Hora staccato’, a short, fast work in a Romanian dance style that has become a favourite encore, requiring an exceptional command of both up-bow and down-bow staccato. Heifetz made his own popular virtuoso arrangement of this work in 1932 and famously performed it in Vienna. It is a matter of regret that, despite Heifetz’s accolade - dubbing Dinicu the greatest violinist he had ever heard - his important place in the heritage of twentieth-century performance is not well represented in the annals of string playing.” - David Milsom, Naxos' A–Z of String Players J0175. DANIEL MELSA: Caprice (Paganini) / FAUST – Fantaisie brillante (Gounod-Wieniawski). 10" H & D etched label Edison 80194, only form of issue, 1914. M-A MB 25 “[After] studies with Flesch, [Melsa] made a successful Berlin début in 1912. The following year he introduced himself to London - with a series of recitals at Steinway Hall - and New York. He played the Brahms Concerto under Nikish in Leipzig and toured widely in Europe, being especially busy in Britain where he had settled….” – Tully Potter, THE RECORDED VIOLIN J0176. ZINO FRANCESCATTI, w.Maurice Fauré (Pf.): Tzigane (Ravel), 2s. 12” Royal Blue Shellac Col. 68102-D, POM 1933. M-A, as New! MB 20 J0177. JOSEPH FUCHS, w.Marrow Cond.: Lotus Land (Scott) / Souvenir de Vienne (Provost). 10” M-G-M 30063, only form of issue, 17 Dec., 1947. A to M-A, lovely copy has, Sd.1 only, faintest rubs, inaud. MB 15 J0178. JOSEPH FUCHS, w.Marrow Cond.: SUITE BERGAMASQUE – Clair de lune (Debussy) / La Gitana (Kreisler). 10” M-G-M 30134, only form of issue, 17 Dec., 1947. A-, lovely copy has faintest rubs, inaud. MB 12 “It was unfortunate for Fuchs that he played at a time when active violinists included Heifetz, Kreisler, Elman, Milstein, Stern, Oistrakh, Kogan, Francescatti, and a great many others. Fuchs spent 14 years as concertmaster of the Cleveland Orchestra (1926-1940) before truly pursuing a solo career. [Then] he was greatly admired by his peers, by professional musicians of all stripes.” - Henry Fogel, FANFARE J0179. GERHARD TASCHNER: Partita #2 in d - Chaconne (Bach), 4s. 2-12” brown German Odeon O-8764/65 (xxB8893-96), POM-25 & 28 Nov., 1941. A-, lovely copy has lt.rubs & occasional mk, inaud. MB 145, the Pair. “…Gerhard Taschner, a one-time Huberman pupil and Furtwängler’s concert master with the wartime Berlin Philharmonic (from the extraordinary young age of 19), who later on forged a career as a soloist….[offers] playing [which] is tonally rich and full of temperament.” - Rob Cowan, GRAMOPHONE, Feb., 2008 J0180. JAN KUBELIK: Souvenir in D (1907 Version, ‘Take’ 1 (of 2 issued ‘takes’) (Drdla) / Der Zephir (Hubay). 10½” US-Fonotipia 39162/39925 (XPh 2402/2228). A to M-A, choice copy has faintest rubs. MB 25 J0181. JAN KUBELIK: Serenade #1 in A (1905 Version) / Vision (both Drdla). 10½” US-Fonotipia 39193/62037 (XPh 284-1/2401). A to M-A, spectacular copy. A to M-A, choice copy has faintest rubs; tiny ec, Sd.1, far from grooves. MB 20 J0182. JAN KUBELIK: FAUST – Fantaisie brillante (‘Le Veau d’or’) (Gounod-Wieniawski) / KINDERSZENEN – Träumerei (Schumann). 10½” US-Fonotipia 39164/39194 (XPh 273-2/285-2). M-A, exceptional copy. MB 20 J0183. JAN KUBELIK: Moto perpetuo, Op.11 (Paganini) / La Ronde des Lutins (Bazzini). 10½” Milano Fonotipia 39192/95 (XPh 276/295). A-, lovely copy has lt.rubs, inaud. MB 20 J0184. JAN KUBELIK: Zigeunerweisen / DANZAS ESPAÑOLAS - Zapateado (both Sarasate). 11” Milano Fonotipia 74084/83 (XXPh 2405/4305). M-A MB 25 J0185. JAN KUBELIK: Serenata (d’Ambrosio) / Scherzo-tarantelle (Wieniawski). 10½” US-Fonotipia 39191/39884 (XPh 271/2231). M-A, exceptional copy. MB 20 J0186. JAN KUBELIK: Danse hongroise (Liszt-Nachez) / Morceaux – Cavatina, Op.85, #3 (Raff). 10½” US-Fonotipia 39163/62036 (XPh 272-2/2400-2). A-, lovely copy has lt.rubs, inaud. MB 20 J0187. JAN KUBELIK, w.Alfred Holecek (Pf.): Burleska (Played by the Composer) / Ave Maria (Schubert-Wilhelmj). 12” black Ultraphon G 11385 (031844/46), only form of issue, 8 October, 1933. A, beautiful copy has faint rubs & lt. mks, only very occasionally ever-so-faintly audible, hardly worth mention. MB 75
12” PW Historic Catalogue #2 HMV DK 112, POM-2 Oct., 1913, Never Doubled. M-A MB 15 “Two years after graduating from the Prague Conservatory Kubelík received a hero’s welcome from the London public, playing at Richter’s invitation. Audiences found him as appealing as the likes of Paganini and Paderewski….He was celebrated for his virtuosity, richness of tone and faithful intonation. Kubelík was amongst the earliest world-class violinists to make solo recordings….Gramophone and Typewriter recorded Kubelík and Nellie Melba in 1904: the understated obbligato rôles in Mozart’s ‘L’amero saro costante’ and the Bach-Gounod ‘Ave Maria’ demonstrate a rather more tender side to his playing with the emphasis on purity of tone and close parity with Melba’s vocal sound. The early ‘Ave Maria’ recording quickly became a widely accepted classic and was re-recorded twice in 1913, following technological advances. Overall, Kubelík’s recordings are seen, rightly in many ways, as some of the most successful of the early period and his tone is projected well even by basic acoustic technology….Technically, as in the case of Heifetz some years later, Kubelík’s playing is astonishingly precise and formidably reliable….Similarly early recordings of elder statesmen such as Joachim and Sarasate show them, on a technical level at least, to be rather past their prime and even (arguably) behind the times in terms of technical accuracy. Kubelík, though, bears witness to the effectiveness of Sevcik’s systematic training and perhaps heralds the dawn of an age in which technical wizardry on a previously undreamt-of scale became the norm rather than the exception.” - David Milsom, Naxos' A–Z of String Players J0189. GEORGES ENESCU, w.E. C. Harris (Pf.): Albumblatt in A-flat (Wagner) / DIE RUINEN VON ATHEN – Chor der Derwische (Beethoven). 10” silver Flags Label Col.20029-D, POM-1923. M-A, exceptional copy has faintest rubs, inaud. & hardly worth mention. MB 150 J0190. GEORGES ENESCU, w.Sanford Schlussel (Pf.): La Follia Sonata #12 in d (Corelli), 2s. 12” black Viva-Tonal Col.50161-D, POM-1929. M-A, as New! MB 125 J0191. GEORGES ENESCU, w.Sanford Schlussel (Pf.): Poème (Chausson), 2s. 2-12” dark-blue Eng. Col. DVX 5/6, POM-1929. M-A MB 125, the Pair. J0192. GEORGES ENESCU, w.Sanford Schlussel (Pf.): Sonata #14 in D (Handel), 2s. 2-12” blue early PW Col.5110/11, POM-1929. M-A, as New! MB 125, the Pair. “The greatest of Romanian musicians, George Enescu was equally remarkable as a violinist and as a composer. He contributed significantly to the development of music in his own country, although much of his activity centred on Paris, where he was a pupil of Marsick and for composition of Fauré and Massenet. His violin pupils include Grumiaux, Ferras, Gitlis and Menuhin.” - Naxos' A–Z of String Players J0193. LICCO AMAR, w.Gunther Ramin (Cembalo): Sonata #8 in e – Largo & Allegro con fuoco (Complete, as recorded) (Veracini), 2s. 12” green German Polydor 19870 (89/90bs), only form of issue, 1928. A to M-A, choice copy has faintest rubs, inaud. MB 45
J0195. BRONISLAW HUBERMAN, w.Paul Frenkel (Pf.): La Capricieuse (Elgar). 12” green Bruns. 30024, only form of issue, 18 Oct., 1921. A-, lovely copy has lt. rubs, inaud. MB 12 J0196. BRONISLAW HUBERMAN, w.Paul Frenkel (Pf.): Symphonie espagnole – Andante / Rondo (Lalo). 12” gold Bruns. 50041, POM-23 Feb., 1923. A, lovely copy has sl.grainey surface; Sd.1 only has wee pressing bump & closed ‘blister’ which ticks faintly a few turns. MB 12
12” green Bruns. 30023, only form of issue, 18 Oct., 1921. M-A, exceptional copy has faintest rubs, inaud. & hardly worth mention. MB 15
M-A, exceptional copy has faintest rubs, inaud. & hardly worth mention. MB 15 J0200. BRONISLAW HUBERMAN, w.Siegfried Schultze (Pf.): Hungarian Dance #1 in g (Brahms-Joachim) / JOSEPH SZIGETI: Partita #3 in E for Violin Unaccompanied – Gavotte (Bach). 10” black & silver Japanese Viva-Tonal Col.S-61 [WA-9155/35244], POM-1932/’33. A to M-A, lovely copy has faint rubs, inaud. MB 15 J0201. BRONISLAW HUBERMAN, w.Siegfried Schultze (Pf.): Suite #3 in D - Air on the G String (Bach) / Waltz in A, Op.39, #15 (Brahms). 12” blue Italian Col.GQX 10302, POM-5 Jan., 1931. A to M-A, lovely copy has faintest rubs, inaud. & hardly worth mention. MB 15
12” gold Bruns. 50022, POM-21 / 23 Nov., 1922. M-A, as New! MB 20 J0203. BRONISLAW HUBERMAN, w.Paul Frenkel (Pf.): Ballade et Polonaise in G (Vieuxtemps), 2s. 12” gold Bruns. 50019, only form of issue, 22 Nov., 1922. M-A, as New! MB 20 J0204. BRONISLAW HUBERMAN, w.Paul Frenkel (Pf.): Capriccio - valse / Concerto #2 in d - Romance (both Wieniawski). 12” gold Bruns.50031, POM-21 Feb., 1921. M-A, as New! MB 20 J0205. BRONISLAW HUBERMAN, w.Siegfried Schultze (Pf.): Concerto in e - Andante / Allegro molto vivace (Mendelssohn). 12” gold Bruns. 50049, POM-1924. A to M-A, lovely copy has faintest rubs, inaud. & hardly worth mention. MB 15 J0206. BRONISLAW HUBERMAN & IGNAZ FRIEDMAN: Kreutzer Sonata in A (Beethoven), 8s. 4-12” red Decca-Odeon 25505/08, POM-1930. M-A MB 25, the Set, J0207. BRONISLAW HUBERMAN, w.Dobrowen Cond.Vienna Phil.: Concerto #1 in a (Bach), 4s. 2-12” PW Col.70462/63, POM-1934, in Album MX 45. M-A MB 15, the Set. J0208. BRONISLAW HUBERMAN, w.Dobrowen Cond.Vienna Phil.: Concerto #2 in E (Bach), 5s. 3-12” MasterWorks Col.68376/78, POM-1934, in Album 235, w.Brochure. M-A MB 25, the Set. J0209. BRONISLAW HUBERMAN, w.Dobrowen Cond.Vienna Phil.: Concerto #3 in G, K.216 (Mozart), 6s. 3-12” MasterWorks Col.68548/50, POM-1934, in Album 258, w.Brochure. M-A MB 25, the Set. J0210. BRONISLAW HUBERMAN, w.Steinberg Cond.Berlin Staatsoper Orch.: Concerto in D, 7s / Sd.8 = BRONISLAW HUBERMAN, w.Siegfried Schultze (Pf.): Mélodie in E-flat (both Tschaikowsky). 4-12” blue Viva-Tonal Col. 67726/29-D, both POM-16 Aug., 1929. A to M-A, lovely copy has faintest rubs, inaud. & hardly worth mention. MB 20, the Set. J0211. BRONISLAW HUBERMAN, w.Szell Cond.Vienna Phil.: Symphonie Espagnole (Lalo), 6s. 3-12” PW Col.68288/90-D, POM-1934, in Album M 214. M-A MB 15, the Set. J0212. CARL FLESCH, w.Homer Samuels (Pf.): Ave Maria (Schubert-Wilhelmj) / Explanatory Talk. 10" H & D etched label Edison 82063, only form of issue, 9 April, 1914. M-A, as New! MB 25 J0213. CARL FLESCH, w.Homer Samuels (Pf.): Rondino (Vieuxtemps) / Mazurka #2 in g (Wieniawski). 10" H & D etched label Edison 82074, only form of issue, 9 / 7 April, 1914. M-A MB 25 J0214. CARL FLESCH, w.Harry Kaufman (Pf.): Aus Wien (Gärtner-Kreisler) / DER OPERNBALL – In chambre séparée (Heuberger). 10" H & D paper label Edison 82330, only form of issue, 1 April, 1924. M-A MB 25 J0215. CARL FLESCH, w.Harry Kaufman (Pf.): DANZAS ESPAÑOLAS - Malagueña (Sarasate) / The Foggy, Foggy Dew (Alexander). 10" H & D paper label Edison 82327, only form of issue, 1 / 24 April, 1924. M-A MB 25 J0216. CARL FLESCH, w.Waldemar Liachowsky (Pf.): Slavonic Dance #7 in c (Dvorák) / Sonata #1 in F - Larghetto (Weber-Kreisler). 10" H & D paper label Edison 82311, only form of issue, 29 Jan., 1924. M-A MB 25 J0217. CARL FLESCH, w.Waldemar Liachowsky (Pf.): Caprice #28 in D (Fiorello) / Serenade (Titl-Flesch)). 10" H & D paper label Edison 82313, only form of issue, 20 / 30 Jan., 1924. M-A, as New! MB 25 J0218. CARL FLESCH, w.Kurt Ruhrseitz (Pf.): Slavonic Dance #2 in a (Dvorák-Kreisler) / Concerto in D - Canzonetta (Tschaikowsky). 10" H & D paper label Edison 80878, only form of issue, 5 March / 20 Feb., 1926. M-A MB 25
10" H & D paper label Edison 82346, only form of issue, 20 Feb., 1926. A-, lovely copy has hint of grey on peaks. MB 35 J0220. CARL FLESCH, w.Kurt Ruhrseitz (Pf.): Aus der Heimat - Fantaisie (Smetana) / Rondino on a theme by Beethoven (Kreisler). 10" H & D paper label Edison 80865, only form of issue, 8 Feb., 1926. M-A, as New! MB 25 J0221. CARL FLESCH & JOSEPH SZIGETI, w.Goehr Cond.: Concerto in d for Two VIolins (Bach), 4s. 2-12” MasterWorks Col. 69109/10-D, POM-30 Aug., 1937, in Orig. Album X-90. M-A, a gleaming copy of preferred MasterWorks pressing. MB 25, the Set.
incl. Beethoven, Drigo, Gossec, Drdla, Arensky & Cui. 3-10" RCA 10-1491/93, only form of issue, 1949, in Orig. Album DM 1328. M-A MB 35, the Set.
12” PW Japanese V RL-19 (8800/03-3), only form of issue, 12 Feb., 1937, Tokyo (w.Elman’s signature & date embosssed in inner margin), accompanied by 8pp Japanese Victor brochure. M-A, superlative copy has faintest pap.rubs, hardly worth mentioning. Highly elusive! MB 65 “Elman had a miraculously beautiful tone the likes of which no one had ever heard before. It was so amazingly rich, some said it flowed from his violin like lava. It was a tone of great depth, fullness, sweetness, and plasticity….Elman’s sound was like a living being, and Elman was the conjurer who could make it appear at will.” – Joseph Magil, AMERICAN RECORD GUIDE, Sept./Oct., 2004 J0224. MISCHA ELMAN, w.Percy Kahn (Pf.): IDOMENEO – Gavotte in G (Mozart). 10” white label Vla 64140, only form of issue, 6 April, 1910. M-A MB 15 J0225. MISCHA ELMAN, w.Carroll Hollister (Pf.): Légende in d (Wieniawski) / DIE MEISTERSINGER - Preislied (Wagner-Wilhelmj). 12” PW V 7649, POM-29 May / 2 June, 1930. M-A MB 12 J0226. MISCHA ELMAN, w.Carroll Hollister (Pf.): Zigeunerweisen, Op.20 (Sarasate), 2s. 12” Scroll V 7780, POM-26 Feb. / 29 April,1931, on Z Shellac. M-A, as New! MB 15 J0227. MISCHA ELMAN, w.Carroll Hollister (Pf.): LE CARNAVAL DES ANIMAUX – Le Cygne / Pièce en forme de Habanera (Ravel). 10” Scroll V 1592, POM-2 June, 1930 / 20 Feb., 1932, on Z-type Shellac. M-A, superlative copy has faintest pap.rubs, hardly worth mentioning. MB 12
w.Raymond Bauman (Pf.): Suite #3 in D - Air on the G String (Bach). 12” Scroll V 7103, POM-21 May, 1929 / 22 June, 1928, on Z Shellac, only form of issue, Sd.2. M-A, superlative copy. MB 15 J0229. MISCHA ELMAN, w.Marcel van Gool (Pf.): Nocturne #8 in B-flat (Chopin-Wilhelmj) / Hear my prayer – O for the wings of a dove (Mendelssohn). 12” LVDP DB 1398, only form of issue,1931. M-A, superlative copy has faintest pap.rubs, hardly worth mentioning. MB 12 J0230. MISCHA ELMAN, w.Marcel van Gool (Pf.): Airs tziganes (Espejo) / Rêve d’enfant (Ysaÿe). 12” Orth Vla 7574, POM-5 Oct., 1931, on Z Shellac. A-, very decent copy has lt.rubs, inaud. MB 12 J0231. MISCHA ELMAN, w.Shilkret Cond. Victor S.O.: Sérénade mélancolique in b, Op.26 (Tschaikovsky), 2s. 12” Orth Vla 7744, POM-25 Aug., 1930. M-A, superlative copy. MB 12 J0232. MISCHA ELMAN, w.Marcel van Gool (Pf.): KINDERSZENEN – Träumerei (Schumann) / w.Carroll Hollister (Pf.): Deutscher Tänze # 3 in B-flat (as ‘Valse sentimentale’ (Schubert). 10” Scroll V 1482, POM-12 Feb., 1929 / 26 May, 1930, on Directory: lib lib -> Security Survey lib -> Strategic Plan South Sudan Country Office Context lib -> The World Order of Bahá’u’lláh Selected Letters lib -> 1. naclo 2015 – North American Computational Linguistics Olympiad lib -> Ieee/iee electronic Library (iel) lib -> Lnpa wg position on Porting of Telephone Numbers Used by Voip service Providers lib -> 1. naclo 2017 – North American Computational Linguistics Olympiad lib -> [0] B. Hardware [2] lib -> [1] B. Hardware [1] lib -> Chem I honors Unit 2 Notes: Numbers in Chemistry Measurement Download 1.56 Mb. Share with your friends:
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