Brian rust jazz records, 1917–1934 / Free Personal-Use Edition Not for sale; all commercial use is prohibited. For personal, non-commercial use only. Notice



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ROBERT COOPER

Piano solos. Texas Hotel, San Antonio, TX, April 3, 1934.

82785-1-2 West Dallas Drag

BB B-5459, B-6719



ANDREW COPELAND

Vocal, acc. by Joe Smith, c / tb / cl / p / ? bj / ?bb / ?d. New York, c. August, 1922.

? -2 Buzz Mirandy

BS 14124, Pm 12139

? -1 Down In Dixieland

BS 14124, Pm 12139



MARTHA COPELAND

Vocal, acc. by Eddie Heywood, p. New York, c. September 15, 1923.

71837-D The Down So Long Blues

OK 8112


71838-B The Pawn Shop Blues

OK 8112


New York, c. September 18, 1923.

71844-C Daddy, You've Done Put That Thing On Me

OK 8091

71845-B The Penetrating Blues



OK 8091

Acc. by Cliff Jackson, p. New York, September 14, 1926.

142608-1 Black Snake Blues

Col 14161-D

142609-2-3 Papa, If You Can't Do Better

Col 14161-D

NOTE: This session was originally credited to MARTHA BROWN in the Columbia files, which was later changed to Martha Copeland.

Bubber Miley, t, added. New York, December 21, 1926.

143203-1 On Decoration Day (They'll Know Where To Bring Your Flowers To)

Col 14189-D

143204-3 Fortune Teller Blues

Col 14189-D

Acc. by Phil Worde, p, with Bert Howell, vn / Sidney Easton, v, where shown. Camden, NJ, February 3, 1927.

37393-2 When The Wind Makes Connection With Your Dry Goods - vSE

Vic 20548 - vnBH

37394-2 Hard Headed Mama - vSE

Vic 20548 - vnBH

37395-2 I Don't Care Who Ain't Got Nobody - vnBH

Vic 20769

37396-1 Stole My Man Blues

Vic 20769

Acc. by Louis Hooper, p. New York, February 16, 1927.

143480-2 The Black Snake Moan

Col 14196-D

143481-3 Mine's Just As Good As Yours

Col 14196-D

Louis Metcalf, c, added. New York, March 19, 1927.

143689-1 Soul And Body

Col 14208-D

143690-3 Sorrow Valley Blues

Col 14208-D

Acc. by Ernest Elliott, Bob Fuller, cl / Porter Grainger, p / whistle / train effects. New York, May 5, 1927.

144097-3 Dyin' Crapshooter's Blues

Col 14227-D

144098-3 Mr. Brakes-Man (Let Me Ride Your Train)

Col 14227-D - w / te

Acc. by Porter Grainger, p. New York, July 22, 1927.

144490-3 Police Blues

Col 14237-D

144491-2 Skeleton Key Blues

Col 14237-D

Buddy Christian, bj, added. New York, August 9, 1927.

144538-2 Hobo Bill

Col 14248-D

144539-3 Nobody Rocks Me Like My Baby Do

Col 14248-D

Acc. by Bob Fuller, cl / Porter Grainger, p. New York, October 13, 1927.

144852-3 Shootin' Star Blues

Col 14262-D

144853-3 Good Time Mama Blues

Col 14262-D

Acc. by her Smokey City Trio: Andrew Mead, as / Ralph Jones, vn / Porter Grainger, p. New York, December 6, 1927.

145275-2 Wylie Avenue Blues

Col 14310-D

145276-2 Everybody Does It Now

Wylie Avenue Blues

Acc. by Porter Grainger, p. New York, January 6, 1928.

145478-1 Bank Failure Blues

Col 14281-D

145479-3 Second-Hand Daddy

Col 14281-D

Acc. by Irving Peskin, c / Rube Bloom, p. New York, May 26, 1928.

146348-3 I Can't Give You Anything But Love

Col 14327-D

146349-2 My Daddy Don't Do Nothin' Bad

Col 14327-D

Acc. by Clarence Adams, cl / James P. Johnson, p. New York, June 8, 1928.

146417-1 Somethin' Goin' On Wrong

Col 14352-D

James P. Johnson, speech New York, June 9, 1928.

146420-3 Desert Blues

Col 14352-D

Acc. by Bubber Miley, c / J. C. Johnson, p. New York, August 28, 1928.

146923-2 Mama's Well Has Done Gone Dry

Col 14377-D

146924-3 I Ain't Your Hen, Mr. Fly Rooster

Col 14377-D

COREYFONIC ORCHESTRA

Pseudonym on Bell for the following items listed in this book:

P-196 Fate (California Ramblers)

P-244 Both sides by Joseph Samuels and his Orchestra



CORINTHIC ORCHESTRA

Pseudonym on Australian Embassy for the following items listed in this book:

E-134 Will Osborne and his Orchestra

E-145 Benny Goodman and his Orchestra



PAUL CORNELIUS AND HIS ORCHESTRA

Instrumentation and personnel unknown; Jim Hartley, Gill Tharpe, v. Richmond, IN, May 4, 1931.

17726 Tiger Rag

Gnt unissued

Richmond, IN, November 1, 1932.

18873 Sentimental Gentleman From Georgia - vJH

Ch 16534, 40084

18876 The Scat Song - vGT

Ch 16572

Richmond, IN, February 5, 1934.

19481 I've Found A New Baby

Ch 16734, 40084

NOTE: Other records by this band are of no known jazz interest.

CORNELL AND HIS ORCHESTRA

See Cornell Smelser and his Orchestra.

FRANK CORNWELL AND HIS ORCHESTRA

The following titles from the twelve recorded by this band for Gennett, Cameo, Harmony, and Edison are known or reported to be of interest; six of the remainder were issued and may prove equally interesting.

Frank Cornwell, vn, v, dir: Morris Selzer, t / Carl Loeffler, tb / Joe Gillespie, Tom Neary, cl­ as / Bob Montgomery, cl, ts / Gus Gudarian, p, v / Cameron Anderson, bj / Paul Weston, bb / Forrest "Fuzzy" Knight, d, v. New York, January 20, 1927.

143327-3 Voom Voom (Moaden On The Gayden) - vO

Har 341-H

143328-1 Roses For Remembrance - vFC

Har 378-H

143329-3 Crazy Words - Crazy Tune - vGG, FK

Har 341-H

CORONA DANCE ORCHESTRA

Pseudonym on English Regal for the following items listed in this book:­

G-8098 Forgetful Blues (Frank Westphal And his Orchestra)

G-8099 Learn To Do The Strut (The Georgians)

G-8099 Bit By Bit You're Breaking My Heart (Art Kahn and his Orchestra)

G-8121 Last Night On The Back Porch (Original Memphis Five)

G-8147 Arcady (California Ramblers)

G-8148 Cotton Pickers' Ball (Midway Dance Orchestra)

G-8158 Lovey Came Back (The Georgians)

G-8159 Both sides by the Original Memphis Five

G-8188 Linger Awhile (California Ramblers)

G-8201 Moonlight Kisses (California Ramblers)

G-8202 Cover Me Up With The Sunshine Of Virginia (California Ramblers)

G-8230 You Know Me, Alabam' (California Ramblers)

G-8230 It Ain't Gonna Rain No Mo' (Original Memphis Five)

G-8231 June Night (Carolina Club Orchestra; see Hal Kemp)

G-8258 Charleston Cabin (California Ramblers)

G-8258 Red Hot Mama (Original Memphis Five)

G-8279 Susquehanna Home California Ramblers)

G-8279 Tessie Stop Teasing Me (Little Ramblers)

G-8293 Eliza (California Ramblers)

G-8293 Go 'Long, Mule (Fletcher Henderson and his Orchestra)

G-8298 Back Where The Daffodils Grow (California Ramblers)

G-8376 Me And The Boy Friend (California Ramblers)

G-8378 Nobody Knows What A Red-Head Mama Can Do (Original Memphis Five)

G-8378 When My Sugar Walks Down The Street (Warner's Seven Aces)

G-8471 I Miss My Swiss (Southern Serenaders; see Fletcher Henderson)

G-8492 Oh, Boy! What A Girl (Joe Friedman's Monte Carlo Orchestra)

G-8517 Want A Little Lovin' (Raderman's Roysterers)

G-8517 She Was Just A Sailor's Sweetheart (University Six)

G 8541 I'm Sitting On Top Of The World (Fred Rich and his Orchestra)

G-8561 Then I'll Be Happy (University Six)

G-8599 Drifting Apart (Carleton Terrace Orchestra; see Mike Speciale)

G-8642 Could I? - I Certainly Could (Fred Rich and his Orchestra)

G-8643 What A Man! (University Six)

G-8659 Georgianna (University Six)

G-8687 Iyone, My Own Iyone (Seven Wild Men)

G-8688 Turkish Towel (Joe Candullo and his Everglades Orchestra)

G-8714 So Is Your Old Lady (Original Indiana Five)

G-20040 Side By Side (Ipana Troubadours)

The following British recording issued under this name is of some interest as jazz:

Stan Greening dir: Frank Biffo, Charles Mead, t / Ted Heath or Bernard Tipping, tb / Charles Star and/or Jim Kelleher, cl, as / George Smith, ts / Fred Cooke, p, a / bj / Jock Merrit, bb / Wag Abbey, d. London, April, May, 1925.

A-2056 Everybody Loves My Baby

Re G-8383



CORONET JAZZ BAND

Pseudonym on South African Cymot 778 for the Broadway Syncopators (I AIN'T NEVER HAD NOBODY CRAZY OVER ME) and the Ambassadors (WHEN YOU WALKED OUT), both q.v.



COSMOPOLITAN DANCE PLAYERS

See the Grey Gull studio bands.

BILLY COTTON AND HIS BAND

This British dance band, best remembered for its latter-day comedy present­ations, nevertheless recorded some first-class hot performances. There are doubtless others that feature short solos by the same musicians.

BILLY COTTON'S SAVANNAH BAND: Billy Cotton, dir: Sid Buckman, Tommy Birch, t / Joe Ferrie t, tb / Victor Boulcott, Ronnie Coulbertson, cl, as / Sidney Lipton, as, vn / Dave Roberts, cl­, ts / Clem Bernard, p, pac / Cyril Gaida, bj, g / Jim Broad, bb / Donald Whitelaw, d. London, late August, 1928.

1204-1-2 Sunny Skies

Pic 108

London, early December, 1928.



1447-2 Ida, Sweet As Apple Cider

Met 1122, Pic / Curry's 214

NOTE: Both Piccadilly issues and Curry's 214 as BOHEMIAN BAND.

BILLY COTTON AND HIS BAND: As above, but Sid Lenton, cl, as, replaces Boulcott or Coul­bertson; Jimmy Shankland, cl, ts, replaces Roberts: Alan Ferguson, bj, g, replaces Gaida; Joe Gibson, bb, sb, replaces Broad. Central Hall Westminster, London, March 28, 1930.

WAR-65-1 Happy Feet - v3

Re MR-107, G-20774

London, June 27, 1930.

WAR-219-2 You Gotta Be Modernistic - vSB

Re MR-127

Nat Gonella, t, v, replaces Birch; Mick Burberry, cl, as, bar, replaces Lenton or Boulcott or Coulbertson; Steve King, cl, as, ts, added; Alan Breeze, v, also added at about this date. London, August 14, 1930.

WAR-271-1 That Rhythm Man - v3

Re MR-157

WAR-273-1 Sittin' On A Rainbow - vSB

Re MR-157, G-20833

London, October 21, 1930.

WAR-362-1 Adeline - v3

Re MR-220

WAR-363-1 The New Tiger Rag

Re M2-221

WAR-364-1 Bessie Couldn't Help It - vNG&ch

Re M2-221

London, February 5, 1931.

WA-11166-1 Makin' Wicki-Wacki Down In Waikiki - vNG, AB

Col CB-223

WA-11167-2 Is That Religion? - vNG, AB&ch

Col CB-223

London, February 20, 1931.

WA-11226-2 That Lindy Hop

Col CB-237

WA-11227-2 Shout For Happiness - v

Col CB-234

London, May 21, 1931.

CA-11625-2 Why Shouldn't I? - v

Col CB-297

CA-11626-2 Roll On, Mississippi, Roll On - v

Col CB-298, DO-497

CA-11627-1 You Wouldn't - v

Col CB-297

Billy Cotton, dir: Arthur Williams, George Burgess, t / Dave Burchett, Ellis Jackson, tb / Jack Halsall, Mick Burberry, cl, as / Jimmy Shankland, Cyril Grantham, cl, ts / Phil Phillips­ vn / Clem Bernard, p / Lal Jackson, bj / Joe White, bb, sb / Arthur Baker, d / Alan Breeze, v. London, November 13, 1931.

CAR-887-1 Nobody's Sweetheart - v

Re MR-450, G-21272

CAR-888-1 Sleepy Time Down South - vCG

Re MR-450

London, February 13, 1932.

CAR-1064-1 You Rascal, You - v

Re MR-541, G-21459

Bruts Gonella, t, replaces Williams; George Glover, cl, as, replaces Halsall. London, November 25, 1932.

CAR-1573-1 I'm Just Wild About Harry - vAB

RZ MR-768, G-21602

Frank Barnes, cl, ts, replaces Grantham. London, February 18, 1933.

CAR-1772-1 Super Tiger Rag - vAB&ch

RZ MR-866, Col 2783-D, Gl GZ 3001

London, April 28, 1933.

CAR-1939-1 Wear A Great Big Smile - vAB

RZ MR-917, Gl GZ-3002

London, May 19, 1933.

CAR-1980-1 Somebody Stole My Gal - vAB

RZ MR-958, G-21786

CAR-1981-1 Bugle Call Rag

RZ MR-958, G-21786

London, June 24, 1933.

CAR-2068-1 Mood Indigo

RZ MR-996, G-21826, Gl GZ-3007

London, July 21, 1933.

CAR-2133-1 Avalon

RZ MR-1035, Gl GZ-3010

CAR-2134-1 Black And Tan Fantasy

RZ MR-1037, Gl GZ-3008

Billy Cotton, dir: George Burgess, Bruts Gonella, Teddy Foster, t / Ellis Jackson, Freddy Burgess, tb / Edgar Bracewell, Frank Kenyon, cl, as / Mick Burberry, as, bar / Frank Barnes, cl­ ts / Laurie Johnson, Phil Phillips, vn / Clem Bernard, p / Les Casey, g / Joe White, bb, sb / Arthur Baker, d / Alan Breeze, v. London, August 22, 1933.

CAR-2144-1 Sophisticated Lady

RZ MR-1035, Gl GZ-3008

London, August 26, 1933.

CAR-2154-1 Roll Up The Carpets (Push Back The Chairs) - vAB

RZ MR-1025, G-21870

NOTE: Both issues as THE MIDNIGHT MINSTRELS.

Eddie Fearn, t, replaces George Burgess; Tommy Ward, tb, replaces Freddy Burgess. London, September 13, 1933.

CAR-2192-1 Alexander's Ragtime Band

RZ MR-1062

London, September 24, 1933.

CAR-2217-1 Margie

RZ MR-1061, G-21911, Gl GZ-3011

CAR-2218-1 Old-Fashioned Love

RZ MR-1061, Gl GZ-3011

CAR-2219-1 Waiting For The Robert E. Lee

RZ MR-1062, Gl GZ-3010

Ritz Ballroom, Manchester, July 11, 1934.

CAR-2762-1 The Third Tiger

RZ MR-1413, G-22233, Col GN-5002, Gl GZ-3033

Billy Cotton, dir: Eddie Fearn, Bruts Gonella, t / Teddy Foster, t, v / Ellis Jackson, tb, v / Tommy Ward, tb / Edgar Bracewell, Frank Kenyon, cl, as / Mick Burberry, as, bar / Frank Barnes cl, ts / Laurie Johnson, Phil Phillips, vn / Clem Bernard, p / Les Casey, g / Joe White, bb, sb / Arthur Baker, d / Alan Breeze, v. London, August 14, 1934.

CAR-2799-1 St. Louis Blues - vTF

RZ MR-1413, G-22233,Col GN-5002, Gl GZ-3033

London, November 4, 1934.

CAR-3002-1 The Man From Harlem - vTF

RZ MR-1501, OK 41586,Gl GZ-3045



COTTON BLOSSOMS ORCHESTRA

Pseudonym on Radiex for the following items listed in this book:

1225 Doodle Doo Doo for (The Jazeliers)

1245 Doo Wacka Doo (California Ramblers)



COTTON CLUB ORCHESTRA

Andy Preer, vn (when used), dir: R. Q. Dickerson, Louis Metcalf, t / De Priest Wheeler, tb / Dave Jones, ? Walter Thomas, as, bar / Andrew Brown, cl, ts / Earres Prince, p / Charley Stamps, bj / Jimmy Smith, bb / Leroy Maxey, d. New York, January 6, 1925.

140224-1 Down And Out Blues

Col 287-D

140225-1 Snag 'Em Blues

Col 287-D

NOTE: Eli Logan, previously cited as 2nd alto sax, reportedly died in July, 1924; hence the postulate of Thomas.

Harry Cooper, t, replaces Metcalf. New York, March 31, 1925.

140475-1-2-3 Original Two-Time Man

Col unissued

140478-1-2-3 Lonely And Blue

Col unissued

New York, April 27, 1925.

140475-5 Original Two-Time Man

Col 374-D, 3717

140556-2 Riverboat Shuffle

Col 374-D

NOTE: Columbia 3717 as HANNAN DANCE BAND.

Sidney de Paris, t, replaces Cooper; Bob Fuller, cl, ss, as, may replace Jones. New York, November 10, 1925.

141255-1 Everybody Stomp

Col 14113-D

141256-1 Charleston Ball

Col 14113-D

THE COTTON PICKERS

Phil Napoleon, t / Miff Mole, tb / Loring McMurray, cl / Frank Signorelli, p / John Cali, bj / John Helleberg, bb / Jack Roth, d. New York, July, 1922.

8270 / 71 Hot Lips

Br 2292


8272 / 74 State Street Blues

Br 2292


Jimmy Lytell, cl, replaces McMurray. New York, September, 1922.

8923 / 25 I Wish I Could Shimmy Like My Sister Kate

Br 2338

8927 / 28 Got To Cool My Doggies Now



Br 2338

Charlie Panelli, tb, replaces Mole. New York, November, 1922.

9309 He May Be Your Man, But He Comes To See Me Sometimes

Br 2380


9312 Great White Way Blues

Br 2380


Helleberg omitted. New York, December, 1922.

9487 Runnin' Wild

Br 2382

9489 Loose Feet



Br 2382

Miff Mole, tb, replaces Panelli; John Helleberg, bb, added; Billy Jones, v. New York, c. February 9, 1923.

9866 / 68 You Tell Her - I Stutter - vBJ

Br 2404


9870 'Way Down Yonder In New Orleans

Br 2404


Rudy Wiedoeft, as, added. New York, March 10, 1923.

10090 I Never Miss The Sunshine

Br 2418

Charlie Panelli, tb, replaces Mole; Wiedoeft omitted. New York, March 17, 1923.



10128 Snakes Hips

Br 2418


Phil Napoleon, t / Charlie Panelli, tb / Jimmy Lytell, cl / Frank Signorelli, p / John Cali, bj / Jack Roth, d / Ernest Hare, v. New York, April 20, 1923.

10421 When Will The Sun Shine For Me?

Br 2436

10426 Down By The River - vEH



Br 2436

Bennie Krueger, as, added / Roth doubles p, next date only. New York, June 27, 1923.

10951 / 52 Duck's Quack

Br 2461


10955 My Sweetie Went Away

Br 2461


Miff Mole, tb, replaces Panelli. New York, September 18, 1923.

11343 Mama Goes Where Papa Goes (Or Papa Don't Go Out Tonight)

Br 2490

11347 Walk, Jenny, Walk



Br 2490

New York, September 19, 1923.

11358 Rampart Street Blues

Br 2486


11361 Back O' Town Blues

Br 2486


New York, September 26, 1923.

11428 / 31 Just Hot

Br 2507

11432 / 34 Shufflin' Mose



Br 2507

New York, November 27, 1923.

11986 Do Yo' Dooty Daddy

Br 2532


11987 / 88 / 89 Blue Rose

Br 2532


Harry Reser, bj; John Helleberg, vn, added. New York, December 14, 1923.

12111 / 2 / 3 Not Here, Not There

Br unissued

12114 / 5 / 6 Steamboat Sal

Br unissued

Roy Johnston, t / Miff Mole, tb / Larry Abbott, cl, as / Frankie Trumbauer, Cm / Rube Bloom, p / Frank di Primo, bj / Louis Chassagne, bb / Ward Archer, d. New York, December 4, 1924.

14382 / 85 Prince Of Wails

Br 2766


Chassagne omitted. New York, December 6, 1924.

14411 / 14 Jimtown Blues

Br 2766

New York, February 6, 1925.



14835 Mishawaka Blues

Br 2818


14838 Jacksonville Gal

Br 2818


New York, April 9, 1925.

15490 Those Panama Mamas

Br 2879, Sil 3101

15494 Down And Out Blues

Br 2879, Sil 3101

NOTE: Silvertone as JOHNSON'S JAZZ BAND.

Mickey Bloom, t, mel / Miff Mole, tb / Chuck Miller, cl, as / Frank Trumbauer, Cm / Rube Bloom, p / Tony Colucci,
bj / Joe Tarto, bb / Ray Bauduc, d. New York, August 21, 1925.

16191 Milenberg Joys

Br 2937

16195 If You Hadn't Gone Away



Br 2937

Unknown cl replaces Miller; Vic Berton, d, replaces Bauduc. New York, November 13, 1925.

16895 Carolina Stomp

Br 2981


New York, November 19, 1925.

16931 Stomp Off, Let's Go

Br 2981

Mickey Bloom, t / Miff Mole, tb / Chuck Miller, cl / Alfie Evans, as, bar / Rube Bloom, p / ? Roy Smeck, bj / Joe Tarto, bb / Vic Berton, d. New York, January 7, 1926.



E-17367; Fallin' Down

E-2099 Br 3001, Voc 15201

E-17371; What Did I Tell Ya?

E-2103 Br 3001, Voc 15201

NOTE: Vocalion 15201 as THE TENNESSEE TOOTERS.

Tommy Dorsey, t / Glenn Miller, tb / Jimmy Dorsey, cl, as / Arthur Schutt, p / Perry Botkin, bj / Joe Tarto, sb / Stan King, d / Hoagy Carmichael, Scrappy Lambert, v. New York, March 27, 1929.

E-29523½-A Rampart Street Blues

Br 4325, 02505, A-8261, A-81004

E-29523½-B Rampart Street Blues - vHC, SL

Br 4325, 5037

E-29523½-G Rampart Street Blues

Br unissued?

E-29524-A-B St. Louis Gal

Br 4440, 1035

E-29525- Kansas City Kitty

Br 4325, 5037, A-8261, A-81004

NOTE: Some copies of Brunswick 02505 were pressed from master E-29525 instead of E-29523 (the ½ indicates that E-29523 was used for another recording, in this case a popular ballad by Chester Gaylord), but all such copies are labeled RAMPART STREET BLUES.

? Carl Kress, g, replaces Botkin; Dick Robertson, v. New York, May 16, 1929.

E-29847- No Parking

Br 4440, 1033

E-29848- Sweet Ida Joy - vDR

Br 4404, 1011

E-29848-G Sweet Ida Joy

Br unissued?

Phil Napoleon, t / Glenn Miller, tb / Jimmy Dorsey and another, cl, as / cl, ts / ? Arthur Schutt,­ p / Carl Kress, g / Joe Tarto, bb, sb / Vic Berton, d / Scrappy Lambert, v. New York, May 20, 1929.

E-29958- Sugar Is Back In Town - vSL

Br 4404, 1011

E-29958-G Sugar Is Back In Town

Br unissued?

Tommy Dorsey, tb, replaces Miller; unknown bj, replaces Kress; Libby Holman and Marlin Hurt, v, as noted. New York, July 9, 1929.

E-30326- Moanin' Low - vLH

Br 4446, 1038

E-30326-G Moanin' Low

Br unissued?

E-30328- He's A Good Man To Have Around - vLH

Br 4447


E-30329-G He's A Good Man To Have Around

Br A-8406

E-30330-A Shoo Shoo Boogie Boo - vMH

Br 4447


E-30331-G Shoo Shoo Boogie Boo

Br A-8406

NOTE: E-30327 was made for German issue but was never used. This name was also used on Cameo 9048 and Romeo 852 for the Whoopee Makers (see Irving Mills) or, in the case of ST. LOUIS BLUES, for the Broadway Broadcasters (see Sam Lanin); and on Cameo 9207 and Romeo 1009 for Irving Kaufman and his Band, q.v.

The following session, directed by Andy Mansfield, was also recorded and issued as by The Cotton Pickers:

Andy Mansfield, v, dir: 2 c / tb / 2 cl, as / cl, ts / p / bj / bb / d / Sam E. Bird, v. Richmond, IN, February 9, 1928.

13429 Sh-h! Here Comes My Sugar - vSEB&ch

Gnt 6396, Ch 15438

13430 After Awhile - vAM

Gnt 6396

13431 What'll You Do?

Gnt 6380, Spr 333

13431-B What'll You Do?

GS 40113

13432 Third Rail

Gnt 6380, Ch 15438

13432-A Third Rail

GS 40114

See also: Jazzbo's Carolina Serenaders, Ladd's Black Aces, Lanin's Southern Serenaders, Original Memphis Five, Southland Six, Savannah Six, Tennessee Ten.

COTTON PICKER'S (OR PICKERS') ORCHESTRA

See the Grey Gull studio bands.

WALLIE COULTER AND HIS BAND

Pseudonym on Gennett 6369 for Richard M. Jones' Jazz Wizards, q.v.



LYNN COWAN AND HIS BOULEVARD THEATER ORCHESTRA

Pseudonym on Romeo 358 (AIN'T SHE SWEET?) for the Varsity Eight, q.v.



IDA COX

Vocal, acc. by Lovie Austin, p. Chicago, June, 1923.

1437-1-2-3-4 Any Woman's Blues

Pm 12053, Hg 847, Sil 3559

1438-1-2 Bama Bound Blues

Pm 12045, Hg 829

1439-1-2 Lovin' Is The Thing I'm Wild About

Pm 12045, Hg 829

Acc. by Lovie Austin and her Blues Serenaders: Tommy Ladnier, c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, June, 1923.

1442-1-2 Graveyard Dream Blues

Pm 12044, Hg 827, Sig 907, JC L-22

1443-1-2 Weary Way Blues

Pm 12044, Hg 827, Sig 907, JC L-22

NOTE: Harmograph 829 and 847 as JULIA POWERS acc. by GOLDIE HALL; 827 as JULIA POWERS acc. by GOLDIE HALL AND HER BLUES SERENADERS; Silvertone as JANE SMITH. Matrix 1442-2 as GRAVEYARD BLUES on Harmograph as well as some Paramount issues.

Acc. by Lovie Austin, p. Chicago, late September, 1923.

1486-1-2 Blue Monday Blues

Pm 12053, Hg 847, Sil 3559

1487-1-2-4 I Love My Man Better Than I Love

Pm 12056, Hg 858 Myself

NOTE: Harmograph 847 and 858 as JULIA POWERS.

Acc. by Lovie Austin and her Blues Serenaders: Tommy Ladnier, c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, late September, 1923.

1488-1-2-3-4 Ida Cox's Lawdy Lawdy Blues

Pm 12064

1488-4 Lawdy Lawdy Blues

Hg 883

1493-3-4 Moanin' Groanin' Blues



Pm 12064, Hg 883

NOTE: Harmograph 883 as JULIA POWERS ACC. BY GOLDIE HALL AND HER BLUES SERENADERS. Matrices 1489-1492 are by Monette Moore.

Acc. by Lovie Austin, p. Chicago, late September, 1923.

1496-1-2-3-4 Chattanooga Blues

Pm 12063, Hg 872

1503-1-2-3-4-5-6 Chicago Bound Blues (Famous Migration Blues)

Pm 12056, Hg 858

1504-1-2 Come Right In

Pm 12022

NOTE: Harmograph 858 as JULIA POWERS, ACC. BY GOLDIE HALL; 872 as JULIUS POWERS, etc. Paramount 12022 as IDA COX AND LOVIE AUSTIN.

Acc. by Lovie Austin and her Blues Serenaders: Tommy Ladnier, c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, late September, 1923.

1509-1-2-3-4 I've Got The Blues For Rampart Street

Pm 12063, Hq 872, AM 7

NOTE: Harmograph 872 as JULIUS POWERS.

Acc. by Lovie Austin, p. Chicago, October, 1923.

1545-1-2 Graveyard Dream Blues

Pm 12022

Acc. by Lovie Austin and her Blues Serenaders: Tommy Ladnier-.c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, December, 1923.

1594-1-2 Mama Doo Shee Blues

Pm 12085, Hg 897, JC L-76

1595-1-2 Worried Mama Blues

Pm 12085, Hg 897, JC L-76

1604-1-2 So Soon This Morning Blues

Pm 12086


1605-1 Mail Man Blues

Pm 12087


1607-2 Confidential Blues

Pm 12086


NOTE: Matrix 1606 is untraced. Harmograph 897 as JULIA POWERS ACC. BY GOLDIE HALL AND HER BLUES SERENADERS. Some copies of Paramount 12201 by Lottie Beaman (HONEY BLUES) are pressed from matrix
1595.

Acc. by Jesse Crump, p. Chicago, December, 1923.

1626-1-2 Bear Mash Blues

Pm 12087


Acc. by the Pruitt Twins (Miles and Miles Pruitt), bj, g. Chicago, February, 1924.

1696-3 Mean Lovin' Man Blues

Pm 12094

1697-1-2 Down The Road Bound Blues

Pm 12094

Acc. by Lovie Austin and her Blues Serenaders: Tommy Ladnier, c / Jimmy O'Bryant, cl / Charles Harris, cl, as / Lovie Austin, p. Chicago, February, 1924.

1705-2 Last Time Blues

Pm 12212


1706-2 Worried Any How Blues

Pm 12202


1707-1-2 Chicago Monkey Man Blues

Pm 12202


1708-2 Mean Papa Turn Your Key

Pm 12097


NOTE: Paramount 12202 as IDA COX AND HER BLUES SERENADERS.

Unknown bj added. Chicago, February, 1924.

1714-1-2 Blues Ain't Nothin' Else But!

Pm 12212


Harris and bj omitted. Chicago, July, 1924.

1840-3 Kentucky Man Blues

Pm 12220, JD 019

1841-1-2-3 Cherry Picking Blues

Pm 12228

1842-1-2-4 Wild Women Don't Have The Blues

Pm 12228

1843-1-3 Worried In Mind Blues

Pm 12237

NOTE: Matrix 1843-3 features Johnny Dodds, cl, instead of O'Bryant. This anomaly prompts the conjecture that it may be a remake from a later session, of which nothing else is known.

O'Bryant doubles ss. Chicago, July, 1924.

1854-3 Death Letter Blues

Pm 12220, JD 019

1855-4 My Mean Man Blues

Pm 12237

Acc. by her Five Blue Spells: Elmer Chambers, c / Charlie Green, tb / Don Redman, cl*, ss / Fletcher Henderson,


p / Charlie Dixon, bj. New York, late January, 1925.

1998-1 *Those Married Men Blues

Pm 12263

1999-2 Misery Blues (Aching Blues*)

Pm 12258, Sil 3563*

2001-1-3 Graveyard Bound Blues (w / drum effects)

Pm 12251

Howard Scott, c, replaces Chambers; Dixon omitted on 2003-2. New York, late January, 1925.

2001-1 Mississippi River Blues

Pm 12251


2002-2-3 Georgia Hound Blues

Pm 12263


2003-2 Blue Kentucky Blues (Kentucky Blues*)

Pm 12258, Sil 3563*

NOTE: Silvertone 3563 as JANE SMITH. Matrix 2003-2 appears, from aural evidence, to be accompanied by the Original Memphis Five. Possibly this is another post facto remake, from an undocumented session.

Acc. by Lovie Austin and Serenaders: c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, April, 1925.

2103-2 Black Crepe Blues

Pm 12291


2104-2 Fare Thee Well Poor Gal

Pm 12291


2105-2 Cold Black Ground Blues

Pm 12282


2106-2 Someday Blues

Pm 12282


Vocal duets with Papa Charlie Jackson, acc. by the latter, bj. Chicago, April, 1925.

2109-1-2 Mister Man - Part 1

Pm 12275

2110-2 Mister Man - Part 2

Pm 12275

Vocal, acc. by Lovie Austin and her Serenaders: Bob Shoffner, c / Jimmy O'Bryant, cl / Lovie Austin, p. Chicago, August, 1925.

2242-1-2 Mistreatin' Daddy Blues

Pm 12298


2243-1-2 Long Distance Blues

Pm 12307


2244-1-2 Southern Woman's Blues

Pm 12298


2246-1 Lonesome Blues

Pm 12307


NOTE: Matrix 2245 is untraced.

Acc. by Charlie Jackson, bj. Chicago, September, 1925.

2287-1 How Long, Daddy, How Long?

Pm 12325


Acc. by Lovie Austin's Serenaders: Bob Shoffner, c / Jimmy O'Bryant, cl / Lovie Austin­ p / W. E. Burton, d. Chicago, September, 1925.

2291-2 How Can I Miss You When I've Got Dead Aim?

Pm 12334

2292-1-2 I Ain't Got Nobody

Pm 12334

Acc. by unknown c / Jesse Crump, or. Chicago, September, 1925.

2293-1-2 Coffin Blues

Pm 12318


2294-1-2 Rambling Blues

Pm 12318


Acc. by Lovie Austin's Serenaders: As for the last session accompanied thus. Chicago, September, 1925.

2299-1 One Time Woman Blues

Pm 12325

Acc. by Lovie Austin's Serenaders: ? Bernie Young, c / ? Charlie Green, tb / Jimmy O'Bryant, cl / Lovie Austin, p /


? W. E. Burton, woodblocks. Chicago, February, 1926.

2441-2 Trouble Trouble Blues

Pm 12344

2443-1-2 Do Lawd Do

Pm 12353

2444-1-2 I'm Leaving Here Blues

Pm 12344

2445-1-2 Night And Day Blues

Pm 12353

NOTE: Some copies of Paramount 12344 have reversed labels. Matrix 2442 is untraced.

Acc. by Lovie Austin's Serenaders: ? Shirley Clay, c / ? Kid Ory or ? Albert Wynn, tb / Johnny Dodds, cl / Lovie Austin, p / Eustern Woodfork, bj. Chicago, c. July 1926.

2633-2 Don't Blame Me

Pm 12381

2634-2 Scottle De Doo

Pm 12381

Acc. by Jesse Crump, p. Chicago, c. July, 1927.

4602-1 'Fore Day Creep

Pm 12488, Bwy 5075

4603-1 Gypsy Glass Blues

Pm 12488, Bwy 5075

4625-1-2 Mojo Hand Blues

Pm 12540


4626-1 Alphonsia Blues

Pm 12540


4635-1 Pleading Blues

Pm 12513


4636-1 Lost Man Blues

Pm 12513


4637-1 Hard, Oh Lawd

Pm 12502, Bwy 5016

4638-2 Mercy Blues

Pm 12502, Bwy 5016

NOTE: Broadway 5016 as KATE LEWIS, 5075 as VELMA BRADLEY. Some copies of Paramount 12502 are to be found with reversed labels.

Chicago, c. September, 1927.

20041-2 Seven Day Blues

Pm 12556


20042-2 Cold And Blue

Pm 12556


Chicago, c. October, 1927.

20125-1 Midnight Hour Blues

Pm 12582

20126-2 Give Me A Break Blues

Pm 12582

Acc. by ? Dave Nelson or ? B. T. Wingfield, c / Jesse Crump, p / bj. Chicago, July, 1928.

20703-2 Bone Orchard Blues

Pm 12664


20704-2 Sobbin' Tears Blues

Pm 12727


20705-2 Booze Crazy Man Blues

Pm 12677


20706-2 Broadcasting Blues

Pm 12677


20708-2 Western Union Blues

Pm 12664

Chicago, July, 1928.

20712-2 Fogyism

Pm 12690

20713-1 Separated Blues

Pm 12727

20714-1 Tree Top Tall Papa

Pm 12690

NOTE: The intervening matrices are by Bill Haid and his Thieves of Sleep.

Acc. by ? B. T. Wingfield, c / cl, as / ? Tiny Parham, p. Chicago, August, 1928.

20762-1 Marble Stone Blues

Pm 12738

20763-1 Crow Jane Woman

Pm 12738

20766-1 Worn Down Daddy Blues

Pm 12704

20767-2 Sneaking Blues (I. C. Train Blues )

Pm unissued

20768-1 You Stole My Man

Pm 12704

Acc. by Roy Palmer, tb / cl / ? Tiny Parham, p. Chicago, c. October, 1929.

21416-2 I'm So Glad

Pm 12965, VJR 17

21418-1 Jail House Blues

Pm 12965, VJR 17

NOTE: Matrix 21417 is untraced.



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