SHARLIE ENGLISH
Vocal, acc. by Tiny Parham, p / Bert Cobb, bb.* Chicago, c. February, 1928.
20340-1 Down On The Santa Fe
Pm 12644
20342-2 Broke Woman Blues
Pm 12644
20346-2 *Transom Blues
Pm 12610
20352-1 *Tuba Lawdy Blues
Pm 12610
NOTE: Matrices 20343 and 20344 are blues by Ramblin' Thomas; the other missing numbers may include unissued titles by Sharlie English. This artist's real name is believed to be Sharlie King.
EQUINOX ORCHESTRA OF PRINCETON, N.J.
See the Princeton Triangle Jazz Band.
CLIVE ERARD'S DANCE BAND
The following title by this little-recorded British dance band is of some interest as hot dance music.
Clive Erard, p, a, dir:Frankie Davies and another, t / Anthony Mangan, tb / David Stephenson, cl, as, bar / Jack Meerloo, as / Teddy Meerloo, cl, ts / Andrew Wolkowsky, bj, g / bb / Cecil Walden d / girl v. London, c. March, 1931.
F-1242 Ten Cents A Dance - v
Film 203
ERDMAN AND HIS ORCHESTRA
Pseudonym on Microphone 22046 (SLEEPY-TIME GAL) for Fletcher Henderson and his Orchestra., q.v.
WALLY ERICKSON AND HIS COLISEUM ORCHESTRA
Wally Erickson, vn, dir: Bob Roberts, Helon Harmon, t / Ryan Fries, Frank Bily, tb / Steve Huppert, Bob Clayton, Ulia Powell, cl, ss, as, ts / Jack Bartos, p, pac / Doc Moore, bj, g / Ben Stang, bb / Oscar Sundberg, d. Richmond, IN,
May 8, 1925.
12239,-A-B I'll Always Call You Sweetheart
Gnt unissued
12240,-A-B Do You Ever Dream Of Me?
Gnt unissued
12241,-A-B Indian Dawn
Gnt unissued
12242-B The Meanest Kind Of Blues
Gnt 3068
Richmond, IN, June 1, 1925.
12259 Hongkong Dream Girl
Gnt 3069
Richmond, IN, June 2, 1925.
12260-B Got No Time
Gnt 3068
12261 The Call Of The South
Gnt 3069
Probably somewhat different personnel. St. Paul, May 28, 1927.
128189,-C Black Measles
Gnt unissued
Les Backer, v. Minneapolis, c. March, 1929.
MP-32- I Get The Blues When It Rains - vLB
Voc 15778
MP-33- Hard Luck
Voc 15778
ERWING BROTHERS' ORCHESTRA
Unknown t / cl, as / ts / p / g / sb / d. Hollywood, June 14, 1933.
B-796-A The Erwing Blues
Voc 2564
B-797-A Rhythm
Voc 2564
PAUL ESTABROOK
This pianist made a number of sides for Brunswick in Chicago in the spring of 1930, mostly of popular songs of the day, but the following are of some interest as early examples of a white pianist playing in the blues idiom.
Piano solos. Chicago, May, 1930.
C-5737-B Yellow Dog Blues
Br 4801, A-8758
C-5739-A Beale Street Blues
Br 4801, A-8758
RUTH ETTING
The following sides from the large number made by this popular singer are of interest for their accompaniments. Eddie Lang may be heard on others not listed here, but in a discreet accompanying capacity only.
Vocal, acc. by Tommy Dorsey, t / Charlie Butterfield, tb / Jimmy Dorsey, cl / ? Frank Signorelli, p / Eddie Lang, g / Joe Tarto or Ward Lay, sb. New York, March 11, 1929.
148029-3 Button Up Your Overcoat
Col 1762-D, 5600, 01832
Acc. by Charlie Spivak, t / cl? / Larry Adler, h / Ben Selvin, vn / Lou Alter, Frank Signorelli, p / Eddie Lang, g. New York, September 18, 1930.
150744-6 I'll Be Blue, Just Thinking Of You
Col 2307-D, DB-355
150826-3 If I Could Be With You One Hour Tonight
Col 2300-D, DB-341
Acc. by Manny Klein, t / cl / Joe Venuti, vn / Rube Bloom, p / Eddie Lang, g. New York, May 26, 1931.
151570-2 (There Ought To Be A) Moonlight Saving Time
Col 2470-D, DB-571
JIM EUROPE
EUROPE'S SOCIETY ORCHESTRA: James Reese Europe dir: Cricket Smith, c / Edgar Campbell, cl / Tracy Cooper, George Smith, Walter Scott, vn / Leonard Smith, Ford Dabney, p / 5 bj-md / Buddy Gilmore, d. New York, December 29, 1913.
14246-1 Too Much Mustard (Tres Moutarde*) (Cecil Macklin)
Vic 35359, HMV 0230588*
14247-2 Down Home Rag (Wilbur C. Sweatman)
Vic 35359
14248-1 Amapa - Maxixe Bresilien (J. Storoni)
Vic 35360
14249-1 El Irresistible - Tango Argentine (Lozatti)
Vic 35360
Chandler Ford, vc / unknown bh / f, added; all 5 bj-md omitted. New York, February 10, 1914.
14432-1 You're Here And I'm Here
Vic 17553, HMV B-258
14433-3 Castle House Rag (Castles In Europe)
Vic 35372
14434-2 Castle Walk
Vic 17553, HMV B-258
14435-1 Congratulations Waltz (Lame Duck)
Vic 35372
William Parquette, vn / vl, added; one p omitted. New York, October 1, 1914.
15230-1-2 Fiora Waltz
Vic unissued
15231-1-2 Fox Trot
Vic unissued
LIEUT. JIM EUROPE'S 369th INFANTRY ("HELL FIGHTERS") BAND: Probably including Frank De Braithe (or
De Broite), Russell Smith, Pops Foster (not the well-known bassist), Jake Porter, t / Dope Andrews, Herb Flemming, tb / Pinkhead Parker, as / Noble Sissle, vn, v / Battle Ax Kenny, d, and others. New York, between March 3 and 7, 1919.
67470 Broadway "Hit" Medley(intro: You've Got The Blue Ridge Blues / Madelon / Till We Meet Again / Smiles)
P 22082
67471 St. Louis Blues
P 22087
67472 How Ya Gonna Keep 'Em Down On The Farm? - vNS
P 22080
67473 Arabian Nights
P 22080
67474 Indianola
P 22081
67475 Darktown Strutters' Ball - Medley
P 22081
New York, c. March 7, 1919.
67481 Hesitating Blues - vNS
P 22086
67484 Plantation Echoes - vNS
P 22086
67485 That Moaning Trombone
P 22085, PA 020929, Per 14111
67486 Memphis Blues
P 22085, PA 020929, Per 14111
67487 Russian Rag
P 22087, PA 020928, Per 14110
67488 Ja Da
P 22082
Creighton Thompson, Noble Sissle, v (and top billing on labels). New York, c. March 14, 1919.
67515 Mirandy - vNS
P 22089
67516 On Patrol In No-Man's Land - vNS
P 22089
67517 Jazz Baby - vCT
P 22103
67518 All Of No-Man's Land Is Ours - vNS
P 22104
67519 Jazzola - vNS
P 22104
67520 When The Bees Make Honey - vNS
P 22103
NOTE: The above as LIEUT. NOBLE SISSLE AND LIEUT. JIM EUROPE'S 369th INFANTRY ("HELL FIGHTERS") BAND, and C. CREIGHTON THOMPSON AND LIEUT. JIM EUROPE'S 369th INFANTRY ("HELL FIGHTERS") BAND. The band takes only an accompanying role on these vocal solo sides.
New York, c. May 7, 1919.
67666 The Dancing Deacon
P 22167
67667 That's Got 'Em
P 22146
67668 Clarinet Marmalade
P 22167, PA 020928, 14110
67669 Missouri Blues
P 22147
67670 Dixie Is Dixie Once More - vNS
P 22146
67671 My Choc'late Soldier Sammy Boy - vNS
P 22147
NOTE: All Pathé Actuelle and Perfect issues as JIM EUROPE'S BAND. The jazz content of these titles is minimal; vocal records by Europe's Four Harmony Kings and Singing Serenaders are beyond the scope of this work.
BILLY EVANS' HAPPY FIVE
Pseudonym on Domino 3990 and Regal 8353 for the California Ramblers, q.v.
CHARLOTTE EVANS
Pseudonym on Domino for Clementine Smith, q.v.
EDITH EVANS
This is not the English dramatic actress of the same name, but an American vaudeville singer of the late 1920s. The following of her records have quite interesting jazz-oriented accompaniments.
Vocal, acc. by t / cl, as / ts / vn / ? Roy Mayer, p / sb / d, vib. New York, March, 1929.
E-29458- My Kinda Love
Br 4291
E-29459- Kansas City Kitty
Br 4291
NOTE: The Brunswick file shows only an unidentified piano accompaniment for this session.
ROY EVANS
The following titles by this yodeling vocalist are of interest for their accompaniments. Other records under Roy Evans's name are of waltzes or have no accompaniments likely to interest the jazz enthusiast.
Vocal, acc. by own p. Atlanta, April 11, 1928.
146020-1 Weary Yodelin' Blues - Part 1
Col 1380-D, 15252-D, Re G-9233, G-20413
146021-2 Weary Yodelin' Blues - Part 2
Col 1380-D, 15252-D, Re G-9233, G-20413
Acc. by own p. New York, June 15, 1928.
146528-2 My Old Lady Blues
Col 1697-D, Re G-9373, G-20584
146529-1-2-3 The New St. Louis Blues
Col unissued
Acc. by J. C. Johnson, p. New York, June 18, 1928.
146553-1 I Ain't Got Nobody
Col 15272-D
146554-3 Dusky Stevedore
Col 15272-D, 1449-D
Garvin Bushell, cl, as, added. New York, June 20, 1928.
146558-1 How Long Is That Train Been Gone? - clGB
Col 2257-D
146559-2 Georgia's Always On My Mind - asGB
Col 1449-D
Acc. by own p. New York, June 23, 1928.
146529-5 The New St. Louis Blues
Col 1697-D, Re G-9373, G-20584
Acc. by Arthur Whetsel, c / James P. Johnson, p. New York, July 26, 1928.
146811-2 So Sorry
Col 2257-D
146812-3 Syncopated Yodelin' Man
Col 1559-D, 14359-D, 01360, Re G-9271
Whetsel omitted. New York, September 4, 1928.
146941-1 Take Your Tomorrow (And Give Me Today)
Col unissued
146942-2 Jazbo Dan And His Yodelin' Band
Col 1559-D, 14359-D, 01360, Re G-9271
Acc. by own p / Eddie Lang, g. New York, October 16, 1928.
147121-1-2-3-4 Lonesome Yodelin' Blues - Part 1
Col unissued
147122-1-2-3 Lonesome Yodelin' Blues - Part 2
Col unissued
New York, October 23, 1928.
147121-5 Lonesome Yodelin' Blues - Part 1
Col 1934-D
147122-6 Lonesome Yodelin' Blues - Part 2
Col 1934-D
Acc. by unknown p (his own?) New York, November 23, 1928.
147484-1-2-3 Someone's Teaching Me How To Forget
Col unissued
147485-1-2-3 Sweet Louisiana Louise
Col unissued
New York, February 4, 1929.
147484-4-5-6 Someone's Teaching Me How To Forget
Col unissued
147485-4-5-6 Sweet Louisiana Louise
Col unissued
New York, October 4, 1929.
149096-1 Triflin' Mama's Yodelin' Blues - Part 1
Col unissued
149097-1 Triflin' Mama's Yodelin' Blues - Part 2
Col unissued
Acc. by ? Manny Klein, t / tb / 2 vn / p / sb. New York, April 10, 1930.
150195-3 Ro-Ro-Rollin' Along
Col 2198-D
150196-2 I Lost My Gal From Memphis
Col 2198-D
Acc. by t / Jimmy Dorsey, cl / ? Frank Signorelli, p / Eddie Lang, g / d. New York, October 31, 1930.
150923-2 I'm Tickled Pink With A Blue-Eyed Baby
Col 2338-D
150926-2 It's An Old Spanish Custom In The Moonlight
Col 2338-D, DB-425
NOTE: Matrices 150924 - 150925 are by Lee Morse and her Blue Grass Boys.
Acc. by Manny Klein, t / Benny Goodman, cl / ? own p / ? Carl Kress, g / sb. New York, March 27, 1931.
151472-2 Roll On, Mississippi, Roll On
Col 2469-D, Re MR-410
151473-1 Hang Out The Stars In Indiana
Col unissued
Acc. by t / tb / cl / vn / p / g / d. New York, June, 1931.
1337- One More Time
Cr 3154, Lyric 3415, Summit 134
1338- I Wanna Sing About You
Cr 3154, Lyric 3414, Summit 134
NOTE: On Summit 134, the first title is credited to EVAN SCHUBERT, the second to EVAN NOVAK.
THE EVER-BRIGHT BOYS
This recording band was organized by Percival Mackey, a well-known London theatre orchestra conductor and band- leader during the interwar years. The following sides are of some interest as jazz; personnel is conjectural.
Percival Mackey, p, a, dir. possibly: Freddy Pitt, George Brown, t / Ben Oakley, tb / Harry Carter, Bill Rogers, as / Dick Laughton, ts / 2-3 vn, including Eric Siday / Al Bowlly, g, v / Tom Eggerdon, sb / Dan Ingman, d. London, April, 1929.
1783-2 Up In The Clouds - vAB
Met 1141, Pic 264, Oct 291
Bowlly omitted as vocalist, and probably considerable other differences in the personnel, using the same instrumentation. London, June, July, 1929.
1981-1 Jericho - v
Pic 348, Oct 301
ELIOT EVERETT AND HIS ORCHESTRA
Pseudonym for the following items listed in this book:
Bluebird B-5327 Soliloquy (Snooks and his Memphis Ramblers)
HMV B-6311 Little Nell (Joe Haymes and his Orchestra)
Sunrise S-3408 Soliloquy (Snooks and his Memphis Ramblers)
Victor 22921 Blue Danube Blues (Gene Kardos and his Orchestra)
22921 Soliloquy (Snooks and his Memphis Ramblers)
24080 In A Little Blue Canoe With You (Gene Kardos and his Orchestra)
24085 Little Nell (Joe Haymes and his Orchestra)
THE EVERGLADES ORCHESTRA
See Joe Candullo.
KAI EWANS AND HIS ORCHESTRA
See Benny Carter.
WILL EZELL
Piano solos. Chicago, c. September, 1927.
4786-2 Barrel House Man
Pm 12549
4787-2 West Coast Rag
Pm 12549
Chicago, c. August, 1928.
20823-1-2 Old Mill Blues
Pm 12688, Sig 911, JC L-84, JS 5005 (not issued)
20824-2 Mixed Up Rag
Pm 12688, Sig 911, JC L-84, JS 5005 (not issued)
Vocal, acc. by own p. Chicago, December, 1928.
21065-1-2 Ezell's Precious Five
Pm 12729
21066-1-2 Crawlin' Spider Blues
Pm 12729
NOTE: The matrix number of the first title appears on the label as 20065.
Piano solos. Chicago, c. February, 1929.
21143-1 Barrel House Woman
Pm 12753, Sig 910, JC L-63
21144-2 Bucket Of Blood
Pm 12773, Her 93017
21145-2 Heifer Dust
Pm 12753, Sig 910, JC L-63
21146-1 Playing The Dozen
Pm 12773, Her 93017
NOTE: Herwin 93017 as CHARLIE EATON.
Piano solos, acc. by Baby James, c / Blind Roosevelt Graves, g / Aaron Graves, tambourine / own v. Richmond, IN, September 20, 1929.
15649-A Just Can't Stay Here - vWE
Pm 12855, Bwy 5103, Cen 3015, JC L-46, Tem R-31
15650 Pitchin' Boogie - vWE
Pm 12855, Bwy 5103, Cen 3015, JC L-46, Tem R-31
15654-A Freakish Mistreater Blues - vWE
Pm 12914
15655-A Hot Shot Stuff
Pm 12914
NOTE: Matrices 15651-15653 inclusive are by Blind Roosevelt Graves. The correct name of the tambourine-playing Graves brother is Aaron, not Uaroy (as is often seen, arising from a mis-transcription of source material).
F
SAMMY FAIN
The following by "The Crooning Composer" have interesting jazz-styled accompaniments.
Vocal, acc. by Tommy Dorsey, t / Jimmy Dorsey, cl / ? Rube Bloom, p / Eddie Lang, g. New York, March 26, 1929.
148139-2 What Did'a Wanna Make Me Love You For?
Har 904-H, VT1904-V
148140-3 (You Can't Take Away) The Things That Were Made For Love
Har 904-H, VT 1904-V
Acc. by Manny Klein, Phil Napoleon, t / Benny Goodman, cl / Joe Venuti, vn / Rube Bloom, p / Eddie Lang, g. New York, May 10, 1929.
148508-2 To Be In Love (Espesh'lly With You)
Har 943-H, VT 1943-V, Re G-20572
148509-1 What A Day!
Har 943-H, VT 1943-V
148510-2 Why Can't You?
Har 961-H, VT 1961-V
? Murray Kellner, vn, replaces Venuti; ? Andy Sannella, g, replaces Lang. New York, July 16, 1929.
148816-1 Liza (All The Clouds'll Roll Away)
Har 993-H, VT 1993-V
148817-3 Ain't Misbehavin'
Har 993-H, Publix 1044-P, VT 1993-V
Acc. by t / vn / p / g / d. New York, September 20, 1929.
149028-3 Painting The Clouds With Sunshine
Har 1014-H, VT 2014-V
149029-3 Lovable And Sweet
Har 1014-H, VT 2014-V
Acc. by as / 2 vn / p / Eddie Lang, g. New York, May 14, 1930.
150420-3 You Brought A New Kind Of Love To Me
Har 1179-H, VT 2179-V
150421-1 I'm In The Market For You
Cl 5016-C, Har 1163-H, VT 2163-V
150422-1 Mia Cara
Har 1163-H, VT 2163-V
WILBUR FAIRBANKS
Pseudonym on Operaphone 21162 for Noble Sissle, q.v.
OWEN FALLON AND HIS CALIFORNIANS
Owen Fallon, d, dir: Robert Stevenson, t, fh / Warren Smith, tb, eu / Max Kressich, Eddie Thomas, cl, as / Walter Robison, cl, ts / Bud Kleinhall, p / Norman Rathert, bj / Hartmann Angst, bb. Los Angeles, c. October, 1925.
Darktown Shuffle
Sst 1135, Silver Screen 140
NOTE: Other Owen Fallon issues on Sunset and related labels are of no jazz interest. Sides issued under this name on Banner and associated ARC labels in the early 1930s are by the ARC-Brunswick studio band, Gene Kardos and his Orchestra (FIT AS A FIDDLE, matrix 12684-A), or Adrian Rollini (all q.v.)
FARRELL'S DANCE ORCHESTRA
Pseudonym on Symphony Concert 21138 for the All Star Trio, q.v.
HARRY FAY
Vocal acc. by Frank Wilson, t / Perley Breed, Arthur Lally, cl, as, bar / Ronnie Munro, p / bj / bb / d. London, late January 1928
E-1710-1 Rotten Cotton Gloves
Par E-5964
E-1711-1 Stewdle-Oodle-Oo
Par E-5964
BUDDY FEATHERSTONHAUGH AND HIS COSMOPOLITANS
Buddy Featherstonhaugh, ts, dir: Charlie Johnson, Charles Price, Archie Craig, t / Freddy Welsh, Lionel Guimaraes, tb / Harry Hayes, Fletcher Allen, cl, as / Justo Barreto, p / Alan Ferguson, g / German Arago, sb / Stanley Marshall, d. London, August 1, 1933.
TB-1021-1 The Sheik Of Araby
Dec F-3650
TB-1022- Royal Garden Blues
Dec F-3649
Oliver Tines, d, replaces Marshall. London, August 17, 1933.
GB-6088- I've Got The World On A String
Dec F-3649
GB-6089-2 When Buddha Smiles
Dec F-3650
GB-6090-1-2 The Sheik Of Araby
Dec unissued
CARL FENTON AND HIS ORCHESTRA
Carl Fenton originally was pseudonym for Brunswick musical director Gus Haenschen, who subcontracted
the "Fenton" sessions to various free-lance musicians and orchestras, most often those of Bennie Krueger and
Harry Reser. The Fenton name was later licensed by Reser's violinist, Rubie Greenberg, for use on labels others than Brunswick. The following from the prodigious output issued under this ficitious name are of some interest as jazz or hot dance music.
Red Nichols and another, t / Miff Mole, tb / Jimmy Dorsey, cl, as / Fud Livingston or Pee Wee Russell, cl, ts / Arthur Schutt, p / Harry Reser, bj / Joe Tarto, bb / Vic Berton, d. New York, April 2, 1927.
E-22226; Delirium
E-48668 Br 3519, A-406, Voc 15556
NOTE: Vocalion 15556 as TUXEDO ORCHESTRA.
Rubie Greenberg, vn, dir: 2 t / tb / 2 cl, as / cl, ts / p / bj / bb / d / Jerry White, v. New York, c. March 22, 1929.
GEX-2189 She's Got Great Ideas - vJW
Gnt 6799, Ch 15701, Spt 9376
NOTE: Champion 15701 as REX GORDON AND HIS ACES.
2 t / tb / Benny Goodman, cl / as / vn / p / bj / sb / d / Dick Robertson, Eddy Thomas, v. New York, June, 1929.
E-30035- What A Day! - vET
Br 4421
E-30036- Maybe - Who Knows? - vDR
Br 4421
? Rubie Greenberg, vn, dir; cl / bb replace Goodman and sb; vn omitted; unknown v. New York, c. January, 1930.
2002-3 St. James Infirmary - v
QRS Q-1023
Shake It Down
QRS Q-1023
FENTONS RAINBOWS
Pseudonym on Filmophone for the bands of Cab Calloway and Bob Haring, both q.v.
JERRY FENWYCK
See Ben Selvin (Harmony and associated labels, 1930-1931).
BEN FERGUSON
Vocal, acc. by George Allen, cl / Clifford Hayes, vn / Cal Smith, Freddy Smith, g / Earl McDonald, jug. Louisville, KY, June 16, 1931.
69450-1 Please Don't Holler, Mama
Vic 23297
69451-2 Try And Treat Her Right - vch
Vic 23297
ARTHUR FIELDS
Arthur Fields (real name Abe Finkelstein) was a much-recorded vocalist in New York during the inter-war years. He was the song-writing and publishing partner of Fred Hall, q.v., with whose orchestra he performed as vocalist in the later 1920s. They accompany him on the following, the instrumental work on which is of some interest as jazz.
ARTHUR FIELDS AND HIS ASSASSINATORS: Jack Mollick, t / Eddie Grosso, cl, as / Philip d'Arcy, h, vn, p, w / Fred Hall, p / Albert Russo, bj / Al Morse, bb / Joseph Mayo, d / Arthur Fields, v. New York, October 20, 1927.
11969 Is It Possible? - vAF
Ed 52123, Amb 5431
11970 Someday You'll Say "O.K." - vAF
Ed 52123
New York, December 29, 1927.
18141 Plenty Of Sunshine - vAF
Ed 52180
18142 Look In The Mirror (And See Just Who I Love) - vAF
Ed 52180
New York, March 28, 1928.
18343 She's A Great, Great Girl - vAF
Ed 52264, Amb 5550
18344 Hello, Montreal - vAF
Ed 52264
ARTHUR FIELDS AND HIS ORCHESTRA: Probably as above, but Mike Mosiello, t, replaces Mollick. New York, September, 1928.
108384-2 Ho-Ho-Ho-Hogan - vAF
PA 36874, Per 15055
108385-2 When Sweet Susie Goes Steppin' By - vAF
PA 36874, Per 15055
ARTHUR FIELDS AND THE NOODLERS: As above, plus William Blevins, tb, when used. New York, February 9, 1929.
8538-2 Let's Get Together - vAF
Ban 6314, Chg 962, Or 1507
8539-3 Geraldine - vAF
Ban 6315, Chg 965, Or 1504
8540-2 What Do You Think Of My Baby? - vAF
Ban 6317, Or 1505
NOTE: Orioles, Challenges as DIXIE JAZZ BAND.
ARTHUR FIELDS AND HIS ASSASSINATORS: As for the Noodlers above. New York, March 5, 1929.
19074-; N-765- I Faw Down An' Go "Boom!" - vAF
Ed unissued
19075- She Only Laughs At Me - vAF
Ed 52535
N-766- She Only Laughs At Me - vAF
Ed unissued
New York, March 20, 1929.
19074- She Only Laughs At Me - vAF
Ed 52553
N-765- I Faw Down An' Go "Boom!" - vAF
Ed unissued
N-766- She Only Laughs At Me - vAF
Ed unissued
New York, August 20, 1929.
N-1079-C Sophomore Prom - vAF
Ed 14061
N-1080-C I Lift Up My Finger And Say "Tweet Tweet" - vAF
Ed 14061
New York, September 25, 1929.
N-1154-E Piccolo Pete - vAF
Ed 14075
N-1155-E I Can't Sleep In The Movies Any More - vAF
Ed 14075
NOTE: Later (ARC) recordings by Arthur Fields and his Orchestra are not, as far as can be ascertained, of any outstanding interest as jazz or "hot" dance music.
BEN FIELDS AND HIS BAND
Pseudonym on Plaza P-300 for Oscar Rabin and his Band, q.v.
GRACIE FIELDS
Not normally associated with jazz, "Our Gracie" sings on this title accompanied by jazz musicians who are given a chance to play.
Vocal, acc. by Sylvester Ahola, t / ? Van Phillips, cl, as / Eric Siday, ? Reg Pursglove, vn / vc / Carroll Gibbons,
p, a / Joe Brannelly, g / ? Tiny Stock, sb. Small Queens Hall, London, Jan. 13, 1929.
Bb-15547-3 Take A Look At Mine
HMV B-2965
THE FIFTH AVENUE BAND
Pseudonym on Peacock P-176 (I'M NO ANGEL) for Charlie Barnet and his Orchestra, q.v. and for other bands of no special interest on the same label.
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