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Shiva Also known as Lord Mahesh, Shiva is the Destroyer in the Trimurti. Developed from Rudra, the Vedic god of death, Shiva is often shown sitting on a tiger skin and riding the bull Nandi. He is also associated with a lingam (phallus). He has three eyes, of which the third (in the middle of his head) is all-knowing; when it opens, the world is destroyed and regenerated. Lord of all underworld beings, he wears a necklace of skulls and another made of a snake. He carries a trident as a weapon and has a blue throat, the result of drinking poison while the ocean churns. Parvati, one of his several consorts, bears him two sons: Kartikeya (the god of war) and Ganesha.

  • Brahma The third of the Trimurti, Brahma is the Creator. By dropping an egg into the cosmic waters, he hatches a younger form of Brahma that creates other beings. Also the chief priest, he has four heads that each point in a cardinal direction, representing the Four Vedas. Brahma has a fifth head until Shiva plucked it off; as punishment for that act, Shiva is forced to wander as a beggar and carry Brahma's severed skull as a bowl. Brahma's wife is Savitri, who curses him after he lets a cow-maiden stand in for her at an important ritual. Few people worship Brahma, either because of the curse or because he lost a power struggle to Vishnu.

  • Krishna This eighth avatar of Vishnu is born when Vishnu plucks two of his own hairs - one light, one dark - and used the dark hair to impregnate Devaki. Her husband Vasudeva saves Krishna from evil King Kansa by carrying him across the river Yamuna to safety in Gokula. Krishna can be depicted as a child, adolescent, or adult. As an infant, he plays pranks such as stealing butter. As a youthful lover, he plays the flute and dances with the gopis (cow-maidens) in the Vrindavana forest. As an adult, he is a dark-skinned warrior with a light, angelic face, charioteer to Arjuna (in the Mahabharata). In the Bhagavad-Gita it is he who reveals the importance of dharma and bhakti. His consort is the cowherd girl Radha.

  • Ganesha This elephant-headed god of wisdom and learning is often shown riding a rat. Parvati "gives birth" to Ganesha by creating him from the saffron paste she scrubbed off of herself after bathing. When Parvati instructs Ganesha not to let anyone in as she took another bath, Ganesha prevents Shiva from entering, prompting Shiva to cut off Ganesha's head. To calm Parvati, Shiva tells servants to take the head of the first baby found whose mother had her back turned; the servants bring back the head of a baby elephant. Ganesha has two wives (Riddhi and Siddhi), two sons, and a daughter. People pray to this remover of obstacles and bringer of good fortune before they commence business.

  • Rama The seventh avatar of Vishnu is hero of the Ramayana. Born as a prince to King Dasharatha and Queen Kaushalya, Rama wins the hand of his wife Sita in a competition held by Sita's father, King Janaka; only he can string Shiva's bow. When his aunt Kaikeyi schemes to deprive him of Dasharatha's throne by putting her son Bharata there, Rama and Sita are banished to a forest for 14 years. During that time, the ten-headed demon Ravana kidnaps Sita but Rama rescues her and killed Ravana. Bharata abdicates; Rama makes Sita walk through fire to prove that Ravana had not corrupted her.

  • Indra The god of rain, thunder, and war, Indra wields the thunderbolt (vajra) and rides Airavat, the four-tusked white elephant. In early Vedic times he was king of the gods who ruled swarga; many Rig Veda hymns are devoted to him. With the aid of both the Marut storm gods and his favorite drink, soma, Indra leads the Aryan conquest of India. He also defeats the dragon Vritra, who had stolen the world's water.

  • Lakshmi (or Sri) The last and greatest treasure born from the "churning of the ocean," Lakshmi is the goddess of prosperity and patron to moneylenders. The epitome of feminine beauty, she sits or stands on a lotus flower and appears in her own avatars alongside Vishnu: Sita to his Rama; Padma the lotus to Vamana the dwarf; Radha (or Rukmini) to Krishna. A form of the mother goddess (Shakti, or Devi), she also represents virtue and honesty.

  • "Shiva's consort" Several incarnations of the "mother goddess" take this moniker. Parvati, the most benevolent form, is the reincarnation of Sati, who threw herself into the fire. Durga is a demon-slayer who rides a lion into battle and carries a weapon in each of her many arms. Kali is a black-skinned goddess of destruction, who defeats the demon leader Raktavija by drinking all of his blood. Although Kali's dance can destroy the world, Shiva throws himself at her feet to calm her, turning her into Parvati.

  • Arjuna The chief hero of the Mahabharata, Arjuna is the son of Indra and one of five Pandava brothers, who fight a bitter war against their one hundred cousins, Kauravas, culminating at the battle on "Kuru's Field." Before the battle, Arjuna asks his charioteer (Krishman) why he must fight. Krishna responds that Arjuna must follow a devotion to god (bhakti) and that even as he slays his brethren, it is for a just cause. Along with the rest of the Pandavas, Arjuna is married to Draupadi.

  • Hanuman Son of the wind god Vaayu and Queen Anjana, Hanuman has a human body with a monkey's head. As a boy he swallows the sun (mistaking it for a piece of fruit); the angry Indra whips him with a thunderbolt. In response the wind god Vaayu refuses to breathe air into the world, prompting Indra to apologize and the other gods to bestow immortality and shapeshifting ability on Hanuman. He figures prominently in the Ramayana, where he flies to Lanka to tell Sita that Rama will rescue her from Ravana.

  • Agni Part of a trinity with Surya (the sun) and Vaayu (the wind), Agni can be brought to life by rubbing two sticks together. Since Agni is responsible for sacrificial fires, he is the patron of priests. He has a red body, two heads, three legs, four arms, and seven tongues; he often carries a flaming javelin. In the Mahabharata, Agni's grandfather is one of seven great sages; with the help of Krishna, he devours the Khandav forest.

    Music


    Rank

    Title

    Genre

    Creator

    Date

    Freq.

    1

    Carmen

    Opera

    Georges Bizet

    1845

    147

    2

    Aida

    Opera

    Giuseppe Verdi

    1871

    146

    3

    The Ring of the Nibelung

    Opera

    (Wilhelm) Richard Wagner

    1876

    122

    4

    Messiah

    Oratorio

    George Frideric Handel

    1741

    102

    5

    Symphony No. 9, "Choral"

    Symphony

    Ludwig van Beethoven

    1823

    100

    6

    Symphony No. 6, "Pastoral"

    Symphony

    Ludwig van Beethoven

    1808

    97

    7

    Symphonie fantastique

    Symphony

    (Louis-)Hector Berlioz

    1830

    92

    8

    The Nutcracker

    Ballet

    Pyotr Ilyich Tchaikovsky

    1892

    91

    9

    The Rite of Spring

    Ballet

    Igor (Fyodorovich) Stravinsky

    1913

    90

    10

    Madama Butterfly

    Opera

    Giacomo Puccini

    1904

    89

    11

    Symphony No. 3, "Eroica"

    Symphony

    Ludwig van Beethoven

    1804

    86

    12

    The Barber of Seville

    Opera

    Gioacchino (Antonio) Rossini

    1816

    85

    13

    The Magic Flute

    Opera

    Wolfgang Amadeus Mozart

    1791

    84

    14

    Appalachian Spring

    Ballet

    Aaron Copland

    1944

    83

    15

    Rigoletto

    Opera

    Giuseppe Verdi

    1851

    82

    16

    Don Giovanni

    Opera

    Wolfgang Amadeus Mozart

    1787

    79

    17

    La Bohème

    Opera

    Giacomo Puccini

    1896

    78

    18

    Fidelio

    Opera

    Ludwig van Beethoven

    1805

    77

    19

    The Four Seasons

    Concerto

    Antonio Vivaldi

    1725

    73

    20

    Rhapsody in Blue

    Composition

    George Gershwin

    1924

    72

    21

    The Marriage of Figaro

    Opera

    Wolfgang Amadeus Mozart

    1784

    72

    22

    West Side Story

    Musical

    Leonard Bernstein

    1957

    68

    23

    Siegfried

    Opera

    (Wilhelm) Richard Wagner

    1876

    66

    24

    Moonlight Sonata

    Sonata

    Ludwig van Beethoven

    1801

    63

    25

    The Planets

    Suite

    Gustav(us Theodore von) Holst

    1918

    61

    26

    Symphony No. 6, "Pathétique"

    Symphony

    Pyotr Ilyich Tchaikovsky

    1893

    60

    27

    Porgy and Bess

    Opera

    George Gershwin

    1935

    60

    28

    William Tell

    Opera

    Gioacchino Rossini

    1804

    59

    29

    Peter and the Wolf

    Composition

    Sergei (Sergeyevich) Prokofiev

    1936

    59

    30

    The Song of the Earth

    Symphony

    Gustav Mahler

    1909

    59

    31

    Swan Lake

    Ballet

    Pyotr Ilyich Tchaikovsky

    1877

    58

    32

    The Flying Dutchman

    Opera

    (Wilhelm) Richard Wagner

    1843

    58

    33

    Lohengrin

    Opera

    (Wilhelm) Richard Wagner

    1850

    57

    34

    Boléro

    Composition

    (Joseph) Maurice Ravel

    1928

    55

    35

    The Phantom of the Opera

    Musical

    Andrew Lloyd Webber

    1910

    54

    36

    Tosca

    Opera

    Giacomo Puccini

    1900

    54

    37

    Turandot

    Opera

    Giacomo Puccini

    1762

    53

    38

    La Traviata

    Opera

    Giuseppe Verdi

    1853

    53

    39

    Pictures at an Exhibition

    Composition

    Modest (Petrovich) Mussorgsky

    1874

    53

    40

    A German Requiem

    Sacred Choral Work

    Johannes Brahms

    1868

    51

    41

    Symphony No. 94, "Surprise"

    Symphony

    (Franz) Joseph Haydn

    1791

    50

    42

    Symphony No. 41, "Jupiter"

    Symphony

    Wolfgang Amadeus Mozart

    1788

    50

    43

    Symphony No. 9, "From the New World"

    Symphony

    Antonín (Leopold) Dvorák

    1893

    49

    44

    The Mikado

    Musical

    Arthur Sullivan (music)
    William S. Gilbert (words)

    1885

    48

    45

    My Fair Lady

    Musical

    Frederick Loewe

    1956

    47

    46

    Falstaff

    Opera

    Giuseppe Verdi

    1893

    47

    47

    Boris Godunov

    Opera

    Modest (Petrovich) Mussorgsky

    1869

    47

    48

    Cats

    Musical

    Andrew Lloyd Webber

    1982

    46

    49

    Enigma Variations

    Composition

    Edward (William) Elgar

    1899

    46

    50

    Salome

    Opera

    Richard (Georg) Strauss

    1905

    45


    Operas

    Opera is the subject of a disproportionate share of the musical fine arts questions in quiz bowl because the genre is more conducive to the verbal nature of the game than instrumental music. The big difference, of course, is that operas have stories and characters that can be easily described by words. It is much easier to parse a question on an operatic plot than to understand a description of the notes, tempo, or harmony of, for instance, Ludwig van Beethoven's Symphony No. 7, in the rapid-fire atmosphere of quiz bowl.



    Each operatic title is followed by the name of its composer, its librettist, and the year of its first performance.

    1. Aida (Giuseppe Verdi, Antonio Ghislanzoni, 1871) Aida is an Ethiopian princess who is held captive in Egypt. She falls in love with the Egyptian general Radames and convinces him to run away with her; unfortunately, he is caught by the high priest Ramphis and a jealous Egyptian princess Amneris. Radames is buried alive, but finds that Aida has snuck into the tomb to join him. The opera was commissioned by the khedive of Egypt and intended to commemorate the opening of the Suez Canal, but it was finished late and instead premiered at the opening of the Cairo Opera House.

    2. Carmen (Georges Bizet, Henri Meilhac and Ludovic Halévy, 1875) Carmen is a young gypsy who works in a cigarette factory in Seville. She is arrested by the corporal Don José for fighting, but cajoles him into letting her escape. They meet again at an inn where she tempts him into challenging his captain; that treason forces him to join a group of smugglers. In the final act, the ragtag former soldier encounters Carmen at a bullfight where her lover Escamillo is competing (the source of the "Toreador Song") and stabs her. The libretto was based on a novel of Prosper Merimée.

    3. The Marriage of Figaro (Wolfgang Amadeus Mozart, Lorenzo Da Ponte, 1786) Figaro and Susanna are servants of Count Almaviva who plan to marry, but this plan is complicated by the older Marcellina who wants to wed Figaro, the Count who has made unwanted advances to Susanna, and Don Bartolo who has a loan that Figaro has sworn he will repay before he marries. The issues are resolved with a series complicated schemes that involve impersonating other characters including the page Cherubino. The opera is based on a comedy by Pierre de Beaumarchais. Be careful: Many of the same characters also appear in The Barber of Seville!

    4. The Barber of Seville (Gioacchino Rossini, Cesare Sterbini, 1816) Count Almaviva loves Rosina, the ward of Dr. Bartolo. Figaro (who brags about his wit in Largo al factotum) promises to help him win the girl. He tries the guise of the poor student Lindoro, a drunken soldier, and then a replacement music teacher, all of which are penetrated by Dr. Bartolo. Eventually they succeed by climbing in with a ladder and bribing the notary who was to marry Rosina to Dr. Bartolo himself. This opera is also based on a work of Pierre de Beaumarchais and is a prequel to The Marriage of Figaro.

    5. William Tell (Gioacchino Rossini, unimportant librettists, 1829) William Tell is a 14th-century Swiss patriot who wishes to end Austria's domination of his country. In the first act he helps Leuthold, a fugitive, escape the Austrian governor, Gessler. In the third act, Gessler has placed his hat on a poll and ordered the men to bow to it. When Tell refuses, Gessler takes his son, Jemmy, and forces Tell to shoot an apple off his son's head. Tell succeeds, but is arrested anyway. In the fourth act, he escapes from the Austrians and his son sets their house on fire as a signal for the Swiss to rise in revolt. The opera was based on a play by Friedrich von Schiller.


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