Grand Masters of the United Grand Lodge of England [ugle] and of Scotland



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Holkham Hall

Holkham Hall. The severely Palladian south facade with its Ionic portico is devoid of arms or motif; not even a blind window is allowed to break the void between the windows and roof-line, while the lower windows are mere piercings in the stark brickwork. The only hint of ornamentation is from the two terminating Venetian windows.



Holkham Hall, Norfolk, England, is an 18th century country house constructed in the Palladian style for Thomas Coke[1] 1st Earl of Leicester[2] by the architect William Kent with advice from the architect and aristocrat Lord Burlington. Burlington's Chiswick House is the prototype for many of England's Palladian revival houses.

Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, the severity of the design being closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham estate, formerly known as Neals, had been purchased in 1609 by Sir Edward Coke, the founder of the family fortune. It remains today the ancestral home of the Coke family, Earls of Leicester of Holkham.


Architects and patron


The builder of Holkham was Thomas Coke,[3] later 1st Earl of Leicester, born in 1697. A cultivated, wealthy man, he had made the Grand Tour in his youth, being away from England for six years between 1712 and 1718. It is thought he first met Burlington, the aristocratic architect at the forefront of the Palladian revival movement in England, and William Kent in Italy in 1715; it is possible that there in the original home of Palladianism, the idea of a new mansion at Holkham was conceived. Returning to England with not only a newly acquired library but also art and sculpture collections with which to furnish the planned new mansion, Coke made disastrous investments in The South Sea Company. The resultant notorious losses when the South Sea Bubble burst in 1720 were to delay the building of Coke's planned new country estate for over ten years. Coke, who had been created Earl of Leicester in 1744, died in 1759 five years before the completion of Holkham, having never fully recovered his financial losses.

Although Colen Campbell was employed by Thomas Coke in the early 1720s, the oldest existing working and construction plans for Holkham were drawn by Matthew Brettingham under the supervision of Thomas Coke, in 1726. These followed the guidelines and ideals for the house as defined by Kent and Burlington. The Palladian revival style chosen was at this time making its return in England. The style had made a brief appearance in England, before the Civil War, introduced by Inigo Jones, but following the Restoration had been replaced in popular favour by the Baroque style. The "Palladian revival", popular in the 18th century, was loosely based on the appearance of the works of the 16th century Italian architect Andrea Palladio. It did not, however, adhere to his strict rules of proportion. The style eventually evolved into what is generally referred to as Georgian, still popular in England today. It was the chosen style for numerous houses in both town and country. Holkham is exceptional for its severity of design, and closer (than most) adherence to Palladio's ideals.



Thomas Coke, who masterminded the project, delegated the on-site architectural duties to the local Norfolk architect Matthew Brettingham, who was employed to be the on-site clerk of works. Brettingham also seems to have been the retained estate architect prior to this date. William Kent was mainly responsible for the interiors of the Southwest pavilion, or family wing block, particularly the Long Library. Kent also produced a variety of alternative exteriors, suggesting a far richer decoration than Thomas Coke wanted. In 1734, the foundations were begun, and building was to continue for thirty years until in 1764 the great house was completed.

The design of Holkham



Simplified, unscaled plan of the piano nobile at Holkham, showing the four symmetrical wings at each corner of the principal block. 'A' Marble Hall; 'B' The Saloon; 'C' Statue Gallery, with circular tribunes at each end; 'D' Dining room (the classical apse, gives access to the tortuous and discreet route by which the food reached the dining room from the distant kitchen), 'E' The South Portico; 'F' The Library in the self-contained family wing.



The Palladian style was beloved by Whigs such as Thomas Coke, who liked to identify themselves with the Romans of antiquity. William Kent was responsible for the external appearance of Holkham. He based the design on Palladio’s unbuilt Villa Mocenigo, as it appears in his I Quattro Libri dell'Architettura, but with certain modifications. The plans for Holkham were of a large central block of two floors only, containing on the piano nobile level a series of symmetrically balanced state rooms situated around two courtyards. No hint of these courtyards is given externally; they are purely for lighting rather than recreation or architectural value. This great central block was in turn flanked by four smaller, rectangular blocks, or wings, and at each of its corners linked to the main house not by long colonnades as would have been the norm in Palladian architecture, but by short two-storey wings of only one bay.


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