This booklet contains:
A suggested reading list
Identify the authors or periods you are unfamiliar or unconfident with first and read these.
A list of terminology useful for the exam.
Complete the table with definitions and examples and become comfortable with using them.
An overview table to summarise the major periods that we have covered on this course.
Fill the rest of the table in chronologically to create a time line of periods.
A list of points to look for when analysing poetry.
This will complement the terminology well if you revise from and become familiar with it.
A range of poems and extracts from prose and drama taken from the periods that we will cover.
Use these extracts to practice your annotation and analysing skills and to help you become acquainted with progressions through literature.
You should annotate at least one piece from each period
Examples of the type of questions that you will face in the exam along with a mark scheme. The mark scheme will show you what will be expected in the exam for you to achieve good grades.
Attempt at least one of these questions
Use the mark scheme to identify any areas where you may lack confidence and work on these.
(the bullet points are activities that you should be completing outside of lessons and during holidays)
Word
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Definition
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Example
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Alliteration
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Little liar
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Ambiguity
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Something with more than one meaning
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Atmosphere
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Blank Verse
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Caesura
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Couplet
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Courtly Love
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Chivalry
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Dialect
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Dramatic Monologue
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Elision
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the omission of a vowel at the end of one word when the next word begins with a vowel
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‘Whiles crooning o'er an auld Scots sonnet’
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Enjambment
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Farce
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Free Verse
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Genre
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Tragedy, Comedy
(Poetry, Prose, Drama)
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Hyperbole
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Iambic Pentameter
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Imagery
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Idiom
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Intertexuality
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Irony
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Lyric
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Metaphor
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Saying something ‘is’ something else
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Metre
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Monologue
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Narrative
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Onomatopoeia
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Parody
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Persona
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Personification
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Rhetoric
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Rhyme
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Rhythm
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Satire
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Simile
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Syntax
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Tone
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Pointers For Analysing Poetry, Prose and Drama
Identify the genre – poetry, prose, drama
Can you identify the period?
If so, what are the characteristics associated with the period? Does the extract exemplify them?
Centre your analysis around the three main areas of Content, Structure and Language.
Content
What is the extract about? Is there a story?
Can you identify any major themes?
Are there characters? What are their roles?
Is there a historical, social or political context?
Structure
Does the extract have a specific structure or is it random?
Is there a specific style that the author has chosen which may affect the structure i.e. a Shakespearian sonnet will have 14 lines, a set pattern and it will be written in Iambic Pentameter
Language
Are there any types of words which are used a lot? i.e adjective, adverb
Are there any particular words or phrases that you find interesting or significant?
Does the author employ any specific techniques when writing? E.g. metaphors, alliteration
What atmosphere is created/ tone is put across?
Other Advice
Don’t be afraid to include your own opinion
Always link your points back to the text
Make sure you refer to wider reading
Are there any more questions that you would add to this list that would make your annotating and analysing of the extract more affective?
Add them to the sheet
The Middle English Period (Medieval Period)
Years: 1066-1485 (roughly)
Content:
plays that instruct the illiterate masses in morals and religion
chivalric code of honour/romances
religious devotion
Style/Genres:
oral tradition continues
folk ballads
mystery and miracle plays
morality plays
stock epithets
kennings
frame stories
moral tales
Effect:
church instructs its people through the morality and miracle plays
an illiterate population is able to hear and see the literature
Historical Context:
Crusades bring the development of a money economy for the first time in Britain
trading increases dramatically as a result of the Crusades
William the Conqueror crowned king in 1066
Henry III crowned king in 1154 brings a judicial system, royal courts, juries, and chivalry to Britain
A Sampling of Key Literature & Authors:
Sir Gawain and the Green Knight, Pearl
Domesday Book
L’Morte de Arthur
Geoffrey Chaucer
The Renaissance
Years: 1485-1660
The Elizabethan Period: the reign of Elizabeth I, 1586-1603
Jacobean Period: the reign of James I of England, 1603-1625
Content:
world view shifts from religion and after life to one stressing the human life on earth
popular theme: development of human potential
popular theme: many aspects of love explored
unrequited love
constant love
timeless love
courtly love
love subject to change
Style/Genres:
poetry
the sonnet
metaphysical poetry
elaborate and unexpected metaphors called conceits
drama
written in verse
supported by royalty
tragedies, comedies, histories
Effect:
commoners welcomed at some play productions (like ones at the Globe) while conservatives try to close the theatres on grounds that they promote brazen behaviours
not all middle-class embrace the metaphysical poets and their abstract conceits
Historical Context:
War of Roses ends in 1485 and political stability arrives
Printing press helps stabilize English as a language and allows more people to read a variety of literature
Economy changes from farm-based to one of international trade
A Sampling of Key Literature & Authors:
William Shakespeare
Thomas Wyatt
Ben Jonson
Cavalier Poets
Metaphysical Poets
John Donne
Christopher Marlowe
Andrew Marvell
Robert Herrick
Katherine Phillips
The Neoclassical Period
Years: 1660-1798
The Restoration: the reign of Charles II, 1630 - 1660 (after his restoration to the thrown in 1630 following the English Civil War and Cromwell)
The Age of Enlightenment (the Eighteenth Century)
Content:
emphasis on reason and logic
stresses harmony, stability, wisdom
Locke: a social contract exists between the government and the people. The government governs guaranteeing “natural rights” of life, liberty, and property
Style/Genres:
satire
poetry
essays
letters, diaries, biographies
novels
Effect:
emphasis on the individual
belief that humanity is basically evil
approach to life: “the world as it should be”
Historical Context:
50% of males are functionally literate (a dramatic rise)
Fenced enclosures of land cause demise of traditional village life
Factories begin to spring up as industrial revolution begins
Impoverished masses begin to grow as farming life declines and factories build
Coffee houses—where educated men spend evenings with literary and political associates
Key Authors:
Alexander Pope
Daniel Defoe
Jonathan Swift,
Samuel Johnson
John Bunyan
John Milton
The Romantic Period
Years: 1798 – 1832
Content:
human knowledge consists of impressions and ideas formed in the individual’s mind
introduction of Gothic elements and terror/horror stories and novels
in nature one can find comfort and peace that the man-made urbanized towns and factory environments cannot offer
Style/Genres:
Effects:
evil attributed to society not to human nature
human beings are basically good
movement of protest: a desire for personal freedom
children seen as hapless victims of poverty and exploitation
Historical Context:
Napoleon rises to power in France and opposes England militarily and economically
Tory philosophy that government should NOT interfere with private enterprise
middle class gains representation in the British parliament
railroads begin to run
Key Authors:
Jane Austen
Mary Shelley
Robert Burns
William Blake
William Wordsworth
Samuel Taylor Coleridge
Lord Byron
Percy Shelley
John Keats
The Victorian Period
Years: 1832-1900
Content:
conflict between those in power and the common masses of labourers and the poor
shocking life of workhouses and urban poor is highlighted in literature to insist on reform
country versus city life
sexual discretion (or lack of it)
strained coincidences
romantic triangles
heroines in physical danger
aristocratic villains
misdirected letters
bigamous marriages
Genres/Styles:
novel becomes popular for first time; mass produced for the first time
bildungsroman
political novels
detective novels (Sherlock Holmes)
serialized novels (Charles Dickens)
elegies
poetry: easier to understand
dramatic monologues
drama: comedies of manners
magazines offer stories to the masses
Effect:
literature begins to reach the masses
Historical Context:
paper becomes cheap; magazines and novels cheap to mass produce
unprecedented growth of industry and business in Britain
unparalleled dominance of nations, economies and trade abroad
Key Authors:
Charles Dickens Thomas Hardy
Rudyard Kipling Robert Louis Stevenson
George Eliot Oscar Wilde
Alfred Lord Tennyson Charles Darwin
Charlotte Bronte Robert Browning
The Modern Period
Years: 1900-(subject to debate)
Content:
- Breakdown of social norms
- Realistic embodiment of social meanings
- Separation of meanings and senses from the context
- Despairing individual behaviours in the face of an unmanageable future
- Spiritual loneliness
- Alienation
- Frustration when reading the text
- Disillusionment
- Rejection of history
- Rejection of outdated social systems
- Objection to traditional thoughts and traditional moralities
- Objection to religious thoughts
- Substitution of a mythical past
- Two World Wars' effects on humanity
Genres/Styles:
- poetry: free verse
- epiphanies begin to appear in literature
- speeches
- memoirs
- novels
- stream of consciousness
Effect:
- Literature attempts to search for ‘truthes’ and discover the deep ideas and meanings behind
Historical Context:
- British Empire loses 1 million soldiers to World War I
- Winston Churchill leads Britain through WW II, and the Germans bomb England directly
- British colonies demand independence
Key Authors:
James Joyce Virginia Woolf
T. S. Eliot Joseph Conrad
D. H. Lawrence Graham Greene
Dylan Thomas George Orwell
William Butler Yeats Bernard Shaw
The Post Modern Period
Years: 1945(ish) – present
It is very difficult to determine the exact beginning or evolution of modernism into the realm of postmodernism. It is a general assumption that postmodernism started after WW2 in a time of great social, political and cultural upheaval. What is important is the term postmodernism is revealing in the sense that it is not a new movement, devoid of links with modernism but a reaction to it. Below is a list of characteristics displayed within post-modern literature, all of which are contrasted to modern literature.
Whereas Modernism places faith in the ideas, values, beliefs, culture, and norms of the West, Postmodernism rejects Western values and beliefs as only a small part of the human experience and often rejects such ideas, beliefs, culture, and norms.
Whereas Modernism attempts to reveal profound truths of experience and life, Postmodernism is suspicious of being "profound" because such ideas are based on one particular Western value systems.
Whereas Modernism attempts to find depth and interior meaning beneath the surface of objects and events, Postmodernism prefers to dwell on the exterior image and avoids drawing conclusions or suggesting underlying meanings associated with the interior of objects and events.
Whereas Modernism focused on central themes and a united vision in a particular piece of literature, Postmodernism sees human experience as unstable, internally contradictory, ambiguous, inconclusive, indeterminate, unfinished, fragmented, discontinuous, "jagged," with no one specific reality possible. Therefore, it focuses on a vision of a contradictory, fragmented, ambiguous, indeterminate, unfinished, "jagged" world.
Whereas Modern authors guide and control the reader’s response to their work, the Postmodern writer creates an "open" work in which the reader must supply his own connections, work out alternative meanings, and provide his own (unguided) interpretation.
A Sampling of Key Authors:
Margaret Atwood Martin Amis
Jean Baudrillard Jorge Louis Borges
William S. Burroughs Albert Camus
Bret Easton Ellis Gabriel García Márquez
Jack Kerouac Vladimir Nabokov
George Orwell Sylvia Plath
Tom Stoppard Salman Rushdie
Kurt Vonnegut Jeanette Winterson
The following is a selection of very brief examples of the main literary figures from the different literary periods. It should serve as a jumping off point for some class discussion and for students to be proactive in investigating and researching the various authors/periods.
Medieval Period – 5th – 15th Century
Can be further broken down – Anglo-Saxon Period – 5th-11th Century
- Middle Ages – 11th-15th Century (1066-1485)
Geoffrey Chaucer (1343-1400)
A
n English author, poet, philosopher, bureaucrat, courtier and diplomat, Chaucer was born in London during the 14th Century. He was a regular at court and was the patron of many of the noblemen and Kings of the period. He is best known for his unfinished frame narrative ‘The Canterbury Tales’ and his works of epic poetry.
Troilus and Criseyde (written between 1381-86)
(Song of Troilus from Chaucer’s epic poem. Troilus is tormented by love)
If no love is, O God, what fele I so?
And if love is, what thing and which is he?
If love be good, from whennes cometh my wo? (whennes, whence)
If it be wikke, a wonder thynketh me, (wikke evil)
Whan every torment and adversite
That cometh of him may to me savoury thinke, (savoury thinke seem)
Foe ay thurst I, the more that ich it drynke.
And if that at myn owen lust I brenne, (brenne burn)
From whennes cometh my waillynge and my pleynte? (pleynte
If harm agree me, whereto pleyne I thenne? complaint)
I noot, ne whi unwery that I feynte. (I noot I do not know)
O quikke deth, O swete harm so queynte,
How may of the in me swich quaintite,
But if that I consente that it be?
And if that I consente, I wrongfully
Compleyne, iwis. That possed to and fro (iwis indeed)
Al stereless within a boot am I (stereless rudderless; boot
Amydde the see, bitwixen wyndes two, boat)
That in contrarie stoned evere mo.
Allas, what is this wondre maladie?
For hete of cold, for cold of hete I die.
1066 Battle of Hastings (Norman Conquest)
1485 Henry Tudor defeats and kills Richard III ending the War of the Roses (1455-1485)
1476 William Caxton opens the first printing press in Westminster
The Renaissance – 1485 – 1660 (dates differ, for example, ending in 1650)
Tudor Period – 1485 – 1603 (Henry VIII reigning from 1508-1547)
Sir Thomas Wyatt (1503-1542)
A
n English lyrical poet, Wyatt is credited with introducing the sonnet into English. He held a position in the court of Henry VIII and was reportedly in love with Anne Boleyn. He fell in and out of favour with the King, being imprisoned in the Tower of London for a period. His poetry was not published until after his death.
They Flee From Me
They flee from me, that sometime did me seek,
With naked foot stalking in my chamber.
I have seen them, gentle, tame, and meek,
That now are wild, and do not remember
That sometime they put themselves in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.
Thanked be Fortune it hath been otherwise,
Twenty times better; but once in special,
In thin array, after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small,
And therewith all sweetly did me kiss
And softly said, "Dear heart, how like you this?"
It was no dream, I lay broad waking.
But all is turned, thorough my gentleness,
Into a strange fashion of forsaking;
And I have leave to go, of her goodness,
And she also to use newfangleness.
But since that I so kindely am served,
I fain sould know what she hath deserved
Dissolution of the Monasteries – 1536-1541
The Act of Supremacy confirmed Henry VIII’s as Supreme Governor of the Church of England 1534.
The Renaissance – 1485-1660
Elizabethan Period – 1558-1603
S
ir Philip Sidney (1554-1586)
Sir Philip Sidney was a prominent figure during the Elizabethan period. He was a poet, courtier and soldier and something of a celebrity at the time. He died from battle wounds in the Netherlands and is buried in St Paul’s Cathedral in London. Sidney is best known for his epic ‘Astrophil and Stella’ and ‘The Defence of Poetry’
From Astrophil and Stella (written 1581, published 1591)
With how sad steps, Oh Moon, thou chimb’st the skies,
How silently, and with how wan a face!
What may it be, that even in heavenly place
That busy archer his sharp arrow tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel’st a lover’s case;
I read it in they looks, thy languished grace,
To me that feel the like, thy state descries.
That even of fellowship, Oh Moon, tell me,
Is constant love deemed there but want of wit?
Are beauties there as proud as here they be?
Do they above love to be loved, and yet
Those lovers scorn whom that love doth possess?
Do they call virtue there ungratefulness?
Anglo-Spanish War – 1585-1604
Defeat of the Spanish Armada - 1588
Renaissance Period – 1485-1660
Elizabethan Period – 1558-1603
Edmund Spencer (1552-1599)
S
pencer is perhaps best known for ‘The Faerie Queene’, an epic poem celebrating the Tudors, in particular Elizabeth I. Spencer was born in London, but lived in Ireland for much of his life in the service of the Queen.
The language of his poetry is purposely archaic, echoing that of Chaucer’s. Spencer’s influence can be found in many later writers, including Wordsworth, Keats, Byron and Tennyson.
My Love Is Like To Ice (published 1595)
My love is like to ice, and I to fire:
How comes it then that this her cold so great
Is not dissolved through my so hot desire,
But harder grows the more I her entreat?
Or how comes it that my exceeding heat
Is not allayed by her heart-frozen cold,
But that I burn much more in boiling sweat,
And feel my flames augmented manifold?
What more miraculous thing may be told,
That fire, which all things melts, should harden. ice,
And ice, which is congeal's with senseless cold,
Should kindle fire by wonderful device?
Such is the power of love in gentle mind,
That it can alter all the course of kind.
Renaissance Period – 1485-1660
Elizabethan Period – 1558-1603
William Shakespeare (1564-1616)
S
hakespeare is possibly the most well known writers of English Literature. His work exemplifies the Renaissance period. Born in Stratford-upon-Avon, Shakespeare moved to London where he became known as an actor, playwright and poet. His identity has been a controversial point for many years, some people believing that the name Shakespeare refers to a group rather than an individual.
Sonnet 130 (published 1609 as part of a collection of sonnets)
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
At the time there was a great rise in Elizabethan Theatre/ English Renaissance Theatre. The period was known at the ‘Golden Age’ and is considered to be the height of the English Renaissances
Renaissance Period – 1485-1660
Elizabethan Period – 1558-1603
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