Monographs on artists



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GENERAL WORKS

1 AARON, OLIVIER. Dessins insolites du XVIIIe français. 117 (3) pp. 101 illus. 4to. Cloth. D.j.

Paris (Editions d’Art Monelle Hayot), 1985.
2 ADDISON, JULIA DE WOLF. The Boston Museum of Fine Arts. Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. xix, (1), 454pp. Numerous plates hors texte. Lrg. 8vo. Orig. dec. cloth.

Boston (L.C. Page & Company), 1910.


3 ADELAIDE. ART GALLERY OF SOUTH AUSTRALIA. Island to Empire: 300 Years of British Art, 1550-1850. Paintings, watercolours, drawings, sculptures from the collection of the Art Gallery of South Australia, Adelaide. [By] Ron Radford. March-June 2005. 336pp. Prof. illus. Lrg. 4to. Boards.

Adelaide, 2005.


4 ADELAIDE. ART GALLERY OF SOUTH AUSTRALIA. Vive la France! Hidden treasures of French Art (1824-1945) from Adelaide Collections. [By] Sarah Thomas, Angus Trumble. 107, (1)pp. Prof. illus. (partly color). Lrg. 4to. Wraps.

Adelaide, 1998.


5 ADHÉMAR, JEAN. La France romantique. Les lithographies de paysage au XIXe siècle. 143pp. Prof. illus. 4to. Boards. D.j.

Paris (Somogy), 1997.


6 ADHÉMAR, JEAN. Influences antiques dans l’art du Moyen Age français. Recherches sur les sources et les thèmes d’inspiration. (Studies of the Warburg Institute. 7.) xvi, (2), 344pp, 40 plates. 4to. Cloth.

London (Warburg Institute), 1939.



Arntzen/Rainwater R73; Chamberlin 2481
7 ADLER, KATHLEEN. Unknown Impressionists. 128pp. 103 color plates. Lrg. 4to. Cloth. D.j.

Oxford (Phaidon), 1988.


8 AINSWORTH, MARYAN WYNN & FARIES, MOLLY. Northern Renaissance Paintings: The Discovery of Invention. (The Saint Louis Art Museum Bulletin. New Series. Vol. 18#1.) 47pp. 75 illus. 4to. Wraps.

Saint Louis (The Saint Louis Art Museum), 1986.


9 AIX (VILLE DE). Catalogue de l’Exposition Provençale en 1887. Quatrième Centenaire de la Réunion de la Provence à la France. 77, (3)pp. Orig. wraps. Small tear in front cover, otherwise fine.

Aix (Imprimerie Régionale, Cours Sextius), 1887.


10 AIX-EN-PROVENCE. MUSÉE DES TAPISSERIES. Au fil de l’eau: Constantin, Granet, école provençale. Text by Bruno Ely. 48pp. Prof. illus. Lrg. 4to. Wraps.

Aix-en-Provence, [2000].


11 AIX-EN-PROVENCE. MUSÉE DU VIEIL AIX & AIX-EN-PROVENCE. MUSÉE PAUL ARBAUD. Portraits d’Aixois au siècle des lumières. Commissaires de l’exposition: Nicole Martin-Vignes et Bruno Saunier. Spring 2005. 58, (6)pp. Prof. illus. Sm. sq. 4to. Wraps.

Aix-en-Provence, 2005.


12 AIX-EN-PROVENCE. MUSÉE GRANET. Guide des collections. Catalogue by Christophe Barbotin, Dernis Coutagne, Bruno Ely, Mireille Jacotin, Bernard Terlay. 191pp. Prof. illus. Lrg. 8vo. Stiff wraps.

Aix-en-Provence, [1997].


13 AIX-EN-PROVENCE. MUSÉE GRANET. Sculptures: La galerie du Musée Granet. [Par] Alexandre Maral, avec la collaboration d’Anne Pingeot et de Luc Georget. 213, (3)pp. 132 plates (50 full-page color), 42 illus. Lrg. 4to. Wraps.

Paris (Somogy Éditions d’art), 2003.


14 ALBERTSEN, LEIF LUDWIG. On the Threshold of a Golden Age: Denmark Around 1800. 62, (2)pp. Prof. illus. (partly in color). Sm. sq. 4to. Wraps.

Copenhagen (The Royal Danish Ministry of Foreign Affairs), [1979].


15 ALENÇON. MUSÉE DES BEAUX-ARTS ET DE LA DENTELLE. Dessins du Musée d’Alençon du XVIe au XIXe siècle. June-Sept. 1981. (158)pp. 70 plates, figs. Lrg. 8vo. Wraps.

Alençon, 1981.


16 ALLEN, BRIAN & DUKELSKAYA, LARISSA (EDITORS). British Art Treasures from Russian Imperial Collections in the Hermitage. 328pp. 160 plates, 156 figs. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, New Haven, Oct. 1996-Jan. 1997.

New Haven/London (Yale University Press), 1996.


17 ALONSO DE LA SIERRA FERNÁNDEZ, LORENZO. El Nazareno de Santa María. Cuatro siglos de arte en Cádiz. 211pp. Prof. illus. Lrg. 4to. Leatherette. D.j.

Cádiz (Unicaja), 1991.


18 ALPERS, SVETLANA. The Art of Describing. Dutch art in the seventeenth century. xxvii, (1), 273, (3)pp., 4 color plates. 177 illus. 4to. Cloth. D.j.

London (John Murray), 1983.



Marmor/Ross M444
19 ALTICK, RICHARD D. The Shows of London. [A panoramic history of exhibitions, 1600-1862]. 553pp. 181 illus. Lrg. oblong 4to. Cloth. D.j.

Cambridge/London (The Belknap Press of Harvard University Press), 1978.


20 AMALFI. ANTICO ARSENALE. Alla ricerca del Sud. Tre secoli di viaggi ad Amalfi nell’immaginario europea. A cura di Dieter Richter. June-Aug. 1989. xix, (1), 348pp. Prof. illus. Lrg. 4to. Wraps.

Scandicci (La Nuova Italia), 1989.


21 AMERICAN FEDERATION OF ARTS. Italian Drawings, 1780-1890. By Roberta M. Olson. 247, (1)pp. 106 illus. Sq. 4to. Cloth.

New York, 1980.



Marmor/Ross L125
22 AMERICAN FEDERATION OF ARTS. Ottocento. Romanticism and revolution in 19th-century Italian painting. [By] Roberta J.M. Olson. 292, (2)pp. Lrg. 4to. Wraps.

New York, 1992.



Marmor/Ross M386
23 AMSTERDAM. RIJKSMUSEUM. Kunst uit Zwedens Gouden Eeuw. June-Sept. 1961. Foreword by A. van Schendel. Text by Gustaf Näsström. 92, (2)pp., 33 plates with 53 illus. 7 text illus. 4to. Wraps.

Amsterdam, 1961.


24 AMSTERDAM. RIJKSMUSEUM. Masters of 17th-Century Dutch Landscape Painting. [By] Peter Sutton, with contributions by A. Blankert, J. Bruyn, C.J. de Bruyn Kops, A. Chong, J. Giltay, S. Schama, M.E. Wieseman. Oct. 1987-Jan. 1988. xv, (1), 563pp. Prof. illus. Oblong 4to. Wraps. Presentation copy, inscribed by the author.

Amsterdam, 1987.



Marmor/Ross M476
25 AMSTERDAM. RIJKSMUSEUM. Mirror of Everyday Life: Genreprints in the Netherlands, 1550-1700. [By] Eddy de Jongh & Ger Luijten. Feb.-May 1997. 399pp. Prof. illus. Lrg. 4to. Cloth. D.j.

Amsterdam/Ghent (Rijksmuseum/ Snoeck-Ducaju & Zoon), 1997.


26 AMSTERDAM. RIJKSMUSEUM. Prijst de lijst: De Hollandse schilderijlijst in de zeventiende eeuw. April-July 1984. By P.J.J. van Thiel and C.J. de Bruyn Kops. 320pp. Most prof. illus. Lrg. 4to. Wraps.

Amsterdam, 1984.


27 AMSTERDAM. RIJKSMUSEUM. RIJKSPRENTENKABINET. Franse tekenkunst van de 18de eeuw uit Nederlands verzamelingen. / [French Drawings of the 18th Century]. June-Aug. 1974. Text by K.G. Boon and J.W. Niemeijer. 168pp. 138 illus. 4to. Wraps.

Amsterdam, 1974.


28 AMSTERDAM. RIJKSMUSEUM. RIJKSPRENTENKABINET. Ontmoetingen met Italië. Tekenaars uit Scandinavië, Duitsland, Nederland in Italië, 1770-1840. Nov. 1971-Jan. 1972. Foreword by K.G. Boon; introduction by Keith Andrews. 91, (1)pp., 88 plates. 4to. Wraps.

Amsterdam, 1971.


29 ANDREWS, KEITH. The Nazarenes. A brotherhood of German painters in Rome. xvii, (3), 148pp., 81 plates (10 color). Lrg. 4to. Cloth. D.j.

Oxford (Clarendon Press), 1964.



Arntzen/Rainwater M216
30 ANDRIEUX, MAURICE. Daily Life in Venice in the Time of Casanova. (Daily Life Series.) 232pp. 20 illus. hors texte. Sm. 4to. Cloth. D.j.

New York/Washington (Praeger), 1972.


31 ANELLI, LUCIANO. Le grandi pale di Nave. Documenti e regesti artistici a cura di Carlo Sabatti. 106pp. Prof. illus. 4to. Wraps.

Brescia (Grafo Edizioni), 1983.


32 ANGRAND, PIERRE. Naissance des artistes indépendants, 1884. 127, (1)pp. Lrg. 8vo. Wraps. Uncut. Presentation copy to William Homer, with his notes in pencil.

Paris (Nouvelles Éditions Debresse), 1965.


33 ANNALES DU MUSÉE ET DE L’ÉCOLE MODERNE DES BEAUX-ARTS. [Series I:] Vols. 1-11 bound in 21 parts. 19th-century boards; orig. wraps. partly bound in. A beautiful set.

Paris, 1801-1806.



Prause pp. 21-22; Nievo/Girard p. 79
34 (ANNENBERG COLLECTION) PHILADELPHIA. PHILADELPHIA MUSEUM OF ART. Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. [By] Colin B. Bailey, Joseph J. Rishel, and Mark Rosenthal with the assistance of Veerle Thielemans. May-Sept. 1989. 204pp. Prof. illus. Lrg. 4to. Wraps.

Philadelphia, 1989.


35 ARGAN, GIULIO CARLO. Studi e note dal Bramante al Canova. (Biblioteca di Storia dell’Arte. 1.) 486, (2)pp. Sm. stout 4to. Cloth.

Roma (Mario Bulzoni), 1970.


36 ARNAL, FRANCINE, ET AL. Tableaux religieux du XVIIe siècle à Montpellier. Textes: Francine Arnal, Alain Chevalier avec la contribution de Pierre Curie, Joël Perrin. (Inventaire Général des Monuments et Richesses Artistiques de la France./ Images du Patrimoine. 120.) 51pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Musée Fabre, Montpellier, June-Sept. 1993.

Montpellier (Association pour la Connaissance du Patrimoine de Languedoc-Roussillon), 1993.


37 ARNOLD, JANET. Perukes & Periwigs. 31, (1)pp. 27 plates. 4to. Wraps.

London (National Portrait Gallery), 1970.


38 ARRAS. MUSÉE DES BEAUX-ARTS D’ARRAS. Les Mays de Nôtre-Dame de Paris. Textes réunis et publiés par Annick Notter. 103, (3)pp. 76 illus. Lrg. 4to. Wraps. Presentation copy, inscribed by the author.

Arras, 1999.


39 ARRAS. MUSÉE DES BEAUX-ARTS D’ARRAS. La Vierge, le roi, et le ministre: Le décor du choeur de Nôtre-Dame de Paris au XVIIe siècle. Text by G. Ambroise and A. Notter. 78pp. Prof. illus. Lrg. 4to. Wraps.

Arras, [1996].


40 ART DE FRANCE. Revue annuelle de l’art ancien et moderne. Vols. 1 - 4 (all published). Folio. Boards.

Paris, 1961-1964.



Arntzen/Rainwater Q64; Prause p. 60
41 ARTIOLI, NERIO. Gli affreschi della Ghiara in Reggio Emilia. Documenti a cura di Elio Monducci. 199, (4)pp. 60 color plates. Folio. Boards. D.j.

Reggio Emilia (Cassa di Risparmio di Reggio Emilia), 1970.


42 ATHERTON, HERBERT M. Political Prints in the Age of Hogarth. A study of the ideographic representation of politics. xx, (2), 294pp. 122 illus. hors texte. 4to. Cloth. D.j.

Oxford (Clarendon Press), 1974.


43 ATLANTA. HIGH MUSEUM OF ART. Art in Berlin, 1815-1989. Nov. 1989-Jan. 1990. Texts by P. Jelavich, F. Forster-Hahn and K.W. Foster, C.W. Haxthausen, C.V. Poling, G. Vigtel, E. Roters. 261pp. 174 illus. Lrg. 4to. Wraps.

Atlanta, 1989.


44 ATLANTA. HIGH MUSEUM OF ART. Corot to Braque: French Paintings from the Museum of Fine Arts, Boston. Introduction and catalogue by Anne L. Poulet and essay by Alexandra R. Murphy. April-June 1979. xlviii, 148pp. 69 color plates. Sm. oblong 4to. Wraps.

Boston (Museum of Fine Arts), 1979.


45 ATLANTA. HIGH MUSEUM OF ART. French Salon Paintings from Southern Collections. Jan.-March 1983. [By] Eric M. Zafran. Introductory essay by Gerald M. Ackerman. 173, (1)pp. 94 illus. (20 color). 4to. Wraps.

Atlanta, 1983.


46 ATLANTA. HIGH MUSEUM OF ART. From Liotard to Le Corbusier. 200 years of Swiss painting, 1730-1930. With essays by Hans Ulrich Jost, Brandon Brame Fortune, and William Hauptman. Feb.-April 1988. 190pp. 65 color plates, numerous text and reference illus. Lrg. 4to. Cloth. D.j.

Atlanta, 1988.



Marmor/Ross M541
47 ATLANTA. HIGH MUSEUM OF ART. The Rococo Age: French Masterpieces of the Eighteenth Century. [By] Eric M. Zafran. Introductory essay by Jean-Luc Bordeaux. 166pp. 83 plates, numerous reference figs. 4to. Wraps.

Atlanta, 1983.


48 AUGÉ, JEAN-LOUIS. Le Musée Goya, Castres. (Musées et Monuments de France.) 126, (2)pp. Prof. illus. 4to. Wraps.

Paris (Fondation Paribas/ Réunion des Musées Nationaux), [1997].


49 AUTUN. MUSÉE ROLIN & BEAUNE. HÔTEL-DIEU. La bonne étoile des Rolin. Mécénat et efflorescence artistique dans la Bourgogne du XVe siècle. Sept.-Nov. 1994. 128, (2)pp. Prof. illus. 4to. Boards.

Autun/Beaune, 1994.


50 AVIGNON. MUSÉE CALVET. Peintures et sculptures d’Italie: Collections du XVe au XIXe siècle du Musée Calvet, Avignon. [Par] Philippe Malgouyres, Philippe Sénéchal. March-June 1998. 183pp. 59 color plates, 149 figs. 4to. Wraps.

Avignon, 1998.


51 AVIGNON. MUSÉE DU PETIT PALAIS. Peinture italienne. Par Michel Laclotte et Élisabeth Mognetti. (Inventaire des Collections Publiques Françaises. 21.) (272)pp. 317 illus. 4to. Wraps.

Paris (Éditions des Musées Nationaux), 1976.



Arntzen/Rainwater I2
52 BACOU, ROSELINE. Il Settecento francese. (I Disegni dei Maestri. 13.) 96pp. 73 illus. (38 color plates). Lrg. 4to. Boards. D.j.

Milano (Fratelli Fabbri), 1971.



Arntzen/Rainwater L6
53 BADSTÜBNER, ERNST, ET AL. Das Neue Museum in Berlin. Ein denkmalpflegerisches Plädoyer zur ergänzenden Wiederherstellung. Von Ernst Badstübner, Hartmut Dorgerloh, August Gebessler, Gert Thomas Mader, Helmut F. Reichwald, Manfred Schuller und Wolfgang Wolters. (Beiträge zur Denkmalpflege in Berlin. 1.) 48pp. Prof. illus. Lrg. 4to. Wraps.

Berlin (Senatsverwaltung für Stadtentwicklung und Umweltschutz), 1994.


54 BAILEY, COLIN B. Ange-Laurent de la Live de Jully. A facsimile reprint of the Catalogue historique (1764) and the Catalogue raisonné des tableaux (March 5, 1770). With an introductory essay and a concordance to the French paintings. (Acanthus Reprint Series of Historical Auction Catalogues: France. Vol. 2.) lxvii, (1), viii, 124, (8), 113, (3)pp. Illus. Lrg. 8vo. Cloth. Edition limited to 520 numbered copies.

New York (Acanthus Books), 1988.


55 BAILEY, COLIN B. Patriotic Taste: Collecting Modern Art in Pre-Revolutionary Paris. (6), 346pp. 210 illus. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 2002.


56 BAILLIO, JOSEPH. The Winds of Revolution. 111pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at Wildenstein, New York, Nov.-Dec. 1989.

New York (Wildenstein), 1989.


57 BALIGAND, FRANÇOISE. The Musée de la Chartreuse, Douai. (Musées et Monuments de France.) 126, (2)pp. Prof. illus. 4to. Wraps.

Paris (Fondation Paribas/ Réunion des Musées Nationaux), [1999].


58 BALTIMORE. THE BALTIMORE MUSEUM OF ART. A Grand Design: The Art of the Victoria and Albert Museum. Malcolm Baker, Brenda Richardson, general editors. With research and essays by Anthony Burton, Craig Clunas, Michael Conforti, Rafael Cardoso Denis, Richard Dunn, Partha Mitter, Charles Saumarez Smith, Timothy Stevens, Peter Trippi, Christopher Wilk. Oct. 1997-Jan. 1998. 431, (1)pp. 366 illus. (253 color plates). Lrg. 4to. Wraps. Presentation copy, inscribed by Malcolm Baker.

Baltimore/ New York (Harry N. Abrams), 1997.


59 BALTIMORE. THE BALTIMORE MUSEUM OF ART. Master Drawings and Watercolors of the Nineteenth and Twentieth Centuries. Introduction by Victor Carlson; catalogue entries by Carol Hynning Smith. Circulated Aug. 1979-Aug. 1980. (AFA Exhibition 79-1.) 199, (1)pp. 91 plates. 4to. Wraps.

New York (American Federation of Arts), 1979.


60 BALTIMORE. THE BALTIMORE MUSEUM OF ART. Regency to Empire: French Printmaking, 1715-1814. Organized by Victor I. Carlson, John W. Ittmann. Contributing authors: D.P. Becker, R. Campbell, J. McKean Fisher, G. Levitine, M.L. Myers. Nov. 1984-Jan. 1985. 371pp. 124 plates. 4to. Wraps.

Baltimore, 1984.



Marmor/Ross N82
61 BALTIMORE. THE WALTERS ART GALLERY. Catalogue of the Italian Majolica in the Walters Art Gallery. By Joan Prentice von Erdberg and Marvin C. Ross. viii, 58pp., 64 plates. 4to. Cloth.

Baltimore, 1952.


62 BALTIMORE. THE WALTERS ART GALLERY. Renaissance Bronzes in the Walters Art Gallery. By Edgar Peters Bowron. 56, (2)pp. 44 illus. 4to. Wraps.

Baltimore, 1978.


63 BARBER, RICHARD. Samuel Pepys Esqre, Secretary of the Admirality to King Charles & King James the Second. 64pp. Prof. illus. Sm. sq. 4to. Wraps.

London (National Portrait Gallery), 1970.


64 (BARNES FOUNDATION). Great French Paintings from the Barnes Foundation. Impressionist, Post-Impressionist, and Early Modern. xvii, (1), 318pp. 323 illus. (154 color). Lrg. 4to. Wraps.

New York (Alfred A. Knopf), 1993.



Marmor/Ross M220
65 BARONI, COSTANTINO & DELL’ACQUA, GIAN ALBERTO. Tesori d’arte in Lombardia. 59, (3)pp., 176 plates (24 tipped-in color). 4to. Cloth.

Milano (Fondazione Treccani degli Alfieri per la Storia di Milano), 1952.


66 BARRÉ-DESPOND, ARLETTE. UAM: Union des Artistes Modernes. 575pp. Most prof. illus. Lrg. 4to. Cloth. D.j.

Paris (Éditions du Regard), 1986.


67 BARRELL, JOHN. The Idea of Landscape and the Sense of Place, 1730-1840. An approach to the poetry of John Clare. x, 244pp., 6 plates. 2 maps. Lrg. 8vo. Wraps.

Cambridge (University Press), 1972.


68 BARRIOCANAL LÓPEZ, YOLANDA & FARIÑA BUSTO, FRANCISCO. El Antiguo Museo de Pinturas de Ourense (1845-1852). Contribución a la historia de la pintura en Galicia. (Boletín Auriense. Anexo 13.) 134pp. 27 plates. 4to. Wraps.

Ourense (Museo Arqueolóxico Pronvincial), 1989.


69 BASEL. KUNSTMUSEUM. KUPFERSTICHKABINETT. Schweizer Zeichnungen 1800-1850 aus dem Basler Kupferstichkabinett. Aug.-Oct. 1991. Catalogue by Yvonne Boerlin-Brodbeck. 143pp. 71 illus. Sm. 4to. Wraps.

Basel, 1991.


70 BASEL. ÖFFENTLICHE KUNSTSAMMLUNG. KUPFERSTICHKABINETT & BERLIN. STAATLICHE MUSEEN. KUPFERSTICHKABINETT. Dürer, Holbein, Grünewald: Meisterzeichnungen der deutschen Renaissance aus Berlin und Basel. May-Aug. 1998/ June-Aug. 1998. 431pp. Prof. illus. Lrg. 4to. Boards.

Basel/Berlin, 1998.


71 BAUDELAIRE, CHARLES. Art in Paris, 1845-1862: Salons and Other Exhibitions. Translated and edited by Jonathan Mayne. xiv, (2), 241pp., 72 plates. 4to. Cloth. D.j.

London (Phaidon), 1965.


72 BEAUFFET, JACQUES, ET AL. Le Musée d’Art Moderne de Saint-Étienne. [Par] Jacques Beauffet, Bernard Ceysson, Martine Dancer, Maurice Fréchuret. (Musées et Monuments de France.) 126, (2)pp. Prof. illus. 4to. Wraps.

Paris (Albin Michel), [1990].


73 BECHTEL, EDWIN DE T. Freedom of the Press and L’Association Mensuelle. Philipon versus Louis-Philippe. 40, (4)pp., 14 plates. Oblong 4to. Cloth. Edition limited to 750 numbered copies.

New York (The Grolier Club), 1952.


74 BÉGUIN, SYLVIE. L'école de Fontainebleau. Le maniérisme à la cour de France. (Collection “Écoles de la Peinture.”) 155pp. Prof. illus. Boartds, 1/4 cloth.

Paris (Gonthier-Seghers), 1960.



Arntzen/Rainwater M192
75 BEIJER, AGNE. Drottningholms slottsteater på Lovisa Ulrikas och Gustaf III:s tid. (Stockholmsmonografier. 42.) 358pp. 24 plates, 129 illus. 4to. Cloth. D.j.

Stockholm (Drottningholms Teatermuseum), 1981.


76 BELL, CHARLES. The Anatomy and Philosophy of Expression as Connected with the Fine Arts. Sixth edition. viii, 275pp., 4 plates. Illus. 4to. Cloth (worn).

London (Henry G. Bohn), 1872.


77 BELL, QUENTIN. Victorian Artists. xiv, 111pp., 123 plates. 4to. Cloth. D.j.

Cambridge (Harvard University Press), 1967.



Arntzen/Rainwater M261
78 BELLONZI, FORTUNATO. Il Divisionismo nella pittura italiana. (Mensili d’Arte.) 100pp. 60 color plates, text illus. Lrg. 4to. Cloth. D.j.

Milano (Fratelli Fabbri), 1967.


79 BELLORI, G.B. L’idea. The introduction to the Lives of Modern Painters, Sculptors and Architects (1672). 13pp. Wraps.

London (University of London, Courtauld Institute of Art), 1960.


80 BELTING, HANS. The Germans and Their Art: A Troublesome Relationship. vi, 120, (2)pp. 27 illus. Lrg. 8vo. Boards. D.j.

New Haven/London (Yale University Press), 1998.


81 BENCARD, MOGENS (EDITOR). Intersections: Art and Science in the Golden Age. 274, (2)pp. Prof. illus. Lrg. 4to. Boards. D.j.

København (Gyldendal), [2000].


82 BENESCH, OTTO. Venetian Drawings of the Eighteenth Century in America. 41, (3)pp., 57 plates with 69 illus. Lrg. 4to. Cloth.

New York (H. Bittner & Company), 1947.



Chamberlin 1111; Lucas p. 92
83 BENTINI, JADRANKA. Disegni della Galleria Estense di Modena. 308pp. 102 plates, text illus. Sm. folio. Cloth. D.j.

Modena (Edizioni Panini), [1989].


84 BENTINI, JADRANKA. Economia, collezionismo e museo. Le raccolte d’arte della Cassa di Risparmio di Ferrara nella Pinacoteca Nazionale di Palazzo dei Diamanti. Texts by Raffaello Collevati, Andrea Emiliani, Jadranka Bentini. (Rapporti. Vol. 48.) 74pp. Prof. illus. Sm. 4to. Wraps.

Bologna (Nuova Alfa Editoriale), 1984.


85 BERCH, CARL REINHOLD. Lettres parisiennes, adressées à ses amis, 1740-1746. Publiées et annotées par Jan Heidner. (Acta Universitatis Stockholmiensis: Romanica Stockholmiensia. 17.) 183pp. Illus. Sm. 4to. Wraps. Presentation copy, inscribed by the editor.

Stockholm (Almqvist & Wiksell), 1997.


86 BERENSON, BERNARD. The Italian Painters of the Renaissance. xiii, 488pp., 16 tipped-in color plates. 400 illus. 4to. Cloth. D.j. 5th impression.

London (Phaidon), 1959.



Arntzen/Rainwater M318; Chamberlin 1303; Lucas p. 82
87 BERENSON, BERNARD. Italian Pictures of the Renaissance. A list of the principal artists and their works with an index of places. 7 vols. I: Venetian School. 2 vols. xiv, (2), 206, (2)pp., frontis. in color, 1333 illus., 44, (2)pp. II: Florentine School. 2 vols. xiv, (2), 222, (2)pp., 1478 illus., 39, (1)pp. III: Central Italian and North Italian Schools. 3 vols. xxvi, (2), 533, (1)pp., 1988 illus. 4to. Cloth.

London (Phaidon), [1957]-1968.



Arntzen/Rainwater M320-M322; Chamberlin 1305; Lucas p. 82
88 (BERGGRUEN, HEINZ) MOORE, SUSAN. Framing Modern Masters: A Conversation with Heinz Berggruen. 16pp. 10 illus. (8 color). Sm. 4to. Wraps.

London (Arnold Wiggins & Sons), 1991.


89 BERLIN, ISAIAH. The Roots of Romanticism. Edited by Henry Hardy. (The A.W. Mellon Lectures in the Fine Arts, 1965./ Bollingen Series. XXXV.45.) xvi, 171, (5)pp. Sm. 4to. Cloth. D.j.

Princeton (Princeton University Press), 1999.



Arntzen/Rainwater R1
90 BERLIN. NATIONALGALERIE. Galerie der Romantik. 2. Auflage. Texts by P. Krieger and E. Ostländer. 188pp. Prof. illus. Lrg. 4to. Wraps.

Berlin, 1987.


91 BERLIN. NATIONALGALERIE. Von Caspar David Friedrich bis Manet: Meisterwerke der Nationalgalerie Berlin. Herausgegeben von Bernhard Maaz. Aug.-Oct. 1999. 111pp. Prof. illus. Lrg. 4to. Wraps.

Berlin, 1999.


92 BERLIN. NATIONALGALERIE & MÜNCHEN. NEUE PINAKOTHEK. Manet bis van Gogh: Hugo von Tschudi und der Kampf um die Moderne. Herausgegeben von Johnn Georg Prinz von Hohenzollern und Peter-Klaus Schuster. Sept. 1996-Jan. 1997/ Jan.-May 1997. 463pp. Prof. illus. Lrg. 4to. Wraps.

Berlin/München, 1996.


93 BERLIN. STAATLICHE MUSEEN. KUPFERSTICHKABINETT. Ahnung & Gegenwart: Zeichnungen und Aquarelle der deutschen Romantik im Berliner Kupferstichkabinett. [Von] Gottfried Riemann mit Claudia Czok und Marie Ursula Riemann-Reyher. Oct. 1994-Jan. 1995. 163pp. 114 plates. 4to. Wraps.

Berlin, 1994.


94 BERLIN. STAATLICHE MUSEEN. GEMÄLDEGALERIE. Meisterwerke der französischen Genremalerei im Zeitalter von Watteau, Chardin und Fragonard. [Von] Colin B. Bailey, Philip Conisbee, Thomas W. Gaehtgens. Feb.-May 2004. viii, 440pp. 113 color plates, 158 illus. Sm. folio. Boards. D.j.

Köln (DuMont), 2004.


95 BERLIN. STAATLICHE MUSEEN PREUSSISCHER KULTURBESITZ. SKULPTURENGALERIE. Die italienischen Bildwerke des 17. und 18. Jahrhunderts in Stein, Holz, Ton, Wachs und Bronze mit Ausnahme der Plaketten und Medaillen. [Von] Ursula Schlegel. (Die Bildwerke der Skulpturengalerie Berlin. I.) xii, 198, (4)pp. 156 illus. hors texte. 4to. Wraps.

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