Monographs on artists
DIJON. MUSÉE DES BEAUX-ARTS. L’âge d’or flamand et hollandais: Collections de Catherine II, Musée de l’Hermitage, Saint-Pétersbourg
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| DIJON. MUSÉE DES BEAUX-ARTS. L’âge d’or flamand et hollandais: Collections de Catherine II, Musée de l’Hermitage, Saint-Pétersbourg. June-Sept. 1993. 166, (2)pp. Prof. illus. Lrg. 4to. Cloth. D.j.
Dijon, 1993. 277 DIJON. MUSÉE DES BEAUX-ARTS. Chefs-d’oeuvre de la peinture française des musées néerlandais, XVIIe-XVIIIe siècles. / French Paintings from Dutch Collections, 1600-1800. [By] Pierre Rosenberg, Guido Jansen, Jeroen Giltaij. Sept.-Oct. 1992. 199, (1)pp. 48 color plates. 4to. Wraps. Dijon, 1992. 278 DIJON. MUSÉE DES BEAUX-ARTS. Trois peintres bourguignons du XVIIIe siècle: Colson, Vestier, Trinquesse. Text by Pierre Quarré. 52, (4)pp., 26 plates. Wraps. Dijon, 1969. 279 DIJON. MUSÉE MAGNIN. Dessins français du XVIIIe siècle. June-Oct. 1977. Introduction by Arnauld Brejon de Lavergnée and Pierre Quarré. 25, (3)pp., 18 plates. Wraps. Dijon, 1977. 280 DIJON. MUSÉE MAGNIN. Trois ans de restaurations, 1989-1992. June-Oct. 1992. Preface by E. Starcky. 76pp. Prof. illus. 4to. Wraps. Dijon, 1992. 281 DIJON. MUSÉE MAGNIN & LE MANS. MUSÉE TESSÉ. Eloge de la clarté: Un courant artistique au temps de Mazarin 1640-1660. June-Sept. 1998/ Oct. 1998-Jan. 1999. 159pp. Prof. illus. Sm. 4to. Wraps. Paris (Réunion des Musées Nationaux), 1998. 282 DIMIER, LOUIS. Les peintres français du XVIIIe siècle: Histoire des vies et catalogue des oeuvres. 2 vols. 405pp., 64 plates; 402pp., 64 plates. Lrg. stout 4to. Later cloth. Paris/Bruxelles (Les Éditions G. van Oest), 1928-1930. Arntzen/Rainwater M199 283 DISTEL, ANNE. Impressionism: The First Collectors. 284pp. 200 illus. (150 color). Sm. folio. Cloth. D.j. New York (Harry N. Abrams), 1990. 284 DOLPHIN, ERIKA. Baroque Masterworks from the National Gallery of Canada. 31pp. Prof. illus. 4to. Wraps. Published in conjunction with an exhibition at the Art Gallery of Alberta, Edmonton, Sept.-Nov. 2006. Ottawa (National Gallery of Canada), 2006. 285 DORIVAL, BERNARD. L'École de Paris au Musée National d'Art Moderne. 324pp. Prof. illus. (partly color). Cloth. D.j. Paris (Éditions Aimery Somogy), 1961. 286 DORIVAL, BERNARD. La peinture française du XVIIe au Musée de Grenoble. 33pp. 30 illus. Sm. sq. 4to. Wraps. Grenoble (Musée de Peinture et de Sculpture), 1974. 287 DOWNES, KERRY. English Baroque Architecture. xiv, (2), 135, (1)pp. 578 illus. hors texte. 68 text figs. Sm. folio. Cloth. D.j. London (A. Zwemmer Ltd. ), 1966. Arntzen/Rainwater J208 288 DRAPER, JAMES DAVID. French Terracottas. (Reprinted from: The Metropolitan Museum of Art Bulletin. Vol. 49#3.) 56pp. Prof. illus. 4to. Wraps. New York (The Metropolitan Museum of Art), 1992. 289 DUBLIN. TRINITY COLLEGE. THE DOUGLAS HYDE GALLERY. The Peasant in French 19th Century Art. By James Thompson with the assistance of Madeleine Fidell Beaufort and John Horne. Oct.-Nov. 1980. viii, 192pp. Prof. illus. 4to. Wraps. Dublin, 1980. 290 DUBLIN. NATIONAL GALLERY OF IRELAND. Le classicisme français: Masterpieces of Seventeenth Century Painting. A loan exhibition from the Louvre and French regional museums. April-June 1985. Catalogue by Sylvain Laveissière. Foreword by Jacques Thuillier. 84pp., 51 plates (8 color). Sm. 4to. Wraps. Dublin, 1985. 291 DUBLIN. NATIONAL GALLERY OF IRELAND. German Paintings in the National Gallery of Ireland. A complete catalogue. [By] David Oldfield. xiv, 102pp. 73 illus. hors texte. 4to. Cloth. D.j. Dublin, 1987. 292 DUBLIN. NATIONAL GALLERY OF IRELAND. Irish Eighteenth-Century Stuccowork and its European Sources. [By] Joseph McDonnell. March-April 1991. 132pp. 159 illus. Lrg. 4to. Wraps. Dublin, 1991. 293 DÜSSELDORF. KUNSTMUSEUM. Die Gemälde des 19. Jahrhunderts mit Ausnahme der Düsseldorfer Schule. Bearbeitet von Rolf Andree. Zweite ergänzte Auflage. (Kataloge des Kunstmuseums Düsseldorf. Malerei. Bd. I.) viii, 296pp. 32 color plates, 222 illus. 4to. Boards. Mainz (Philipp von Zabern), 1981. 294 DUFFY, STEPHEN & HEDLEY, JO. The Wallace Collection’s Pictures: A Complete Catalogue. 515, (3)pp. 775 illus., text figs. Lrg. 4to. Cloth. D.j. London (Unicorn Press and Lindsay Fine Art), 2004. 295 DUKEL’SKAIA, L.A. & MOORE, ANDREW (EDITORS). A Capital Collection: Houghton Hall and the Hermitage. With a modern edition of Aedes Walpolianae, Horace Walpole’s catalogue of Sir Robert Walpole’s Collection. 500pp. Prof. illus. Lrg. 4to. Cloth. D.j. New Haven/London (Yale Universty Press), 2002. 296 DURLIAT, MARCEL. Haut-Languedoc roman. (La Nuit des Temps. 49.) 355, (6)pp., 2 color plates. 155 illus., text figs. Sm. 4to. Cloth. D.j. La Pierre-qui-Vire, Yonne (Zodiaque), 1978. Marmor/Ross R72 297 DURLIAT, MARCEL. Roussillon roman. 4e édition entièrement nouvelle. (La Nuit des Temps. 7.) 321, (5)pp. Prof. illus. Sm. 4to. Cloth. Paris (Zodiaque), 1986. Marmor/Ross R72 298 DUVAUX, LAZARE. Livre-journal de Lazare Duvaux, marchand-bijoutier ordinaire du roi, 1748-1758. Précédé d’une étude sur le goût et sur le commerce des objets d’art au milieu du XVIIIe siècle et accompagné d’une table alphabétique des noms d’hommes, de lieux et d’objets mentionnés dans le journal et dans l’introduction. 2 vols. iiii, 426pp.; ii, 398, (2)pp. 2 etched frontis. 4to. Orig. wraps. (detached; chipped). Very rare. Paris (Société des Bibliophiles François), 1883. 299 EASTON, MALCOLM. Artists and Writers in Paris: The Bohemian Idea, 1803-1867. viii, 205pp., 7 plates. Lrg. 8vo. Cloth. D.j. London (Edward Arnold), 1964. 300 EBERT-SCHIFFERER, SYBILLE. Deceptions and Illusions: Five Centuries of Trompe l’Oeil Painting. With essays by Sibylle Ebert-Schifferer, Wolf Singer, Paul Staiti, Alberto Veca, Arthur K. Wheelock, Jr. 407pp. 112 color plates, numerous text illus. Lrg. 4to. Cloth. D.j. Published in conjunction with an exhibition at the National Gallery of Art, Washington, D.C., Oct. 2002-March 2003. Washington (National Gallery of Art), 2002. 301 EDELSTEIN, T.J. Vauxhall Gardens. With essays by T.J. Edelstein and Brian Allen. 64pp. 38 illus. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, New Haven, July-Sept. 1983. New Haven (Yale Center for British Art), 1983. 302 EDINBURGH. NATIONAL GALLERY OF SCOTLAND. Lighting up the Landscape: French Impressionism and Its Origins. Aug.-Oct. 1986. Text by Michael Clarke. 91pp. Prof. illus. 4to. Wraps. Edinburgh, 1986. 303 EDINBURGH. ROYAL SCOTTISH MUSEUM. French Connections: Scotland & the Arts of France. 164pp. 80 illus. 4to. Wraps. Ex library. Edinburgh, 1985. 304 EDWARDS, JOLYNN. Alexandre-Joseph Paillet. Expert et marchand de tableaux à la fin du XVIIIe siècle. Préface de Antoine Schnapper. 376, (4)pp. Prof. illus. Lrg. 4to. Wraps. Paris (ARTHENA), 1996. 305 EITNER, LORENZ. Neoclassicism and Romanticism, 1750-1850. Sources and documents. (Sources and Documents in the History of Art Series.) 2 vols. I: Enlightenment/Revolution. x, 165pp. II: Restoration/Twilight of Humanism. xiii, (5), 174pp. Sm. 4to. Wraps. Englewood Cliffs (Prentice-Hall), 1970. Arntzen/Rainwater I242 & H6; Marmor/Ross H8 306 ENGGASS, ROBERT. Early Eighteenth-Century Sculpture in Rome. An illustrated catalogue raisonné. 2 vols. xv, (1), 243pp. 8 plates. 244 illus. hors texte. Lrg. 4to. Cloth. D.j. University Park/ London (Pennsylvania State University Press), 1976. Arntzen/Rainwater K155 307 ENGGASS, ROBERT & BROWN, JONATHAN. Italy and Spain, 1600-1750. Sources and documents. (Sources & Documents in the History of Art Series.) xi, (3), 239pp. Sm. 4to. Wraps. Englewood Cliffs, N.J. (Prentice-Hall), 1970. Arntzen/Rainwater H6 308 ERIKSEN, SVEND. Early Neo-Classicism in France. The creation of the Louis Seize style in architectural decoration, furniture and ormolu, gold and silver, and Sèvres porcelain in the mid-eighteenth century. Translated from the Danish and edited by Peter Thornton. (Faber Monographs on Furniture.) 432pp. 508 illus. hors texte (9 color). Lrg. stout 4to. Cloth. D.j. London (Faber and Faber), 1974. Arntzen/Rainwater P41 309 ESSEN. MUSEUM FOLKWANG. Morozov and Shchukin - The Collectors: Monet to Picasso. 120 masterpieces from the Hermitage, St. Petersburg, and the Pushkin Museum, Moscow. Texts by Inge Bodesohn-Vogel, Albert Kostenevich, Georg-W. Költzsch, Grigori J. Sternin, Marina Bessonova. June-Oct. 1993. 441pp. Prof. illus. Lrg. sq. 4to. Wraps. Köln (DuMont), 1993. 310 EVANS, JOAN. Monastic Iconography in France from the Renaissance to the Revolution. xv, (1), 76, (2)pp., 117 plates. 4to. Cloth. D.j. Cambridge (University Press), 1970. Lucas p. 54 (citing 1964 edition) 311 EVENSON, NORMA. Paris: A Century of Change, 1878-1978. xvii, (1), 382pp. 254 illus. 4to. Cloth (slightly soiled). D.j. New Haven/London (Yale University Press), 1979. 312 FAHY, EVERETT (EDITOR). The Wrightsman Pictures. With a preface by Pierre Rosenberg and contributions by Elizabeth E. Barker, Everett Fahy, George R. Goldner, Alain Gruber, Colta Ives, Asher Ethan Miller, Sabine Rewald, Perrin V. Stein, and Gary Tinterow. 440pp. Prof. illus. Lrg. 4to. Cloth. D.j. New York (The Metropolitan Museum of Art), 2005. 313 FEILCHENFELDT, WALTER. By Appointment Only. Cézanne, Van Gogh and some secrets of art dealing. Essays and lectures. 322pp. 500 color illus. 4to. Cloth. D.j. London (Thames & Hudson), 2006. 314 [FÉLIBIEN DES AVAUX, ANDRÉ.] Conférences de l’Académie royale de peinture et de sculpture. (The Printed Sources of Western Art. 8.) (44), 144pp. Sm. 4to. Wraps. Slipcase. Reprint of the Paris 1669 edition. Portland, Oregon (Collegium Graphicum), 1972. Marmor/Ross H6 315 FERINO-PAGDEN, SYLVIA. “La prima donna del mondo.” Isabella d’Este, Fürstin und Mäzenation der Renaissance. Unter Mitarbeit von Christian Beaufort-Spontin, Alfred Bernhard-Walcher, Rudolf Distelberger, Manfred Leithe-Jasper und Karl Schulz. Mit weiteren Beiträgen von Clifford M. Brown, Aldo Cicinelli, Daniela Ferrari, Claudio Gallico, Marina Galvani, Rodolfo Signorini, Leandro Ventura. 446pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Kunsthistorisches Museum, Wien. Wien (Kunsthistorisches Museum), 1994. 316 FESTSCHRIFT DIEGO ANGULO IÑÍGUEZ. Miscelanea de arte. 284pp. Prof. illus. Lrg. 4to. Wraps. Texts by 58 contributors, including J.E. Arias Anglés, J.M. de Azcarate, C. Bernis, A. Bonet Correa, A. Espinos Díaz, I. Mateo Gómez, M. Meña Marqués, V. Nieto Alcaide, A.E. Pérez Sánchez, J.M. Pita Andrade, C. Sambricio, A. Sancho Corbacho, V. Tovar Martín, E. Valdivieso. Madrid (Instituto “Diego Velázquez”), 1982. 317 FESTSCHRIFT COLETTE LAMY-LASSALLE. Le Faubourg Saint-Germain: La Rue du Bac. Études offertes à Colette Lamy-Lassalle. Réunis par Bruno Pons et Anne Forray-Carlier.... 255pp. Prof. illus. 4to. Wraps. Texts by 20 contributors. Paris (Délégation à l’Action Artistique de la Ville de Paris/ Société d’Histoire et d’Archéologie du VIIe Arrondissement), [1990]. 318 FESTSCHRIFT DENIS MAHON. Studi di storia dell’arte in onore di Denis Mahon. A cura di Maria Grazia Bernardini, Silvia Danesi Squarzina, Claudio Strinati. 379pp. Prof. illus. 4to. Boards. D.j. Texts by 54 contributors, including J. Bentini, A. Brejon de Lavergnée, M. Calvesi, K. Christiansen, C. Elam, M. Fagiolo dell’Arco, M. Gregori, D.S. Pepper, E.P. Bowron, E. Riccomini, E. Schleier, N. Spinosa, T.J. Standring, N. Turner, C. Whitfield, P. Zampetti. Milano (Electa), 2000. 319 FESTSCHRIFT PIERRE ROSENBERG. Mélanges en hommage à Pierre Rosenberg: Peintures et dessins en France et en Italie, XVIIe-XVIIIe siècles. Edited by Anna Cavina, Jean-Pierre Cuzin, Michel Laclotte, Antoine Schnapper, Sébastien Allard. 479, (1)pp. Prof. illus. Lrg. 4to. Boards. Texts by 61 contributors. Bibliography. With a letter from P. Rosenberg inserted. Paris (Réunion des Musées Nationaux), 2001. 320 FESTSCHRIFT CHARLES SEYMOUR, JR. Collaboration in Italian Renaissance Art. (In Memoriam Charles Seymour, Jr. ) Edited by Wendy Stedman Sheard and John T. Paoletti. xxi, (3), 268pp. 102 illus. Lrg. 4to. Cloth. D.j. Texts by 14 contributors, including J.H. Stubblebine, E. Carli, J.R. Spencer, A. Chastel, U. Middeldorf, G.L. Hersey, J.T. Paoletti, D. Summers, E.P. Pillsbury, G. Kubler, D.A. Brown, W.S. Sheard, D. Lewis, and P. F. Watson. New Haven/ London (Yale University Press), 1978. 321 (FESTSCHRIFT CHARLES STERLING) PARIS. MUSÉE DU LOUVRE. Hommage à Charles Sterling. Des primitifs à Matisse. April-June 1992. [By] Nicole Reynaud. (Les Dossiers du Département des Peintures. 40.) 119, (1)pp. Text illus. Sm. sq. 4to. Wraps. Paris (Réunion des Musées Nationaux), 1992. 322 FESTSCHRIFT MARGRET STUFFMANN. Correspondances: Festschrift für Margret Stuffmann zum 24. November 1996. Herausgegeben von Hildegard Bauerreisen und Martin Sonnabend. 256pp. Prof. illus. Lrg. 4to. Cloth. D.j. Texts by 22 contributors, including C. Beutler, L. Hendrix, F. Viatte, H. Zerner, K. Herding, P. Rosenberg, S. Folds McCullagh, N. MacGregor, W. Feilchenfeldt, E. Rathke, U. Perucchi-Petri. Bibliography. Mainz (Verlag Hermann Schmidt), 1996. 323 FEULNER, ADOLF. Bayerisches Rokoko. (2), 211, (3)pp., 328 plates (partly tipped-in). Sm. stout folio. Cloth. München (Kurt Wolff), 1923. 324 FIERRO, ALFRED & SARAZIN, JEAN-YVES. Le Paris des lumières d’après le plan de Turgot (1734-1739). 143, (1)pp. Prof. illus. Oblong folio. Boards. Published in conjunction with an exhibition at the Centre historique des Archives nationales, Musée de l’histoire de France, Oct. 2005-Jan. 2006. Paris (Réunion des Musées Nationaux), 2005. 325 FINALDI, GABRIELE & KITSON, MICHAEL. Discovering the Italian Baroque: The Denis Mahon Collection. With contributions by Christopher Brown, Humphrey Wine and Denis Mahon. 192pp. Prof. illus. 4to. Cloth. D.j. Published in conjunction with an exhibition at the National Gallery, London, Feb.-May 1997. London (National Gallery Publications), 1997. 326 FINKE, ULRICH. German Painting from Romanticism to Expressionism. 256pp. 163 illus. (12 color plates). Sm. 4to. Cloth. D.j. London (Thames and Hudson), 1974. Arntzen/Rainwater M224 327 FIRENZE. MUSEO BARDINI. Le sculture medievali e rinascimentali. A cura di Enrica Neri Lusanna. 79, (1)pp. 74 plates. Lrg. sq. 8vo. Wraps. Parallel texts in Italian and English. Firenze (Centro Di), 1989. 328 FIRENZE. PALAZZO PITTI. Artisti alla corte granducale. May-July 1969. Catalogue by Marco Chiarini. (6), 158pp. 121 illus. Lrg. 8vo. Wraps. Firenze, 1969. 329 FIRENZE. PALAZZO PITTI. Pittura francese nelle collezioni pubbliche fiorentine. Catalogo a cura di Pierre Rosenberg, con la collaborazione di Silvia Meloni Trkulja, Isabelle Julia, Nicole Reynaud. April-June 1977. 296pp. Prof. illus. (7 color plates). Sq. 4to. Wraps. Firenze (Centro Di), 1977. 330 FIRENZE. PALAZZO STROZZI. Maestri e botteghe: Pittura a Firenze alla fine del Quattrocento. A cura di Mina Gregori, Antonio Paolucci, Cristina Acidini Luchinat. Oct. 1992-Jan. 1993. 308, (2)pp. Prof. illus. Lrg. sq. 4to. Wraps. Milano (Silvana), 1992. 331 FIRENZE. PALAZZO VECCHIO. L’età di Masaccio: Il primo Quattrocento a Firenze. A cura di Luciano Berti e Antonio Paolucci. June-Sept. 1990. 265pp. 93 plates, text illus. 4to. Wraps. D.j. Milano (Electa), 1990. 332 FIRENZE. GALLERIA DEGLI UFFIZI. L’officina della maniera. Varietà e fierezza nell’arte fiorentina del Cinquecento fra le due repubbliche 1494-1530. Sept. 1996-Jan. 1997. (Pontormo e Rosso: La “maniera moderna” in Toscana, 1494-1994.) 426pp. 150 color plates, text illus. Lrg. 4to. Wraps. Venezia (Marsilio), 1996. 333 FIRENZE. UFFIZI. Le sculture. [A cura di] Guido A. Mansuelli. (Cataloghi dei Musei e Gallerie d’Italia.) 2 vols. 289pp. 326 illus. hors texte; 408pp. 220 illus. hors texte. 4to. Cloth. Roma (Libreria dello Stato), 1958-1961. 334 FIRENZE. UFFIZI. GABINETTO DISEGNI E STAMPE. Il disegno fiorentino del tempo di Lorenzo il Magnifico. A cura di Annamaria Petrioli Tofani. April-July 1992. 311pp. Prof. illus. Sq. 4to. Wraps. Firenze, 1992. Marmor/Ross L97 335 FIRENZE. UFFIZI. GABINETTO DISEGNI E STAMPE. Mostra di disegni francesi da Callot a Ingres. Introduzione e catalogo a cura di Pierre Rosenberg. (Cataloghi. 29.) 100pp. 78 illus. hors texte. Lrg. 8vo. Wraps. Firenze (Leo S. Olschki), 1968. Arntzen/Rainwater L8 336 FIRENZE. UFFIZI. GABINETTO DISEGNI E STAMPE. Mostra di disegni italiani di paesaggio del Seicento e del Settecento. Introduzione e catalogo di Marco Chiarini. (Cataloghi. 38.) 84pp. 72 illus. hors texte. Sm. 4to. Wraps. Firenze (Olschki), 1973. Arntzen/Rainwater L8 337 (FITCH COLLECTION) WILTON, ANDREW. The Fitch Collection. A record of the major English watercolors and drawings collected by Dr. Marc Fitch. (114)pp. 56 illus. 4to. Wraps. London (The Leger Galleries), 1988. 338 FLINT, MICHIGAN. THE FLINT INSTITUTE OF ARTS. The Figure in Nineteenth-Century French Painting. A loan exhibition from The Detroit Institute of Arts. Catalogue by Dewey F. Mosby. Dec. 1978-Feb. 1979. 60pp. Prof. illus. Oblong 4to. Wraps. Flint, 1978. 339 FOLKESTONE. FOLKESTONE MUSEUM AND ART GALLERY. Kent Master Collection. Catalogue by Hugo Chapman. 64pp. 67 illus. 4to. Wraps. Published in conjunction with a travelling exhibition. [Maidstone] (Kent County Council, Arts & Libraries), 1991. 340 FONT-RÉAULX, DOMINIQUE DE. The Artist’s Studio. (Photography at the Musée d’Orsay. 4.) 31, (1)pp., 62 plates. Sq. 8vo. Wraps. Published in conjunction with an exhibition at the Musée d’Orsay, Paris, Feb.-May 2005. Paris/Milano (Musée d’Orsay/ 5 Continents Éditions), 2005. 341 FORT, BERNADETTE (EDITOR). Les Salons des “Mémoires secrets” 1767-1787. (Collection Beaux-Arts Histoire.) 381pp. 61 plates. 4to. Wraps. Paris (École National Supérieure des Beaux-Arts), 1999. 342 FORT WORTH. FORT WORTH ART CENTER & AUSTIN. UNIVERSITY OF TEXAS. UNIVERSITY ART MUSEUM. The School of Fontainebleau. An exhibition of paintings, drawings, engravings, etchings and sculpture, 1530-1619. Sept.-Oct./ Nov.-Dec. 1965. Introduction by Marian Davis. Text by Sam Cantney, III. 80pp. Prof. illus. Sm. sq. 4to. Boards. Fort Worth, 1965. 343 FORT WORTH. KIMBELL ART MUSEUM. In Pursuit of Quality. The Kimbell Art Museum. An illustrated history of the art and architecture. Texts by E.P. Pillsbury, P.C. Loud, W.B. Jordan. ix, (1), 334pp. 371 illus. (276 color). Sm. folio. Cloth. Fort Worth, 1987. 344 FORT WORTH. KIMBELL ART MUSEUM. The Loves of the Gods. Mythological painting from Watteau to David. [By] Colin B. Bailey, with the assistance of Carrie A. Hamilton. Introduction by Pierre Rosenberg. With essays by Philippe Le Leyzour, Steven Z. Levine, Donald Posner, Katie Scott. 587, (1)pp. 459 illus. (100 color). Lrg. 4to. Wraps. Presentation copy, inscribed by the author. New York (Rizzoli), 1992. 345 FOUCART, BRUNO. Le renouveau de la peinture religieuse en France (1800-1860). 443pp. 311 illus. hors texte (18 color). Lrg. 4to. Stiff wraps. D.j. Paris (ARTHENA), 1987. 346 FOUCART, JACQUES. Peintres rembranesques au Louvre. (Les Dossiers du Département des Peintures. 35.) 119pp. Prof. illus. Sm. sq. 4to0. Wraps. Published in conjunction with an exhibition at the Musée du Louvre, Paris, Oct. 1988-March 1989. Paris (Musée du Louvre), 1988. 347 FRANKFURT. STÄDEL. Französische Zeichnungen aus dem Art Institute of Chicago. Feb.-April 1977. Catalogue edited by Klaus Gallwitz. 185pp. Prof. illus. Lrg. 4to. Wraps. Frankfurt, 1977. 348 FRANKFURT. STÄDELSCHES KUNSTINSTITUT UND STÄDTISCHE GALERIE. Französische Zeichnungen im Städelschen Kunstinstitut, 1550 bis 1800. Katalog und Ausstellung: Hildegard Bauereisen, Margret Stuffmann. Nov. 1986-March 1987. (6), 194pp. Prof. illus. 4to. Wraps. D.j. Frankfurt, 1986. Marmor/Ross L49 349 FRANKFURT. STÄDELSCHES KUNSTINSTITUT UND STÄDTISCHE GALERIE. Mehr Licht: Europa um 1770. Die bildende Kunst der Aufklärung. Aug. 1999-Jan. 2000. 494pp. Prof. illus. Lrg. 4to. Wraps. Braunschweig (Klinkhardt & Biermann), 1999. 350 FRANKFURT. STÄDELSCHES KUNSTINSTITUT UND STÄDTISCHE GALERIE. GRAPHISCHE SAMMLUNG. “Von Kunst und Kennerschaft.” Die Graphische Sammlung im Städelschen Kunstinstitut unter Johann David Passavant, 1840 bis 1861. Nov. 1994-Feb. 1995. Catalogue by Hildegard Bauereisen, Margret Stuffmann, Inken Knoch, Jutta Schütt, Busso Diekamp. 283pp. Prof. illus. Lrg. 4to. Wraps. Frankfurt, 1994. 351 FRANKFURT. STÄDELSCHES KUNSTINSTITUT UND STÄDTISCHE GALERIE. GRAPHISCHE SAMMLUNG. Von Linie und Farbe: Französische Zeichnungen des 19. Jahrhunderts aus der Graphischen Sammlung im Städel und aus Frankfurter Privatbesitz. Dec. 2001-Feb. 2002. 164pp. 74 plates, reference figs. 4to. Wraps. Frankfurt, 2001. 352 FREEDBERG, S.J. Circa 1600. A revolution of style in Italian painting. (8), 114, (12)pp. 154 illus. (3 color plates). Oblong 4to. Cloth. D.j. Cambridge (Harvard University Press), 1983. 353 FREEDBERG, SYDNEY J. Painting in Italy, 1500 to 1600. (The Pelican History of Art.) xix, (5), 554pp. 300 illus. hors texte. 4to. Cloth. D.j. Slipcase. Harmondsworth/Baltimore (Penguin Books), 1971. Arntzen/Rainwater I18 & M331; Chamberlin 452 354 FREMANTLE, RICHARD. Florentine Gothic Painters from Giotto to Masaccio. A guide to painting in and near Florence, 1300 to 1450. xxv, (1), 665pp., 24 maps. 1335 illus. Sm. folio. Cloth. D.j. London (Martin Secker and Warburg), 1975. Arntzen/Rainwater M333 355 FRIED, MICHAEL. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. xvii, (1), 249pp. 68 illus. 4to. Cloth. D.j. Berkeley/Los Angeles (University of California Press), 1980. 356 FRIEDLÄNDER, MAX J. From Van Eyck to Bruegel: Early Netherlandish Painting. vii, (1), 425pp., 10 color plates. 293 plates in text. 4to. Cloth. D.j. London (Phaidon), 1956. Arntzen/Rainwater M406; Lucas p. 85 (citing second edition) 357 FUMAGALLI, ELENA. Palazzo Borghese, committenza e decorazione privata. Presentazione di Carlo Pietrangeli. 216pp. 247 illus. Folio. Cloth. D.j. Roma (Edizioni De Luca), 1994. 358 FUMAROLI, MARC. L’école du silence: Le sentiment des images au XVIIe siècle. (Idées et Recherches.) 510, (2)pp. 252 illus. 4to. Wraps. Paris (Flammarion), 1994. 359 GAEHTGENS, THOMAS W. L’art sans frontières: Les relations artistiques entre Paris et Berlin. (Série Références: Art.) 447pp. 164 illus. Wraps. Paris (Le Livre de Poche), 1999. 360 GAEHTGENS, THOMAS W. L’image des collections en Europe au XVIIIe siècle. (Collège de France, Chaire Européenne. Leçon inaugurale, 29 janvier 1999.) 33, (1)pp., 13 plates. Sm. 4to. Wraps. Edition limited to 650 copies. Paris (Collège de France), 1999. 361 GAEHTGENS, THOMAS W., ET AL. (EDITORS). L’art et les normes sociales au XVIIIe siècle. Sous la direction de Thomas W. Gaehtgens, Christian Michel, Daniel Rabreau et Martin Schieder. (Passages/Passagen. Centre Allemand d’Histoire de l’Art/Deutsches Forum für Kunstgeschichte. 2.) 543, (5)pp. Prof. illus. Sm. 4to. Wraps. Presentation copy, inscribed by Martin Schieder. Paris (Éditions de la Maison des Sciences de l’Homme), [2001]. 362 Directory: collections collections -> 1Theodore S. de Bruyn Curriculum Vitae contact information collections -> Review of America and the Far East (all bound) 4 collections -> Bibliographic Standards for Shared Print Monographs (2-16-2011) collections -> General works collections -> University of utah j. Willard Marriott Library collections -> General works 1 Århus. Moesgård museum. Lanks Silkevejen: Nomader og byfolk I Sibirien og Centralasien collections -> Tracy penny light centre for Learning and Teaching Through Technology (LT3) collections -> Pc atari Emulator collections -> Atari disk operating system 5 Download 1.85 Mb. Share with your friends:
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