Reading the Dystopian Short Story Jessica Norledge

Alber, J. (2009). ‘Impossible Storyworlds - and What to Do with Them’. StoryWorlds: A Journal of Narrative Studies, 1: 79–96.

Alber, J. and Heinze, R. (2011). Unnatural Narratives - Unnatural Narratology. Berlin: Walter de Gruyter.

Alber, J., Iversen, S., Skov Nielsen, H. and Richardson, B. (2010). ‘Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models’. Narrative, 18(2): 113–136.

Alber, J., Iversen, S., Skov Nielsen, H. and Richardson, B. (2013). ‘What Really Is Unnatural Narratology?’. StoryWorlds: A Journal of Narrative Studies, 5(1): 101–118.

Alderson, J. C. and Short, M. (1989). ‘Reading Literature’. In: M. Short (ed.), Reading, Analysing and Teaching Literature. London: Longman, 72–119.

Aldiss, B. and Wingrove, D. (1986). Trillion Year Spree. London: Orbit.

Aldred, J. and Greenspan, B. (2011). ‘A Man Chooses, A Slave Obeys: BioShock and the Dystopian Logic of Convergence’. Games and Culture, 6(5): 479–496.

Allende, I. (1996). ‘The Short Story’. Journal of Modern Literature, 20(1): 21–28.

Allington, D. (2011). ‘“It Actually Painted a Picture of the Village and the Sea and the Bottom of the Sea”: Reading Groups, Cultural Legitimacy, and Description in Narrative (with Particular Reference to John Steinbeck’s The Pearl)’. Language and Literature, 20(4): 317–332.

Allington, D. (2016). ‘“Power to the Reader” or “degradation of Literary Taste”? Professional Critics and Amazon Customers as Reviewers of The Inheritance of Loss’. Language and Literature, 25(3): 254–278.

Allington, D. and Swann, J. (2009). ‘Researching Literary Reading as Social Practice’.

Language and Literature, 18(3): 219–230.
Allington, D. and Pihlaja, S. (2016). ‘Reading in the Age of the Internet’. Language and Literature, 25(3): 201–210.

Amis, K. (1960). New Maps of Hell. London: Penguin.

Anderson M. (dir.) (1976). Logan’s Run [film]. Beverly Hills, CA: Metro-Goldwyn-Mayer.

Andringa, E. (1990). ‘Verbal Data on Literary Understanding: A Proposal for Protocol Analysis on Two Levels’. Poetics, 19(3): 231–257.

apomonis. (2016). ‘Pump Six and Other Stories by Paolo Bacigalupi’. LibraryThing. [last accessed 03/11/16].

Atwood, M. (1996). The Handmaid’s Tale. London: Routledge.

Atwood, M. (2003). [opera] The Handmaid’s Tale. P. Lloyd (dir.) The Royal Danish Theatre, Copanhagen: Royal Danish Opera. First performance: 06/03/2000.

Atwood, M. ([2003] 2004). Oryx and Crake. London: Bloomsbury.

Atwood, M. (2009). The Year of the Flood. London: Virago.

Atwood, M. (2013). MaddAddam. London: Bloomsbury.

Atwood, M. (2015). The Heart Goes Last. London: Bloomsbury.

Auracher, J. and van Peer, W. (2008). New Beginnings in Literary Studies. Newcastle: Cambridge Scholars Publications.

Austen, J. ([1813] 1996). Pride and Prejudice. Harmondsworth: Penguin.

Auster, P. (2005). In the Country of Last Things. London: Faber and Faber.

Avalanche Studios. (2015). Mad Max [videogame]. Burkbank, CA: Warner Bros. Interactive Entertainment.

Aveyard, V. (2015). Red Queen. London: Orion.

Baccolini, R. (2000). ‘Gender and Genre in the Feminist Critical Dystopias of Katherine Burdekin, Margaret Atwood and Octavia Butler’. In: M. Barr (ed.), Future Females, the Next Generation: New Voices and Velocities in Feminist Science Fiction. Boston: Rowman and Littlefield, 13–34.

Baccolini, R. (2003). ‘A Useful Knowledge of the Present is Rooted in the Past’: Memory and Historical Reconciliation in Ursula K. Le Guin’s The Telling. In: R. Baccolini and T. Moylan (eds), Dark Horizons: Science Fiction and the Dystopian Imagination. London: Routledge, 113–134.

Baccolini, R. (2004). ‘The Persistence of Hope in Dystopian Science Fiction’. PMLA, 119(3): 518–521.

Baccolini, R. and Moylan, T. (2003). ‘Dystopia and Histories’. In: R. Baccolini and T. Moylan (eds), Dark Horizons: Science Fiction and the Dystopian Imagination. London: Routledge, 1–12.

Baccolini, R. and Moylan, T. (eds) (2003). Dark Horizons: Science Fiction and the Dystopian Imagination. London: Routledge.

Bacigalupi, P. (1999). ‘Pocketful of Dharma’. The Magazine of Fantasy and Science Fiction, 96(2): 4–29.

Bacigalupi, P. (2003). ‘The Fluted Girl’. The Magazine of Fantasy and Science Fiction, 104(6): 57–81.

Bacigalupi, P. (2004a). ‘The Pasho’. Asimov’s Science Fiction, September: 56–74.

Bacigalupi, P. (2004b). ‘The People of the Sand and Slag’. The Magazine of Fantasy and Science Fiction, 106(2): 6–29.

Bacigalupi, P. (2005). ‘The Calorie Man’. The Magazine of Fantasy and Science Fiction, 109(4-5): 8–43.

Bacigalupi, P. (2006a). ‘Pop Squad’. The Magazine of Fantasy and Science Fiction. 111(4-5): 169–194.

Bacigalupi, P. (2006b). ‘The Tamarisk Hunter’. High Country News. June: n.p.

Bacigalupi, P. (2006c). ‘Yellow Card Man’. Asimov’s Science Fiction. December: 12–28.

Bacigalupi, P. (2007). ‘Softer’. In: J. Kilma (ed.), Logorrhea: Good Words Make Good Stories. New York: Bantam Dell, 287–302.

Bacigalupi, P. (2009). Ship Breaker. New York: Hachette.

Bacigalupi, P. (2010a). ‘Pump Six’. In: P. Bacigalupi, Pump Six and Other Stories. San Francisco, CA: Night Shade Books, 209–239.

Bacigalupi, P. ([2008] 2010b). Pump Six and Other Stories. San Francisco, CA: Night Shade Books.

Bacigalupi, P. (2010c). The Windup Girl. London: Orbit.

Bacigalupi, P. (2011). ‘Interview with J. Long’. Orbitbooks.net. [last accessed 03/ 11/16].

Bacigalupi, P. (2012). The Drowned Cities. New York: Hachette.

Bacigalupi, P. (2015a). ‘Interview with A. Rogers’. WIRED.