Reading the Dystopian Short Story Jessica Norledge

Sargent, L. T. (1975). ‘Utopia - The Problem of Definition’. Extrapolation: A Journal of Science Fiction and Fantasy, 16(2): 137–148.

Sargent, L. T. (1994). ‘The Three Faces of Utopia Revisited’. Utopian Studies, 5(1): 1–38.

Sargisson, L. (2007). ‘The Curious Relationship between Politics and Utopia’. In: T. Moylan and R. Baccolini (eds) Utopian Method Vision: The Use Value of Social Dreaming. Oxford: Peter Lang, 25–46.

Saunders, G. (2001). Pastoralia. London: Bloomsbury.

Saunders, G. (2006). In Persuasion Nation. New York: Riverhead Books.

Saunders, G. (2012a). ‘The Semplica Girl Diaries’. The New Yorker. [last accessed 22/09/16].

Saunders, G. (2012b). ‘Interview with Deborah Treisman’. The New Yorker. (last accessed 21/10/16).

Saunders, G. ([2013] 2014a). ‘Al Roosten’. In: G. Saunders, Tenth of December. London: Bloomsbury, 91-108.

Saunders, G. ([2013] 2014b). ‘Escape from Spiderhead’. In: G. Saunders, Tenth of December. London: Bloomsbury, 45-82.

Saunders, G. ([2013] 2014c). ‘Exhortation’. In: G. Saunders, Tenth of December. London: Bloomsbury, 83-90.

Saunders, G. ([2013] 2014d). ‘Puppy’. In: G. Saunders, Tenth of December. London: Bloomsbury, 31-44.

Saunders, G. ([2013] 2014e). ‘Sticks’. In: G. Saunders, Tenth of December. London: Bloomsbury, 29-30.

Saunders, G. ([2013] 2014f). Tenth of December. London: Bloomsbury.

Saunders, G. ([2013] 2014g). ‘The Semplica Girl Diaries’. In: G. Saunders, Tenth of December. London: Bloomsbury, 109–167.

Saunders, G. ([2013] 2011h). ‘Victory Lap’. In: G. Saunders, Tenth of December. London: Bloomsbury, 3-28.

Schank, R. C. and Abelson, R. (1977). Scripts, Plans, Goals and Understanding. Hillsdale, NJ: Lawrence Erlbaum.

Schmeink, L. (2009). ‘Dystopia, Alternate History and the Posthuman in Bioshock’. Current Objectives of Postgraduate American Studies, 10: n.p.

Schulzke, M. (2014). ‘The Critical Power of Virtual Dystopias’. Games and Culture, 9(5): 315–334.

Scott, J. (2016). ‘Worlds from Words: Theories of World-Building as Creative Writing Toolbox’. In: J. Gavins and E. Lahey (eds) World-Building: Discourse in the Mind. London and New York: Bloomsbury, 127–146.

Scott, R. (dir.) (1982) Blade Runner [film]. Los Angeles, CA: Ladd Company.

Segal, E. M. (1995). ‘Narrative Comprehension and the Role of Deictic Shift Theory’. In: J. F. Duchan, G. A. Bruder and L. E. Hewitt (eds), Deixis in Narrative: A Cognitive Science Perspective. Mahwah, NJ: Lawrence Erlbaum, 3–17.

Selisker, S. (2015). ‘“Stutter-Stop Flash-Bulb Strange”: GMOs and the Aesthetics of Scale in Paolo Bacigalupi’s The Windup Girl’. Science-Fiction Studies, 42: 500–518.

Semino, E. (1992). ‘Building on Keith Green’s “Deixis and the Poetic Persona”: Further Reflections on Deixis in Poetry’. Language and Literature, 1(2): 135–40.

Semino, E. (1995). ‘Schema Theory and the Analysis of Text Worlds in Poetry’. Language and Literature, 4(2): 79–108.

Semino, E. (1997). Language and World Creation in Poems and Other Texts. New York: Longman.

Semino, E. (2002). ‘A Cognitive Stylistic Approach to Mind Style in Narrative Fiction’. In: E. Semino and J. Culpeper (eds), Cognitive Stylistics: Language and Cognition in Text Analysis. Amsterdam: John Benjamins, 95–122.

Semino, E. (2003). ‘Possible Worlds and Mental Spaces in Hemingway’s “A Very Short Story”’. In: J. Gavins and G. Steen (eds), Cognitive Poetics in Practice, London: Routledge, 83–99.

Semino, E. (2006). ‘Blending and Character’s Mental Functioning in Virginia Woolf’s “Lapin and Lapinova”’. Language and Literature, 15(1): 55–72.

Semino, E. (2007). ‘Mind Style Twenty-Five Years On’. Style, 41(2): 153–172.

Semino, E. (2011a). ‘Deixis and Fictional Minds’. Style, 45(3): 418–574.

Semino, E. (2011b). ‘Rethinking ‘Inferred’ Thought Presentation: Some Reflections on Palmer’s “Social Minds”’. Style, 45(2): 296–300.

Semino, E. (2014). ‘Pragmatic Failure, Mind Style and Characterisation in Fiction about Autism’. Language and Literature, 23(2): 141–158.

Semino, E. and Culpeper, J. (eds) (2002). Cognitive Stylistics: Language and Cognition. Amsterdam: John Benjamins.

Semino, E. and Short, M. (2004). Corpus Stylistics. Speech, Writing and Thought Presentation in a Corpus of English Writing. London: Routledge.

Semino, E. and Swindlehurst, K. (1996). ‘Metaphor and Mind Style in Ken Kessey’s One Flew Over the Cuckoo’s Nest’. Style, 30(1): 143–166.

Shklovsky, V. ([1917] 1965). ‘Art as Technique’. In: L. T. Lemon and M. J. Reis (trans.), Russian Formalist Criticism. Lincoln NB and London: University of Nebraska Press, 3–24.

Short, M. (1996). Exploring the Language of Poems, Plays and Prose. Harlow: Pearson Education.

Short, M. and van Peer, W. (1989). ‘Accident! Stylisticians Evaluate: Aims and Methods in Stylistic Analysis’. In: M. Short (ed.), Reading, Analysing and Teaching Literature. London: Longman, 22-71.

Shteyngart, G. (2011). Super Sad True Love Story. London: Granta Books.

Sicher, E. and Skradol, N. (2006). ‘A World Neither Brave nor New: Reading Dystopian Fiction after 9/11’. Partial Answers: Journal of Literature and the History of Ideas, 4(1): 151–179.

Simeon, R. (2013). You and Me (Tu I Yo) [theatre production]. B. Shanahan (dir.) Rich Mix Cultural Foundation, London: Little Soldier Productions.

Simpson, P. (2003). On the Discourse of Satire: Towards a Stylistic Model of Satirical Humour. Amsterdam: John Benjamins.

Simpson, P. (1993). Language, Ideology and Point of View. London: Routledge.

Simpson, P. ([2004] 2014a). Stylistics: A Resource Book for Students. 2^nd edition. London: Routledge.

Simpson, P. (2014). ‘Just What Is Narrative Urgency?’ Language and Literature, 23(1): 3–22.

Smith, C. ([1796] 1989). Marchmont. Delmar, NY: Scholars’ Facsimilies and Reprints.

Sop

Sotirova, V. (2010). ‘The Roots of a Literary Style: Joyce’s Presentation of Consciousness in Ulysses’. Language and Literature, 19(1): 131–149.

Sotirova, V. (2013). Consciousness in Modernist Fiction: A Stylistics Study. Basingstoke: Palgrave.

Spiegel, S. (2008). ‘Things Made Strange: On the Concept of “Estrangement” in Science Fiction Theory’. Science Fiction Studies, 35(3): 369–385.

Spielberg, D. (dir.) (2001). AI. Artificial Intelligence [film]. Burbank, CA: Warner Bros.

Spitzer, L. (1948). Linguistics and Literary History: Essays in Stylistics. Princeton, NJ: Princeton University Press.

Steen, G. (1991). ‘The Empirical Study of Literary Reading: Methods of Data Collection’. Poetics, 20: 559–575.

Steen, G. (1999). ‘From Linguistic to Conceptual Metaphor in Five Steps’. In: R. W. Gibbs JR. and G. Steen (eds), Metaphor in Cognitive Linguistics. Amsterdam: John Benjamins, 57–79.

Steen, G. (2003). ‘“Love Stories”: Cognitive Scenarios in Love Poetry’. In: J. Gavins and G. Steen (eds), Cognitive Poetics in Practice. London: Routledge, 67–82.

Steen, G. (2011). ‘Genre between the Humanities and Sciences’. In: M. Callies, W. R. Keller and A. Lohöfer (eds), Bi-directionality in the Cognitive Sciences: Avenues, Challenges, and Limitations. Amsterdam: John Benjamins, 21–41.

Steiner, A. (2008). ‘Private Criticism in the Public Space: Personal Writing on Literature in Readers’ Reviews on Amazon’. Particip@tions, 5(2): n.p.

Stewart-Shaw, L. (2016). ‘Fear and Attention in Stephen King’s IT’. Paper presented at the Poetics and Linguistics Association International Conference: ‘In/Authentic Styles: Language, Discourse and Contexts’, 27-30/07/16. University of Cagliari, Sardinia.

Stockwell, P. (2000a). ‘(Sur)real Stylistics: From Text to Contextualising’. In: T. Bex, and M. Burke (eds), Contextualising Stylistics: In Honour of Peter Verdonk, Amsterdam: Rodopi, 15–38.

Stockwell, P. (2000b). The Poetics of Science Fiction. Harlow: Pearson Education Limited.

Stockwell, P. (2002). Cognitive Poetics: An Introduction. London: Routledge.

Stockwell, P. (2003). ‘Surreal Figures’. In: J. Gavins and G. Steen (eds), Cognitive Poetics in Practice. London: Routledge, 13–26.

Stockwell, P. (2005). ‘Texture and Identification’. European Journal of English Studies, 9(2): 143–153.

Stockwell, P. (2009). Texture: A Cognitive Aesthetics of Reading. Edinburgh: Edinburgh University Press.

Stockwell, P. (2010a). ‘Cognitive Poetics’. In: P. Colm Hogan (ed.), Cambridge Encyclopedia of the Language Sciences. New York: Cambridge University Press, 169–71.

Stockwell, P. (2010b). ‘The Eleventh Checksheet of the Apocalpse’. In: B. Busse and D. McIntrye (eds), Language and Style. Basingstoke: Palgrave, 419–32.

Stockwell, P. (2011a). ‘Authenticity and Creativity in Reading Lamentation’. In: R. Pope, J. Swann and R. Carter (eds), Creativity in Language. Basingstoke: Palgrave Macmillan, 203–16.

Stockwell, P. (2011b). ‘Changing Minds in Narrative’. Style, 45(2): 288–291.

Stockwell, P. (2011c). ‘Ethics and Imagination in Literary Reading’. In: Creativity in Language. London: Pearson, 35–51.

Stockwell, P. (2012). ‘The Artful Science of Literary Study’, (trans. J. Ma). Journal of Foreign Language and Literature, 28(6): 1–6.

Stockwell, P. (2013). ‘The Positioned Reader’. Language and Literature, 22(3): 263–277.

Stockwell, P. (2014). ‘Creative Reading, World and Style in Ben Jonson’s “To Celia”’. In: B. Dancygier, M. Borkent and J. Hinnell (eds), Language in the Creative Mind. Stanford, CA: CLSI, 157–72.

Stockwell, P. (2016a). ‘Texture’. In: V. Sotirova (ed.), The Bloomsbury Companion to Stylistics. London: Bloomsbury, 458–473.

Stockwell, P. (2016b). ‘The Texture of Authorial Intention’. In: J. Gavins and E. Lahey (eds) World-Building: Discourse in the Mind. London and New York: Bloomsbury, 147–164.

Stockwell, P. and Carter, R. (2008). ‘Stylistics: Retrospect and Prospect’. In: P. Stockwell and R. Carter (eds), The Language and Literature Reader. Oxon: Routledge, 291–302.

Stockwell, P. and Mahlberg, M. (2015). ‘Mind-Modelling with Corpus Stylistics in David Copperfield’. Language and Literature, 24(2): 129–147.

Stockwell, P. and Whiteley, S. (2014). ‘Introduction’. In: P. Stockwell and S. Whiteley (eds), The Cambridge Handbook of Stylistics. Cambridge: Cambridge University Press, 1–10.

Suvin, D. (1979). Metamorphoses of Science Fiction: On the Poetics of a Literary Genre. New Haven, CT and London: Yale University Press.

Suvin, D. (2010). Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Oxford: Peter Lang.

Swann, J. and Allington, D. (2009). ‘Reading Groups and the Language of Literary Texts: A Case Study in Social Reading’. Language and Literature, 18: 247–264.

Tatiana_G. (2011). ‘Pump Six and Other Stories by Paolo Bacigalupi’. LibraryThing.