September 2013 570 tracklists

66072324 Charles Lloyd Quartet (DI) (Fl +++)

A)Antibes, France 7/66 (DI)

Juan-Les-Pins Jazz Festival
01.Autumn Sequence: 8:51

a) Autumn Prelude

b) Autumn Leaves

c) Autumn Echo

02.Forest Flower 18:26

03.Love Ship 5:47

04.Island Blues 5:28

B) (DI) other source more complete

1) intro 00:48

2)Autumn Sequence /Prelude / Leaves / Echo 09:52

3) Forest Flowers 11:28

07:12 :

6) Manhattan tripper 07:58

7) Island Blues 05:25

660807 Charles Lloyd Quartet

August 7th 1966, Kino, Molde, Norway

(Molde International Jazz Festival)

660908 Charles Lloyd Quartet

September 8th 1966, New York, NY

1 10776 Untitled, No. 1

2 10777 Keith's Piece

3 10778 Manhattan Tripper

4 10779 Cecil's Tune

5 10780 Song Of Her 5.25

6 10781 Sorcery 5.18

7 10782 Seance

8 10783 East Of The Sun

5,6: Charles Lloyd - Forest Flower (Atlantic LP 1473, SD 1473)

1-4,7-8: unissued

660918 Charles Lloyd Quartet

Charles Lloyd (ts, fl) Keith Jarrett (p) Cecil McBee (b) Jack DeJohnette (dr)

September 18th 1966, Monterey Jazz Festival, Monterey, CA

1 11239 Autumn Sequence

2 11240 Forest Flower: Sunrise 7.19

Forest Flower: Sunset 10.36

3 11241 East Of The Sun 10.44

4 11303 Forest Flower: Sunrise (edited version)

5 11304 Forest Flower: Sunset (edited version)

1: unissued

2,3 Charles Lloyd - Forest Flower (Atlantic LP 1473, SD 1473)

Review by Thom Jurek [-]When Charles Lloyd brought his new band to Monterey in 1966, a band that included Keith Jarrett on piano, Jack DeJohnette on drums, and the inimitable -- though young -- Cecil McBee on bass, no one knew what to expect. But they all left floored and this LP is the document of that set. It is difficult to believe that, with players so young (and having been together under a year), Lloyd was able to muster a progressive jazz that was so far-reaching and so undeniably sophisticated, yet so rich and accessible. For starters, the opening two title tracks, which form a kind of suite (one is "Forest Flower-Sunrise," the other "Sunset"), showcased the already fully developed imagination of Jarrett as a pianist. His interplay with DeJohnette -- which has continued into the 21st century in a trio with Gary Peacock -- is remarkable: whispering arpeggios surrounded by large chords that plank up the drumming as DeJohnette crosses hands and cuts the time in order to fluctuate the time. Lloyd's own solos are demonstrative of his massive melodic gift: his improvisation skirted the edges of what was happening with Coltrane (as everyone's did), but his own sense of the deep wellspring of song and the cross-pollination of various world musics that were happening at the time kept him busy and lyrical. Elsewhere, on Jarrett's own "Sorcery," his linking front-line harmonics with Lloyd is stellar -- this isn't communication, it's telepathy! Jarrett's angular solo is buoyed up by Lloyd's gorgeous ostinato phrasing. By the time the band reaches its final number, a sky-scorching version of Brooks Bowman's "East of the Sun," they have touched upon virtually the entire history of jazz and still pushed it forward with seamless aplomb. Forest Flower is a great live record.
4,5: Charles Lloyd - Forest Flower: Sunrise c/w Sunset (Atlantic 5078)

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