The bibliography below is excerpted from
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- Late 1960s to 1980s
1945 to mid-1960sAltshuler, B., The Avant Garde in Exhibition, New York, Harry N. Abrams, 1994. Aoyagi, Mariko, ‘Placing Gutai Within Traditional Japanese Art Through its Sensory Elements, in Modern Art Asia, Issue 3, 2010, http:///www.modernartasia.com/issue_3.html Bertozzi, B., ‘Gutai: The Happening People’, Flash Art, No.158, May/June 1991. Bois, Yve-Alain, ‘ Missing in Action’, On Gutai, Artforum International, Vol.37, Issue 7, May1999 Dachy, Marc, Dada au Japon, Paris, PUF, 2002, 225 p.
Fry, E.F., Contemporary Japanese Art, New York, Solomon R.Guggenheim Museum, 1970. Gossot, A., ‘Refoulement de l’histoire et engagement des corps : naissance de l’art de l’action au début des années 1960 », in M. Lucken, A. Bayard-Sakai, E. Lozerand, eds, Le Japon après la guerre, Arles, Picquier, 2007 Havens, Thomas R.H., Radicals and realists in the Japanese non-vrebal art: the avant-garde rejection of modernism, Honolulu, University of Hawai’i Press, 2006 Hein, Laura, ‘Modern Art Patronage and Democratic Citizenship in Japan’, in Journal of Asian Studies, Bol. 69, No. 3, 2010. Holmberg, Ryan, ‘Know Your Enemy’, in Art in America, January 2011. Judd, Donald, ‘Reviews and previews: new names this month - Yayoi Kusama’, Art News 58, No.6, October 1959.
Kaido, K., Reconstructions: Avant-Garde Art in Japan 1945-1965, Oxford, Museum of Modern Art, 1985. Kaprow, A., Assemblage, Environments and Happenings, New York, Harry N. Abrams, 1966.Kung, D., The Contemporary Artist in Japan, Sydney, Angus and Robertson, 1966. Lambert, Jean-Clarence, Kumi Sugaï, Paris, Cercle d’Art, 2002, 256 p. Lambert, Jean Clarence, Sugai, Barcelona, Ediciones Poligrafica, 1993. Love, Joseph,’ The 10th Tokyo Biennale of Contemporary Art’, Art International, XIV, No.6, 1970. Miller, D., New Japanese Painting and Sculpture, New York, Museum of Modern Art, 1966. Ming Tiampo, ‘Create what has never been done before!' Historicising Gutai Discourses of Originality’, in Third Text, Vol. 21, Issue 6, November 2007, pp. 689 – 706. Minemura, Toshiaki, ‘A Blast of Nationalism in the Seventies’, Art in Japan Today II, 1970-1983, Japan Foundation, Tokyo, 1984, p.17. Osaki, Shinichiro, ‘Body and Place: Action in Postwar Art in Japan’ in Schimmel, Paul, ed., Out of Actions: between performance and the object, 1949-1979, New York: Thames & Hudson, 1998 Takashina,S. et al, Art in Japan Today, Tôkyô, The Japan Foundation, 1974. Tapié, M., Haga, T., Avant-Garde Art in Japan, New York, Abrams, 1962. Tezuka, Miwako, ‘Experimental Workshop and Tradition: An Avant-Garde Play Pierrot Lunaire by Jikken Kōbo and Takechi Tetsuji,’ in Art Journal, Spring 2011 Tomii, Reiko, ‘Historicizing ‘Contemporary Art’: Some Discursive Practices in Gendai Bijutsu in Japan’ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004) Tomii, Reiko, ‘Beyond Gutai 101’, in Art AsiaPacific, No. 66, November/December 2009, p. 56. Tomii, Reiko, ‘The Regional/International Origins of Gutai’, in Rose Is a Rose Is a Rose, Oudenburg, Belgium, Foundation De Elf Lijnen, 2009. Westgeest, H., Zen in the fifties: Interaction between east and west, Zwolle, Waanders Uitgevers, 1996. Winther-Tamaki, Bert, Art in the Encounter of Nations: Japanese and American Artists in the Early Postwar Years, Honolulu, University of Hawai’i Press, 2001. Winther-Tamaki, Bert., ‘Oil Painting in Postsurrender Japan: Reconstruction Subjectivity through Deformation of the Body’, in Monumenta Nipponica, Vol.58, No.3, Autumn 2003. Winther-Tamaki, Bert, ‘Oriental Coefficient: The Role of ‘China’ in the Japanization of Yôga’, in Modern Chinese Literature and Culture, Vol. 18, No. 1, Spring 2006, p. 85-119. Winther-Tamaki,Bert,’The Asian Dimensions of Postwar Abstract Art: Calligraphy and Metaphysics’ in Alexandra Munroe, ed. The Third Mind: American Artists Contemplate Asia, 1860-1989, (New York: Guggenheim Museum, 2009), pp.145-157 Weisenfeld, Gennifer, ‘The Expanding Arts of the Interwar Period.’, in Rimer, J. Thomas; Morse, Samuel & Phillips, Quitman, eds. Japanese Art of the Modern Age. Vol. 3, History of Japanese Art. Honolulu, University of Hawaii Press, 2011. Late 1960s to 1980sAso, Noriko, ‘Sumptuous Re-past The 1964 Tokyo Olympics Arts Festival’, positions east asia cultures critique, Vol. 10, Number 1, Spring 2002 ‘Art Outside the Box in 1960s Japan’, Special Issue, Review of Japanese Culture and Society, Saitama, Japan: Jōsai University, No. 17, December 2005. ‘Mieko Shiomi’, Art and Artists, October 1978. Akira, T. ‘Mono-ha and Japans Crisis of the Modern’ in Third Text, Vol. 16, Issue 3 (September 2002), pp. 223-236 Annear, J., Zones of Love, Sydney, Museum of Contemporary Art, 1991. Clark, J., ‘The Conditions for Post-Modernity in Japanese art of the 1980s’, in Sugimoto, Y., ed., The Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994. Fumihiko Sumitomo, ‘Fluxus: Art into Life’ (review) ArtAsiaPacific, No. 46, 2005. Gamble, S., ‘Tokyo Art Expo’, Art Monthly Australia, 40, April 1991. Gins, Madeline, ‘Interview with Arakawa...’, Flash Art, No.133, April 1987. Gomez, Edward, ‘Mono-ha’, Art News, volume 88, March 1989. Gumpertz, Lyn, ‘A Distant Mirror’; Chapman, Christine, ‘Power and Patronage’; Lufty, Carol, ‘Gaining Face’; Art News, March 1990. Hackett, L., ‘Sculpting the elements..[Kawana Tetsunori], Asian Art News, 2, No.2, Mar/Apr 1992. Halbreich & Kômoto & Nanjô & Sokolowski, Against Nature: Japanese Art in the 1980s, New York, New York University Grey Art Gallery, 1989 Hara, Toshio & Fox, Howard T., A Primal Spirit, Tokyo, Hara Museum of Contemporary Art, and Los Angeles, Los Angeles County Museum of Art, 1990. Harris, T.G.H., ‘Nobuo Sekine: Phases of Nothingness’, Art International, XXII, 5-6 Summer 1978. Hughes, Robert, ‘Japanese with a French Taste’, Time Magazine, January 25 1988 Hutchinson, J., Earth, Air, Fire, Water: Sculpture of Toshikatsu Endô, Dublin, Douglas Hyde Gallery 1992. Inaga, Shigemi, ‘To Be a Japanese Artist in the So-Called Postmodern Era’, Third Text, n33, Winter 1995-6, 17-24 Karia, Bhupendra, ed., Yayoi Kusama: A Retrospective, New York, Center for International Contemporary Art, 1989. Kobayashi, H., ed., The Eighties, Tokyo, Kobayashi Gallery, 1990. Koplos, Janet, Contemporary Japanese Sculpture, London, The Abbeville Press, 1991. Koplos, Janet, ‘Through the looking glass’, Art in America, July 1989 Love, Joseph, ‘Exhibition in Tokyo - Lee Ufan’, Art International, XIV, 5, June 1970. Love, Joseph, ‘Tokyo Letter’, Art International, XIV, 10, 1970. Love, Joseph, ‘Tokyo Letter’, Art International, XV, 5, May 1971.
Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N. Abrams, 2000 Nakahara, Y. et al, Art In Japan Today II, Tôkyô, The Japan Foundation, 1984. Nakahara,Y. et al, Japan ‘89, Europalia 89, Gent, Museum van Hedendaagse Kunst, [Honda N.VOL. and The Japan Foundation], 1989. Nakamura, K., Private Visions, Japanese Video Art in the 1980s, Tôkyô,The Japan Foundation, 1990. Nanjô, F., & Weiermair, Peter, Japanische Kunst der Achtziger Jahre, Frankfurt am Main, Edition Stemmle, 1990 Nanjô, F., ‘Situation in Japan’, Third Text, 6, Spring 1990. Naumann, Klaus F., ‚Yamane Yuzo (1919-2001), Orientations, Volume 32, Number 5, September 2001 Okada, Takahiko & Namba, Hideo, Japanese Art Today, Tôkyô, Sezon Museum of Art, 1990 Osaki, Shinichiro, ‘Body and Place: Action and postwar Art in Japan’, Ferguson, Russell, ed., Out of Actions: between performance and the object, 1949-1979, New York, Thames & Hudson, 1998 Seven Artists: Aspects of Japanese Contemporary Art, Santa Monica, Santa Monica Museum of Art,. 1991. Silva, Arturo, ‘Mono-ha’, Art Forum, Vol.25, January 1987. Sourgnes, Michel & Homma, Masayoshi, Japanese Ways, Western Means, Art of the 1980s in Japan, Brisbane, Queensland Art Gallery, 1989. Tatehata, A., ‘Three aspects of Contemporary Japanese Art’, Art & Asia Pacific , No.1, [supplement to Art & Australia] March 1993. The Space: Material, Tension, Vacancy in Japanese Contemporary Art, Saitama, Museum of Modern Art, 1989 Tomii, Reiko, ‘Tokyo, 1967-1973’, in Blazwick, Iwona, ed., Century City: Art and Culture in the Modern Metropolis, London, Tate Gallery Publishing, 2001. Tomii, Reiko, ‘Concerning the Institution of Art: Conceptualism in Japan’, in Maraiani, Philomena, ed., Global Conceptualism: Points of origin, 1950s-1980, New York, Queens Museum of Art, 1999. Tomii, Reiko, ‘After the “Descent to the Everyday”: Japanese Collectivism from Hi Red Center to The Play, 1964-1973’, in Stimson, Blake and Sholette, Gregory, eds., Collectivism After Modernism, Minneapolis, University of Minnesota Press, 2007, p. 44-75. Tomii, Reiko, ‘Beyond the Collection Display: Connecting to the Trans-national Past of 1960s Japanese Art, with a focus on MoMA, New York’, in Diaaalogue: AAA’s Monthly Newsletter, June 2009, Asian Art Archive, Hong Kong, available online, http://www.aaa.org.hk/newsletter_detail.aspx?newsletter_id=674 Tomii, Reiko, ‘Geijutsu on Their Minds: Memorable Words on Anti-Art’, in Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970 (Exhibition Catalogue), Los Angeles, Getty Research Institute, 2007, p. 35-62. Tomii, Reiko, ‘How Gendai Bijutsu Stole the “Museum”: An Institutional Observation of the Vanguard 1960s’, in Rimer, Tom, ed., Since Meiji: Perspectives on the Japanese Visual Arts from 1869 to 2000, Honolulu, University of Hawaii Press, 2011. Tomii, Reiko, ‘“International Contemporaneity” in the 1960s: Discoursing on Art in Japan and Beyond’, in Japan Review, No. 21, 2009, p. 123-47; available online, http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf Tomii, Reiko, ‘The Discourse of (L)imitation: A Case Study with Hole-Digging in 1960s Japan,’ in ed. Harris, Jonathan, Globalization and Contemporary Art, Boston, Blackwell, 2011. Weisenfeld, Gennifer, ‘Women and Words: Two Language Artists in Contemporary Japan’ in Ching, Dora, C.Y., ed., Persistence/Transformation: Text as Image in the Art of Xu Bing, Princeton Unversity Press, 2004 (Forthcoming) Yamagishi, N., ‘Japanese contemporary art in the 1980s’, Art Monthly Australia, 40, 1991. ‘Zones of Love’, a Special Supplement to Art & Text, No.40, September 1991. Directory: files files -> Answer True False 2 points Question 2 files -> Integer programming and game theory files -> 4 Integer Programming files -> Bpa vehicle Window Repair Scenario #1 task: Procure vehicle window relacement. Objective files -> Pop Warner History files -> North Carolina Inclusion Initiative Mapping Where Children with ieps are Being Served Purpose files -> Fall 2013 Spring 2014 Program Data: Standard 1 Exhibit 4d files -> Hanban – asia society confucius classrooms network 2010 request for proposal files -> Northern England’s set-jetting locations Download 0.64 Mb. Share with your friends:
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