The bibliography below is excerpted from

War: 1930s-1940s

Columbia University Press, New York, 2008 (collected papers and the report of around-table discussions from a 1942 symposium involving Japan’s leading intellectuals.

Clark, John, ‘The Art of Modern Japan Three Wars’, in Bulletin of the Japanese Studies Association of Australia, Vol.11, No.2, August 1991, p. 38-42.

Cook, Haruko Taya ‘The Many Lives of Living Soldiers: Ishikawa Tatsuzō and Japan’s War in Asia’, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai’i Press, 2001, p.149-175.

Dower, John. War Without Memory. London: Faber, 1986.

Duncan, Michael, 'Hideo Date at the Japanese American National Museum', Art in America, Vol. 91, Issue 1, January 2003

Earhart, David C., Certain Victory: Images of World War II in the Japanese Media. M. E. Sharpe, Armonk, NY:, 2008

Hirayama, Mikiko, ‘Fauvists in the Land of the Rising Sun: Critical Evaluations of Japanist (Nihonshugi) Painting During the 1930s’, in Monumenta Nipponica, 2010.

Hirayama, Mikiko, ‘From Art without Borders to Art for the Nation: Japanist Painting by Dokuritsu Bijutsu Kyokai During the 1930s’, in Monumenta Nipponica, Vol. 65, No. 2, Autumn 2010.

Ikeda Asato. “Japan’s Haunting War Art: Contested War Memories and Art Museums” in disclosure, 18, 2009.

Ikeda Asato& Ming Tiampo, eds., Dark Shadows: Art and War in Modern Japan, Leiden: Brill, forthcoming.

Kim Hyeshin. “Images of Women in the National Art Exhibitions during the Korean Colonial Period.” In Mosrow, J., Norman, B. and Marybeth Graybill eds., Gender and Power in the Japanese Visual Field. Honolulu: University of Hawai’I Press, 2003.

Kimura Rieko et al, Dance in Japanese Modern Art, Utsunomiya, Tochigi Prefectural Museum of Fine Arts, 2003.

Lucken, Michael, Grenades et amertume : Les peintres japonais à l'épreuve de la guerre 1935-1952, Paris, Les Belles Lettres, coll. « Japon », 2005, 446 p.

Maki Kaneko. Art in the Service of the State: Artistic Production in Japan During the Asia-Pacific War. PhD Diss.: University of East Anglia, 2005.

Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai’i Press, 2001

Ohkuni-Tierney, Emiko. Kamikaze, Cherry Blossoms and Nationalisms: The Militarization of Aesthetics in Japanese History. Chicago: University of Chicago Press, 2002.

Park, Sang Mi, ‘The Making of a Cultural Icon for the Japanese Empire: Choe Seung-hui's U.S. Dance Tours and ‘New Asian Culture’ in the 1930s and 1940s’ positions, vol 14, No. 3, 2006.

Rimer, J. Thomas, ‘Paris in Nanjing: Kishida Kunio Follows the Troops’, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai’i Press, 2001, p.176-187.

Sandler, Mark H., ‘A Painter of the ‘Holy War’: Fujita Tsuguji and the Japanese Military’, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai’i Press, 2001, p.188-211.

Sandler, Mark, ‘The living artist: Matsumoto Shunsuke’s reply to the state’, Art Journal Vol.55, No.3, Fall 1996.

Sato, Barbara., The New Japanese Woman, Modernity, Media, and Women in Interwar Japan, Durham and London: Duke University Press, 2003.

Tsuruya, Mayu. Senso Sakusen Kirokuga (War Campaign Documentary Painting): Japan’s National Imagery of the ‘Holy’ War, 1937-1945. PhD Diss.: University of Pittsburgh, 2005.

Weisenfeld, Gennifer, ‘Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 747-793

Wendelken, Cherie, ‘Pan-Asianism and the Pure Japanese Thing: Japanese Identity and Architecture in the Late 1930s’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000)

Winther-Tamaki, Bert, ‘Embodiment/Disembodiment: Japan Painting During the Fifteen-Year War’, in Monumenta Nipponica, Vol. 55, No. 2, Summer 1997.

Yiengpruksawan, Mimi Hall, ‘Japanese War Paint: Kawabata Ryushi and the Emptying of the Modern’, in Archives of Asian Art, Issue 46, 1993.

Art since 1945, In General

Collectif, Narahara Ikko: Photographies 1954-2000, Catalogue D’Expo. à la MEP, Paris, Maison Européenne de la Photographie, 2003.

Conant, E., Art & Asia Pacific, vol.2, no.2, 1995]

Havens, T.R.H., Artist and Patron in Post-War Japan, Princeton, Princeton University Press, 1982.

Jensen, K.W., et. al., ‘Japan pa Louisiana’, in Louisiana Revy, Vol. 15, No. 1-2, September 1974.

Kastner, Jeffrey, ‘Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970’, in Artforum, Vol. 45, Issue 5, 2007.

Lloyd, Fran, Consuming Bodies: Sex and Contemporary Japanese Art, London, Reaktion Books, 2002.

Merewether, C. (ed), Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-

Munro, A., et al., Scream Against the Sky: Japanese Art after 1945, New York, Harry N. Abrams, 1994.[Review: Conant, E., in Art & Asia Pacific, Vol. 2, No. 2, 1995]

Munsterberg, H., The Art of Modern Japan, New York, Hacker Art Books, 1978.

Omuka Toshiharu, ‘The Emergence of a Mass Audience for Modern Art in Japan’, in Clark, John; Peleggi, Maurizio & Sabapathy, T.K, eds., Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series No. 15, Sydney, Wild Peony, 2006, p. 94-110.

Terada, T., Japanese Art in World Perspective, Tôkyô, Weatherhill, 1976.

Tomii, Reiko, ‘ “Another Story”: Some Aspects of Post-1945 Japanese Painting, as Seen Through the Gibson Gallery Collection’ in Resounding Spirit: Japanese Contemporary Art of the 1960s, The Gibson Gallery Collection, (Exhibition Catalogue), Potsdam, N.Y., Roland Gibson Gallery, SUNY, 2004.

Tomii, Reiko, ‘Readings in Japanese Art After 1945’, in Munroe, Alexandra, ed., Japanese Art After 1945: Scream Against the Sky, New York, Abrams, 1994

Winther-Tamaki, Bert, "Global Consciousness in Yôga Self-Portraiture" in Jaynie Anderson, ed. Crossing Cultures: Conflict, Migration, Convergence: the Proceedings of the 32nd Congress of the International Committee of the History of Art. (Carlton, Vic.: Miegunyah Press, Melbourne University Publishing, 2009), pp.847-851

Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years, Honolulu, University of Hawai’i Press, 2001

Woodson, Yoko, ‘Acquisitions of Japanese Art: 1988-2002’, Orientations, Volume 34, Number 1, January 2003