The gideon trilogy adaptation as a narrative tool in creative practice: reflections on the nature of adaptation and a comparison



Download 0.96 Mb.
Page30/34
Date19.10.2016
Size0.96 Mb.
#4310
1   ...   26   27   28   29   30   31   32   33   34

BIBLIOGRAPHY


Aiken, Joan. The Way to Write for Children. London: Elm Tree Books, 1982. Print.

Allingham, Philip V. Dramatic Adaptations of Dickens’s Novels. [accessed January 4th, 2011] Web.

Alvarez, Al. The Writer’s Voice. London: Bloomsbury, 2005. Print.

Ball, Alan “American Beauty screenwriter Alan Ball conducts case study at the IFP West Screenwriters Conference” [accessed 26th April, 2010] Web.

Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. 3rd ed. Manchester: Manchester University Press, 2009. Print.

Barthes, Roland. Image-Music-Text. trans. Heath, Stephen. London: Fontana, 1977. Print.

Bluestone, George. Novels into Film. Baltimore: The John Hopkins University Press, 2003. Print.

Booker, Christopher. The Seven Basic Plots: Why We Tell Stories. London: Continuum, 2004. Print.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961. Print.

Boyd, William and Dugain, Marc. “Marc Dugain and William Boyd on Literature at the Institut Français de Londres, 14th April, 2010.” [accessed January 4th, 2011] Web.

Bradbury, Malcolm. “Character and Characterization.” The Creative Writing Coursebook: Forty Authors Share Advice and Exercises for Fiction and Poetry. Ed. Julia Bell and Paul Magrs. London: Macmillan, 2001. 116-129. Print.

Buckley-Archer, Linda. Pearls in The Tate. BBC Radio 4, 12th April, 2004, 14:15. Radio broadcast.

––– Gideon the Cutpurse. London: Simon and Schuster, 2006. Print.

––– The Tar Man. London: Simon and Schuster, 2007. Print.

––– Time Quake. London: Simon and Schuster, 2009. Print.

Burgess, Melvin. Billy Elliot: A Novel. Frome: Chicken House. 2001. Print.

––– Junk. London: Anderson Press. 1996. Print.

Campbell, Joseph. The Hero with a Thousand Faces. London: Harper Collins, 1993. Print.

Cartmell, Deborah. “From Screen to Text and Multiple Adaptations: Introduction.” Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. Abingdon: Routledge, 1999. 143-45. Print.

Cohen, Keith. Film and Fiction: The Dynamics of Exchange. London: Yale University Press, 1979. Print.

Cottrell Boyce, Frank. Framed. London: Macmillan Children’s Books, 2005. Print.

––– Millions. London: Macmillan. 2004. Print.

Coxon, Lucinda and Taylor, Val. ‘How to Write Dialogue.’ The Guardian, 23rd September 2008. [accessed 24th June, 2009] Web.

Crown, Sarah. “A life in writing: Helen Dunmore.” The Guardian, 24th April, 2010. [accessed 26th April, 2010] Web.

Dooley, Maura, ed. How Novelists Work. Bridgend: Seren, 2000. Print.

Doughty, Louise. A World Beyond Narnia. BBC Radio 3. 21st Mar 2010, 22:00. Radio broadcast.

Eccleshare, Julia. “Crossing Over.” [accessed November 24th, 2010] Web.

Egri, Lajos. The Art of Dramatic Writing. 2nd ed. New York: Simon & Schuster, 2004. Print.

Eisenstein, Sergei. Film Form: Essays in Film Theory. Leyda, Jay. ed and trans. New York: Harcourt, 1949. Print.

Elliott, Kamilla. Rethinking the Novel/Film Debate. Cambridge: Cambridge University Press, 2009. Print.

––– “Novels, Films, and the Word /Image Wars.” A Companion to Literature and Film. Ed. Robert Stam and Alessandra Raengo. Malden: Blackwell, 2004. 1-22. Print.

Field, Syd. Screenplay: The Foundations of Screenwriting. New York: Dell, 1984. Print.

Fisher, Mark. “Return of the Dragon.” Programme notes: Robert Lepage, The Blue Dragon at the Barbican, 17-26 Feb. 2011. London. Print.

Forster, E. M. Aspects of the Novel. Harmondsworth: Penguin, 1976. Print.

Gardam, Jane. Crusoe’s Daughter. London: Hamish Hamilton, 1985. Print.

––– Old Filth, London: Chatto and Windus, 2004. Print.

Gardner, John. The Art of Fiction. New York: Vintage, 1991. Print.

On Becoming a Novelist. New York: W. W. Norton & Company, 1999. Print.

Goodwin, Prue, ed. Understanding Children’s Books. London: Sage, 2008. Print.

Hall, Lee. Billy Elliot. London: Faber and Faber, 2000. Print.

Hall, Melissa M., “Overwhelming Blood Thirst: PW Talks with Matt Haig.”, October 25th, 2010. [accessed 24th June, 2009] Web.

Hunt, Peter. Children’s Literature. Oxford: Blackwell, 2001. Print.

Hutcheon, Linda. A Theory of Adaptation. New York and Abingdon: Routledge, 2006. Print.

Isherwood, Christopher. Goodbye to Berlin. London: Vintage,1998. Print.

James, Henry. The Art of the Novel. New York: Scribner, 1962. Print.

Jost, François. “The Look: From Film to Novel. An Essay in Comparative Narratology.” A Companion to Literature and Film. Ed. Robert Stam and Alessandra Raengo. Malden: Blackwell, 2004. 71-80. Print.

Kearney, Richard. On Stories. Abingdon and New York: Routledge, 2002. Print.

Kirkham, Pat and Warren, Sarah. “Four Little Women: Three Films and a Novel.” Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. Abingdon: Routledge, 1999. 81-97. Print.

Levy, Andrea. “Guardian Book Club Podcast.” The Guardian. 31st January, 2011. Web broadcast. [accessed February 4th, 2011] Web.

Lodge, David. The Art of Fiction. London: Penguin, 1992. Print.

Lodge, David and Wood, Nigel, eds. Modern Criticism and Theory: A Reader. 3rd Ed. Harlow: Pearson Education Ltd, 2008. Print.

Magrs, Paul. “Point of View: Introduction.” The Creative Writing Coursebook: Forty Authors Share Advice and Exercises for Fiction and Poetry. Ed. Julia Bell and Paul Magrs. London: Macmillan, 2001. 135-40. Print.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Oxford University Press, 1996. Print.

McKee, Robert. Story. London: Methuen, 1999. Print.

Miller, Gabriel. Screening the Novel: Rediscovered American Fiction in Film. New York: Frederick Ungar, 1980. Print.

Minghella, Anthony. The Talented Mr Ripley: A Screenplay. London: Methuen, 2000. Print.

Moggach, Deborah. “Don’t Lose the Plot.” The Guardian, 5th May, 2006. [accessed 7th July, 2008] Web.

Monaco, James. How To Read a Film: Movies, Media and Beyond. 4th ed. Oxford: Oxford University Press, 2009. Print.

Nabokov Vladimir. The Annotated Lolita. Ed. Alfred Appel, Jr. New York: Vintage International, 1970. Print.

Nicholson, William. “William the Queen Maker.” The Times, 26th October, 2007. [accessed 3rd May, 2010] Web.

Ossana, Diana. “Climbing Brokeback Mountain.” Brokeback Mountain: Story to Screenplay. Annie Proulx, Larry McMurtry and Diana Ossana. London: Harper Collins, 2010. 143-152. Print.

Ouditt, Sharon. “Orlando: Coming across the Divide.” Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. Abingdon: Routledge, 1999. 146-56. Print.

Owen, Alistair, ed. Story and Character: Interviews with British Screenwriters. London: Bloomsbury, 2003. Print.

Parker, David. “Dickens on Film.” B.F.I. Screen Online. [accessed December 14th, 2010] Web.

Parker, Philip. The Art & Science of Screenwriting. Exeter: Intellect, 1998. Print.

Pettie, Andrew. “Any Human Heart, Channel 4, Review.” [accessed 3rd February, 2011] Web.

Pinsent, Pat, ed. “Time Everlasting: Representations of Past, Present and Future.” Children’s Literature, NCRCL Papers 13. Shenstone: Pied Piper Publishing, 2007. Print.

Pullman, Philip. “Carnegie Award Acceptance Speech.” [accessed August 3rd, 2009] Web.

“The Storyteller’s Responsibility.” The Reader, No. 30. Liverpool: University of Liverpool, Summer 2008: 39-46. Print.

Seger, Linda. The Art of Adaptation: Turning Fact and Fiction into Film. New York: Henry Holt, 1992. Print.

––– Creating Unforgettable Characters. New York: Henry Holt, 1990. Print.

Stam, Robert. ‘Introduction: The Theory and Practice of Adaptation.’ Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Ed. Robert Stam and Alessandra Raengo. Malden: Blackwell, 2004. 1-54. Print.

Street, Douglas, ed. Children’s Novels and the Movies. New York: Frederick Ungar, 1983. Print.

Tierno, Michael. Aristotle’s Poetics for Screenwriters. New York: Hyperion, 2002. Print.

Unsworth, Barry. Stone Virgin. London: Hamish Hamilton, 1985. Print.

Vogler, Christopher. The Writer’s Journey. 2nd ed. London: Pan, 1999. Print.

Wagner, Geoffrey. The Novel and the Cinema. Rutherford, N.J.: Dickinson University Press. 1975. Print

Whelehan, Imelda. “Adaptations: The Contemporary Dilemmas.” Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. Abingdon: Routledge, 1999. 1-20. Print.

Wilkinson, D. N. and Price, E., eds. Ronald Harwood’s Adaptations from Other Works into Films. London: Guerilla Books, 2007. Print.

Wood, James. How Fiction Works. London: Vintage, 2009. Print.

Woolf, Virginia. McNeillie, Andrew, ed. The essays of Virginia Woolf, Vol. 4: 1925-1928. London: Hogarth, 1994. Print.


Download 0.96 Mb.

Share with your friends:
1   ...   26   27   28   29   30   31   32   33   34




The database is protected by copyright ©ininet.org 2024
send message

    Main page