Turning Princes into Pages: Sixteenth-Century Literary Representations of Thomas Cardinal
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Spenser, Edmund, ‘Maye’, in Shepheardes Calendar (London: Matthew Lownes, 1609). Stanivukovic, Goran, ‘“Mounting Above the Truthe”: On Hyperbole in English Renaissance Literature’, Forum for Modern Language Studies, 43:1 (2007), 9-33. Starkey, David, The Reign of Henry VIII: Personalities and Politics (London: George Philip, 1985). Starkey, David, ed., Rivals in Power: Lives and Letters of the Great Tudor Dynasties (London: Macmillan, 1990). St. Clare, Muriel, ed., The Lisle Letters, (Chicago: University of Chicago Press, 1983). Stewart, Alan, and Heather Wolfe, Letterwriting in Renaissance England (Washington, D.C.: Folger Shakespeare Library, 2004). Taylor, Warren, Tudor Figures of Rhetoric (Whitewater, Wisconsin: Language Press, 1972). Trim, David J. B., ‘Seeking a Protestant Alliance and Liberty of Conscience on the Continent, 1558-1585’, Tudor England and Its Neighbors, ed. by Susan Doran and Glenn Richardson (New York: Palgrave Macmillan, 2005), pp. 139-177.
Vives, Juan Luis, The instruction of a Christen woman, trans. Richard Hyrd (London: Thomas Berthelet, 1531). Walker, Greg, ed., Godly Queene Hester, in Medieval Drama: An Anthology (Oxford, Blackwell, 2000). Walker, Greg, Plays of Persuasion: Drama and Politics at the Court of Henry VIII (Cambridge, Cambridge University Press, 1991). Tyndale, William, The Practyse of Prelates (Antwerp: Joannes Hoochstraten, 1530). Wall, Alison, ‘Deference and Defiance in Women’s Letters of the Thynne Family: the Rhetoric of Relationships’, in Early Modern Women’s Letter Writing, 1450-1700, ed. by James Daybell (Basingstoke: Palgrave, 2001), pp. 77-93. Walker, Greg, John Skelton and the Politics of the 1520s (Cambridge: Cambridge University Press, 1988). Ward, Sir Adolphus William, and others, eds., The Cambridge History of English and American Literature (Cambridge: Cambridge University Press, 1907–21). Wickham, Glynne, The Medieval Theatre (London: Weidenfeld and Nicolson, 1980). Wiley, Paul L., ‘Renaissance Exploitation of Cavendish’s Life of Wolsey’, Studies in Philology, 43:2 (1946), 121-46. Williams, Richard, ‘“Libels and payntinges”: Elizabethan Catholics and the International Campaign of Visual Propaganda’, in John Foxe and his World, ed. by Christopher Highley and John N. King (Aldershot: Ashgate Publishing, 2002), pp. 198-215. Williams, Neville, The Cardinal and the Secretary (London: Weidenfeld and Nicolson, 1975). Wilson, Thomas, The Arte of Rhetorique (London: Richard Grafton, 1553). Woodcock, Michael, ‘“Their eyes more attentive to the show”: Spectacle, tragedy and the structure of All is True (Henry VIII)’, Shakespeare 7:1 (2011), 1-15. 1 Jerome Barlowe and William Roye, Rede Me and Be Nott Wrothe, ed. Douglas H. Parker (Toronto: University of Toronto Press, 1992), f. a1r, ll.1-2. 2 Using the name ‘Jerome Barlowe’ is problematic, as scholars are divided on whether or not the author was the Franciscan friar Jerome Barlowe (fl. 1528–1529) or the reformist bishop William Barlow (d. 1568), or whether these two figures are actually one and the same. However, a letter from 12 June 1529 to Wolsey indicates that the Cardinal was actively seeking Roy and a ‘Jerome Barlowe’. That letter, amongst others, combined with Parker’s use of ‘Jerome’ means that this thesis will also use ‘Jerome Barlowe’. See Brewer, John Sherren, ed., Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII (London: Longman, Trübner, Parker, Macmillan, A. & C. Black, and A. Thom, 1876). Vol. 4.3, it. 5667. 3 Parker, p. 3. Also see L&P, 4.3, it. 5667. 4 Rede Me, f. a1v, ll.8-14. 5 The reference to Wolsey’s alleged enmity to the ‘white lion’ is particularly interesting in the context of the perceived feud between Wolsey and the Howard family (whose badge was the white lion). As we will see in chapter I, it is unlikely that there actually was a high degree of tension between Wolsey and the Howards. However, the inclusion of this feature in Rede Me indicates a contemporary perception of a feud, which indicates the lack of control Tudor figures might have had over their public images. 6For more on Sidney and copia, please see James A. Knapp, Illustrating the Past in Early Modern England: The Representation of History in Printed Books (Aldershot: Ashgate, 2003). 7 Rede Me, f. a1v, ll.15-28. 8 These periods are largely accurate in regards to the texts in this corpus, but certainly are not intended to be exclusively accurate for all sixteenth-century texts that mention Wolsey. Instead, they correspond roughly to the dominant depictions and/or genres found in those periods, as well as demarcating periods of innovation. 9 Thomas Betteridge, Tudor Histories of the English Reformation, (Aldershot: Ashgate, 1999), p. 57. 10 As evidenced in the 2010 RSC production of Henry VIII at the Globe Theatre, as we will see in Chapter V. 11 For example, a round-table discussion of Henry VIII and his representations took place in 2011 at the Sixteenth Century Society Conference at Fort Worth Renaissance Hotel in Fort Worth, Texas. 12 See Thomas Betteridge and Thomas Freeman, Henry VIII and History (London: Ashgate, 2010). 13 Cavendish, ff. 89v-90r, pp. 180-181. 14 See Appendix 1, episode 36. 15 Greg Walker, Plays of Persuasion: Drama and politics at the Court of Henry VIII (Cambridge: Cambridge University Press, 1991), p. 102. 16 Hereafter referred to as the Life. 17 Mike Pincombe, “A Place in the Shade: George Cavendish and de casibus tragedy”, in The Oxford Handbook of Tudor Literature (Oxford: Oxford University Press, 2009), p. 385. 18 McMullan, Gordon, ‘Introduction’, in William Shakespeare and John Fletcher, King Henry VIII, ed. Gordon McMullan (London: Arden, 2000), p. 9. Also see Charles Spencer, “Henry VIII at Shakespeare’s Globe, review”, in the Telegraph, 25 May 2010, available at: Directory: 3735 3735 -> Oregon State Lottery Behavior and Attitude Tracking Study – May 2014 Oregon State Lottery® 3735 -> Path: /Applications/Autodesk/*/Maya app/Contents/MacOS/Maya Download 1.22 Mb. Share with your friends:
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