Art 32: History of Western Art. Part 2: Early Renaissance to the Present. Course Calendar

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Art 32: History of Western Art.

Part 2: Early Renaissance to the Present.

Course Calendar
January 11 Introduction

Reading: Introduction and begin chapter 17.

No class January 16th: MLK birthday
January 18: Early Renaissance Art in Northern Europe

Reading: chapter 17.

Terms and images:

Giotto, Scrovegni Chapel, 1305-6.

Bracket dates: 1400-1450.

Limbourg Brothers, Très Riches Heures du Duc de Berry (February) 1413-1416.

Robert Campin, Mérode Altarpiece, 1425-8.

Jan Van Eyck, Annunciation, 1434-6.

Jan Van Eyck, Man in a Red Turban, 1433.

Jan Van Eyck, Arnolfini Wedding Portrait, 1434.

Rogier van der Weyden, Deposition, 1442.

Rogier van der Weyden, Portrait of a lady, 1460.

Intuitive perspective, linear (or 1 point) perspective, aerial (or atmospheric) perspective, foreshortening, typology, registers, International Gothic style, illumination, gilding, glazing.

January 23: Early Renaissance Art in Northern Europe, cont.

Reading: chapter 17.
Terms and Images:

Bracket dates: 1450- 90.

Petrus Christus, Goldsmith in His Shop, 1449

Hugo van der Goes, Portinari Altarpiece, 1474-6

Jean Fouquet, Etienne Chevalier and Saint Stephen (left wing of Melun Diptych) and Virgin and Child (right wing of Melun Diptych), 1451.

Schongauer, Temptation of St. Anthony, 1480-90

Pollaiuolo, Battle of Nudes, 1465-70

Diptych, triptych, engraving, altarpiece, contrapposto.

January 25: Early Renaissance Art in Southern Europe

Reading: chapter 17.

Images and Terms:

Bracket dates: 1450-90.

Paolo Uccello, Battle of San Romano, (London version) 1438-40.

Brunelleschi, Foundling Hospital, Florence, 1421-44.

Di Bartolomeo, Palazzo Medici-Riccardi, Florence, 1446.

Brunelleschi, San Lorenzo Church, Florence, 1421-8

Alberti, Church of Sant’Andrea, 1470.

Lorenzo Ghiberti, Gates of Paradise, Baptistery of San Giovanni, Florence, 1425-1452, detail of Jacob and Esau.

Donatello, David, 1446-60.

Donatello, Mary Magdalene, 1430-1450’s.

Andrea del Verocchio, Equestrian Statue of Bartolommeo Colleoni, Venice, 1490.

Baptistery, rusticated masonry., module, pietra serena, impost block, arcade, terracotta medallions, nave, transept, sanctuary, clerestory, bay, lunettes,

January 30: Early Renaissance Art in Southern Europe.

Reading: chapter 17.

Images and terms:

Bracket dates: 1420-50

Gentile da Fabriano, Adoration of the Magi, 1423.

Masaccio, Trinity, 1425-7.

Masaccio, Expulsion of Adam and Eve from Paradise, 1427.

Fra Angelico, Annunciation, 1438-45.

Andrea del Castagno, Last Supper, 1445-50.

Bracket dates: 1450-90

Perugino, Delivery of the Keys to St Peter, 1481

Piero della Francesca, Battista Sforza and Federico da Montefeltro, 1474.

Botticelli, Primavera, 1482.

Botticelli, Birth of Venus, 1484-6.

Bellini, Virgin and Child, 1478.

Fresco, giornati.

February 1: High Renaissance Art in Southern Europe

Reading: chapter 18.

Images and Terms:

Bracket dates: 1490-1520.

Leonardo da Vinci, Last Supper, 1495-8.

Leonardo da Vinci, Mona Lisa, 1503.

Leonardo da Vinci, Vitruvian Man, 1490.

Raphael, Small Cowper Madonna, 1505

Raphael, School of Athens, 1510-11

Michelangelo, Pietà, 1500

Michelangelo, David, 1501-1504.

Michelangelo, Moses, 1513-16.

Coffering, chiaroscuro, sfumato
February 6: High Renaissance Art in Southern Europe

Reading: chapter 18.

Images and terms:

Bracket dates: 1490-1510.

Michelangelo, Sistine ceiling (detail of the Creation and the Expulsion from the Garden), 1475-81.

Bracket dates: 1510-1550.

Bramante, Michelangelo and Maderno, St Peter’s (Rome), 1506-1612.

Michelangelo, Last Judgment, 1536-41.

Correggio, Assumption of the Virgin, 1526-30.

Giorgione, Tempest, 1505-10

Giorgione and Titian, Pastoral Concert, 1508.

Titian, Venus of Urbino, 1538.

Cornice, pilasters, putti, ignudi, central plan, Greek cross, Latin cross.
February 8: High Renaissance Art in Southern Europe: Mannerism and Architecture

Reading: chapter 18.

Images and Terms:

Bracket dates: 1530-1570.

Pontormo, Entombment, 1528-30.
*El Greco, View of Toledo, 1610. (Note exception to bracket dates here. Ca. 1600 acceptable.)

Bronzino, Portrait of a Young Man, 1540-5

Anguissola, Self-Portrait, 1552.

Veronese, Feast in the House of Levi, 1573.

Da Sangallo and Michelangelo, Farnese Palace, Rome, 1517-50.

Palladio, Church of San Giorgio, Venice, 1565-1610.

Palladio, Villa Rotonda, Vicenza, 1560’s.

Mannerism, portico, podium, pediment, entablatures, piazza, loggia, engaged columns, quoins, stringcourse.

February 13 High Renaissance Art in Northern Europe

Reading: chapter 18.

Images and terms:

Bracket dates: 1500-1520

Grünewald, Isenheim Altarpiece, 1510-15 (both open and closed).

Dürer, Self-Portrait, 1500.

Dürer, Four Horsemen of the Apocalypse, 1497-8.

Dürer, Melancolia I, 1514.

Bosch, Garden of Earthly Delights, 1505-15.

Bracket dates: 1540-70.

Pieter Bruegel, Return of the Hunters, 1565.

Hans Holbein, Henry VIII, 1540.

Pierre Lescot, Cour Carré of the Louvre, Paris, 1549.

Grotto, woodcut and engraving.

February 15: Exam 1
February 20: Baroque Art, Southern Europe and Spain.

Reading: chapter 19.

Terms and Images:

Bracket dates: 1600-1650

Annibale Carracci, Ceiling of a gallery in the Palazzo Farnese, Rome, 1597-1601.

Caravaggio, The Calling of Saint Matthew, 1599-1600.

Caravaggio, Entombment, 1603-4.

Artemisia Gentileschi, Judith and Maidservant with the head of Holofernes, 1635.

Zurbaran, Saint Serapion, 1628.

Velazquez, The Surrender at Breda (The Lances), 1634-5.

Velazquez, Las Meninas, 1656.

Trompe l’oeil, tenebrism.

February 22: Baroque Architecture

Reading: chapter 19.

Images and Terms:

Bracket dates: 1625-1670

Bernini, Baldacchino, St. Peter’s, Rome, 1624-1633.

Bernini, St. Peter’s, Rome: Piazza design, 1656-7.

Bernini, Cornaro Chapel, Church of Santa Maria della Vittoria: Saint Teresa of Avila in Ecstasy, 1645-52.

Bernini, David, 1623.

Louis Le Vau and Jules Hardouin-Mansart, Garden Façade of the Palace of Versailles, 1668-85.

Jules Hardouin-Mansart and Charles le Brun, Hall of Mirrors, Versailles, France, 1678.

Inigo Jones, Banqueting House, Whitehall Palace, London, 1619-22.

*Interior Benedictine Monastery Church, Melk, Austria, 1738. (Note exception to bracket dates here. Ca 1700 acceptable).

Baldacchin, piazza, projecting cornice, volutes, finials, swags.
February 27: Baroque Art, Northern Europe

Reading: chapter 19.

Images and Terms:

Bracket dates: 1610-1650.

*Rigaud, Louis XIV, 1701. (Note exception to bracket dates. Ca. 1700 acceptable.)

Georges de la Tour, Magdalen with the Smoking Flame, 1640.

Claude Lorrain, Embarkation of the Queen of Sheba, 1648.

Nicolas Poussin, Landscape with Saint John on Patmos, 1640.

Rubens, Raising the Cross, 1610-1611.

Rubens, Henry IV Receiving the Portrait of Marie de Medici, 1621-25.

Van Dyck, Charles 1st at the Hunt, 1635.

Impasto, heroic landscape.

March 1: Baroque Art, Northern Europe continued.

Reading: chapter 19

Images and Terms:

Bracket dates: 1630-1680.

Franz Hals, Officers of the Haarlem Militia Company of Saint Adrian, 1627.

Judith Leyster, Self-Portrait, 1635.

Rembrandt, Anatomy Lesson of Dr. Nicolaes Tulp, 1632.

Rembrandt, Captain Franz Banning Cocq Mustering his Company -- or—The Night Watch, 1642.

Rembrandt, Self-Portrait, 1659.

Hobbema, Avenue at Middleharnis, 1689.

Vermeer, View of Delft, 1662.

Vermeer, Woman Holding a Balance, 1664.

Genre painting, camera obscura, vanitas picture.

March 6: Eighteenth Century Art: in France

Reading: chapter 26.
Terms and Images:

Bracket dates: 1710-1750.

Bouffrand, Salon de la Princesse, Hôtel de Soubise, Paris, 1732.

Watteau, Pilgrimage to the Island of Cythera, 1717.

Watteau, Signboard of Gersaint, 1721.

Boucher, Diana resting after her Bath, 1742.

Chardin, The Governess, 1739.

Bracket dates: 1775-1800.

Fragonard, The Meeting, 1771-3.

Canaletto, Saint Giovanni e Paolo and the Monument to Bartolommeo Colleoni, ca 1735-38.

Canova, Cupid and Psyche, 1787-93.

Fête galante, salons, Rococo, arabesques.

March 8: Eighteenth Century Art: in England and the US

Reading: chapter 26.

Terms and Images:

Bracket dates: 1740-1780

Hogarth, The Marriage Contract, 1743-45.

Reynolds, Lady Sarah Bunbury Sacrificing to the Grances, 1765.

Gainsborough, Portrait of Mrs. Richard Brinsley Sheridan, 1785-87.

Joseph Wright, An Experiment on a Bird in the Air-Pump, 1768.

Angelica Kauffmann, Cornelia Pointing to Her Children as Her Treasures, 1785.

Fuseli, The Nightmare, 1781.

William Blake, Elohim Creating Adam, 1795.

John Trumbull, The Death of General Warren at the Battle of Bunker’s Hill June 17, 1775, 1786.

History painting, Romantic painting.

No class March 13 - 15 SPRING BREAK

March 20: Late Eighteenth Century Art and Architecture in France

Reading: chapter 26.

Terms and Images:

Bracket dates: 1780-1800

Soufflot: Pantheon, Paris, 1755-92.

Thomas Jefferson, Monticello, Charlottesville, Virginia, 1770-1806.

Greuze, The Drunken Cobbler, 1770.

Elisabeth Vigée-Lebrun, Portrait of Marie-Antoinette with Her Children, 1787.

Labille-Guiard, Self-Potrait with Two Pupils, 1785.

David, Oath of the Horatii, 1785.

David, Death of Marat, 1793.

Girodet-Trioson, Potrait of Jean-Baptiste Belley, 1797.

Neo-classicism, central plan.
March 22. Ninteenth Century: French Academy and Romanticism

Reading: chapter 27.

Terms and images:

Bracket dates: 1800-1840.

Gros, Napoleon in the Plague House at Jaffa, 1804.

Ingres, The Large Odalisque, 1814.

Gericault, Raft of the Medusa, 181-1819.

Delacroix, Women of Algiers, 1834.

Rude, Departure of the Volunteers, 1833-36.

Goya, Family of Charles IV, 1800.

Goya, Sleep of Reason Produces Monsters, 1796-98.

Goya, The Third of May, 1808.

Romanticism, naturalism, odalisque, avant-garde art, ateliers, Academy, Academic painting
March 27: Exam 2
March 29: Nineteenth Century Art: Germany, England and early Photography.

Reading: chapter 27.

Terms and Images:

Caspar David Friedrich, Wanderer Above a Sea of Mist, 1818.

Turner, Snowstorm: Hannibal Crossing the Alps, 1812.

Turner, The Fighting Témeraire, 1838.

Constable, The White Horse, 1819.

Daguerre, The Artist’s Studio, 1837.

Julia Margaret Cameron, Portrait of Thomas Carlyle, 1867.

Nadar, Charles Baudelaire, 1863.

*Steiglitz, Winter on Fifth Avenue, 1893. (Note exception to bracket date. Ca. 1900 acceptable.)

Daguerreotype, calotype.

April 3: Nineteenth Century Art:: Architecture and the U.S.

Reading: chapter 27.

Terms and Images:

Bracket dates: 1830-1860.

Thomas Cole, The Oxbow, 1836.

Gustave Eiffel, The Eiffel Tower, 1889.

Paxton, Crystal Palace, London, 1850-5.

Garnier, Opera House, Paris, 1863-1879.

Bougereau, Nymphs and Satyr, 1873.

Carpeaux, The Dance, 1867-68.

Louis Sullivan, Wainwright Building, Saint Louis, 1890-1

April 5: Nineteenth Century Art: Realism and Impressionism

Reading: chapter 27.
Terms and Images:

Bracket dates: 1850-1885.

Millet, The Gleaners, 1857.

Courbet, The Stonebreakers, 1849.

Courbet, Burial at Ornans, 1849.

Manet, Dejeuner sur l’Herbe (Luncheon on the Grass), 1863.

Manet, Olympia, 1863.

Monet, Boulevard des Capucines, 1873-4.

Renoir, Moulin de la Galette, 1876.

Degas, Ballet Rehearsal on Stage, 1874.

Mary Cassatt, Woman in a Loge, 1879.

Realism, Impressionism.

April 10: Nineteenth Century Art: Symbolism and Post-Impressionism

Reading: chapter 27.

Terms and Images:

Bracket dates: 1885-1900

Rodin, Burghers of Calais, 1884-9.

Monet, Rouen Cathedral, (in the Sun), 1894. (Metropolitan Museum of Art version)

Cezanne, Mont Saint-Victoire, 1885-7. (Coutauld version)

Cezanne, Large Bathers, 1906 (Philadelphia version)

Seurat, Sunday Afternoon on the Island of the Grande Jatte, 1884-6.

Vincent Van Gogh, Starry Night, 1889.

Dante Gabriel Rossetti, La Pia de’ Tolommei, 1868-9.

Gustave Moreau, The Apparition, 1876.

Gauguin, Day of the God, 1894.

Abstraction, passages, expressionistic, art nouveau.

April 12: Nineteenth Century American Art and Early European Modernism

Reading: chapter 27-28.

Terms and Images:

Bracket dates: 1860-1880

Bierstadt, Rocky Mountains, Lander’s Peak, 1863.

Homer, Snap the Whip, 1872.

Eakins, Gross Clinic, 1875.

Bracket dates: 1900-1915.

Klimt, The Kiss, 1907-8.

Victor Horta, Tassel House interior stairway, 1892-3.

Matisse, Woman with the Hat, 1905.

Matisse, The Joy of Life, 1905-6.

Munch, The Scream, 1893.

Kandinsky, Improvisation No. 30 (Cannons), 1913.

Franz Marc, Large Blue Horses, 1911.

Brancusi, Magic Bird, 1906-11.

Der Blaue Reiter, Expressionism, art nouveau, whiplash curve.
April 17: Modernism: Cubism.

Reading: chapter 28.

Terms and Images:

Bracket dates: 1900-

Picasso, Family of Saltimbanques, 1905.

Picasso, Les Demoiselles d’Avignon, 1907.

Braque, Houses at l’Estaque, 1908.

Picasso, Ma Jolie, 1911-12.

Picasso, Glass and Bottle of Suze, 1912.

Boccioni, Unique Forms of Continuity in Space, 1913.

Analytic Cubism, synthetic cubism, collage, assemblage, Futurism.

April 19: Modernism: New York and in Europe after WWI.

Reading: chapter 28.
Terms and Images:

Bracket dates: 1910-1940.

John Sloan, Backyards, Greenwich Village, 1914.

Marsden Hartley, Portrait of a German Officer, 1914.

Walter Gropius, Bauhaus, 1925-6.

Piet Mondrian, Composition with Yellow, Red and Blue, 1927.

Leger, Large Luncheon, 1929.

Le Corbusier, Villa Savoye, Poissy-sur-Seine, 1929-30.

Frank Lloyd Wright, Kaufmann house (Falling Water), Mill Run, Pa., 1937.

Georgia O’Keeffe, City Night, 1926.

Charles Sheeler, American Landscape, 1930.

Dorothea Lange, Migrant Mother, 1936.

Edward Hopper, Nighthawks, 1942.

Aschcan school, International Style Architecture,

April 24: Avant-Garde Art: Dada and Surrealism. Paper due.

Reading: chapter 28-9.

Terms and Images:

bracket dates:1920-1950.

Marcel Duchamp, Fountain, 1917.

Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even, (The Large Glass), 1915-23.

Dali, The Persistence of Memory, 1931.

Meret Oppenheim, Luncheon in Fur, 1936.

Jackson Pollock, Autumn Rhythm, 1950.

De Kooning, Woman I, 1950-2.

Rothko, No. 61, Brown, Blue, Brown on Blue, 1953.

Newman, Vir HeroicusSublimus, 1950-1.

Dada, surrealism, ready-mades, Abstract Expressionism, automatism, action painting.

April 26: Avant-Garde Art.

Reading: chapter 29.
Terms and Images:

Bracket dates: 1960-1990.

Yves Klein, Anthopométries of the Blue Period, 1960.

Rauschenberg, Canyon, 1959.

Jasper Johns, Target with Four Faces, 1955.

Andy Warhol, Marilyn Diptych, 1962.

Donald Judd, Untitled, 1969.

Bruce Nauman, Self-Portrait as a Fountain, 1966-7.

Robert Smithson, Spiral Jetty, 1969-70.

Betye Saar, The Liberation of Aunt Jemima, 1972.

Ana Mendieta, Untitled from the Tree of Life Series, 1977.

Richard Serra, Tilted Arc, 1981.

Jeff Wall, After “Invisible Man” by Ralph Ellison, the Preface, 1999-2000.

Happenings, performance art, assemblages, appropriation, conceptual art, minimalism, earthworks.

May 8. Exam, 12:00 pm.

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