Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 2 (Mwc 2)

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Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 2 (MWC 2) Ideas and Styles chapter Page(s) Piece MWC 2 no. 15 223 Johann Adolf Hasse, Cleofide, aria, “Digli ch’io son fedele” 118 15 222 John Gay, The Beggar’s Opera, dialogue and songs from Act 1 Air XI, “A fox may steal your hens” Dialogue Air XII, “Oh, ponder well” Air XIII, The turtle thus with plaintive crying” 119 15 224 Giovanni Battista Pergolesi, La serva padrona Recitative, “Io non so chi mi tien!” Duet, “Lo concosco a quegl’ occhietti” 120 16 245 Jean–Jacques Rousseau, Le Devin du village, duet, “À jamais Colin” 121 Christoph Willibald Gluck, Orfeo ed Euridice Aria, “Deh placatevi” Chorus, “Misero giovane” Obbligato recitative, “Ahimè! Dove trascorsi?” Aria, “Che farò senza Euridice?” 122 16 250–251 Giovanni Battista Sammartini, Symphony in D Major, first movement, Allegro 123 16 251–253 Johann Stamitz, La Melodia Germanica, no. 3, Symphony in E-flat Major, first movement, Allegro assai 124 16 242 Domenico Scarlatti, Essercizi, Sonata no. 26 in A Major 125 16 246–247 Carl Philipp Emanuel Bach, Fantasia in C Minor 126 17 261, 272 Johann Christian Bach, Piano Sonata in D Minor, op. 5 no. 2, first movement, Allegro di molto 127 17 262–264, 269 Joseph Haydn, Symphony no. 6 in D Major, Le Matin, first movement, Adagio; Allegro 128 18 283–285 Joseph Haydn, String quartet, op. 33 no. 3, “The Bird” (Hob. III: 39), first movement, Allegro moderato 129 18 282 Joseph Haydn, Symphony no. 94, “Surprise,” second movement, Andante 130 18 282, 285 Joseph Haydn, Symphony no. 99, in E-flat Major, first movement, Adagio; Vivace assai 131 18 282 Joseph Haydn, The Creation, “The Heavens Are Telling” 132 18 285 Wolfgang Amadeus Mozart, Symphony no. 40 in G minor (K. 550), first movement, Allegro 133 18 285 Wolfgang Amadeus Mozart, Symphony no. 41 in C Major (K. 551), fourth movement, Molto allegro 134 18 283 Wolfgang Amadeus Mozart, String Quartet in C Major, “Dissonance,” introduction 135 18 286–287 Wolfgang Amadeus Mozart, Piano Concerto in A Major (K. 488), first movement, Allegro 136 18 289–290 Wolfgang Amadeus Mozart, Le nozze di Figaro Aria, “Se vuol ballare” Aria, “Porgi, amor” Aria, “Voi che sapete” Ensemble, “ Vostre dunque” 137 18 281–283 Wolfgang Amadeus Mozart, Requiem Mass “Confutatis” “Lacrimosa” (completed by Süssmayr) 138 18 296 Ludwig van Beethoven, Piano Sonata in C Minor (“Pathétique”), first movement, Grave; Allegro molto e con brio 139 18 295 Ludwig van Beethoven, Piano Concerto no. 1 in C Major, third movement, Allegro 140 19 310–312 Ludwig van Beethoven, Symphony no. 3 (“Eroica”), second movement (Funeral March), Adagio assai 141 19 316–318 Ludwig van Beethoven, String Quartet in B-flat Major, fifth movement (Cavatina) 142 19 316 Ludwig van Beethoven, Missa solemnis, Kyrie 143 19 323 Franz Schubert, “Erlkönig” 144 19 320–323 Franz Schubert, “Ganymed” 145 19 320–323 Franz Schubert, “Nähe des Geliebten” 146 20 346–348 Hector Berlioz, Symphonie fantastique, fourth movement, “March to the Scaffold” 147 20 332–333 Hector Berlioz, “Absence” from Les Nuits d’été 148 20 342–343 Frédéric Chopin, Nocturne in D-flat Major, op. 27 no. 2 149 20 341 Felix Mendelssohn, Piano Trio in D Minor, op. 49, first movement, Molto allegro ed agitato 150 20 350 Robert Schumann, Symphony no. 1, second movement, Larghetto 151 20 334 Clara Schumann, “Liebst du um Schönheit” 152 19 326–327 Carl Maria von Weber, Der Freischütz, Act 2, Wolf’s Glen Scene, concluding section 153 21 360–366 Richard Wagner, Das Rheingold, Entrance of the Gods into Valhalla 154 19 324–325 Gioacchino Rossini, The Barber of Seville, Act 1, no. 1 Introduzione, “Piano, pianissimo” Cavatina, “Ecco ridente”; Sequito dell’Introduzione, “Ehi, Fiorello” 155 20 371 Giuseppe Verdi, Otello, Act 4, scene 3 156 20 340–341 Franz Liszt, Hungarian Rhapsody no. 15 (Rákóczy March) 157 21 367–368 Johannes Brahms, Symphony no. 3, first movement, Allegro con brio 158 21 367–368 Johannes Brahms, “Feldeinsamkeit,” op. 86, no. 2 159 21 368 Anton Bruckner, Christus factus est 160 21 378–379 Modest Musorgsky, Sunless, “Within Four Walls” 161 21 378 Peter Il’yich Tchaikovsky, The Nutcracker, Act 1, scene 8 162 21 372–373 Gustav Mahler, “Um Mitternacht” 163 21 372–373 Gustav Mahler, Symphony no. 5, fourth movement, Adagietto 164 21 372–373 Alma Mahler, “Die stille Stadt” 165 21 379 Edward Elgar, “Enigma” Variations Theme Ninth Variation (“Nimrod”) 166 21 375–376 Giacomo Puccini, Madama Butterfly, Aria, “Dovunque al mondo” 167 22 386–389 Claude Debussy, Fêtes galantes I, “En sourdine” 168 22 386–389 Claude Debussy, Images I, “Reflets dans l’eau” 169 22 387–388 Claude Debussy, Nocturnes, “Nuages” 170 21 369–370 Gabriel Fauré, Dans la forêt de septembre,” op. 85, no. 1 171 22 388 Lili Boulanger, Clairières dans le ciel, “Elle est gravement gaie” 172 23 414–415 Richard Strauss, Salome, concluding scene 173 22 392–393 Igor Stravinsky, The Rite of Spring Procession of the Sage The Sage Dance of the Earth 174 22 394–395 Arnold Schoenberg, Piano Piece, op. 11, no. 1 175 22 394–395 Arnold Schoenberg, Pierrot lunaire, no. 8, “Nacht” 176 21 373 Alexander Scriabin, Piano Prelude, op. 74, no. 5 177 23 412 Maurice Ravel, Le tombeau de Couperin, Rigaudon 178 23 411–412 Erik Satie, Sarabande no. 2 for piano 179 23 413 Igor Stravinsky, Octet, first movement, “Sinfonia” 180 23 412, 424 Darius Milhaud, Saudades do Brazil, “Botafogo” 181 22 403–406 Arnold Schoenberg, String Quartet no. 4, first movement, Allegro molto, energico 182 23 408–410 Anton Webern, Symphony, op. 21, second movement, Sehr ruhig 183 22 395–396 Alban Berg, Wozzeck, Act 3, scene 2 184 23 424 Kurt Weill, The Threepenny Opera, “Ballad of Mac the Knife” 185 23 416–419 Béla Bartók, Eight Hungarian Folksongs, “Fekete főd” 186 23 416–419 Béla Bartók, Concerto for Orchestra, first movement, Andante non troppo; Allegro vivace 187 23 423 Scott Joplin, “Maple Leaf Rag” 188 23 415–416 Paul Hindemith, Mathis der Maler, Scene 6, entrance 3 189 23 421 Sergei Prokofiev, Piano Sonata no. 7, third movement, Precipitato 190 23 420–421 Dmitri Shostakovich, Piano Concerto no. 1, first movement, Allegro moderato 191 22 396–397 Charles Ives, “Feldeinsamkeit” 192 22 396–397 Charles Ives, “Charlie Rutlage” 193 22 396–397 Charles Ives, The Unanswered Question 194 23 426 Ruth Crawford Seeger, String Quartet (1931), third movement, Andante 195 23 421 Aaron Copland, Piano Variations 196 23 421–422 Aaron Copland, Appalachian Spring (Suite 1945), Variations on a Shaker Hymn 197 23 422 Samuel Barber, Hermit Songs, “Sea–Snatch” 198 23 424 George Gershwin, “The Man I Love” 199 23 424 Richard Rodgers and Oscar Hammerstein II, Oklahoma!, “I Cain’t Say No!” 200 23 424 Leonard Bernstein, West Side Story, “Cool” 201 23 411 Benjamin Britten, War Requiem, Agnus Dei 202 24 433–434 Krzysztof Penderecki, Threnody for the Victims of Hiroshima 203 24 431 Milton Babbitt, Composition for Piano no. 1 204 23 414 Igor Stravinsky, Agon, Bransle double 205 24 431–432 Pierre Boulez, Le Marteau sans maître, “L’Artisanat furieux” 206 24 439 John Cage, Music of Changes, Part I 207 24 431 Olivier Messiaen, “Mode de valeurs et d’intensités” 208 24 432–435, 443 Luciano Berio, Circles, “stinging” 209 24 433–434, 439 George Crumb, Ancient Voices of Children, “¿De donde vienes?” 210 24 Elliott Carter, String Quartet no. 2, Introduction and first movement (Allegro fantastic) 211 24 446 Steve Reich, Clapping Music 212 24 453 György Ligeti, Hungarian Rock 213 24 446 John Adams, Nixon in China, Act 1, scene 1, “News” 214 24 447 Joan Tower, Fanfare for the Uncommon Woman, no. 1 215 24 443 Arvo Pärt, Berlin Mass, Credo 216 Directory: companion.websites -> 9780195379884 -> instructor -> doc doc -> Coordination of Ideas and Styles in the Western Musical Tradition with Oxford Anthology of Western Music companion.websites -> Part One: Before 1950 companion.websites -> American political thought companion.websites -> How to Do Research Download 117.76 Kb. 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