Edwin Daniel Jacob
danjacob@rutgers.edu
Department of Political Science
790:316:02
Politics, Literature, and the Arts: Utopias and Dystopias
Fall 2016
Tuesdays 5:35-8:35, Hickman Hall 132
Office Hours: Tuesdays 4pm-5pm, Hickman Hall 305
Politics, Literature, and the Arts
Utopias and Dystopias
This course will assess how utopian and dystopian societies have philosophically and artistically developed from Plato to The Matrix. We will ground our investigations in political theory and history, and use films, music, and literature to augment our understandings of the social, economic, and political makeups of utopias and dystopias. Particular attention will be paid to linking the various thematic elements involved to judge how contemporary society functions in accord, especially in light of political traditions including anarchism, socialism, fascism, etc. Grading will be based on facilitating one discussion meeting with a peer, two examinations (one in-class, one take home), and active class participation.
Required readings
Francis Bacon, A New Atlantis (1624)
Edward Bellamy, Looking Backward (1887)
Stephen Eric Bronner, Ideas in Action
Sigmund Freud, Civilization and its Discontents (1930)
Erich Fromm, Marx’s Concept of Man
Isaac Kramnick (ed.), The Portable Enlightenment Reader
Herbert Marcuse, Eros and Civilization (1955)
Karl Marx and Friedrich Engels, Manifesto of the Communist Party (1848)
Thomas More, Utopia (1516)
Plato, The Republic (380BCE)
George Orwell, 1984 (1949)
Carl Schmitt, Political Theology
Yevgeny Zamyatin, We (1924)
Film, Television, and Music
Battlestar Galactica (Ronald D. Moore, 2004-2009)
Blade Runner (Ridley Scott, 1982)
A Clockwork Orange (Stanley Kubrick, 1972)
Equilibrium (Kurt Wimmer, 2002)
Gattacta (Andre Niccol, 1997)
Lifehouse Chronicles (Pete Townshend, 2000)
Lost (J.J. Abrams, Jeffrey Lieber, and Damon Lindelof, 2004-2010)
The Matrix (The Wachowski Brothers, 1999)
Metropolis (Fritz Lang, 1927)
The Prisoner (Patrick McGoohan, 1967-1978)
Sleeper (Woody Allen, 1973)
Snowpiercer (Bong Joon-ho, 2013)
Star Trek (Gene Roddenberry, 1966-1969)
Star Trek VI: The Undiscovered Country (Nicholas Meyer, 1991)
The Trial (Orson Welles, 1963)
V for Vendetta (James McTeigue, 2006)
Year Zero (Nine Inch Nails, 2007)
COURSE SCHEDULE
Week 1 (September 6)
Introduction
Film: The Matrix
Week 2 (September 13)
Plato, The Republic (selections)
Bronner, Ideas in Action, Ch. 6
Film: Metropolis
Week 3 (September 20)
Scriptural readings tbd
Film: Lost (6x15)
Week 4 (September 27)
More, Utopia
Bacon, A New Atlantis
Bronner, Ideas in Action, Ch. 19
Film: Star Trek VI: The Undiscovered Country
Week 5 (October 4)
Condorcet, “The Future Progress of the Human Mind,” in The Portable Enlightenment Reader
Turgot, “On Progress,” in The Portable Enlightenment Reader
Rousseau, “Discourse on the Origins of Inequality,” in The Portable Enlightenment Reader
Rousseau, The Social Contract, in The Portable Enlightenment Reader
Kant, “Perpetual Peace,” in The Portable Enlightenment Reader
Film: Gattacta
Week 6 (October 11)
Fromm, Marx’s Concept of Man
Marx and Engels, Manifesto of the Communist Party
Bronner, Ideas in Action, Ch. 7
Film: Snowpiercer
Week 7 (October 18)
Bellamy, Looking Backward
Film: Sleeper
Week 8 (October 25)
Schmitt, Political Theology
Bronner, Ideas in Action, Ch. 8
Film: The Trial
Week 9 (November 1)
Zamyatin, We
Bronner, Ideas in Action, Ch. 9
Film: Blade Runner
Week 10 (November 8)
Freud, Civilization and its Discontents
Film: Equilibrium
Week 11 (November 15)
Orwell, 1984
Film: V for Vendetta
Week 12 (November 29)
Marcuse, Eros and Civilization
Bronner, Ideas in Action, Ch. 14
Film: A Clockwork Orange
Week 13 (December 6)
Moore and Gibbons, Watchmen
Film: The Prisoner (pilot)
Week 14 (December 13)
Conclusion
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