National Association of Schools of Music faculty record report



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Phillip Ying

Associate Professor of String Chamber Music

Associate Professor of Viola

Chair, Chamber Music Department


Phillip Ying, as violist of the Ying Quartet, performs regularly across the United States, Europe and Asia. Recent appearances include engagements in New York, Chicago, Los Angeles, Philadelphia, San Francisco, Houston, and Washington, DC, Australia, France, Mexico, and Taiwan among many others. During summers, he has performed at the Marlboro, Seattle, Tanglewood, Caramoor, Norfolk, Aspen, Colorado, Bowdoin, Skaneateles and Montana summer music festivals. He recently won a Grammy award for his work with the Ying and Turtle Island String Quartets, has been previously nominated for a Grammy award for his work with the St. Lawrence String Quartet, and is a recipient of the Naumburg Award for chamber music. Mr. Ying has also been presented numerous times in recital and as a soloist with orchestras such as the Chicago Symphony and the Aspen Festival Chamber Orchestra. With the Ying Quartet, Mr. Ying maintains a vital interest in new music, with recent and planned premieres of works by Chen Yi, Augusta Read Thomas, Michael Torke, Tod Machover, Kevin Puts, Bernard Rands, Ned Rorem, Jennifer Higdon, and Paquito D’Rivera, and is currently pursuing a multi-year commissioning project with the Institute for American Music. He has been recorded by Telarc, Quartz, EMI, Albany and Elektra.

In addition to enjoying a highly successful performing career, Mr. Ying is committed to presenting the arts in creative, unexpected and diverse ways. In 1992, he received a two-year grant from the National Endowment for the Arts to promote chamber music in rural Iowa. Since that time, he continues to be involved in many other projects designed to explore expanded performance concepts as well as the educational and community-building potential of classical music in cities and towns across the United States. Recent projects include partnerships with the La Jolla Music Society and Tod Machover using hyperscore technology, a performing residency at Symphony Space in New York City featuring multidisciplinary presentations, and tours and recordings with the Turtle Island String Quartet.

Mr. Ying is an Assistant Professor of Viola and an Associate Professor of Chamber Music at the Eastman School of Music. Since 2001, the Ying Quartet has also been named the Blodgett ensemble in residence at Harvard University. In addition, Mr. Ying currently serves as President of Chamber Music America, a national service organization for chamber music ensembles, presenters and artist managers, and has been published by Chamber Music magazine. He is a frequent speaker, panelist, and outside evaluator on subjects such as arts-in-education and chamber music residencies, and served on the national jury for the 1999 Coming Up Taller Awards. Mr. Ying has also taught at Northwestern University, Interlochen, and the Brevard Music Center. He received his education at Harvard University, the New England Conservatory, and the Eastman School of Music, and has studied principally with Martha Katz, Walter Trampler, and Roland Vamos.

See Ying Quartet

National Association of Schools of Music

FACULTY RECORD REPORT

(Required for each full-time and part-time faculty member)

Institution Eastman School of Music, University of Rochester

Name Zeitlin, Zvi Date June 30, 2012

Rank (check one): None Professor Associate Professor Assistant Professor

Instructor Teaching Assistant Other (check “None” if no rank system exists)



Tenure Status Tenured Tenure-track Non-tenured

Date of Appointment 1 September 1967 Deceased: 2 May 2012

Nature of Assignment: Full-Time Part-Time – please indicate the fraction (e.g., ½, ¼, etc.)

Level of Teaching (check all that apply): Non-Degree-Granting – Elementary/Secondary Non-Degree-Granting – Postsecondary

Associate Baccalaureate Masters Doctoral



Administrative Position (if applicable):


  1. Education and Training

Degrees, Diplomas, etc.InstitutionDate Completed

or ExpectedMajor FieldMinor FieldBachelor of ArtsThe Juilliard School1939Violin
B. Teaching Assignment

1. If you give instruction in applied music in individual lessons, please supply the following information:

I teach (e.g. , piano, voice, composition) Violin . This term, I devote

8.5 clock hours to this type of teaching each week.

2. Please supply the following for lecture or ensemble courses you teach regularly over a three-year period. Include

non-credit courses.

Course Number and TitleHours Credit

Per TermClock Hours of

Teaching Per WeekStudio Class01 hr. 30 min.


  1. Biography and Curriculum Vitae

  2. Biography on reverse side of this sheet.

  3. Curriculum Vitae available on site.

NASM Faculty Record Report Eastman School of Music 2012



Zvi Zeitlin

Distinguished Professor of Violin

Born in Dubrovna, Belarus, Zvi Zeitlin was raised and educated in Israel, where he attended the Hebrew University in Judaic Studies (1940-43). At age 11, he became the youngest scholarship student in the history of the Juilliard School. Receiving a diploma and postgraduate diploma from Juilliard, Zeitlin studied with Sascha Jacobsen, Louis Persinger, and Ivan Galamian. He served in the British RAF (1943-46) and concertized for British, American, and Soviet troops throughout the Middle East and Greece.

He has made solo appearances with the New York, Los Angeles, and Israel philharmonic orchestras; the Boston, Chicago, San Francisco, and Vienna symphonies; La Scala, Concertgebouw, BBC, and New Philharmonia of London orchestras; Orchestre National de France and Orchestre de la Suisse Romande. Zeitlin has made frequent tours of Europe, Australia, New Zealand, and Central and South America.

He premiered the Schoenberg Violin Concerto in Buenos Aires (1964); it was recorded with Rafael Kubelik and the Bavarian State Orchestra for DGG in 1971. It was reissued recently as “20th Century Classics” and is now a collector’s item. Gunther Schuller’s Concerto was commissioned by the Eastman School of Music as part of Zeitlin’s appointment as Kilbourn Professor in 1976. Zeitlin premiered it at the 1976 Lucerne Festival with the composer conducting. He then performed it in the U.S, Europe, and Australia with the Utah Symphony, the Boston Symphony, the Baltimore Symphony, the Halle Orchestra in England, the Frankfurt Radio Orchestra in Germany, and in Sydney, Australia. Zeitlin edited and published a newly discovered concerto by Pietro Nardini for G. Schirmer. He also has recorded for Vox, CRI, Gasparo, Pantheon, and Musical Heritage. Articles by Zeitlin were published in Strings in 1990 and 1995.

Zeitlin has taught master classes at most major schools in the U.S. and Canada, as well as in Great Britain, Germany, Norway, Sweden, Japan, Korea, and China, and most recently in Copenhagen and Prague (2002). He holds annual master classes at the Royal Academy of Music, Guildhall School of Music and Drama, and Yehudi Menuhin School. He has been a faculty member at the Music Academy of the West since 1973, and a visiting professor at Chetham’s School of Music and Royal Northern College of Music, Manchester, England since 1992. He has judged such violin competitions as Montreal, Indianapolis, John D. Rockefeller, and the Concert Artists Guild.

Zeitlin joined the Eastman faculty in 1967, and was named its first Kilbourn Professor in 1976 and Distinguished Professor in 1998. He is a founding member of the Eastman Trio (1976-1982). In 2004, Zvi Zeitlin was the recipient of the University of Rochester’s Edward Curtiss Peck Award for Excellence in Teaching Undergraduates.

Mr. Zeitlin’s students occupy concertmasterships and other leading positions in many major orchestras in the United States, Canada, Europe, Australia and other parts of the world; hold important positions in universities and music schools worldwide; and are major prizewinners in international and regional competitions.

Deceased: May 2, 2012.



National Association of Schools of Music

FACULTY RECORD REPORT

(Required for each full-time and part-time faculty member)

Institution Eastman School of Music, University of Rochester

Name Zohn-Muldoon, Ricardo Date June 30, 2012

Rank (check one): None Professor Associate Professor Assistant Professor

Instructor Teaching Assistant Other (check “None” if no rank system exists)



Tenure Status Tenured Tenure-track Non-tenured

Date of Appointment 1 July 2002

Nature of Assignment: Full-Time Part-Time – please indicate the fraction (e.g., ½, ¼, etc.)

Level of Teaching (check all that apply): Non-Degree-Granting – Elementary/Secondary Non-Degree-Granting – Postsecondary

Associate Baccalaureate Masters Doctoral



Administrative Position (if applicable): Chair: Composition Department


  1. Education and Training

Degrees, Diplomas, etc. InstitutionDate Completed

or ExpectedMajor FieldMinor

FieldBachelor of ArtsUniv. of California, San Diego1986Composition, GuitarMaster of ArtsUniv. of Pennsylvania, Philadelphia1991CompositionDoctor of PhilosophyUniv. of Pennsylvania, Philadelphia1993Composition

B. Teaching Assignment

1. If you give instruction in applied music in individual lessons, please supply the following information:

I teach (e.g. , piano, voice, composition) COMPOSITION . This term, I devote

6 clock hours to this type of teaching each week.

2. Please supply the following for lecture or ensemble courses you teach regularly over a three-year period. Include non-credit courses.



Course Number and TitleHours Credit

Per TermClock Hours of

Teaching Per WeekFall: CMP 291-491/293-493/295/297: CMP Symposium11 hr. 25 min.Spr: CMP 292-492/294-494/296/298: CMP Symposium11 hr. 25 min.Fall: CMP 591: What’s in a Word?32 hrs. 50 min.Fall/Spring: CMP 251/252 Fundamentals of Orchestration

(8 students)21 hr. 50 minFall/Spring: CMP 101/102 Freshman Composition Course

(3 students)32 hrs. 30 min

  1. Biography and Curriculum Vitae

  2. Biography on reverse side of this sheet.

  3. Curriculum Vitae available on site.

NASM Faculty Record Report Eastman School of Music 2012




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