Reception



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2017 Other Words Conference
Food For Art:

Whatever You Eat, There You Are”
Thursday, October 12th
6:00 p.m. Early Registration

Vaughn Center Lobby

6:30-7:30 p.m.             Reception hosted by The University of Tampa


Vaughn Center, 9th Floor, Crescent Club

7:30-9:00 pm              Welcome and Evening Reading


Together in the pot
With our lives
Chopped like onions.

from The Soup by Charles Simic 
Please join a round table of bay area poets to open the Other Words Conference and welcome participantsHosted by Saint Petersburg's Poet Laureate, Helen Wallace.  Readers include Greg Byrd, Silvia Curbelo, Laura DeSousa, Chelsea Dingman, Phyllis McEwen, Peter Meinke, Don Morrill, Gloria Muñoz, Rhonda J. Nelson, Gianna Russo, Enid Shomer.

Vaughn Center, 9th Floor, Crescent Club

Friday, October 13th
7:30 am Book fair set-up. Registration opens. Coffee and Refreshments

Vaughn Center Lobby
8:45-10:00 am Editors’ Roundtable.

Polly Buckingham (Willow Springs), Katherine Conner (Gris-Gris), Nick DiChario (Voices in Italian Americana), Shane Hinton, (We Can't Help It If We're From Florida), Donna J. Long (Kestrel), Katie Riegel (Sweet), Gianna Russo (YellowJacket), Jay Snodgrass (Anhinga). Vaughn Center, 2nd floor, Reeves Theater

Soulful Sustenance: Cleansing Your Palate of Stale Words. Allison Amaro, Amanda Forrester, Chondell Villines. Bitter, sweet, sour, salty, savory: experiencing routine tastes and defining them in new, engaging ways brings soulful sustenance to the writing table.  In workshop, participants will absorb familiar flavors and explore new language to explain everyday experiences with food.  Tasting exercises, writing prompts and discussions help writers expand their vocabulary pantry. Vaughn Center, 9th Floor, Crescent Club
Teaching Table Manners: Food-Related Themes in English Pedagogy. Katherine Conner, Michael Cooper, April Blevins Pejic, Melissa Remark. Discussing tried-and-true examples of fiction, poetry, and creative nonfiction, four instructors discuss utilizing kitchen scenes in creative writing pedagogy. Topics include employing characterization through foods, their preparation, and consumption; pre-writing heuristics relating to foods; and discovering our identities as writers through the regional cuisines with which we are most familiar.

Vaughn Center, 9th Floor, Board Room

10:15-11:30 am Sponsored Reading: YellowJacket Press.

Taryn Alexander, Wendy Buffington, Casey Clague, Pamela Hill Epps, Amanda J. Forrester, Yuki Jackson, Jesse Millner, Matthew J. Mobley, Thea Nicolaides, Barbra Nightingale, JD Scott

Vaughn Center, 2nd floor, Reeves Theater
The Gates of the Heart

Alice Friman, Ken Hart, Patricia Waters, Marty Williams. The sensuality of wine and mead and their related distillates, brandy and whiskey, shares an ancient affinity with poetry, as they have all been offered up ceremoniously to the gods and our muses. The panel will explore, in moderation, this relationship in its various forms as an inspiration and as a means of honoring community. 

Vaughn Center, 9th Floor, Crescent Club
Go Ask Alice: Nibbles, Sips, and Little Pills to Make You Ten Feet Tall

Suzannah Gilman, Susan Lilley, Katie Riegel, Lisa Lanser Rose, Leslie Salas.

Writers from The Gloria Sirens discuss certain substances—tinctures, teas, minerals, medicines, smoke, herbs, booze, you name it, we’ve tried it. We take a candid look at how ingestion affects imagination, memory, focus, and experience. From getting high to having babies, getting published to getting divorced, join us for a long, honest look at the bite that made the difference.



Vaughn Center, 9th Floor, Board Room

11:45-1:00 p.m. Fiction Workshop, “Writing the Short Short Story”—Jason Ockert.



(Registration fee required)

While people have been telling mini-stories since the creation of language, the genre has been famously traced to Ernest Hemingway’s six-word story, "For sale:  Baby shoes.  Never worn.”  In this workshop we will scrutinize several short short stories and examine a variety of narrative techniques, including how writers wrap stories around individual sentences. You will also write your own short short story around a sentence I provide. Sykes Chapel, Room 107A


Poetry Workshop, "An Appetite for Verse"—Sandra Beasley. (Registration fee required) "First we eat, then we do everything else,” wrote M.F.K. Fisher. Food writing creates not only bright, specific images and sensory details, but an opportunity for additional consideration of history, economics, and ethnic identity. We’ll discuss our motivations for centering our poems on food, as well as the potential pitfalls, via close reading of several canonical and contemporary models.

Sykes Chapel, Room 107B
Playwriting Workshop. “The Pleasures of Playwriting and Recipes to Feed the Audience: Appetites, Sensuality, Characters, and Themes”Frances Auld

(Registration fee required)

Cultural cannibals (aka playwrights) are alive to the pleasure of consuming ourselves with literary/theatrical productions. We ask how we can use senses and sensuality to enrich our work? We endeavor to unleash sensation in a person sitting in the audience, distinct from the real imagined action on stage. We will develop recipes for writing that whet and fulfill sensory appetite. To paraphrase Chaucer, to teach (or get them to sit still), we must first delight.



Sykes Chapel, Room 109
Print Arts Workshop, “Handpress Printing at the Tampa Book Arts Studio” —Richard Mathews. (Registration fee required)

An introductory workshop in printing handset type on the nineteenth-century iron Washington hand press once owned by the American woodcut artist J. J. Lankes, who printed his blocks for first editions by Robert Frost, Sherwood Anderson, and others on this press.  Materials and printer’s aprons will be available for use during the workshop. Participants will complete a souvenir notecard to take home. Tampa Book Arts Studio


1:15-2:30 p.m. Sponsored Reading: We Can't Help It If We're From Florida, (anthology)

Kristen Arnett, Shane Hinton, Jason Ockert.

The anthology We Can’t Help It If We’re From Florida showcases poetry, fiction, and nonfiction from writers whose lives and work have been colored by their time in the state. Contributors to the anthology will discuss how they use Florida in their creative process and how the formative places in their lives continue to surface in unexpected ways.



Vaughn Center, 2nd floor, Reeves Theater
A Literary Feast: Exploring Food as Sensory Memory and the Heart of Poetry and Prose. Jocelyn Bartkevicius, Susan Lilley, Donna J. Long, Wendy Rawlings.

These writers approach food as sensuous textures and aromas, passageways to forgotten pasts, transformations from body to soul to revelry. Our panel of poets, essayists, and fiction writers will discuss building imagery, metaphor, character, and story from remembrances of foods past.

Vaughn Center, 9th Floor Crescent Club
Writing What We Eat: Crafting the Culinary in Our Writing. Jen Karetnick, M.B. McLatchey, Catherine Esposito Prescott, Neil H. Spirtas. Writing about food is almost always about something else: memory, culture, sex, love or loss. This panel of award-winning authors in poetry and in the culinary arts will explore two craft issues: First, how writers captivate readers by captivating their senses; second, how a simmering pot can signal simmering themes.

Vaughn Center, 9th Floor, Board Room
2:45-4:00 p.m. Sponsored Reading: Kestrel. Donna J. Long (editor/moderator). Molly Fuller, John Gifford, Lynne Knight, Bob Kunzinger.

Vaughn Center, 2nd floor, Reeves Theater
The MFA Experience

Steven Berry, Beth Engelman, Alysia Sawchyn, Jay Thompson. Current and former MFA students from The University of Tampa and University of South Florida discuss their decision to pursue a graduate degree in writing, how they used their degrees to create local literary communities, expand their publishing opportunities, and begin new careers as writers and educators.

Vaughn Center, 9th Floor Crescent Club
The Intimacy of Food: Love and Sensuality in Contemporary International Poetry. Erin Belieu, Maari Carter, Zach Linge, Jayme Ringleb. Contemporary literature is replete with erotic and romantic love poems containing images of food, dining, consumption, and engulfment. From Pablo Neruda to Rita Dove, this panel will explore the practice of poets who use food to deepen and complicate the poetics of love in both its triumphs and failures.

Vaughn Center, 9th Floor Board Room

4:15-5:30 p.m. Other Words Faculty Reading

Jocelyn Bartkevicius, Ryan McIlvain, Ira Sukrungruang,

Vaughn Center, 2nd floor, Reeves Theater

5:30-6:30 pm Special Event: Open House at the Tampa Book Arts Studio



You are cordially invited to drop by the letterpress laboratory of the University of Tampa Press for an informal tour of its antique presses and printing equipment, which dates mostly from the 1840s-1940s. You can even print yourself a free keepsake to commemorate your visit.  The Studio is located in Room 103 of the Edison Building, across North Boulevard from the Thomas Parking Garage. Enter from the North Boulevard entrance or from the back door. Tampa Book Arts Studio
6:00 p.m. Book Fair and Registration Close for the

Evening

8:00 p.m. Reception and Evening Reading



Featured authors, Sandra Beasley, Jason Ockert.

Scarfone/Hartley Art Gallery


Saturday, October 14th
7:30 am Registration opens. Coffee and Refreshments

Vaughn Center Lobby
8:45-10:00 am Sponsored Reading: Voices in Italian Americana, “Cooking Up New Folktales with Old Ingredients” Nick DiChario, Editor, Holly Masturzo, Delaney Rose, Lisa Lanser Rose.

The panelists read from a special issue of Voices in Italian Americana, explore the magical powers of food, and provide tips on how to confront cultural appropriation, blend traditional folktale elements with new themes, conjure a setting in which the supernatural is natural, and have fun with the recipe. 

Vaughn Center, 2nd floor, Reeves Theater
The Value of High School Literary Magazines: Development and Support

Jacqueline Edwards, Dylan Emerick-Brown, Brian Lysholm, Israel Matamoros.

Howl (www.DeltonaHowl.com) is the student-run literary magazine for Deltona High. Students have gained experience in the literary arts through writing, editing, and publishing literature from around the world, community engagement, and interviewing acclaimed writers. It’s a model to share and support.

Vaughn Center, 9th Floor Crescent Club

From Fact to Fiction: Making Story from Real Events.

Dorothea Bonneau, Anne DaVigo, Dorothy M. Place. A writer's essential task is to make fiction inspired by real events. The three panelists will use examples from writers such as William Faulkner, John Updike, and Joyce Maynard as well as describe how they wrote a fiction novel based on a factual or historical occurrences.

Vaughn Center, 9th Floor Board Room
10:15-11:30 am Sponsored Reading (UCF/UT MFA): Erica Dawson, Brenda Peynado, Terry Ann Thaxton

Vaughn Center, 2nd floor, Reeves Theater
Finding the Spice in Writing Food and Fictional Narratives. Julieanna Blackwell, Amy Edwards, Amy Christine Parker, Kate Sullivan. Four writers from WordSmitten Media present concepts for fiction and food fans and discuss authors (Tom Robbins, James Michener, Roald Dahl—Charlie and the Chocolate Factory)who bring food to the narrative.

Vaughn Center, 9th Floor Crescent Club
Apples and Stars: A Geography of Fruit. Michael Hettich, Sean Sexton, Spencer Wise, Lisa Zimmerman. Panelists will share poems and stories about the significance of fruits on their tables, in their gardens, and for their lives. The fruits of various regions will be discussed and appreciated.

Vaughn Center, 9th Floor Board Room
11:45-1:00 p.m. Creative Nonfiction Workshop, “Savage Desire: Discovering Story in Literary Nonfiction”—Jocelyn Bartkevicious.

(Registration fee required)

As Cheryl Strayed said, “Behind every good essay there’s an author with a savage desire to know more about what is already known.” We will dig into memory for the secrets and stories hidden in what we think we already know. We’ll use writing exercises and passages from published essays as ways to explore and shape pieces of the past into compelling narratives.



Sykes Chapel, Room 107A
Fiction Workshop, “There's Something I Need You To Do: Making Characters and Plots Come Alive”—Ryan McIlvain.

(Registration fee required) In this workshop open to writers of all levels and experience, we'll look at how cause and effect can jumpstart your plots and deepen your characters at the same time, looking at idea that stretch back at least as far as Aristotle's Poetics. Two thousand years of fiction theory and craft, in other words—and you'll get it in under three hours, with plenty of room for fun conversation and practice in what we'll preach. Sykes Chapel, Room 107B
Poetry Workshop, “Shadowing: Writing Imitation Poems”—Ira Sukrungruang.

(Registration fee required)

Poetry has a tradition of speaking back to each other—the Romantics to the contemporary. In this workshop we will be reading and analyzing imitation poems and writing our own.



Sykes Chapel, Room 109
1:15-2:30 p.m. Sponsored Reading: University of Tampa Press and All Nations Press.

Geoff Bouvier (UTP), Michael Hettich, (UTP) Linda Heuring (ANP)



Vaughn Center, 2nd floor, Reeves Theater
Road Kill—When Travel and Food Collide. Rupert Fike, Ken Hart, Bob Kunzinger, Jane Varley. Four writers will discuss their own attempts, both successful and not, at writing about food while traveling. From Ireland to Alaska to Siberia and afar, readings and discussions will focus on the art of both food and writing.

Vaughn Center, 9th Floor Crescent Club
Grits, Yoohoo and Fried Fish: Southern Food in Florida Lit. Greg Byrd, Patrick Crerand. Food in Florida literature reflects family and local culture in ways unique to the state and to its own foods.

Vaughn Center, 9th Floor Board Room
2:45-4:00 p.m. Sponsored Reading: Anhinga Press.

Kelle Groom, Andrea Jurjević, Mia Leonin, Patti White.



Vaughn Center, 2nd floor, Reeves Theater
Serve it Forth: Using Food to Teach Essay Writing.

Kevin Ip, Ira Sukrungruang, Alysia Sawchyn, Kevin (K.C.) Wolfe

This panel will focus on how the discussion and incorporation of food can shape different types of narratives within Creative Nonfiction narratives whether it'd be immigrant, trauma, cultural, or even pedagogy.

Vaughn Center, 9th Floor Board Room
4:15-5:30 p.m. Special Author’s Reading

Tampa Bay Writers Craig Pittman and Cathy Salustri and Former OW Faculty Poet Lisa Zimmerman.



Vaughn Center, 2nd floor, Reeves Theater
6:00 p.m. Book Fair and Registration Close
8:00 p.m. OW Flash Play Festival

Join Carrie J. Cole, Director as she announces the winners of the 2017 OW Flash Play Contest. Actors Frances Auld, Ann LaBar Russek, and fellow OW participants will then perform the winning plays submitted by you—or the person next to you. It’s a hearty stew of belly-laughs, improvisation, spontaneous combustion, and rich, guerilla-style performance.

Vaughn Center, 2nd floor, Reeves Theater

Other Words 2017 Participants
Allison Amaro is an MFA candidate in fiction at The University of Tampa in Tampa, Florida. She was an editorial intern at AGNI Magazine in Boston and a marketing assistant at Academic Studies Press in Brighton, Massachusetts. She has been a secondary English teacher since 2012. Originally from Miami, Florida, she now resides in St. Petersburg, Florida.
Kristin Arnett is a fiction and essay writer who has held fellowships at  Kenyon Review, Tin House,  and  Lambda Literary Foundation.  She was awarded Ninth Letter's 2015 Literary Award in Fiction, was runner-up for the 2016 Robert Watson Literary Prize at The Greensboro Review, and was a finalist for Indiana Review's 2016 Fiction Prize. Her work has appeared or is upcoming at North American Review,  The Normal School, Volume 1 Brooklyn, OSU's The Journal, Catapult, Bennington Review, Portland Review, Tin  House Flash Fridays/The Guardian, Salon, The Rumpus, and elsewhere. Her debut story collection, Felt in the Jaw, will be published by Split Lip Press in 2017. She is represented by Pande Literary Agency.
Taryn Alexander serves on the board of YellowJacket Press. A playwright, poet and editor, she has been published in Emerge Literary Journal, Sleet Magazine and has a poem to be published in the forthcoming issue of Louisiana Literature. She recently returned from a theater festival in New York City after producing “Call it in the Air," a new musical she co-wrote. Taryn loves comedy and is currently studying improv. She received her BA in creative writing from USF.
Frances Auld teaches, acts, and writes. As Coordinator of the Honors Program and Assistant Professor of Languages and Literature at State College of Florida, she makes students use Barbie Dolls to act out courtly love triangles and write poetry from the POV of Aristotelian insects. Her most recent performances include being a table and a time-traveling archeologist. She writes academic stuff about monstrous bodies, fiction, poetry, and, of course, plays. Her most recent nonfiction includes “In the Flesh: The Politics of Apocalyptic Memory” in The Last Midnight, Essays in Apocalyptic Narrative; her fiction has appeared in Dissections: The Journal of Contemporary Horror. She is remarkably cheerful for someone who writes about and analyzes monsters, cannibals, and contemporary popular culture.
Jocelyn Bartkevicius has received the Missouri Review Essay Award, The Annie Dillard Award in Creative Nonfiction, the Iowa Woman Essay Prize, and the John Guyon Literary Nonfiction Prize. Her work has appeared in The Hudson Review, The Missouri Review, The Bellingham Review, The Iowa Review, Fourth Genre, TriQuarterly, Crab Orchard Review, Gulf Coast, Bridges, and Sweet, and elsewhere including Waveform: Twenty-First Century Essays by Women, edited by Marcia Aldrich.
Sandra Beasley is author of three poetry collections—Count the Waves, I Was the Jukebox, and Theories of Falling—as well as the memoir Don’t Kill the Birthday Girl: Tales from an Allergic Life. She edited the forthcoming anthology, Vinegar and Char: Southern Food in Verse, produced with the Southern Foodways Alliance and the University of Georgia Press. Honors for her work include a 2015 NEA Literature Fellowship, the Center for Book Arts Chapbook Prize, and three DC Commission on the Arts and Humanities Artist Fellowships. She lives in Washington, D.C., and is on the faculty of the low-residency MFA program at the University of Tampa.
Erin Belieu is the author of four collections of poetry, all from Copper Canyon Press. These include Infanta, which was selected by Hayden Carruth for the National poetry Series in 1995, and which was named a best book of the year by the National Book Critics Circle. Her most recent collection, Slant Six was named a top ten book of the year by the New York Times Book Review.
Steven M. Berry is a writer and educator from Brandon, Florida. He currently holds positions as an adjunct English instructor at Hillsborough Community College and the University of Tampa. He received his MFA in Fiction from the University of Tampa.
Julieanna Blackwell is a member of the editorial board for 805lit.org, a Literary and Arts Journal. Julieanna is part of the first literary journal published by a public library in the country. A native Chicagoan, she lives in Southwest Florida where she is finishing work on a collection of short stories. A member of the WordSmitten Writing Workshop, she brings delicious things to nibble on for all the workshop writers. She is their goddess of goodies. 

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