Beyond human correction, 'None may teach it—Any .' Though it penetrates it leaves 'no scar' ie no outward sign of hurt nor of healing
What it leaves is 'internal difference,' the mark of all significant 'Meanings. ' When the psyche is once stricken with the pain of such knowledge it can never be the same again. The change is final and irrevocable, sealed.
Redemption must be preceded by cscness of mortality & the Fall
« internal difference » : csness of the fall __ knowledge/csness
Consciousness of death
_ winter afternoons : a sense of an ending
_ cathedral tunes : solemn, majestic, like organ music __ Pealing bells suggestive of a funeral
_ seal : on official letter
A moment of stillness, poise ("the landscape listens, Shadows hold their breath")
Interiority __ pathetic fallacy
NB : Pathetic fallacy transition ½
External condition of nature induces in her a certain feeling or mood.
Depression = a lens thru wh meaning is perceived
Nature = expression of the self : solipsism , world as merely a projection of poet’s inner life
Synesthesia : light waves become sound waves and waves of pain __ everything comes back to the speaker : the light, internalized, registers as despair and is understood as death.
Personalized death __ the failure of naturalized death ie of experiencing it as part of nature, in a more indiferent, de-humanized way __ the real escape from mortality
Poem is about correlatives
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
(TS Eliot, « Hamlet and His problems »)
Interior transformations generated by exterior wld which in turn color exterior wld
Slant light given a slant figural meaning that is felt obliquely (becomes explicit in ccl; here intimation of death becomes death itself
Thus knowledge, or csness, never direct but anagogical, relational
Perception of Absence
Description of pain : impossible as such since pain a sort of vacuum outside time and space __ a formless thing that must be expressed in symbols that wld make it accesssible
Elsewhere : substance alternates with abstraction ; here unsubtantial vehicle fot sth amorphous
__ light as stimulus : no description but emotional resonance
« it »
« heavenly hurt, it gives us » : antecedent is slant of light ; but also refers, to figure « heavenly hurt » __ center of the metaphor, ie light as despair
Passage from light to sound ‘heft of cathedral tunes » vibration, waves
« air » also insubstantial
Where to locate meaning ?
_ meaning as manifestation of divine order : « out there »
_ meaning as generated within the self (light what initiates a reshuffling within the psyche)
Not really a « either/or » debate __ fusion of the two in metaphor shows analogy between the two, their equation in perception
Paradox or ultimate adequacy of imagery : image of departure departs itself _ ray disappears "'tis like the distance / On the look of death." Symbol of impermanence itself a fleeting moment __ interplay presence /absence
Slant light // slant meaning
Evanescence : no « landscape » proper : no tress, no snow, no fields