Brian rust jazz records, 1917–1934 / Free Personal-Use Edition Not for sale; all commercial use is prohibited. For personal, non-commercial use only. Notice
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- BROADWAY SEVEN
- EUGENE BROCKMAN AND HIS DANCE ORCHESTRA See the Arcadians Dance Orchestra (Homochord D-953). IRVING BRODSKY AND HIS ORCHESTRA
- HARVEY BROOKS QUALITY FOUR
- BROWN AND TERRYS JAZZOLA BOYS
- AMANDA BROWN
- BILL BROWN AND HIS BROWNIES
- CHOCOLATE BROWN
- IDA G. BROWN AND HER BOYS
- JOHNNY BROWNS ORCHESTRA
- LINDY BROWN
- WALTER BROWN AND ORCHESTRA See (Gus) Hastons Orchestra. WILLIE BROWN AND HIS SIZZLING SYNCOPATORS
- TED BROWNAGLE AND HIS ORCHESTRA
- ALTA BROWNE AND BERTHA POWELL
- SAM BROWNE AND HIS ORCHESTRA
- ALBERT BRUNIES See the Half Way House Orchestra. GEORGE BRUNIES AND HIS NEW ORLEANS GANG
- AMY BRUNTON
- JIMMY BRYANT
THE BROADWAY REVELLERS Pseudonym on Australian Bellbird 340 for Duke Ellington and his Orchestra, q.v. BROADWAY RHYTHM KINGS Pseudonym on Regal Zonophone for the following items listed in this book: MR-2105 Bugle Call Rag (KXYZ Novelty Band) MR-2173 You Never Looked So Beautiful (Stew Pletcher and his Orchestra) MR-2414 The Goona Goo (Johnny Hamp and his Orchestra) MR-2463 Love Is Good For Anything That Ails You (Johnny Hamp and his Orchestra) MR-2540 Both sides by Teddy Hill and his NBC Orchestra
Pseudonym on Grey Gull 1190 and 1192 for the Original Memphis Five, q.v. THE BROADWAY SWINGSTARS Pseudonym on Regal Zonophone MR-2440 for Mezz Mezzrow and his Orchestra, q.v. THE BROADWAY SYNCOPATORS Ben Selvin, vn, dir: Earl Oliver, ? Hymie Farberman, t / ? Sam Lewis, tb / 2 cl, as / ts / p / ? John Cali, bj / bb / d. New York, December 6, 1922. 10462 Starlight Bay Voc 14498, Aco G-15178, Hom H-443 10463 Burning Sands Aco G-15163, Chantal 1339, Hom B-362 10464 Burning Sands Voc 14475 10466 Without You Voc 14475, Aco G-15177 NOTE: All Acos as OHIO DANCE BAND; Homochords as HOMOCHORD DANCE ORCHESTRA. Ben Selvin dir: Phil Napoleon, t / Charlie Panelli, tb / Jimmy Lytell, cl / Gus Sharp, cl, as / Loring McMurray, as, ts / Frank Signorelli, p / John Cali, bj / ? Joe Tarto, bb / Jack Roth, d. New York, April, May, 1923. 11317 Louisville Lou Voc 14586, Bel 359, Hom H-443, B-363, Sc 640 11318 Louisville Lou Voc 14586 11321 Blue Hoosier Blues Voc 14586 11322 Blue Hoosier Blues Voc 14586, Bel 359, Hom H-444 NOTE: Beltona 359 as AMERICAN DANCE ORCHESTRA; Homochords as HOMOCHORD DANCE ORCHESTRA; Scala as BROADWAY BAND. New York, May-June, 1923. 11503 I Ain't Never Had Nobody Crazy Over Me Voc 14598, Gmn 1342, Hom H-469 11504 I Ain't Never Had Nobody Crazy Over Me Voc 14598, Cymot 778 11505 Two-Time Dan Voc 14598 11506 Two-Time Dan Voc 14598, Gmn 1343, Hom H-469, B-360 Note: Guardsman 1342, 1343 as SOUTHERN DANCE ORCHESTRA; Homochord as HOMOCHORD DANCE ORCHESTRA. Second piano added*. New York, c. August 14, 1923. 11836 House Of David Blues Voc 14670, Bel 371, Gmn 1425 11837 *Since When Voc 14668, X-9387 NOTE: Beltona 371 as SOUTHERN STATES DANCE BAND; Guardsman 1423 as NEW YORK CASINO ORCHESTRA. Unknown o added for bagpipe effect. New York, August, September, 1923. 11893 Bonnie Voc 14670, Aco G-15301, Bel 371, 480, Hom H-521 NOTE: Aco as CLEVELAND SOCIETY ORCHESTRA; Beltona as SOUTHERN STATES DANCE BAND; Homochord as HOMOCHORD DANCE ORCHESTRA. Probably an entirely different personnel. New York, September, 1923. 11937 Sittin' In A Corner Voc 14675, Aco G-15338, Bel 399, Clm 1621, Gmn 1419, Hom H-556, Sc 677 11952 Bit By Bit You're Breaking My Heart Voc 14675, X-9386 11954 Bit By Bit You're Breaking My Heart Voc 14675 NOTE: Aco as CLEVELAND SOCIETY ORCHESTRA; Beltona 399 as AMERICAN DANCE ORCHESTRA; Coliseum 1621 as NEW YORK CASINO ORCHESTRA; Guardsman 1419 as NEW JERSEY DANCE ORCHESTRA; Homochord as HOMOCHORD DANCE ORCHESTRA; Scala as PAVILION DANCE ORCHESTRA. The jazz content of most of the foregoing titles is minimal. This name was also used as a pseudonym on the following items listed in this book. Embassy 8058 Fred Rich and his Orchestra (I Want To Meander In The Meadow) 8058 Carolina Collegians (Lover, Come Back To Me) 8091 The Rounders (Harry Reser group)
Red Nichols; Tommy Thunen or John Egan, t / Glenn Miller, tb / Jimmy Dorsey, cl, as / Pee Wee Russell, Fud Livingston, cl, ts / ? Henry Whiteman, Maurice Goffin, vn / Irving Brodsky, p / Tommy Felline, bj / Jack Hansen, bb / George Beebe, d / Irving Kaufman (as ROBERT WOOD), v. New York, October 1, 1929. 149076-1-2 If You Believed In Me - vIK Diva 3021-G, Har 1021-H, Publix 1053-P, VT 2021-V 149077-2 The End Of The Lonesome Trail - vIK Diva 3041-G, Har 1041-H, VT 2041-V 149078-2 I May Be Wrong, But I Think You're Wonderful - vIK Diva 3021-G, Har 1021-H, Publix 1063-P, VT 2021-V NOTE: Publix 1053-P and 1063-P as THE PARAMOUNTEERS.
This was one of the pseudonyms applied to the house band in the Dominion studios during that label's short life (November, 1928 - May, 1930). The probable personnel for the two undermentioned titles is as follows; there may be others meriting inclusion here. Jay Wilbur dir: Max Goldberg, Lloyd Shakespeare, t / Tony Thorpe, tb / Jimmy Gordon and another, cl, as / George Clarkson, cl, ts / Norman Cole, vn / Billy Thorburn, p / Dave Thomas, bj, or Bert Thomas, g / Harry Evans, bb / Jack Kosky, d / Eddie Grossbart, v. London, September, 1929. 1514-2 Come On, Baby - yEG Dn A-195 London, c. December, 1929. 231 'Tain't No Sin - vEG? Dn A-265
HARVEY BROOKS' QUALITY FOUR Vocal, acc. by Leon Herriford, cl, as / Paul Howard, cl, ts / Harvey Brooks, p / Henry "Tincan" Allen, d / possibly k. Hollywood, CA, c. February, 1924. 39; 137 / 139 Down On The Farm Hwd 1022
40 Mistreatin' Daddy - vJD Hwd 1008
41; 133 / 134 If You'll Come Back - vJD Hwd 1021
42; 135 Nobody's Sweetheart Hwd 1021
43 Frankie And Johnny Hwd 1008
44; 144 Who Will Get It? - vJD Hwd 1022
NOTE: All issues with vocals as JESSIE DERRICK WITH BROOKS' QUALITY FOUR. BROWN AND TERRY'S JAZZOLA BOYS Unknown c / tb / cl / p.bj / d. New York, June, 1921. 7980-A The Darktown Strutters' Ball OK 8006
7982-A Hesitating Blues OK 8006
7983-A Saxophone Blues OK 8017
NOTE: Matrix 7981 is untraced. New York, late September, 1921. 70185-A Yelping Hound Blues OK 8018
70186-B All By Myself OK 8014
70187- Jump Steady Blues OK 8021
70188-B Down By The Old Swimming Hole OK 8017
70189-A Anna In Indiana OK 8014
70190-A Aunt Hagar's Blues OK 8018
ADA BROWN Vocal, acc. by Bennie Moten's Kansas City Orchestra: Bennie Moten, p, dir: Lammar Wright, c / Thamon Hayes, tb / Woodie Walder, cl / Sam Tall, bj / Willie Hall, d. St. Louis, September, 1923. 8456-A Ill-Natured Blues OK 8123 8458-A Evil Mama Blues OK 8101, Par E-5260 8462-A Break O' Day Blues OK 8101, Par E-5260 NOTE.- Matrices 8457, 8461, and 8463 are by Mary H. Bradford, q.v., and 8459 and 8460 are by Bennie Moten's Kansas City Orchestra, q.v. Acc. by George Mitchell, c / Albert Nicholas, cl, as / Barney Bigard, ts / Luis Russell, p / Johnny St. Cyr, bj / sp (-1) ("Piano, banjo, and saxophones" according to the labels). Chicago, March 10, 1926. E-2624 / 25W Panama Limited Blues Voc 1009 E-2626 / 27W Tia Juana Man (-1) Voc 1009 Acc. by Porter Grainger, p. New York, May 2, 1929. 401848-B Down Home Dance OK 8694
401849-A Crazy 'Bout My Lollypop OK 8694
ALBERTA BROWN Vocal, acc. by c / cl / p / bb. New Orleans, April 25, 1928. 146188-2 Lonely Blues Col 14321-D 146189-2 How Long Blues Col 14321-D See also Will Day. AMANDA BROWN Pseudonym on Columbia, Pathé Actuelle, and Perfect for Viola McCoy, q.v. BESSIE BROWN Vocal, acc. by Roy Smeck (as ALABAMA JOE), g. New York, July 3, 1924. 81861-1 How Can I Get It (When You Keep On Snatching It Back?) Col 14029-D 81862-4 Hoodoo Blues Col 14029-D Acc. by ? Fletcher Henderson, p. New York, July 29, 1924. 81890-1-2-3-4 My Right Hand Man Col unissued Acc. by Coleman Hawkins, ts / Fletcher Henderson, p. New York, August 19, 1924. 81916-3 Mississippi Delta Blues Col 14036-D 81924-4 Pork Chop Blues Col 14036-D NOTE: Matrix 81917 is by George Williams, q.v.; 81918-81923 inclusive are by Stovepipe No. 1 (see Blues and Gospel Records, 1890-1943). This is not the same Bessie Brown as the following artist.
ORIGINAL BESSIE BROWN: Vocal, acc. by unknown p. New York, c. November 4, 1925. 106379 Them "Has Been" Blues PA 32156, Per 12235 106380 Papa De Da Da PA 32156, Per 12235 Vocal, acc. by c / ? Charlie Irvis, tb / Bennie Moten, cl / Clarence Williams, p / bj. New York, early July, 1926. 6706-1 What's The Matter Now? Ban 1833, Dom 3781, Re 8143 6706-2-3 What's The Matter Now? Or 698 6707-1 How Could I Be Blue? Or 698 6707-2-3 How Could I Be Blue? Dom 3781 NOTE: Oriole as CAROLINE LEE, with HOW COULD I BE BLUE? retitled SOMEONE LIKE YOU AROUND ME. Acc. by c / ? Charlie Irvis, tb / Bennie Moten, cl / Clarence Williams, p / bj. New York, August, 1926. ? -2 Señorita Mine Or 716 6767-2 Ain't Much Good In The Best Of Men Now Days Or 716 6767-3 Ain't Much Good In The Best Of Men Now Days Ban 1833, Re 8143 NOTE: Oriole as CAROLINE LEE. The first title is not by Brown, but by an unknown, possibly white, singer. Acc. by her Jazz Band. New York, September, 1926. 6813-1 Nobody But My Baby Is Getting My Love Ban 1859, Dom 3829, Or 771, Re 8171 6813-2 Nobody But My Baby Is Getting My Love Or 771 6814-2 St. Louis Blues Ban 1859, Dom 3829, Or 756, Re 8171 6814-3 St. Louis Blues Oriole 756 NOTE: Orioles as SADIE GREEN. Acc. by vn / vc / p / d; or p only*. Chicago, January 25, 1928. C-1669 Chloe (Song Of The Swamp) Br 3817, 3761 C-1670 / 71 Can't Help Lovin' Dat Man Br unissued E-7290½ Can't Help Lovin' Dat Man Voc 15688 C-1672 *Someone Else May Be There While I'm Gone Br 3817, 3761 Chicago, April 2, 1928. E-7309- *Arkansas Blues Voc 1182
E-7310- *Sugar Voc 1182
C-1861- *Smile Br 3922
NOTE: The first two titles were originally assigned Brunswick matrix numbers C-1859 and C-1860, respectively. Acc. by her Jazz Band: c / tb / cl / p / bj / bb / d. Chicago, April 3, 1928. C-1865- Blue Ridge Br 3922
E-7289- The Man I Love Voc 15688 NOTE: The second title was originally assigned Brunswick matrix number C-1866. Acc. by Rex Stewart or Bobby Stark, t / Charlie Green, tb / Harvey Boone, cl / Coleman Hawkins, ts / Fletcher Henderson or Porter Grainger, p / Clarence Holiday, bj / ? Del Thomas, bb. New York, c. March 29, 1929. E-29531- Song From A Cotton Field Br 4409
E-29532- He Just Don't Appeal To Me Br 4409
Acc. by t / ? Charlie Green, tb / Buster Bailey, cl / Coleman Hawkins, ts / Fletcher Henderson, p, possibly Porter Grainger, 2nd p. New York, c. April 1, 1929. E-29538- 'Tain't Nobody's Fault But My Own Br 4346 E-29539- The Blues Singer From Alabam' Br 4346 BILL BROWN AND HIS BROWNIES Bill Brown, tb, dir: Billy Hicks, Charlie Johnson, t / Ralph James, cl, as / another (unknown) as / Malvin Wyatt, ts / Bill Caine, p / Harry Stevens, bj / George DeLeon, bb / Oliver Tines, d. New York, March 17, 1927. E-21986 Bill Brown Blues Br 7003, Voc 1128 E-21989 / 90 Hot Lips Br 7003, Voc 1128 Bill Brown, tb, dir: Ovie Alston, t, v / Billy Hicks, t / Rupert Cole, as, bar / Gene Johnson, as / Hubert Thompson,
E-31743- Zonky - vOA Br 7142 E-31744- What Kind Of Rhythm Is That? Br 7142 CHOCOLATE BROWN Pseudonym on Paramount for Irene Scruggs, q.v. ELIZA BROWN Pseudonym on Columbia for Ozie McPherson, q.v. FRANK BROWN AND HIS TOOTERS Pseudonym on Parlophone PNY-34154 and PNY-34156 for Duke Ellington and his Orchestra, q.v. HENRY BROWN Piano solo, with Lawrence "Papa Egg-Shell" Casey, g, speech. Chicago, May 9, 1929. C-3453- Stomp 'Em Down To The Bricks Br 7086, Creole 12 Piano solos, with Ike Rodgers, tb / ? Alice Moore, speech. Richmond, IN, August 16, 1929. 15445 Twenty-First Street Stomp - tbIR, vHB Pm 12825, Bwy 5094, Sig 909, JC L-15 15446 It Hurts So Good - tbIR / spAM Pm 12816, Bwy 5081, Cen 3003, JCL-555 15450 Henry Brown Blues (Henry Charles Blues*) Pm 12825, Bwy 5094*, Sig 909, JC L-15 15451 Screenin' The Blues - tbIR / spAM Pm 12816, Bwy 5081, Cen 3003, JCL-55 NOTE: Paramount 12816 and Broadway 5081 as IKE RODGERS (q.v. for further sides with Henry Brown); Broadway 5094 as HENRY CHARLES; Century as HENRY BROWN AND IKE RODGERS. Matrices 15447-15449 are by Alice Moore, q.v. Grafton, WI, c. February, 1930. L-178-2 Blues Stomp - tbIR / spAM Pm 12934, Cen 3020, JC L-31 L-179-1 Blind Boy Blues - tbIR / spAM Pm 12934, Cen 3020, JC L-31 L-180-1 Deep Morgan Blues Pm 12988, Cen 3013, JC L-70 L-181-1 Eastern Chimes Blues Pm 12988, Cen 3013, JC L-70
Vocal, acc. by possibly: Peter Bocage, t / John Lindsay, tb / Lorenzo Tio, Jr., cl / Steve Lewis, p. New York, February, 1924. 5429-2 Jail House Blues Ban 1343, Dom 360, Hg 906, Or 267, Re 9639 5430-2 Kiss Me Sweet Ban 1343, Dom 360, Hg 906, Or 267, Re 9639 NOTE: Domino as FLORA DALE; Harmograph as "HARMOGRAPH IDA" AND HER BOYS; Oriole as SADIE JONES, acc. by LOUISVILLE JAZZ BAND.
Instrumentation and personnel unknown. New York, June 3, 1931. 1287 Original Dixieland One-Step Br test
KITTY BROWN Vocal, acc. by Ricketts' Stars: Bob Ricketts, p, dir: t / tb / cl / bj / bb. New York, February, 1923. 71274-A Evil Blues OK 8052
71275-B Mean Eyes OK 8053
Acc. by unknown p. New York, June, 1923. 71596-B Deceitful Blues OK 8077 71597-B I Don't Let No One Man Worry Me OK 8077 Vocal duets with Leroy Morton, acc. by ? Ernest Elliott, cl / p. New York, c. May, 1924. 1782-2 He's Never Gonna Throw Me Down Pm 12223
1783-2 Keep On Going Pm 12223
Vocal, acc, by ? Edgar Dowell, p, with? Bubber Miley / Bob Fuller, cl / Billy Higgins (as JAZZ CASPER),v as shown. New York, c. September 29, 1924. 5653-3 Family Skeleton Blues - cl / p Ban 1436, Dom 413, Hg 984, Or 281, Re 9734 5654-3 I Wanna Jazz Some More - c / cl / p Ban 1437, Dom 412, Or 280, Re 9733 5655-3 Keep On Going - c / p / vJC Ban 1452, Dom 425, Or 298, Re 9748 5656-3 One Of These Days - c / p / vJC Ban 1436, Dom 412, Or 280, Re 9734 NOTE: Domino 412 (mx. 5654), 413 as BESSIE WILLIAMS; 412 (mx. 5656) as BESSIE WILLIAMS WITH FLORA DALE; 425 as JANE WHITE AND DIXIE GRAY; Oriole 280 as SADIE GREEN, 281 as ROSA GREEN, 298 as MAZIE LEROY AND BILLY BURNS. LILLYN BROWN Vocal, acc. by her Jazzbo Syncopators: Ed Cox, c / Bud Aiken or Herb Flemming, tb / Garvin Bushell, cl, as / Johnny Mullins, vn / p / Lutice Perkins, d. New York, c. March 29, 1921. 41721-2-4 If That's What You Want, Here It Is Em 10366, Or 109 41722-1-2-3-4 Ever-Lovin' Blues Em 10366, Mad 8286 NOTE: Medallion as MAUDE JONES AND HER JAZZBO SERENADERS; Oriole as FANNIE BAKER AND HER JAZZ. New York, c. May 9, 1921. 41795-3 Bad-Land Blues Em 10384, Re 9101 41797-2 The Jazz-Me Blues Em 10384, Med 8297, 8298, Re 9102 NOTE: Emerson as LILLYN BROWN AND HER JAZZ-BO SYNCOPATORS; Medallion 8297 as MAUDE JONES AND HER JAZZBO SERENADERS; 8298 as MAUDE JONES AND HER JAZZO SYNCOPATORS; Regals as MILDRED FERNANDEZ AND HER SYNCOPATED SYNCOPATORS. Bushell may not be present on 41797-2.
Pseudonym on Cardinal for Mandy Lee with Ladd's Black Aces, q.v. ORA BROWN Vocal, acc. by Tiny Parham, p. Chicago, c. May, 1927. 4448-2 Twa Twa Twa Blues Pm 12481
4449-2 Jinx Blues Pm 12481
Acc. by Will Ezell, p. Chicago, c. June, 1927 4563-1 Jailhouse Moan Pm 12500 4564-2 Restless Blues Pm 12500
Pseudonym on Medallion 8286 for Noble Sissle and his Sizzling Syncopators, q.v. BROWN-MORRIS ORCHESTRA Unknown t / tb / 2 cl, as / cl, ts / p / bj / bb / d / Arthur Fields, v. New York, October 19, 1927. 144883-1 Headin' For Harlem - vAF Diva 2521-G, Har 521-H, VT 1521-V 144884-1 I Left My Sugar Standing In The Rain (And She Melted Away) - vAF Diva 2521-G, Har 521-H, VT 1521-V 144887-1 Rose Of Monterey Diva 2528-G, Har 528-H, VT 1528-V NOTE: The above are of minimal jazz interest. Matrices 144885-144885 are by Harry Reser's Syncopators.
Ted Brownagle, cl, ss, as, dir: Sam Trasi, Chester Brownagle, t / Jack Kling, tb / Bob Hayes, Ed Schini, Harry Merkin, cl, ss, as, ts / James P. Blade, p, a / Frank Huber, bj / Charles Sellers, bb / Al Finney, d. New York, October 13, 1926. 36540-3 The Lovin' Johnson Rag Vic 20262 36541-2 Arcadia Shuffle Vic 20262 36542-1-2 Ghetto Vic unissued NOTE: Victor 20262 sold 99 copies labeled "Harrisburg Special." BROWNAGLE AND HIS ORCHESTRA: Probably similar; the vocal trio is quite a good impression of Paul Whiteman's Rhythm Boys. New York, December 27, 1928. 147544-2 Helen - v3 Col 1741-D ALTA BROWNE AND BERTHA POWELL Vocal duets, acc. by Thomas "Fats" Waller, p. New York, c. April 16, 1926 X-71-A Nobody Knows De Trouble I See Gnt 3318, Ch 15103 X-72-A Couldn't Hear Nobody Pray Gnt 3308, Ch 15103 NOTE: These titles were previously listed erroneously as by Caroline Johnson; they are non-jazz performances, but are included in view of the accomompanist. Champion as CAROLINE AND MAY FLOYD.
Pseudonym on Superior for Red Perkins and his Orchestra, q.v. BROWNLEE'S ORCHESTRA OF NEW ORLEANS Norman Brownlee, p, dir: Sharkey Bonano, c / Tom Brown, tb / Harry Shields, cl, bsx / Hal Jordy, as / Howard Martin, ts / Behrman French, bj / Alonzo Crumby, d. New Orleans, January 23, 1925. 8900-A Peculiar OK 40337, JCl 525 8901-A Dirty Rag OK 40337, JCl 525 ALBERT BRUNIES See the Half Way House Orchestra. GEORGE BRUNIES AND HIS NEW ORLEANS GANG See Louis Prima and his New Orleans Gang (Biltmore 1104, reissued under the above name). MERRITT BRUNIES AND HIS FRIARS INN ORCHESTRA Merritt Brunies, c, dir: Harry Brunies, tb / Volly de Faut, William Creager, cl, as (not the New York bandleader of the same period) / Sumner Logan, ts, bar / Dudley Mecum or Maurice Freedman, p / Clarence Piper, bj / Norman van Hook, bb / Bill Paley, d. Chicago, September, 1924. 613-2 Up Jumped The Devil Auto unnumbered 614 Follow The Swallow Auto unnumbered NOTE: Pressings also show matrix numbers 85042 / 85043, respectively. Chicago, November, 1924. 661 Angry Auto 610
662 I Weep Over You Auto 610
NOTE: Pressings also show matrix numbers 85057 / 85056, respectively. Chicago, May, 1925. 793 Flag That Train (To Alabam') Auto 624 Chicago, June, 1925. 817 Clarinet Marmalade Auto 624 Lew King, v. Chicago, November 14, 1925. 9491-A Sugar Foot Stomp OK 40526, Od 03321 9492-B Want A Little Lovin' - vLK OK 40526
9493-A She's Got 'Em Retrieval FJ-124 (LP) 9494-A Up Jumped The Devil Retrieval FJ-124 (LP) Lew King, u, added. Chicago, February 26, 1926. 9539-A I'm As Blue As The Blue Grass Of Kentucky - vLK OK 40576, Par E-5593 9540-B When Autumn Leaves Are Falling - vLK OK 40576, Par E-5593 9541-A Flamin' Mamie OK 40579
9542-A Hangin' Around OK 40579
Unknown Cm and vn added*. Chicago, March 2, 1926. 9549-A Up Jumped The Devil OK 40618, Od 03376 9550-A Forever With You Od 03301 9551-A Masculine Women - Feminine Men - vLK OK 40593 9552-A *Someone's Stolen My Sweet Baby - vLK OK 40593
Pseudonym on Filmophone for Elsie Carlisle, q.v. BRYAN'S DANCE ORCHESTRA Pseudonym on Australian Grand Pree and Vox Humana for Mike Speciale and his Orchestra, q.v. CLIFF BRYAN AND HIS ORCHESTRA Pseudonym or Mayfair for Benny Goodman and his Orchestra, and for the Travelers (see the Dorsey Brothers' Orchestra). GLADYS BRYANT Vocal, acc. by Porter Grainger, Bob Ricketts, p, or Porter Grainger, p only. New York, c. March, 1923. 1336-1 Laughin' Cryin' Blues - pPG Pm 12026, Hg 2540 1336-2 Laughin' Cryin' Blues - pPG Pm 12026
1337-2 You've Gotta See Mama Every Night (Or You Can't See Mama At All) - pBR-PG Pm 12026, Hg 2540 1338-1 The Dark-Town Flappers Ball - pBR-PG Pm 12027, Hg 2539 1339-2 Triflin' Blues - pBR-PG Pm 12027
1339-3 Triflin' Blues - pBR-PG Pm 12027, Hg 2539 NOTE: Both sides of Harmograph 2540 credit both piansts. Acc. by Fletcher Henderson's Orchestra: Fletcher Henderson, p, dir. Howard Scott or Elmer Chambers, t / Teddy Nixon, tb / ? Edgar Campbell, cl / Charlie Dixon, bj. New York, c. May 4, 1923. 1398-1-2-3 Tired O' Waitin' Blues Pm 12031, Hg 818 1399-1 Beale Street Mama Pm 12031
1399-3 Beale Street Mama Pm 12031, Hg 818 JIMMY BRYANT A misprint on Broadway 1337 for Jimmy O'Bryant, q.v. LAURA BRYANT Vocal, acc. by Clarence Williams' Orchestra (under which name the third title was issued): Ed Allen, c / Ernest Elliott, cl / Clarence Williams, p. Long Island City, NY, c. January, 1929. 322-A Dentist Chair Blues - Part 1 QRS R-7055 323,-A Dentist Chair Blues - Part 2 QRS R-7055 324-A Saturday Night Jag Pm 12870, Bwy 5067 NOTE: Broadway as CLARENCE WILLIAMS BLUE FIVE. The reverse of both Paramount and Broadway issues bears the same credits, but Laura Bryant is not present.
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