Florida ged plus college Preparation Program Curriculum and Resource Guide



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Objective 2 – Conducts Research


Understand the basics of research and is able to identify sources, use appropriate citations, understands consequences of plagiarism.

Strategy – Choosing a Research Topic


The following strategies for conducting research and writing a paper were adapted from the article developed by the University Library at Golden Gate University. It contains a wide range of strategies that students can use when selecting a topic, identifying resources, and compiling a research paper. The full-length article is available at: http://internet.ggu.edu/university_library/pickatopic.html.

Begin Early

Your subsequent research and writing all depend upon the choice you make about a topic. Take this choice seriously and you will find that the research and writing that follows will likely be more successful and enjoyable.



Understand your own research preferences and instructor's guidelines

  • How much freedom do you have to choose a specific topic?

  • How many sources are you going to need (just a few or are you composing a comprehensive literature review)?

  • Will you concentrate on one specific source format (books vs. websites vs. audio/video recordings, etc.) or a variety?

  • Are you being asked to work with "primary" research materials or conduct original research (e.g., personal interviews, surveys, other raw data gathering, etc.)?


Consider your personal interests – in what topics do you have the most direct personal or professional interest? Think about:

  • Topics you discuss with friends, fellow students or other colleagues.

  • Topics referred to in news and/or entertainment media.

  • Topics covered within professional or technical journals.

  • Topics mentioned inside your course materials (syllabus, textbooks, course handouts, etc.).

  • Topics in formal research papers, books and other publications within your field (frequently suggest questions, hypotheses, etc. in need of further research).


Consider your personal distastes – What leading arguments do you disagree with in your discipline? Are there major or minor theories in your field that perplex you? What subjects, events, organizations or individuals stir up your curiosity, either negatively or positively? Sometimes asking such questions can also be an excellent starting point for picking your own topic.

Consider the time you have available – Some topics will require extra research time to cover them properly. You should also plan for more research time if your topic requires you to draw upon very narrow, specialized sources (e.g., items only available within one archive or subject to stringent access restrictions, etc.).

Consider how much material is conveniently available to you – Have you thoroughly reviewed all relevant offerings from online databases, reference books, and the college or school library? Have you checked with a reference librarian?

Skim and Scan - Review a selection of background information relevant to your topic

  • Review general and specialized encyclopedia articles (good for summaries and bibliographies to get you started on a topic - remember, most disciplines, psychology, finance, etc. produce specialized encyclopedias specific to that field).

  • Skim and scan books (peruse tables of contents; look at major topics covered, notable organizations, etc.).

  • Locate bibliographies (review selected items within these in-depth or simply scan them as a whole to generate topic ideas - doing so can give you a notion of the major subjects covered within any given field of interest).

  • Use commercial WWW search engines like www.yahoo.com or www.alta-vista.com.

  • Skim and scan the table of contents within professional journals and trade magazines.

  • Pay attention to mass media (radio and television) coverage of events in your field.

Try all of the above and more - not to acquire in-depth knowledge, but for a broad overview of key issues, events, and personalities, which will help you pick an interesting and researchable topic.



Discuss a potential topic(s) with your instructor, especially when it comes to how to go about narrowing down a potential topic (or broadening it if necessary).

Brainstorm – There are many potentially useful brainstorming techniques, some specific examples being "freewriting" or "clustering" exercises which encourage you to do some free-flowing composition of thoughts and questions (often created with little or no direct reference to your books, class notes or other reference materials--sometimes resulting in graphical clusters or flow-charts, with groupings of important words connected by lines and circles).

Topic choice is the starting point. Keep in mind too that you are researching and writing for a specific audience, most especially your instructor, and you will want to carefully consider any detailed instructions, guidelines, expectations or feedback received from that audience.




Objective 3 – Diverse Writing Assignments


Understand diverse writing assignments assigned in a college-level program, including:

  • Critical thinking processes

  • Relationships such as compare and contrast, cause and effect, pros and cons, persuasion

  • Style such as irony, sarcasm, humor

  • Use of research and diverse resources

  • Summarization of materials

College students do all kinds of writing. They write essays. They research and write reports on a variety of topics. They write short and long answers for tests. For many students this is an incredible challenge because they have had little opportunity to write in a high school setting and for GED students who left high school in the 9th or 10th grade, their writing experience is even less.


Teachers must provide opportunities for students to write in all types of situations and covering a variety of subject areas. But students also need to know how to think through what they want to write. Critical thinking is a key element in writing and students must be able to produce writing samples that show relationships such as compare and contrast, cause and effect, pros and cons, and persuasion.

Strategy – Summarization

An essential element in the writing process is being able to clearly convey your point. Many adult education students spend a lot of time and many, many words to say virtually nothing. Helping students gain summarization skills can make a difference in their being able to get their point across in a clear, concise, and fortunately easily readable manner. The GIST method which was discussed in the reading section of this guide is an excellent tool to help students focus on what is important. GIST combines reading and writing – something that students will be asked to do time and again as they proceed through college. They will have to write reports on books that they have read. They will need to synthesize information from a variety of sources. They will have to write up the results of a science experiment that they have conducted. Getting students in the habit of using a method such as GIST can help them learn how to control the language and thus control their writing.


Strategy – GIST: 5 Ws and an H



The GIST Procedure (Generating Interactions between Schemata & Text)

The GIST Procedure is a strategy that can be used to improve students’ abilities to comprehend the gist or main ideas of paragraphs by providing a prescription for answering the 5 Ws and H questions and then summarizing the passage or by reading and summarizing from sentences to paragraphs to the entire passage. This strategy incorporates reading and writing. At a higher level of comprehension, students may even wish to try to get the “gist” of an entire chapter or unit in a summary sentence.



Getting the GIST– 5 Ws and H
Name of Text ___________________________________________________________________
Complete the following:
Who? ______________________________________________________________

___________________________________________________________________
What? _____________________________________________________________

___________________________________________________________________


When? ___________________________________________________________________

___________________________________________________________________


Where? ___________________________________________________________________

___________________________________________________________________
Why?_______________________________________________________________
___________________________________________________________________
How? ______________________________________________________________
___________________________________________________________________

Write a GIST statement of 20 words or less that summarizes the text.
___________________________________________________________________

___________________________________________________________________

___________________________________________________________________

___________________________________________________________________

___________________________________________________________________

Strategy – Transitional Expressions

Students need to be able to show relationships in their writing, whether they are comparing and contrasting or showing cause and effect. The following table can be used to help students use appropriate transitional words and/or expressions in their writing.



LOGICAL RELATIONSHIP

TRANSITIONAL EXPRESSION

Similarity

also, in the same way, just as ... so too, likewise, similarly

Exception/Contrast

but, however, in spite of, on the one hand ... on the other hand, nevertheless, nonetheless, notwithstanding, in contrast, on the contrary, still, yet

Sequence/Order

first, second, third, ... next, then, finally

Time

after, afterward, at last, before, currently, during, earlier, immediately, later, meanwhile, now, recently, simultaneously, subsequently, then

Example

for example, for instance, namely, specifically, to illustrate

Emphasis

even, indeed, in fact, of course, truly

Place/Position

above, adjacent, below, beyond, here, in front, in back, nearby, there

Cause and Effect

accordingly, consequently, hence, so, therefore, thus

Additional Support or Evidence

additionally, again, also, and, as well, besides, equally important, further, furthermore, in addition, moreover, then

Conclusion/Summary

finally, in a word, in brief, in conclusion, in the end, in the final analysis, on the whole, thus, to conclude, to summarize, in sum, in summary 



Transitional Expressions – Writing Example
Take a look at the paragraph below. Notice how the transitional words or expressions have been highlighted using bold text. Have students write their own paragraph and highlight or underline the transitional words or expressions they use.

Juggling the demands of a job with the demands of being a full-time student makes good academic performance difficult. Many students are forced to choose between good work on the job and good work in the classroom. Often, good work in the classroom is compromised for good work on the job because the job pays the rent. In addition, those students who do manage to perform well in both areas usually do so at the expense of their health. For example, several students complain of the inability to handle the stress of both a job and school. In fact, the stress of both can often cause headaches, dizziness, fatigue, and other ailments which slow the body down and prevent adequate performance in either area. To eliminate the threat of being in the middle between job and school, students have to form a balance between the demands of work and the demands of the classroom. Ultimately, managing your time more effectively, working the same number of hours in smaller chunks, and planning ahead can all help in alleviating some of the stress to the body and to the mind.

Strategy – Writing with Clichés

A cliché is a phrase, often metaphorical, that has been used so often it becomes commonplace. How often have you heard that something is "white as snow"? "She was a flower among women" is another example. Even "I'll be back in a jiffy" is cliché. The following clichés are listed by categories. Have students write paragraphs and incorporate clichés to make their writing more descriptive





Actions

ate like a pig


avoid it like the plague
busy as a bee
called his/her bluff
came out of thin air
caught my eye
cleaned me out
crossed my mind
cry me a river
disappeared in a puff of smoke
disappeared into thin air
dropped like a stone
fly like an eagle
grab the bull by the horns
hit me like a ton of bricks
hit the hay
I feel it in my bones
jiggles like Jello/jelly
left out in the cold
lies like a rug
looking for a needle in a haystack
my blood froze
nipped in the bud
pull a fast one
sat bolt upright
scream bloody murder
sing like a bird
sleep like a log
slipped my mind
stopped in his/her tracks
throw caution to the wind
turn over a new leaf


Color

black as coal


black as night
black as soot
bone-white
coal black
fiery red
green with envy
icy blue
jet black
milk-white
pitch black
red as blood
ruby red
snowy white
white as a ghost
white as a sheet
white as snow


Consistency, Texture and Touch

rough as sandpaper


smooth as glass
smooth as silk
stiff as a board
thick as glue/paste
thick as mud
thick as pea soup
thicker than blood
thin as water
tough as leather


Description of People

eyes like stars


fair as day
fiery eyes
green with envy
hair like silk
healthy as a horse
mind like a sieve
mind like a steel trap
sick as a dog
so hungry I could eat a horse
you look as if you've seen a ghost


Difficulty

easy as pie


like taking candy from a baby
piece of cake
Emotion

burning with desire


fiery temper
happy as a clam
heavy heart
mad as a wet hen
my heart sings
so mad/angry it made his blood boil
Light

bright as day


bright as the sun
clear as crystal
clear as day
clear as mud
clear as water
dark as night


Size and Shape

big as a house


big as a mountain
built like a tank
flat as a board
flat as a pancake
reed-thin
slender as a reed
tall as a tree
wide as the sea


Speed

a mile a minute


fast as lightning
faster than a speeding bullet
in a jiffy
like a bat out of hell
quick as a bunny
slower than a snail
slower than molasses


Strength

strong as a bull


strong as a truck
weak as a baby


Temperature

burning up


cold as ice
fiery hot
ice cold


Weather

blowing up a storm


brewing up a storm
pouring rain
raining buckets
raining cats and dogs

Weight

heavy as lead


light as a feather


Other Descriptive Phrases

as [fill in the blank] as the day is long


behind closed doors
can't put my finger on it
cut to the chase
I can dream, can't I?
like a bolt from the blue
like a cat on a hot tin roof
like a fish out of water
like a kid in a candy store
like two peas in a pod
on solid ground
on the edge of my seat
on the other hand
out of the blue
quiet as a mouse
sparkled like diamonds
sharp as a knife
so quiet you could hear a pin drop
sour as lemons
stood/stuck out like a sore thumb
the big picture
the living daylights
used to death
with an iron fist


Miscellaneous

beauty is in the eye of the beholder


a bitter pill
a chill in my bones
a new lease on life
in any way, shape or form
in one ear and out the other
the ball is in your court
the hands of time
the light at the end of the tunnel
time on my hands
tough act to follow
makes my skin crawl
money doesn't grow on trees
my nerves are shot
so far, so good
tastes like battery acid
that rings a bell
wishful thinking





Strategy – Word Tasting

Have students describe food that they will be eating by using adjectives. This helps students see how adjectives play a role in the real world, not necessarily just in the classroom for writing.

Materials:


  • Individual size bag of M & Ms™ and two apples

  • Individual Hershey™ chocolate bar and individually wrapped brownie

  • Two individual bags of Skittles™ and individual box of mints

  • Snack size container of cookies and individually wrapped cupcake

  • Snack-size container of goldfish crackers and jar of pickles

  • One granola bar and handful of marshmallows

Have students describe the sensory experience of the food.

Have students brainstorm what their senses tell them about food before they ever taste it. Support the use of catchy adjectives.

Hand out the snacks. Explain that students should sample the food and then write sentences about each snack using appropriate adjectives that the sensory experience. Have them try to think of adjectives that are not always heard or that really describe the snack.

Have students share their sentences with the class.

Have students write a compare/contrast essay about the two different foods or a persuasive essay about why one food taste is better than another.

Strategy – Headline Mania!

Show students that writing can be fun! Provide them with the opportunity to write an eye-catching headline.

Materials:


  • A sentence strip on which to write the headline

  • A marker

  • Newspapers and magazines to show real headlines

Discuss how newspapers and magazines often use catchy headlines in order to get people to read the article. You may wish to begin the discussion with something such as: “Suppose that you woke up one morning and heard on the radio the following headline: Cow Loses Umbrella Down Interstate Apple! You may wish to use actual headlines that are interestingly different from newspapers or magazines. Have students write their own headline. Give them time to be creative and have fun with this activity.

Have students share their headlines with the class. After they have shared their headline, have them create a newspaper article to go along with their headline. Discuss how writing for the media is similar to and how it is different from the essay writing that they will do on the GED Tests.

Strategy – Pick a Postcard

Help students to describe the meaning and development of a message or paper through the following activity:

Find a set of postcards related to a single topic such as dogs, beach scenes, or city buildings. Give each student a postcard. Ask the students to write a paragraph about the image that is so descriptive, readers will easily be able to identify the postcard in the set. Then display all of the postcards. Have students read their paragraphs aloud and see if classmates can guess the card. Explain that the more specific and colorful the details, the quicker the match will be.

Strategy – Ten Minutes Only


Students often have problems with structuring a piece of writing. They have difficulty in ordering paragraphs and providing a readable flow. This activity provides students with practice in pacing their writing, identifying different segments, and using transitional words.

Ask students to draft a story that takes place within a short time frame - ten minutes maximum. Keep an eye on the clock and every two minutes, tell students to move on to a new event. Have students identify the different segments in their writing, the transitional words that they used, and how “timing” affected the pace at which they wrote.


Strategy – New Voices: New Choices


This activity assists students in identifying the way in which the writer brings the topic to life. Have students write the first sentence of a letter to five different audiences. If students are studying the effects of global warming, ask them to write to the local newspaper, their grandmother, an anti-environmentalist, a friend, and the president of a local consumer-rights group. Discuss how the voice will change and how this is important in both the reading and the writing process.


Strategy – Music to Our Ears

When students read aloud, we want them to read with fluency. Students must also write with fluency. Use music to assist students in developing sentence fluency skills. An example would be to play the classical work of Peter and the Wolf. Have the students listen to the song. Then play it a second time and ask them to pick a section and write a description of what they think is happening. Challenge the students to capture the fluidity of the music in their writing. An example in Peter and the Wolf would be when the wolf is chasing Peter. They may write something such as the following: “I could really tell that a scary chase scene was coming because the music kept getting faster and faster. I felt myself tensing up until all of a sudden – BAM – the wolf pounce!”


Strategy – Five Senses: A Descriptive Writing Exercise



Instructions: Writers, especially those with less experience, often concentrate on visual detail when writing descriptions. The following exercise is cumulative, adding a new kind of sensory detail with each step.

  1. Write a paragraph describing a place (either one you know well, or one you've made up). Use only visual details. Describe only what a person would see if they went to that place. Include enough information for a reader to be able to visualize the setting.




  1. Rewrite or revise your description from step 1, by inserting details of sound. You should end up with a description that allows a reader to both visualize the setting and imagine what it sounds like there.




  1. Rewrite or revise your description from step 2, by inserting details of smell. Consider what the objects in the setting might smell like, as well as the air in general. Your result should be a passage allowing a reader to visualize the setting and imagine the sounds and smells there.




  1. Rewrite or revise your description from step 3, by inserting details of taste. This can be as simple as the taste of the air or as complex as your narrator sitting down to a feast. Aim for a piece that allows the reader to imagine the place in terms of visual detail, plus sound, smell, and taste.




  1. Rewrite or revise your description from step 4, by inserting details of touch. These can include what things actually feel like to the touch (in which case you'll need to add in some action to allow your narrator to touch things), what things look like they'd feel like, and other details such as the feeling of a breeze on the skin. Remember that touch can include sensations like temperature, texture, pressure, and more. Give your reader some sense of what it is like to be physically present in that setting in addition to the visual, sound, smell, and taste details.




  1. When you've finished step 5, you'll probably have much more detail than you'd ever need in a descriptive passage. Set aside your description for a moment and decide what you want to convey. Is your piece intended to set a mood? To give a deep sense of place? To serve merely as a background? Assume, for now, that you are trying to build a sense of place that will make your setting really come alive for the reader. Make a list of all the essential details of that place and the things that make it unique--that place rather than any place. Add to your list the details that give flavor to the place, even if they don't make it completely unique and add those details that you just really like, for whatever reason.




  1. Go back to your description from step 5. Use your list of important details from step 6 to edit your passage. Concentrate on using the right details and removing the ones that don't really matter.


Notes: The aim of this exercise is to remind you that you have five senses you can use in your descriptive passages. If you're not making use of them all (or at least most of them), then you're neglecting a potentially useful tool. Try this exercise every now and then as a reminder, and do it with different settings. The detail you decide to keep in step 7 will likely be different for different settings, or even for the same setting when you're trying to create a different mood. Play around in step 7 and see how changing the detail you keep or cut changes the whole feel of the piece.

Adapted from Creative Writing from Teens. Retrieved from the World Wide Web on 03/08/06 at: http://teenwriting.about.com/cs/exercises/a/ExFiveSenses.htm.





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