It was the site of a victorious battle by the Honvéd army units against the Habsburg forces. – B: 1064, 1031, T: 7456. Vác, Bishopric and Chapter of



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Vienna Award II (the Second) – After occupying half of Poland in 1939, the Soviet Union retook Bessarabia and Northern Bukovina from Romania in 1940. After that, the Hungarian Government put forward claims for the return of the regions of Transylvania (Erdély) that still had majority of Hungarian population. Consequently, the relationship between the two countries deteriorated, and soon a war loomed over them. Germany’s leader, Adolf Hitler, unsuccessfully asked them to resolve the matter by negotiation. Hitler then suggested to the Romanians to seek arbitration. Foreign Ministers, Joachim von Ribbentrop of Germany and Count Geleazzo Ciano of Italy arbitrated an agreement, which was signed at the Belvedere Palace in Vienna on 30 August 1940. According to the arbitration, the northern part of Transylvania (Erdély) would return to Hungary, including Nagyvárad (now Oradea, Romania) and Kolozsvár (now Cluj-Napoca, Romania), a total area of 43,590 km2 area, with a population of 2,185.000, of which 51.5% were Hungarians and 42% Romanian. However, large numbers of Hungarians remained in the southern part of Transylvania. Neither party was satisfied with this ruling, so the relationship between the two countries remained tense. Hungarian Prime Minister, Count Pál (Paul) Teleki, accepted the resolution with reservation, but the public euphoria was so intense in Hungary that refusal was impossible. The return of northern Transylvania was accomplished by the end of September. The southern regions of Transylvania remained in Romanian hands, providing easy access for the Soviet army to the rest of Hungary in 1944. Following World War II, the Peace Treaty in Paris on 10 February 1947 – on Soviet initiative – annulled the Award, and northern Transylvania fell again under Romanian rule. It is important to note that, at that time, Hungary was under strong Soviet military occupation, which lasted until 1991. Actually, in the fall of 1944, Romania unilaterally repossessed Norther Transylvania following its occupation by the Soviet Army.– B: 1230,1231,1020, 1031, T: 7103.→Teleki, Count Pál; Ciano, Count Geleazzo; Joachim von Ribbentrop; Atrocities against Hungarians.
Vienna (Bécsi) Codex – A partial copy of the oldest Hungarian Bible translation (Old Testament), comprising 162 leaves, dating from around 1466. Since the beginning of the 18th century, it has been kept in the National Library in Vienna. It is the work of three anonymous scribes. The text was first published by the poet Gábor (Gabriel) Döbrentei, a member of the Hungarian Academy of Sciences, in 1838, who, in memory of the Catholic priest and poet, Miklós (Nicholas) Révai (1749/50), named it the Révai Codex. The rest of this translation is contained in the Munich Codex and the Apor Codex. – B: 1031, 7617, T: 7617.→Döbrentei, Gábor; Révay, Gábor; Codex Literature.
Vienna, Collegium Hungaricum – Founded in 1924 at the Trautson Palace, erstwhile residence of Empress Maria Theresa’s Hungarian bodyguards, where György (George) Bessenyei, Károly (Charles) Kisfaludy and György (George) Klapka, and in recent times Kálmán (Coloman) Benda, István (Astephen) Bicó, Dezső (Deiderius) Keresztúry and Domokos (Dominic) Kosáry lived. It has been the permanent official cultural institute of the Hungarian State in Austria. It provides a meeting place for the different Hungarian societies operating in the building. Since 1963, it has functioned in a new building in Holland Strasse 4. – B: 1020, 1031, T: 7669.→Bessenyei, Gyögy; Kisfaludy, Károly; Klapka, György; Benda, Kálmán; Bibó, István; Keresztúry, Dezső; Kosáry, Domokos.
Vienna Museums, Hungarian Art Treasures in:

Hungarian art treasures of the Ecclesiastical Treasure House in Vienna:

1) Relic repository: holder of the house-cap worn by King István I (St. Stephen) (997-1038). It is a crystal dish in a silver holder. The underside of the lid is adorned with the picture of the Annunciation, dated from the 14th century.

2) The Cross of King Nagy Lajos (Louis the Great)(1342-1382): The 34 cm tall cross was made for the king in Hungary between 1370 and 1382. The 33 cm high base originates from the 15th century.

3) Purse of King István I (St. Stephen): It has several parts. The one, from the 11th century, is made of red silk. The front part is decorated with the picture of the Savior, with the prophet Isaiah and Archangel Michael. The reverse originates from the 12th century with this old Slavonian inscription: “Your blessing stay with us, now and for evermore”. On the side: “God be merciful to us now, and bless us, show us his face and have compassion”. The gold ribbon and the gold fringe are of a more recent date. The purse was donated by the wife of King Mátyás II (Matthias) (1608-1619) to the Viennese Capuchin Museum.

4) House-cap of King István I (St. Stephen): Made of light cherry-colored silk material. Its decoration is completed with rich gold embroidery, portraying foliage on both sides, illustrated with two-headed bird figures. It originates from the 11th century. The wife of King Mátyás II donated it to the Viennese Capuchin Museum.

Hungarian treasures in the Hofburg:

1) Cavalry sword: dating from the Hungarian settlement era (896 AD), made in the 9th century in Etelköz for Chieftain Árpád (Etelköz, between the Rivers Etil - now Volga - and the Lower Danube). The saber is 90-cm long; the hilt is decorated with silver, gold and precious stones. The blade was made of red copper, and has floral and animal figure decorations. The damaged edge of the blade suggests it was more than an ornamental piece. The shape perfectly corresponds to the sabers from the Hungarian settlement era. It was taken to Germany in the 11th century, to be displayed among the emblems of the Imperial might. Today it is displayed in a glass showcase as Säbel Karls des Großen (The Saber of Charlemagne).

2) Vestments of the Knights of the Order of István I (St.Stephen): The green velvet hand- woven mantle – decorated with gold and ermine – was made in Vienna in 1764.

3) Hungarian herald’s uniform and staff of office: a rich, silver-embroidered, gold lamé coat was the gala dress of the king’s herald; it originates from the 18th century.

4) The Bocskai Crown: of Turkish origin, a 23-cm high gold crown, decorated with emerald and turquoise stones. In 1605, Turkish Sultan Achmed presented it to István (Stephen) Bocskai, Prince of Transylvania (1557-1606). Bocskai added an additional small cross to the top.

5) Hungarian jewelry: gold belt, necklace, earrings, clips, and hairpins, made in Hungary in 1881, as a present from the City of Budapest for Crown Prince Rudolf’s and Princess Stephanie’s wedding.

6) The Cross of the Order of King István I (St. Stephen): a gold cross, decorated with precious stones from the latter part of the 18th century. It is the work of a Hungarian goldsmith.

Hungarian weapon collection of the Museum of History of Arts:

1) The sword of King Mátyás I (Matthias Corvinus), (1443-1490): a magnificent saber with a gold hilt According to researchers, King Mátyás donated it to the city of Raguza; earlier, it was mistakenly thought to be the rector’s sword from that city.

2) The armor of King Lajos II (Louis) (1516-1526): donated as a gift to the 9-year-old Lajos II in 1615, by King Miksa (Maximilian).

3) The helmet of Miklós (Nicholas) Zrínyi (1508-1566): a slender, twelve-layered headgear (helmet of the “Hero of Szigetvár”), decorated with gold motives on a blue base.

4) The cavalry sword of Miklós Zrínyi: The slightly curved blade has a long edge. On the silver hilt, the Zrinyi family’s coat-of arms, with the initials ‘N.C. de Z’ and the year 1567 are engraved.

5) The helmet and armor of István (Stephen) Báthori) (1571-1576): The armor was made in 1560. In the middle of the chest is the slightly oriental-styled picture of the crucified Jesus. The decoration on the pointed helmet is done in the same style

6) A heavy broad sword of King Mátyás II (1608-1619): The blade originates from the 15th century. The scabbard supports the Austrian burgundy crest; the Silesian and Hungarian national coat of arms, as well as the name of King Mátyás II are engraved on it. On the other side, the Hradistye city crest and the following inscription are visible: Arma Regiae Civitatis Hradist, 1608.

The Hungarian collection of the Heeresgeschichtliche Museum, Wien (War History Museum, Vienna):

1) The painting of Pope Pius VII, depicting the journey from Fontainebleau to Rome in 1814. It illustrates the Pope’s voyage, from the Taro Bridge on the French-Naples border, escorted by the Hungarian Hussars, acting as his bodyguards.

2) The pontifical flag of the Hussars: Donated by Pope Pius VII to his Hussar cavalrymen, who escorted him. The beautiful, artistically, superbly-embroidered silk needle-point flag portrays the Holy Father as he kneels at the front of Patrona Hungariae, decorated with the Hungarian crown and with this inscription: Hungariae Patrona Pium comitatur ad Urbem - O Felix tanto Roma sub auspicio! (To my faithful Hungarian protectors, who escorted me to the Eternal City - as a special favor from the blessed Rome). On the flag, bright figures, dressed in Hungarian clothes, hold the triple crown atop the pontifical crest.

3) The uniform of General Géza Fejérváry: the full dress uniform and the winter gala coat of the general.

4) Hungarian flag of the Hussars: The 5th Hungarian Cavalry Regiment’s flag from 1814, with the picture of the Blessed Mary.

Hungarian collection at the Kunsthistorisches Museum (History of Art Museum)

1) The ceiling painting by Mihály (Michael) Munkácsy in the entrance hall of the Museum is entitled The Apotheosis of Art. It portrays a Renaissance Hall, with angels flying through the open dome. In the middle of the 10x10 m painting, the old Master Titian corrects the work of a young painter. Two architects are portrayed on the left and, on the right, Michelangelo is standing in the foreground. In the background, the artist immortalized himself. After the death of academic history painter Hans Makart, the ruling dynasty commissioned Munkácsy to paint the fresco, which was completed in 1889.

2) Treasures from Szilágysomlyó (now Şimleul Silvaniei, Romania): The 2.5 kilograms of gold pieces were excavated in 1797 in the outskirts of Szilágysomyó.

3) Nagyszentmiklós Gold Treasure (now Sânnicolau Mare, Romania): In 1799, at the estuary of the River Maros by Nagyszentmiklós, twenty-three gold dishes weighing ten kilograms were found.

4) Mátyás (Matthias) relief: the marble relief, portraying King Mátyás I (Matthias Corvinus), is a 1490 creation of a master sculptor from Northern Italy.

5) Vestments of the Hungarian Order of Dragons: gold radial crosses are embroidered on a blue velvet background. It is dated in 1444. – B: 1020, 1031, T: 7685.



Vienna’s Hungarian Monuments:

1) Pálffy Mansion – built in 1875 for Baron Khuen-Bélássy, Chief Master of the Horse. His granddaughter married Count Pálffy, who inherited and renovated the building in 1875. In 1953, an additional floor was converted into a cultural center.

2) The Hungarian Coat of Arms of the Hofburg – The oldest Hungarian coat of arms in Vienna, originated in 1536, can be found on the walls of the Hofburg. It consists of an eagle with the shield of Árpád on its breast.

3) Old University. (Dr. Ignaz Seipel Pl.) – from 1453. Hungarian names appear in the register of the Alma Mater Rudolphina. In the Register of the Hungarian Nation (Liber Nationis Hungariae, 1453-1629), out of its former students, 74% were Hungarians, including such notables as Tamás Bakócz, Batthyány, Garai, Majláth, Nádasdy, Pálffy, Vitéz, Wesselényi, etc.

4) Pazmaneum. (14 Boltzmanngasse) – The Hungarian Roman Catholic Seminary moved into the building in 1901 from their former endowment institution. On the façade of the building, there is an inscription: “Petrus S.R.E.Card. Pazmany Aepp. Stig. Fund. Anno MDCXXIII.” (Cardinal Péter Pázmány Established the Institution in 1623).

5) Statue of the Holy Trinity – It was built in 1687-1693. The Hungarian coat of arms along with the Austrian Imperial Crown is found on the statue.

6) Esterházy Mansion. (4 Wallnerstrasse) – Palatine Pál (Paul) Esterházy built the mansion in 1695. It was remodeled in the 18th and 19th centuries. The inscription on the façade is: “Soli Deo Gloria. Domus Haec A.S. Leopoldo Marchione Austria olim Habitata et Sucessu Temporis ad Nobilem Familiam Esteras Devolte.” According to legend, the hunting lodge of Count Lipót (Leopold) stood on this same plot.

7) The Hungarian King Hotel (6 Schullerstrasse) – In the 17th century there was a sign on the house, which read: König von Ungarn (King of Hungary). The house became a Hotel in the 19th century, and the original sign was kept. Hungarian noblemen used to stay in the Hotel and many rooms are named after noble families.

8) Hungarian Chancery (4-6 Bankgasse) – The Hungarian Treasury bought the building from the Windischgrätz and Strattmann families in 1746. There is a tablet on the house with the inscription: ”DICUNDIS ET FACI UNDIS HUNGARIE REBUS MAGNNQUE REGIS SIGILLO SACRAE QUAE MODERNAM INDUERE FORMAM”. Presently it is the property of the Hungarian Embassy.

9) Theresianum. (15 Favorittenstrasse) – Jesuit priests taught in the building between 1746 and 1773. In the first part of the 19th century, Premonstrian priests taught here and, after 1849, it became a public school. Empress Maria Theresa (1740-1780), established a scholarship for 10 Hungarian youths of noble families. The school usually had 4 -5 Hungarian students every year, including famous men, such as: György (George) Festetich, Count Ferenc (Francis) Széchenyi and Tivadar Puskás.

10) Trautson Palace (Palais Trautson, 7 Museumstrasse) – It was the palace of the Hungarian Royal Bodyguards from 1760. The Transylvanian Estates bought the building in 1783. The following year, they combined it with the Hungarian Chancery located in the adjacent building. After the defeat of the War of Independence of 1848-1849, the Austrian Government assumed control and converted it into an office building. Between 1853 and 1875, the Council of the Austrian Empire used the palace. After the Habsburg Empire collapsed, the building became the property of the Hungarian Embassy.

11) Birthplace of István (Stephen) Széchenyi (6 Lovelstrasse) – Count Ferenc (Francis) Széchényi rented the place in 1788. Two of his children, Zsófia and István, were born there. The original building was demolished and Prince Montenuovo built a new palace on the same plot.

12) Döbling Monument – In the park of the old Mental Institution, there is a monument with an inscription: “Count István (Stephen) Széchenyi, the greatest Hungarian, lived here from September 7, 1848 until April 8, 1860”. Later, another tablet with the sentence: “Your ideas are living 1960”, was placed on the monument.

13) Schönbrunn Palace – The decorative gate of the park and the fountain system was made according to the plan of Hungarian architect Farkas Kempelen.



14) Monument of Maria Theresa (Maria Theresien Platz) – It was erected between 1874 and 1887. The monument is 20-m high, portraying statues of the Hungarian generals: Count András (Andrew) Hadik and Count Ferenc (Francis) Nádasdy. – B: 1020, 1031, T: 7663.→Most of the persons in the article have their own entry.
Vienna Peace Treaty – Signed on 23 June 1606, between Prince István (Stephen) Bocskai, and Archduke Matthias. The treaty granted all constitutional and religious rights and privileges to the Hungarians in both Transylvania and Royal Hungary, including Calvinists and Lutherans. The accord also recognized Bocskai as the Prince of Transylvania, and guaranteed the right of Transylvanians to elect their own independent princes in the future. It established that the Holy Crown of Hungary would be brought to Hungary; the Jesuits could not possess estates in Hungary; the state officials would be Hungarians, and the unconstitutional orders by the kings should be rescinded. The Treaty became a fundamental text regarding Hungarian political liberty and would be referenced in the future conflicts of the seventeenth century. – B: 1031, T: 7103.→Freedom Fight of Bocskai, Prince István; Hungary, History of.
Viennese Codex (also called Révai Codex) – Paper Codex of oblong quartoform, written by three contemporary hands. The names of its copiers and the year of its preparation are not known, though it could be of the 15th century, judging from the nature of its writing; and, because it must have been prepared contemporaneously with the precisely dated Munich Codex, it may be regarded as dating from the same age, from 1466. It is a much-valued linguistic record. Its content is made up of the following books of the Old Testament: Ruth, Esther, Joshua, Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah and Malachi. It also contains a fragment of the last translation of the so-called Franciscans’ Bible, which was compiled around 1450. It is most probably a copy, similarly to the Munich and Apor Codices. Already in the 1720s, it was held in the Imperial Court Library of Vienna; then, in 1932, it was moved to the National Széchényi Library in Budapest. The Codex was named after the place of its discovery. – B: 1078, 1138, 1150, 1031, T: 7456.→Apor Codex; Munich Codex; Tatros Bible; Hussite Bible; Bible in Hungarian; Codex Literature.
Viennese Legion – A troop consisting mainly of students from universities who, after the defeat of the Viennese Revolution of 1848, escaped to Hungary. They fought to the end of the Hungarian War of Independence under General József Bem in the Transylvanian army. Their slogan was: ”Hungary's freedom is Austria’s freedom”. Their original number of 100 was reduced to one-third. – B: 0942, 1020, T: 7668.→Viennese Uprising; Bem, József.
Viennese Uprising in 1848 – On 6 October 1848, the Upper Austrian artillerists, who refused to go into combat against the Hungarian Freedom Fighters, sparked the Vienna Uprising. On the anniversary of this event, General Haynau ordered the execution of thirteen Hungarian generals at Arad, on 6 October 1849. – B: 1020, T: 7668.→Viennese Legion; Arad, Martyrs of.
Vietorisz Codex – A 16th century songbook manuscript. Its 145 folios contain a mixture of 45 sacred and secular, Hungarian and foreign language songs, as well as dances and instrumental compositions. It is presumed that the Codex have been compiled in Northern Hungary (Felvidék, now Slovakia). Earlier research placed it in the collection of Prince Pál (Paul) Esterházy. However, according to more recent research, it is plausible that it found its way to Vienna from the library of the Vietorisz family. Since 1903, it has been housed in the manuscript archives of the Hungarian Academy of Sciences. – B: 1136, T: 7617.→Codex Literature.
Vig, Rudolf (Bogács, 25 June 1929 - Esztergom, 10 March 1983) – Researcher of folk music and chorus master. He attended the great Zoltán Kodály’s lectures on folk music between 1943 and 1948, and thereafter on a scholarship, he pursued studies on folk music and choir direction at the Conservatory of Music of Moscow from 1949 to 1954. Later, he worked as the choirmaster of the State Folk Ensemble (Állami Népi Együttes) (1954-1958). He was an Associate of the Folk Music Research Group of the Hungarian Academy of Sciences from 1958 to 1980 and, until his death he acted as a scientific scholar of the Music Collection of the Gorky Library. On Kodály’s urging and with his assistance, he studied the folk music of India for several months on two separate occasions; the center of his research work was the study of Gypsy folk music. His published works include Songs of Peoples (Népek dalai) (1948); Gypsy Folk Songs from the Collection of Béla Bartók and Zoltán Kodály (Cigány népdalok Bartók Béla és Kodály Zoltán gyüjtéséből)(1974), and Gypsy Folk Songs of Hungary, vols. i,ii (Magyarországi cigány népdalok, I-II) (1976). – B: 0883, T: 7456.→Bartók Béla; Kodály, Zoltán.
Vígh, Tamás (Thomas) (Csillaghegy, 28 February 1926 - Budapest, 18 September 2010) – Sculptor and medallion artist. He studied under Béni (Ben) Ferenczy at the Academy of Fine Arts in Budapest (1946-1951). His early works show Ferenczy’s influence, which can be seen in his later works as well. In the mid 1950s, Vigh developed his own style, which was concerned with the essence of things, and followed a logical and organic path. His familiarity with the rolled sheet metals, such as copper, aluminum etc, played an important role in his work, as he worked these metals and molded them into sculptures and medallions. The first work in this new style was his memorial plaque of the writer Gyula Krúdy in Budapest (1958). It embodies the most characteristics of Vígh’s larger, later works. Although Vígh consciously avoided the expression of emotion, his monumental works are full of human content. Some of his more exceptional works are Sowers (Magvetők) (1964, Debrecen); Horn Players (Kürtösök) (1964–1967, Budapest); People of the Alföld (Az Alföld népe) (1967, Budapest); Town Founder (Városalapító) (1980, Esztergom), and his memorial to Attila József (1991, Pécs). He also made a number of portrait busts, e.g. copies of the bust of the poet Sándor Petőfi (Budapest, Margaret Island) were erected in La Paz, Bolivia (ca. 1973), and the German Democratic Republic (Weimar, 1976). His other public place works include József Katona (Kecskemét); Béla Bartók (Békéscsaba); János Pilinszky (Székesfehérvár), and Tree of Life (Életfa) (Visegrád). Vigh is also credited with reviving medallion art in Hungary. He had a number of solo and group exhibitions in Hungary. From 1992, he had been a Member of the Hungarian Art Academy. His works are treasured by many public collections, e.g. the Hungarian National Gallery, Budapest, the Janus Pannonius Museum, Pécs, the Gallery of Budapest, and the Bulgarian National Museum, etc. He was a recipient of a number of prizes, including the Merited and Outstanding Artist titles, the Kossuth Prize, the Táncsics Prize, the Prima Prize, and the Jenő Kerényi Prize. – B: 1031, 2098, T: 7103.→Most of the persons in the article have their own entry.
Vikár, Béla (Hetes, 1 April 1859 - Dunavecse, 22 September 1945) – Ethnographer and professional translator. He studied Linguistics and Literature at the University of Budapest (1874-1884). In 1889, he went on a study trip to Finland and, in the same year, he started working in the shorthand office of the Parliament of Hungary, later on becoming its head. He retired in 1921. He founded the Lafontaine Literary Circle, and was its first President. He became a member of the Hungarian Academy of Sciences in 1911. His work, entitled The Folk Poetry of Somogy County (Somogy megye népköltése), first taken down in shorthand notes in 1890, was published in 1905. He translated a version of the Finnish epic, Kalevala,, published in 1909. It belongs to the finest professional translations in Hungarian literature. He also translated all the fables of Lafontaine, and did translations from German, English, Georgian (Grusian), Estonian and Norwegian. He recorded the folk tunes authentically; for the first time in Europe, he collected folk music material by using phonograph equipment. His cylinders, showing a rich variety of melodic types, demonstrated at the 1900 Paris World Fair, earned international recognition for Hungarian folk-music research. He laid the foundation for that modern method which led to the development of the scientific research of Hungarian folk music, causing a world sensation. His phonograph recordings of tunes were written down in notes by Béla Bartók. His phonograph cylinders are held in the Ethnographical Museum in Budapest. A mixed choir in Kaposvár and a Music School in Barcs bear his name. – B: 1134, 0883, T: 7456.→Folk Song; Folk Music; Sebestyén, Gyula (2); Bartók, Béla; Kodály, Zoltán.

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