Pestvidéki Ásványbánya Vállalat



Download 1.61 Mb.
Page30/50
Date20.10.2016
Size1.61 Mb.
#5110
1   ...   26   27   28   29   30   31   32   33   ...   50

Szabó, Károly (Charles) (Köröstarcsa, 14 December 1824 - Kolozsvár, now Cluj-Napoca, Romania, 31 August 1890) – Historian, literary translator, son of a Reformed (Presbyterian) minister. He completed his secondary school studies at the Debrecen Reformed College (1833-1842). Then he went to study law in Késmárk (now Kežmarok, Slovakia), where he began to take an interest in the Greek classics; he was also member of a Hungarian language-practicing group, as instructions at the higher educational institutions were conducted in Latin. After completing his legal studies in 1844, he was employed as Secretary at the Court of Appeal in Pozsony (now Bratislava, Slovakia). However, in 1846, he decided to become a sailor and enrolled at the Naval Academy in Fiume (then part of Historic Hungary, now Rijeka, Croatia); but due to a serious illness, after a year he returned to Hungary. In 1844 he joined Ferenc (Francis) Toldy’s literary publishing firm, Hungarian Scientific Collection (Magyar Tudósok Tára), as well as Toldy’s other publication, the Hungarian Belletristic Review (Magyar Szépirodalmi Szemle), the aim of which was to publish the biographies and works of all Hungarian authors.

At the outbreak of the 1848-1849 Hungarian Revolution and War of Independence against Austrian oppression, he joined Békés County’s voluntary National Guard. After the defeat of the Revolution he was in hiding at his birthplace for a year. In 1850 he organized the Teleki Archives; between 1850 and 1855, he looked after the collection: The Age of the Hunyadi’s (Hunyadiak Kora), in the possession of Count József (Joseph) Teleki. As a result, they published five volumes, and later four more volumes of the collection. He was also involved in the research of old Hungarian historical source books. In September 1855, he was engaged as Professor of Greek language at the Reformed Secondary School of Nagykőrös, where began to translate Greek classical and French historical writings into Hungarian. In 1858 he was elected Corresponding Member of the Hungarian Academy of Science (Magyar Tudományos Akadémia – MTA). In 1859, the Transylvanian Museum Association (Erdélyi Múzeum Egyesület) elected him as their Librarian and he moved to Kolozsvár. From then on he extended his research to old Hungarian bibliographical publications. Concurrently he also taught Greek at the local Reformed College. In 1873 he was appointed Head of the Hungarian Chair at the University of Kolozsvár, where he also acted as Rector (1882-1883). He published a large number of Hunagrian historical studies and translations from ancient Greek and French literature. He is buried at the historic Házsongárd Cemetery. He was on of the renowned hisorians of the 19th century. – B: 0883, 1031, T: 7617.→Toldy, Ferenc; Teleki, Count József (2); Freedom Fight of 1848-1849.


Szabó, Lajos (1) (Louis) (Losonc, now Lučenec, Slovakia, 16 July 1908 - Sátoraljaújhely, 21 February 1996) – Minister of the Reformed Church, writer and folklorist. He completed his high school and Theological studies in Sárospatak (1918-1930). He acquired an honorary lecturer (privatdozent) qualification from the University of Debrecen. Then, he visited the Hungarian diaspora in Romania. He was a minister in Kassa (now Kosiče, Slovakia) and, in 1945 he was expelled from Kassa by the Slovakian authorities, when the southern part of Upper Hungary (Felvidék, now Slovakia) was re-occupied by the Slovaks. He was the parish minister in Taktaszada and was involved in folklore collection. After the confiscated Reformed Theological Academy of Sárospatak was returned to the Church, he became Professor of Church History (1991-1994). His major works include Neither Country nor Native Land. Traveling Among Hungarians in the Regat (Romania) (Se országod, se hazád. Utazás a regáti magyarok között) (1937); Farm at the River Tisza (Tanya a Tiszánál) (1938); The Chronicle of Calvinist Kassa 1644-1944 (A kálvinista Kassa krónikája 1644-1944) (1944), and Legends of Taktaszada (Taktaszadai mondák) (1975). – B: 0877, 1134, T: 7103.
Szabó, Lajos (2) (Lewis) (Alsóbölkény, now Beica de jos, Romania, 21 September 1912 - Marosvásárhely, now Targu Mureş, Romania, 13 August 1983) – Acting instructor and dramatist. He completed his tertiary studies at the University of Kolozsvár (now Cluj-Napoca, Romania) in 1937, and studied Dramaturgy under Antal (Antony) Németh. After two years of practice in Budapest, he became the dramaturge of the National Theater (Nemzeti Színház) of Kolozsvár between 1941 and 1944, when the Second Vienna Award of 1940 returned northern Transylvania to Hungary. From 1945 to 1948 he taught at the Conservatory of Kolozsvár. Between 1948 and 1954, he was an instructor at the Hungarian School of Fine Arts. In 1954 he moved the School to Marosvásárhely, where he worked until his retirement as an instructor at the newly established Institute of Dramatic Art. Later, he was its Vice-Chancellor. His varied education, artistry and acquaintance with arts played an important role in recognizing the true talents of the generations of actors after World War II, and their effective guidance. As a playwright, he endeavored to evoke and bring to consciousness the examples of the great figures in Transylvanian culture. He wrote numerous articles about the history and theory of the theater, which were published in various journals. His works include Hurricane Lamp (Viharlámpás) drama (1942); Justification (Mentség) drama (1955); Escape (Menekülés) drama (1955); Family Nest (Családi fészek) drama (1964); On the Island of the Home (Az otthon szigetén) drama (1968), and Loyalty (Hűség) drama (1977). – B: 1445, 1257, T: 7456.→Németh, Antal; Vienna Award I.
Szabó, László (Ladislas) (Gyöngyöspata, 1905 - Buenos Aires, Argentina, 15 November 1982) – Newspaper editor and translator of literary works. Upon completion of his secondary education, he traveled throughout Europe and, in 1924 settled in Brazil as a farmer, later becoming a factory worker. In 1925 he was a correspondent of the South-American Hungarian Daily (Délamerikai Magyar Hírlap) of Sao Paulo. Within two years, he wrote in Portuguese and contributed to local agricultural trade papers. He found work for Hungarians who escaped from the coffee plantations, and rescued Hungarian families through the Red Cross during the Argentinean military coup. In 1927 he moved to Montevideo, Uruguay and founded, edited and published his own paper, The Hungarian Courier of Uruguay (Uruguayi Magyar Kurir), and later, the weekly Hungarian Newspaper of Uruguay (Uruguayi Magyar Újság). In 1935 he moved to Argentina and specialized in Spanish language journalistic writing, publishing and editing. Between 1935 and 1948 he was foreign affairs editor of the journal, Critica. At the end of 1957 he was a literary adviser to a large publishing house in Buenos Aires. He wrote stage plays and translated two Ferenc (Francis) Molnár comedies into Spanish. In 1969 the Hungarian Theater of Buenos Aires presented his Hungarian drama László Orosz Returns Home (Orosz László hazatér) at a gala performance. From 1970, his interest turned to historical research related to Hungarians in Latin America. He wrote more than 15 books in Spanish. – B: 1672, 1020, T: 3240.→Cs. Szabó, László.
Szabó, Lőrinc (Lawrence) (Miskolc, 31 March 1900 - Budapest, 3 October 1957) – Poet. His father was an engine driver. He moved to Budapest in the autumn of 1919, after the fall of the Hungarian Council (Soviet) Republic. First he studied mechanical engineering and, later, he attended lectures in the Arts Faculty of the University of Budapest. In 1921 he joined the editorial board of the paper The Evening (Az Est) where he soon became a journalist and later, night-editor. First he attracted attention with his translations of literary works, such as Shakespeare’s Sonnets (1921) and Omar Khayyám’s Rubáiyát (1922). His first book of poems, Earth, Forest and God (Föld, erdő, Isten) appeared in 1922. Already in an early volume he had shown a flair for original, individual, lyric poetry with great intellectual and cultural form and content, fidelity, and artistic insight, anticipating his later prominent position in Hungarian poesy. His book of poems entitled Kalibán appeared the following year. His lasting poetic personality emerged in its fullness in The Masterpieces of Satan (A sátán műremekei) (1926), and You and the World (Te meg a világ) (1932). His hopeless disillusionment with the world and from ideas ended in complete skepticism. In 1927 he launched and edited an art and critical journal entitled Pandora, but it lasted only six months. Side by side with his editorial work for the paper The Evening, he also did much translating from English, chiefly Shakespeare’s works, and also from French (Verlaine, Baudelaire, Villon, Molière), German (Goethe’s Werther; Heinrich von Kleist) and Russian (Pushkin, Krilov), most of which he published in the two volumes of Our Eternal Friends (Örök barátaink) (I: 1941; II: 1958). During the 1930s, he traveled abroad a great deal. At this time Lőrinc Szabó was already a well-known poet, member of the Kisfaludy Society, the Lafontaine Society, and the Ady Society of Debrecen. From 1943 he supported the official contemporary politics in his writing, as a result of which he became excluded from public life after 1945, when Hungary came under Communist government backed by Soviet military occupation. He only produced a volume called Cricket Song (Tücsökzene), and more translations of literary works. After the 1956 Revolution and Freedom Fight, he again entered the literary life. He was one of the leading lyricists and literary translators of the post-Ady generation. His works include, apart from the above: Separate Peace (Különbéke) (1936); Fight for the Festive Day (Harc az ünnepért) (1938), and Selected Poems of Lőrinc Szabó (Szabó Lőrinc válogatott versei (1956). He was honored with the Baumgarten Prize three times (1932, 1937, 1943), and was also awarded the Kossuth Prize (1957) and the Attila József Prize (1954). – B: 0883, 1031, 1257, T: 7456.
Szabó, Lujza (Luise) (Budapest, 1904 - Budapest, 19 November 1934) – Singer (dramatic and coloratura soprano). She studied to become a violinist, but after her voice was discovered, she continued as a coloratura soprano. In the Ferenc (Franz) Liszt Academy of Music of Budapest, she was a student of József (Joseph) Sík and Ernő (Enest) Unger. From 1927 until her death, she was soloist of the Opera House of Budapest. During her short but successful career, she sang in about 50 roles. In her performances the complete ease of ornamental singing became merged with dramatic power of expression; she was also multi-faceted in her mimicy on stage; beside her wonderful voice, she had superior technique. She also appeared with great success as a guest artist on opera stages of Berlin and Amsterdam. Her roles included Melinda in F. Erkel’s Bánk bán; Gilda in G.Verdi’s Rigoletto; in L. Delibes’ Lakmé, and Queen of the Night in W.A. Mozart’s The Magic Flute (Varázsfuvola). She died at the height of her career, following surgery. – B: 0883, 1445, T: 7456.
Szabó, Magda (Debrecen, 5 October 1917 - Kerepes, 19 November 2007) – Writer, poetess and translator of literary works. She came from an illustrious literary family; it was closely related to the writer Mária Szentmihályiné Szabó. She was educated in Debrecen, where she did her tertiary studies, and in 1940 she received a Ph.D., in Latin and Hungarian Literature. Her first article, written at the age of 16, was published in the local periodical Our Way (Útunk). From 1942 to 1944 she taught Latin and history first in Debrecen, and later in Hódmezővásárhely. Between 1945 and 1949, she worked for the Ministry of Education, and as a poetess she first published a collection in 1948, for which she was awarded the Baumgarten Prize in 1949. In the same year, she was dismissed from her position and the Prize was withdrawn from her as a “class alien”. She had to teach at a Junior High School. From 1949 to 1958 she was not allowed to publish; her first new book of poems was published in 1958; she turned to writing novels and stage plays. She became known throughout the land with her novels Fresco (Freskó) (1958), and Deer (Őz) (1959). Her other novels include Please Tell Sophie (Mondjátok meg Zsófikának) (1958); Winter Feast (Diszóntor) (1960); Masked Ball (Álarcosbál) (1961); Pilate (1963), and Danaida (1964). In the autobiographical Old Well (Ókút) (1970). In An Old-fashioned Story (Régimódi történet) (1971), she presents her childhood and that of her parents in the early 20th century Debrecen. Some later works are: The Door (Az ajtó) (1983); On the Threshold of Zeus (1984), and On the Glittering Peaks of Old Age (1987). Her best-known and most popular novel for young peole is Abigail (Abigél) published in 1970, which was made into a movie. In 1975 she published her poems under the title Fish on the Elm Tree (Szílfán halak). In 1999 she published a collection of her translations of poems from Latin, German, French and English; and the novel Honey Cake for Cerberus (Mézescsók Cerberusnak). Among her historical dramas, the most famous are: Cry out, City! (Kiált, város!) (1971), and That Beautiful, Bright Sun (Az a szép, fényes nap) (1976). Some of her works have been translated into several foreign languages, including English and French. Magda Szabó also took on the job of being the Chief Curator (Lay President) of the Transtibiscan Reformed Church District and Deputy-president of the General Synod from 1985 to 1990. She was a member of the European Academy of Science; an honorary freeman of Debrecen, and Honorary Doctor of the Reformed Theological Academy of Debrecen (1993). She is the most widely read and most frequently translated Hungarian writer. She was rewarded the Kossuth-Prize in 1978, the Attila József Prize in 1959, the Pro Urbe Prize in 1983, the Getz Prize in 1992, the Csokonai Prize in 1987, and the Déry Prize in 1996. In 2002 she was decorated with the Corvin-Chain. Her talent and literary achievements were also recognized abroad: for her novel The Door she was awarded the Femina Prize in France in 2003; and for her novel Katalin Street (Katalin utca) she received the Cévennes Prize in 2007, wich was at the top of the success-list of French bookshops. – B: 7617, 1257, T: 7617, 7456.→Szentmihályi Mrs. Szabó, Mária.
Szabó, Miklós (Nicholas) (Székesfehérvár, 27 November 1909 - Budapest, 22 May 1999) – Opera singer (tenor). He studied at the Department of Hungarian, Latin, German and Italian of the University of Budapest. Since he had an exceptional voice, the voice instructor Max Herzberg taught him singing without a fee, as a private student from 1927 to 1930. He was contracted to the Municipal Theater (Városi Színház) in 1937-1938. Then he became a member of the Hungarian Radio (1939-1941), the Opera House (1941-1946), and the Operetta Theater (Operettszínház) (1946-1948)., He was also a soloist with the National Philharmonic from 1948 to 1957 and, on the request of Viktor Vaszy, he was a soloist of the Szeged National Theater from 1957 until his retirement in 1969. He was an opera singer of outstanding ability, one of the most popular singers of Hungarian musical life of the 20th century. Szabó’s roles included Cavaradossi of Tosca; Des Grieux in Manon Lescaut; Pinkerton of Madama Butterfly; Alfred in La Traviata; the peasant lad in Karl Orff’s The Moon (Der Mond), and Ottó in Katona’s Bánk bán. In several older Hungarian feature films he sang as a soloist or as a member of the vocal ensemble. He also appeared in oratorios, e.g. in Verdi’s Requiem and Bartók’s Cantata Profana. He participated in the production and popularization of contemporary works, like Zsigmond Báthory by Horusitzky. The Hungarian Radio involved him in more than 38 hours of programming the works of Johann Strauss Jr., F. von Suppé, F. Lehár, I. Kálmán, J. Huszka, F. Farkas, and others. He set to music many poems of classical and contemporary Hungarian poets; wrote songs about Pest, and Italian song-translations. He was also the author of opera librettos. He continued to work after his retirement with regular appearances, and continued to train young singers. He was featured in several TV recordings and two portrait films. He was awarded the Franz Liszt Prize, the title of Merited Artist, and the Officer’s Cross of the Order of Merit of the Republic of Hungary. – B: 1426, 1031, T: 7456.→Vaszy, Viktor.
Szabó, Pál (Paul) (Biharugra, 5 April 1893 - Budapest, 31 October 1970) – Writer, politician. He attended school for only six years in Ugra, and began work at an early age as a day laborer, later as a bricklayer’s apprentice. He bought many books, read voraciously, and frequented the theater in Nagyvárad (now Oradea, Romania). In 1915 he was enlisted in the army and served eight months at the Russian front, then fought at the Italian front line. After his discharge from the army he subscribed to the newspaper West (Nyugat). In 1920 he was interned at home for two years for participation in the revolutionary events in Ugra during the Hungarian Council (Soviet) Republic of 1919. During this period, he organized a theater group and a sports club for the young people of his village. He was commissioned by his village to author his first article for the periodical Körös Region (Körösvidék). His other writings appeared in Endre Bajcsy-Zsilinszky’s Outpost (Előörs). In 1930 Szabó wrote his first novel entitled Men (Emberek). In the next two years, Zsigmond Móricz published seven of his novels in the West (Nyugat) journal. All these novels were eventually published in 1933 in one volume: Theirs is the Glory (Övék a glória). He became involved in politics and spent his book royalties in support of the Independent Smallholders’ Party of the County of Bihar. He kept in contact with politicians and well-known contemporary writers. From 1935 to 1938, he edited the periodical Komádi and its Surroundings (Komádi és vidéke), and co-edited the People of the East (Kelet Népe) with Dénes (Denis) Barsi, István (Stephen) Sinka and Géza Féja and, from 1937, he remained its sole editor. From 1938 to 1944, he edited the journal, Free Word (Szabad Szó). He was a founding member, and from 1939 President of the National Peasant Party.

Pál Szabó’s most important work was a trilogy published between 1941 and 1943 entitled Wedding, Christening, Cradle (Lakodalom-Keresztelő-Bölcső) later renamed Foothold (Talpalatnyi föld). In 1948, producer Frigyes (Frederick) Bán made the trilogy into a successful internationally acclaimed film. In 1945, Szabó edited the Peasant Journal (Parasztújság), which became the Free Land (Szabad Föld). In 1946 he moved with his family to Budapest and was active in its political and social life as a parliamentary representative. From 1954 to 1956 he was President of the National Council of the Patriotic People’s Front (Hazafias Népfront). Until 1959 he was a member of the Presidential Council of Hungary. His novels were translated into English, Bulgarian, Czech, Chinese, Polish, Lithuanian, German, Russian and Slovakian. – B: 0883, 1257, T: 3240.→Bajcsi-Zsilinszky, Endre; Móricz, Zsigmond; Sinka, István; Féja, Géza; Council (Soviet) Republic of Hungary; Patriotic People’s Front.


Szabó, Rózsi V. (Rosanna) (V. Szabó; Mrs. Várady Szabó) (Magyarbél, now Velký Biel, Slovakia, in former County Pozsony (now Bratislava, Slovakia, 4 June 1935 - ) – Actress. After completing her primary school studies, she worked as a laboratory assistant in a pharmacy between 1950 and 1956. From 1956 she performed at the Hungarian section of the State Village Theater (Állami Falu Szinház) and, after its closure in 1959, she performed at the Matesz of Komárom (now Komarno, Slovakia). From the time of its founding in 1969, until her retirement in 1989, she acted at the Thalia Theater (Thália Színház) of Kassa (now Košice, Slovakia). In the Village Theater she played leading roles, while in the Komárom Company she excelled especially in the role of thoughtful, mature, intelligent female figures. Her determined personality manifested itself also in the Kassa Company, where she acted in a series of leading and episodic roles. Her roles included Tanya in A. Arbuzov’s Tania (Második szerelem); Mali in K. Kisfaludy’s The Suitors (A kérők); Lena in J.P. Sartre’s The Condemned of Altona (Les Séquestrés d'Altona – Az altónai foglyok); Ilma in M. Vörösmarty’s Csongor and Tünde, and Polina Andreyevna in A. P. Chekhov’s Seagull (Sirály). She also appeared in several dozens radio plays in the Hungarian broadcast of the Czechoslovakian Radio, as well as in some Slovakian and Hungarian films. She received the High Standard Prize of the Slovakian Literary Foundation and the Prize of the Best Female Actor in 1973. – B: 1445, 1878, T: 7456.
Szabó, Samu (Samuel) (Hódmezővásárhely, 8 April 1903 - Pécs, 22 November 1966) – Actor. He began his acting career in his native town and, from 1923 to 1927, he played at the National Theater (Nemzeti Színház) of Szeged. Following this, he was a member of numerous rural companies. From 1943 he appeared in Debrecen where, from 1945 to 1947 he did stage managing as well. From 1949 until his death, he was a member of the National Theater (Nemzeti Színház) of Pécs. Early in his career, he appeared mainly in operettas, and became known as a comic dancer. It was in Pécs that he changed over to comic and dramatic roles. His roles include Archibald in P. Abraham’s Ball at the Savoy (Bál a Savoyban); Sir Basil in F. Lehár’s Count of Luxemburg (Luxemburg grófja); Puzsér in F. Molnár’s The Doctor (A doctor úr); Waiter Miska in I. Kálmán’s Gypsy Princess (A csárdáskirálynő); Csuli Csörgheő in Zs. Móricz’s Gentleman’s Fun (Úri muri); Pickering in G. B. Shaw’s Pygmalion; Kalb in F. Schiller’s Love and Intrigue (Ármány és szerelem), and Harpagon in Molière’s The Miser (A fösvény). His dramas: Before Harvest (Aratás előtt), with F. Frederik (around 1940), and On Honeymoon Alone (Nászút egyedül) (1945). He was a recipient of the Kossuth Prize (1954). – B: 1445, 1031, T: 7456.
Szabó, Sándor (Alexander) (Budapest, 25 April 1915 - Budapest, 12 November 1997) – Actor. After completing the course of the Academy of Dramatic Art he became contracted to the National Theater (Nemzeti Színház), Budapest, in 1937. From 1945 he played at the Comedy Theater (Vígszínház); from 1948 at the Artist Theater (Művész Színház); from 1949 at the National Theater of Miskolc, and from 1950 at the Pioneer Theater (Úttörő Szanház). Between 1951 and 1957 he was a leading actor of the Hungarian People’s Army Theater (Magyar Néphadsereg Szanháza). In 1956 he left Hungary and went abroad, In 1957-1958 he organized the Petőfi Theater (Petőfi Színház) of New York; later, he became an artist of the American National Theater of Minneapolis. He appeared on Broadway and in Hollywood. He returned to Hungary in 1976, and entered into a contract with the National Theater of Pécs. Between 1977 and 1983, he was a member of the Comedy Theater and, from 1984, of the Madách Theater (Madách Színház), Budapest. Early in his career, he played young heroes; later, he gave wonderful renderings in great dramatic roles. Szabó’s ability to portray a character and his conscious, accurate molding of a role equally well manifested themselves on stage and in film. His roles included Romeo in Shakespeare’s Romeo and Juliet; Brutus in Shakespeare’s Julius Caesar; title role in Schiller’s Don Carlos; title role in Molière’s Tartuffe; Versinin in Chekhov’s Three Sisters (Három nővér); Ádám in Madách’s The Tragedy of Man (Az ember tragédiája), and Sir Latymer in Noël Coward’s A Song at Twilight (Alkonyi dal). He appeared in more than 50 radio plays and TV films, e.g.: Once in a Blue Moon (USA 1935); Mission to Moscow (USA 1943); After the Storm (Vihar után) (1944), Mrs. Déry (Déryné) (1951); Bluebeard (French, Italian, W. German, Hungarian, 1972); Hungarians (Magyarok) (1978); The Man who Went up in Smoke (Der Mann, der sich in Luft auflöste) (W. German, Swedish, Hungarian, 1980); Mission to Evian (Küldetés Evianba) (1988), and Passport to Murder (USA, Hungarian TV film,1993). In the USA he appeared in 14 film-serials, such as December Bride (1954); and Mission: Impossible (1966). He received the Kossuth Prize (1955, 1991), the Merited Artist title (1981) and Outstanding Artist title (1985). – B: 1445, 1427, T: 7456.

Download 1.61 Mb.

Share with your friends:
1   ...   26   27   28   29   30   31   32   33   ...   50




The database is protected by copyright ©ininet.org 2024
send message

    Main page