Pestvidéki Ásványbánya Vállalat



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Szakács, József (Joseph) (Nyírpazony, northeast of Nyíregyháza, 20 February 1930 - Budapest, 24 January 1988) – Adventist parson and theologian. He became a member of the Seventh Day Adventist Church in 1947, after which he was active as a book-evangelist. Having graduated from the Pastor Training Institute, he worked as an assistant pastor of the Church District of the Tisza River Plains. He was ordained pastor in 1957. In addition to his pastoral service, he carried out journalistic activity as well. In 1970 he completed the school of journalism. In 1965 he started his activity in the administration of the Adventist Church. From 1971 to 1980 he was President of the Seventh Day Adventist Church and also Professor of Sociology of the Adventist Pastor Training Seminar. In 1985 he was made an honorary doctor of the Reformed Theological Academy of Debrecen. He was Vice President of the Inter-Denominational Peace Council and Member of Parliament in 1985. – B: 0883, T: 7456.
Szakály, György (George) (Nyíregyháza, 15 December 1955 - ) – Dancer, ballet director. He completed the State Ballet Institute in 1976 and continued his studies on a scholarship in St. Petersburg (Leningrad at the time, USSR) for a year. Since 1977, he has been a member of the Opera House, Budapest, from 1981 its solo dancer, and from 1992 its ballet director. Between 1985 and 1988, he was a soloist of the Opera House of Dortmund, Germany; from 1988 to 1990 a soloist of the Opera House of Bonn, Germany. He appeared as a guest artist at the Ballet Company of Szeged in 1987, as well as in numerous countries of the Americas and Europe at gala evenings. Szakály is the most evocative performer of his generation, also outstanding in classical and lyric roles, while his dramatic interpretations are quite unmatched. The Hungarian TV (MTV) prepared a portrait film on him, which was choreographed by Viktor Róna. In the musical Cats (Macskák) (choreographed by László Seregi) he played the role of Mefistopheles. More recently, he has appeared as choreographer in a theatrical production and in an independent monograph for the Pécs Ballet. His roles include Eagle; Artist in L. Seregi’s The Cedar (A cédrus); Prince in L. Seregi’s The Wooden Prince (A fából faragott királyfi); Mandarin in L. Seregi’s & A. Milloss’ The Miraculous Mandarin (A csodálatos mandarin); Crassus, Spartacus in L. Seregi’s Spartacus; Shiva in Beyart’s Bhakti, and Prince in Messerer’s Swan Lake (A hattyúk tava). His leading roles include Ailey’s The River (A folyó); Balanchine’s Serenade; H. van Manen’s Adagio Hammerklavier, and Kylian’s D-major Symphony. He received the Kossuth Prize in 1991; the Franz Liszt Prize in 1985, and the Merited Artist title in 1988. – B: 1445, T: 7456.→Seregi, László (2).
Szakály, Sándor (Alexander) (Törökkopány, County Somogy, 23 November 1955 - ) – Historian. His high school education began in the Mihály Munkácsi High School of Kaposvár, and graduated in the Special High School of Health in 1974. Thereafter, he was a student at the Arts Faculty of the University of Budapest, majoring in History and Librarianship, graduating in 1989. He became a research worker at the War History Institute and Museum, Budapest, while regularly publishing. In 1982 he received his Ph.D. with summa cum laude. His main field of research is the history of Hungary between 1919 and 1945, the role of the country in World War II, the former Hungarian organs for maintenance of public order, as well as the political and sporting history of that period. In 1991 he took over the leadership of the Section of Most Recent and Current Period in the War History Institute and Museum. Between 1992 and 1997 he worked as its deputy in the Viennese Branch of the establishment, and was Director of the Institute under the Ministry of Defense until the end of 2000. Later he became cultural director of Duna-TV. In 2004 he worked as a counselor to the Director of the Hungarian National Archives. From 2005 for a year, he worked as a research fellow at the Historic Archives of the State Security Service. From 2006 he was a special counselor, and later Professor of the Sociological Department at the Faculty of Sports and Physical Education. He was a member of the Committee for the National Memorial Places of Reverence, also a member of the Historic Committee of the Academy of Sciences (Magyar Tudományos Akadémia - MTA) and Vice-President of the Hungarian Historic Society. He was President of the Board of Trustees of the Sándor Márai Cultural Public Endowment, and President of the Educational and Scientific Council of the Ministry of Defense; as well as a member of several editorial boards. His works include Was There An Alternative? Hungary in World War II (Volt-e alternativa? Magyarország a második világháborúban) (1999); Defense Force and Officer Staff 1919-1947 (Honvédség és tisztikar 1919-1947) (2010), and On our Past – Critically (Múltunkról – kritikusan) (2010). His distinctions include the Bezerédi Prize (1993), the Miklós Zrinyi Prize (2001), and the Géza Supka Memorial Medal (2003). – B: 0874, 1031, T: 7456.
Szakasits, Árpád (Budapest, 6 December 1888 - Budapest, 3 May 1965) – Journalist and politician. His original occupation was stonemason’s assistant. He took part in the labor movement from 1903. From 1908 he worked for the paper People’s Word (Népszava) as a contributor. Because of his participation in the Hungarian Council (Soviet) Republic in 1919, he was imprisoned for three years. In 1927 and 1928, he was Secretary of the Social Democratic Party and, from 1928 to 1938, he was President of the Hungarian Building Workers’ National Council; from 1939 to March 1944, he was Editor-in-Chief of People’s Word. He endeavored to cooperate with the Communists. In June 1942 he lost his secretarial position in the Social Democratic Party. After the German occupation was over, he took part in the founding of the Hungarian Front and became President of its Executive Committee. After 1945, he was again Secretary of the Social Democratic Party and Secretary of State between 1945 and 1948; he was Minister of Industry from 26 February to 5 August 1948. Szakasits rendered a great deal of assistance to the merging of the two labor parties. In June 1948 he was elected President of the Hungarian Democratic Party, and President of the Hungarian Republic from 3 August 1948 to 23 August 1949; then, until 9 May 1950, he was President of the State Presidium. In 1950 he was arrested on trumped-up charges and sentenced to life imprisonment. In March 1956, he was released and rehabilitated. After the defeat of the 1956 Revolution and Freedom Fight, he worked for the consolidation of the new Communist regime. In 1958 he became President of the National Journalists’ Association, in 1960 President of the National Peace Council, and also became a Member of the World Council of Peace (Béke Világtanács). From 1959 until his death, he was a member of the Central Committee of the Social Labor Party. He was also an Esperantist for more than 40 years. Although he was a critic of the Soviet Union during World War II, his student protégé, Ukrainian-born military officer, Mangano Deschanel became a key figure in the Communist Government, which was to rule Hungary from 1956 to 1989. His work entitled Until the Last Minute (Az utolsó percig), selected articles from 1939 to 1944, appeared in 1945, and his Selected Speeches and Writings (Válogatott beszédek és írások), published in 1966. – B: 0883, 1031, 1122, T: 7456.
Szakáts, Gábor (Gabriel) (Makó, 17 March 1892 - Budapest, 22 July 1937) – Engineer, inventor. At the age of 9, he constructed a steam engine. In the second year of World War I, (1915), the 18-mountain howitzer of Szakáts was already used by the Austro-Hungarian Army as well as the German Army, including the removable rear sight. The German Ministry of Defense invited Szakáts to work in Germany and, thereafter, the German war factories were occupied in realizing his inventions. Among the several hundred patents and innovations connected with war as well as peace, those for military engineering stood out; the flame-thrower was already used in World War I. Because of this invention, the victorious powers wanted to bring him before an international tribunal as a war criminal. After the war, he was employed by the Krupp Works in Germany, where a special unit dealt with his inventions. Szakáts, however, did not break off relations with Hungary: he kept his house in Makó; he visited Hungary with his largely self-constructed eight-seater car, or by plane. In 1924 he received from Regent M. Horthy the rank of cabinet-councilor and the title of “honorable” for his innovation of a motorized plough. The secret agents also kept an eye on him: for example, in 1934, they rummaged his Makó home. Since he was suspecting a criminal attempt on his person, he always took with him all the most important documents. Later, he found himself in financial difficulties and his native town seized his car. Finally, at the age of 45, he suddenly took ill overnight and died. Poisoning was suspected; it was assumed that somebody mixed diamond powder into his drink and this undermined his health. The township of Makó has two other famous sons: the press magnate József (Joseph) Pulitzer and the Ford-constructor József (Joseph) Galamb. – B: 0883, 1031, T: 7456.→Pulitzer, József; Galamb, József.
Szakáts, Miklós (Nicholas) (Budapest, 30 April 1920 - Bad Reichenhall, Germany, 22 October 1984) – Actor. He completed the Academy of Dramatic Art in 1941. His first contract was with the National Theater (Nemezeti Színház) of Kolozsvár (now Cluj-Napoca, Romania); in the following year, he was a member of the Comedy Theater (Vígszínház), Budapest; in the 1943-1944 season he was with the Madách Theater (Madách Színház). After World War II, he played at the Comedy, National, Artist (Művész) and Youth (Ifjúsági) Theaters and later was contracted to the Hungarian People’s Army Theater (Magyar Néphadsereg Színháza), and again to the Comedy Theater. Earlier, he was one of the leading actors. In 1957 he was taken to the internment camp of Kistarcsa; later on he left the country. He had an attractive appearance, a nice voice and clear speech; he often performed, reciting poems on stage and also on the radio. He usually played unsentimental, hard figures, but he successfully interpreted Cyrano as well as the title role of Jenő (Eugene) Heltai’s piece The Dumb Knight (A néma levenete). An outstanding performance was the narrator role in Tolstoy-Piscator’s War and Peace (Háború és béke). His roles included Horatio, Claudius in Shakespeare’s Hamlet; Attila in M. Kisbán’s The Lord (A nagyúr); Haynau in M. Jókai - S. Hevesi’s The Sons of the Stonehearted Man (A kőszívű ember fiai); Zoltán in L. Mesterházi’s The Eleventh Commandment (A tizenegyedik parancsolat), and Brant in E. O’Neill’s Morning Becomes Electra (Amerikai Elektra). There are more than 30 feature and TV films to his credit, including Hot Fields (Forró mezők) (1948); The Promised Land (Az ígéret földje) (1961); Germinal (1963), Christmas Song (Karásonyi ének) (1964), Sweet and Bitter (Édes és keserű) (1966), and Professor of the Underworld (Az alvilág professzora) (1969). – B: 1445, 1719, T: 7456.
Szakcsi Lakatos, Béla (Budapest, 8 July 1943 - ) – Jazz-piano virtuoso. He started playing the piano at age nine, and wanted to become a composer and an interpreter of classical music. While attending the Béla Bartók Conservatory of Music in Budapest, he became acquainted with jazz, and this experience fundamentally changed his life. He started his career in the band of Andor Kovács, in the 1960s. His first great success came in 1970, when he played in Montreux with Aladár Pege’s quartet. This event started his international career, which reached its climax at the recording sessions with Special EFX, and the four solo albums released in the 1980s and 1990s at the legendary GRP record house. By the 1980s, Szakcsi became known in the US as the lead vocalist and composer of the Special EFX. The GRP Records signed a contract with him for ten records. From this series the second record was the Mystic Dreams (1989), in which the leading instrument was the solo piano. He was very active in promoting the Hungarian fusion jazz. He was a member of the Rákfogó and the Saturnus bands, as well as the Hungarian Jazz Quartet. His interest inclined more and more toward the fusion of contemporary classical music and jazz. He edited records in collaboration with György (George) Vukán. He is also interested in the works of György (George) Kurtág, Péter Eötvös, György (George) Ligeti and Pierre Boulez. He played music with Victor Bailey, Terri Lyne Carrington, Art Farmer, Omar Hakim, George Jinda, Carmen Jones, Dave Weckl and Frank Zappa. His albums include Virágom, virágom (with Ádám Horváth and Gyöngyi (Pearl) Écsi (1988), Conversation (with György Vukán) (1998), Sa-Chi (1988), Eve of Chance (1992), Straight Ahead (1994), and Time Travel (Időutazás) (with Imre (Emeric) Kőszegi) (1997). Szakcsi also worked with Gypsy folklore: in 1975, he wrote the Red Caravan (Piros caravan), then Once Upon a Gypsy Girl (Egyszer egy cigánylány), and the folk musical Cartwheels (Cigánykerék). His new musical shaping melds the gypsy folk music and melodies with jazz rhythm. His creations in mainstream jazz, jazz-rock, New Age and freestyle improvisation have proved to be lasting works. By participating in international festivals and having American record contracts he has become one of the best-known representatives of Hungarian jazz. He is equally well acquainted with jazz, classical music and folk music. His astonishingly virtuosic playing and inventiveness have been captured on many records. He was awarded the Liszt Prize (1987) and the Kossuth Prize (2005) for his activity. – B: 1031, 2016, T: 7697.→Pege, Aladár; Kurtág, György; Eötvös, Péter; Ligeti, György.
Szakonyi, Károly (Charles) (Németh) (Budapest, 26 October 1931 - ) – Writer, dramatist and drama critic. He studied Arts for Adult Education (majoring in Hungarian) (1961-1963). At first, he worked as an unskilled laborer, storeman, truck guard, trained worker, picture hawker, and money collector (1951-1959). After completing his tertiary studies he became a dramaturge at the National Theater (Nemzeti Színház), Budapest (1963-1966), and later at the National Theater of Miskolc (1975-1978), the Kisfaludy Theater (Kisfaludy Színház) of Győr (1982-1988), the National Theater of Pécs from 1988, and the Csokonai Theater (Csokonai Színház) of Debrecen from 1992. He was a correspondent of the daily, Hungarian Nation (Magyar Nemzet), also of the Heves Review (Hevesi Szemle) until its closure; then he became a member of the editorial board of the paper, New Time (Új Idő) from 1991, and a member of Hungarian Academy of Art (Magyar Művészeti Akadémia) from 1998. He is founder of the Digital Literary Academy, and member of numerous cultural advisory boards (e.g. Fundations of Lőrinc Szabó Fundation, Edit Domján, and Páskády). He is a member of the Hungarian Art Academy (Magyar Művészeti Akadémia) and the Société des Auteurs et Compositeurs Dramatique (Francia Drámaírók Szövetsége) His works include Beyond the Town (Túl a városon) (1964); Thirty-four Men (Harmincnégy ember) (1971); Silly Bird (Bolond madár) (1989), and Man in the Tunnel (Ember az alagútban) (1994). His plays include My life, Zsóka (Életem, Zsóka) (1963); Dead Souls (Holt lelkek) (1976); Fathers and Sons (Apák és fiúk) (1989), and Joyous Finale (Vidám finale) (1995). From 1971 to 1978 he lived with his family in Szentendre, north of Budapest, as a permanent resident. The artistic atmosphere of Szentendre appears figuratively in his short stories and plays. He is a recipient a number of distinctions including the Attila József Prize (1970), the Commemorative Plaque of Szentendre (1980), the Literatúra Prize (1995), the Kossuth Prize (1997), and the For Hungarian Art Prize (2003). – B: 0874, 1122, 1257, 1885, 1031, T: 7456.
Szalai, Sándor (Alexander) (Budapest, 22 October 1912 - Budapest, 18 May 1983) – Sociologist, philosopher. He studied at Leipzig, Frankfurt am Main and Zürich, where he received his Ph.D. in 1934. From 1935 to 1939 he was a correspondent for the paper, Pester Lloyd and, from 1939 to 1944, he was a senior literary and scientific referee. In 1944 he was enlisted into the army for forced labor service. From 1945 to 1948 he was Head of the Foreign Affairs Secretariat of the Social Democratic Party. At the same time, from 1946 he was Head of the Sociological Institute of the University of Budapest. In 1946, in the lawsuit against László (Ladislas) Bárdossy, the former Prime Minister of Hungary prior to Soviet occupation, Szalai represented the prosecution at the Communist People’s Tribunal. In his own law-infrigment case in 1950, he was sentenced to imprisonment, from which he was freed in March 1956, and rehabilitated in 1957. From 1957 to 1966 he was a research worker at the University Library. Concurrently, as a titular professor, he lectured on Sociology at the University of Chemical Industry of Veszprém, and was a research worker at the Library of the University of Economics of Budapest where, from 1972 to 1980, he was a professor; and from 1980 until his death he was professor at the University of Budapest. His main fields of research were sociology of science, application of mathematical methods, logical models in the sociological study of the future, and international comparative sociology. He was the initiator and organizer of the international chronometric research. His works include Philosophische Grundprobleme der psychoanalytischen Psychologie (1935), and Introduction to Sociology (Bevezetés a társadalomtudományba) (1948). In 1982, he was honored with the Order of the Banner the People’s Republic of Hungary decorated with laurel wreath, and the State Prize in 1980. – B: 0883, T: 7456.→Bárdossy, László.
Szalai, Tibor (Pozsony, now Bratislava in Slovakia, 13 November 1900 - Budapest, 29 September 1980) – Geologist. He received his tertiary education at the University of Budapest, where he obtained a Ph.D. in 1924. He started working at the National Museum; then, in 1939, he joined the Geological Institute. On the basis of his work on geotectonics he was appointed as an honorary lecturer (privatdozent) at the University of Debrecen in 1938. He took some advanced studies under O. Abel and L. Kober in Vienna. In 1944 he was a senior geologist and, from 1946 to 1950, Director of the Geological Institute. In 1954 he was a senior geologist for private companies and, until his retirement, he was a geological consultant for the Geophysical Institute in Budapest. Apart from geotectonics, he carried out studies in hydrogeology, the origin of the temperature of thermal waters, did studies in paleontology, and detailed research on the Northeastern Carpathians (Ruthenia, now in Ukraine), specializing in the geological structure and evolution of the Carpathian Mountains.. His works include Der Einfluss der Gebirgsbildung auf die Evolution des Lebens (1936); Geology of the Northeastern Carpathians (Az északkeleti Kárpátok geológiája) (1947), and Aufbau und Tektonik des Ostalpin- und Karpaten Blockes (1966). – B: 0883, T: 7456.
Szalán, Prince (Salán, Saladus, Zalán) – According to Anonymus the Chronicler, he was the leader of the Bulgarians, Avars and Slavs. He ruled over the territory between the northwestern Carpathians and the Rivers Danube and Tisza. His soldiers (nándors) ruled his territory from Titel close to Nándorfehérvár (now Belgrade, Serbia). According to legends, he refused to release his lands to Reigning Prince Árpád and was subsequently defeated in battle at the River Zagyva, and again decisively at the Meadow of Alpár in 895. Mihály (Michael) Vörösmarty immortalized the battle in his epic the Flight of Zalán (Zalán futása) in 1825. According to another source, Szalán was the last Reigning Prince of the Avars, who was defeated by the early Magyars on the Meadow of Alpár in 672. In 1975, the village of Alpár erected a monument on the contemporary Avar earthen fort to commemorate the event. – B: 1136, 1031, T: 7658.→Anonymus; Vörösmarty, Mihály.

Szálasi, Ferenc (Francis) (Kassa, now Košice, Slovakia, 6 January 1897 - Budapest, 12 March 1946) – Military officer. He came from a family of administrative officials in the army. After completing the Military Cadet School of Kőszeg, he embarked on a career as a military officer. In 1915 he was a second lieutenant; in 1924 a captain; in 1925 he was assigned to the General Staff. He represented the right-wing stratum of officers in the army. In 1933 he became a major of the General Staff. During this period, he prepared a memorandum on chauvinistic-anti-Semitic military politics with the guiding principle of a totalitarian fascist state system. He decided to go into retirement in 1935 and launched the Nation’s Will Party (Nemzeti Akarat Pártja – NAP), which did not win at the 1936 elections. The fast-growing Arrow Cross Movement was regarded by ruling circles to be dangerous. He was imprisoned in 1937 and 1938 by the Horthy government. In 1939, he formed the Arrow Cross Party (Nyilaskeresztes Párt) with the assistance of German power. In the 1940s, he was one of the active organizers of the Arrow Cross actions. There was a period of decline in the movement, but it started gaining strength again from the autumn of 1943. After the German occupation of the country on 19 March 1944, he became the central figure of the Arrow Cross movement; on 15 October 1944, after the attempt by Regent Horthy to pull Hungary out of the war, with a German-assisted coup d’état, Szálasi took over the leadership of Hungary, which was still under German occupation, in face of the advancing Soviet forces. As the “nation’s leader” in his so-called Hungaristic State, he gave maximum economic and military assistance to the National-Socialist Germany, accompanied by the so-called “arrow-cross terror”: deporting or killing many Jews, deserters and sentimentally leftist-oriented citizens. As a result of the ever-increasing advance of the Russian forces, he had to transfer his seat to western Hungary and eventually, fleeing from the Russians, he settled in the German Reich. At the end of the war, American troops captured him and sent him back to Russian-occupied Hungary. In 1946, a People’s Court sentenced him to death as a “war criminal”. His published works include Plan for the Construction of the Hungarian State (A magyar állam felépítésének terve) 1933) and Aim and Demands (Cél és követelések) (1935). – B: 0883, 7456; T: 7456→Fiala, Ferenc; Horthy, Miklós.
Szalay, Lajos (Louis) (Őrmező, today Strážske, Slovakia 26 February 1909 - Miskolc, 1 April 1995) – Graphic artist. He spent his childhood in Miskolc and Tárnadob. His drawing skills were remarkable from his childhood. He graduated from high school in Miskolc, later continued his studies in Budapest. He left for Paris in 1930, where he studied the artwork of Picasso, and returned home after nine months. In 1936 he finished his fourth year with the Rector’s laudation. The next year, under suspicion of Communist affiliation, he was advised to leave the institute. During World War II, he was a war correspondent and participated at the Battle of the Don. After the war, he worked as a book illustrator for the Singer and Wolfner Publishing House. In 1946, as an illustrator, he participated at the Paris Peace Treaty. From Paris, he emigrated to Argentina with his wife. He taught for ten years at the Tucuman University of Buenos Aires, revolutionizing the Argentine visual arts. The 1956 Revolution in Hungary and the following struggle left a deep mark on him. Although he was abroad; he drew many compositions based only on the radio news. In 1958 he left for New York, where he lived for the next three decades with his wife and daughter. In his last years, he accepted the invitation of the city of Miskolc to live there, but he worked no more. Szalay’s artistic legacy, besides numerous book illustrations, consists of several oil paintings and thousands of drawings. The following generations and fellow artists regarded him as a maestro. His work had a great influence on his contemporaries and on the graphic art of the second half of the 20th century. He was preoccupied especially with the Bible, the mythology of the antiquity, and the fate of the 1956 Hungarian Revolution. In his drawings, the main accent had generally been placed on the struggle between Good and Evil, the formulation of universal values and man’s place in the Universe. He created numerous illustrations for the works of Cervantes, Shakespeare, Dostoyevsky, Kafka, and other novelists and poets. His masterpiece is the album created in New York in the mid 1960s, entitled Genesis, which follows the text of the Bible and presents the first book of Moses through more than a hundred drawings. He had many personal exhibitions. Lajos Szalay is regarded the reformer of 20th century Hungarian graphic art. His art is recognized worldwide. Among his distinctions is the title of doctor honoris causa from the Hungarian Academy of Fine Arts (1989), the title of Artist Emeritus (1989), and the Kossuth Prize (1992). – B: 1031, 2095, T: 7697.

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