The Urns - Muse's Advisory, Sept. 16
Frederic Weatherly:
Oh, Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side.
The summer's gone, and all the roses falling,
It's you, it's you must go and I must bide.
But come ye back when summer's in the meadow,
Or when the valley's hushed and white with snow,
It's I'll be here in sunshine or in shadow,
Oh, Danny boy, oh Danny boy, I love you so!
But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
Ye'll come and find the place where I am lying,
And kneel and say an Ave there for me.
And I shall hear, though soft you tread above me,
And all my grave will warmer, sweeter be,
For you will bend and tell me that you love me,
And I shall sleep in peace until you come to me!
CNN U.S.:
The giant yellow arms of heavy machines ceased their steady rumble to honor
the dead, pausing from their relentless task of removing rubble from the ruins
of the destroyed Towers. Then, to the strains of bagpipes, workers returned
to their posts, and the Leviathans resumed their somber, tedious undertaking.
Miriam to Zeus:
You tickled me!
You're not supposed to be in here!
And there you are, again!
My goodness, bits of you and bits of me
are all mixed up together in this urn!
And now, in your urn, too!
I feel one of my knuckles butting you.
Oh, this is rich!
How will you wriggle out of this?
Epistle to the Tobeloans - Muse's Advisory, Sept. 17 – St. Paul the White Cockatoo:
Creation, incarnation, conservation, annihilation—
the craft of gods is complex, hard.
No one was ever born omnipotent,
nor ever neared that notional capacity
who was not dedicated, disciplined.
These ranks of opal urns
arrayed like China's terra-cotta warriors
on the mantel-shelf you chicks delight to call
the Milky Way—each has a story to it—
archimage, scops-owl, handmaiden,
conscript, ghost-fish, Penzanceman.
That one? A monk too fond of food.
Yet there is always profit.
The catastrophe at Gamalama taught me hope;
my submission to the crush of Zeus's hand
confirmed my self-restraint,
and saw to it I don't forget affection's fallacy.
My brood-mates wolfed the fruit
and boxed my beak;
the nesting hen and cock both shrugged.
But as Yeshua said, “The last are first.”
At least they have a shot at it, I think.
So when Hephaistos begged my help—
exactly, yes, God's actual First Son,
the one who stitched my left half to my right,
who set my bill back in its jaw—
so when he begged my help
to re-inspire Zeus's effigy,
to lure him from the comfort of the ashes
of his trophy wife by common law,
I told him, quickly, “Count me in.”
He said:
“They're half in this urn, half in that.
You hear those doting lover's coos?
It's has to stop. I want to sentence him
to go on with his shitty life indefinitely,
as he did me. I drafted plans—
my aspiration, once,
was to be Muse of Architects,
did you know that?—
to build a holodome, an office building sim:
an elevator lobby and an upstairs hall,
framed artwork on the walls all perfectly innocuous,
a consultation room, Venetian curtains drawn,
a smoke-and-mirror world like in The Matrix
or Mission Impossible. What I need you to do—
nobody fiddles Zeus's heart-strings
with more virtuosity than you—
is to entice him back out here
with that pathetic poor-hurt-parrot call.”
Experience brings precision,
and precision, accomplishment.
I want you one day to be proud too
of whatever you effect by force of will.
My nine poor orphans,
do you think you understand?
Your mother, no, she never really got it right,
she cherrypicked her lovers' memories
and thought the truth
would never come to light.
She nurtured you on fantasies,
encouraged you to dabble, as if ducks, in sediment,
to shut your lids
and nose around in—browse on—
mysteries that offer tasty braird and sprouts
to deep-sea acolytes who bow and scrape
to keep dreams out of sight,
yet ever in the mind—
but she is still your mother,
and each one of you is bright.
Children! Contemplate the reliquaries
lined up on this altar ledge.
Can any part of you believe
their contents are inert, incapable, extinct,
and sit there idly twiddling their thumbs
awaiting—What?
Is that the nature of things?
Or does the bigger picture ask more toughness
intellectually?
A more engaged approach?
The grander scheme—
survival in a state that's worth surviving in—
asks much of us.
When Phaestos threw his switch,
I placed my bill between the sighing urns,
Lee-Strasberged back to scalding in the flood of molten rock,
and desolately whimpered, “Fuck!”
Revivicist - Muse's Advisory, Sept. 18 – Miriam to Zeus, in Urn:
Do you hear
a distant rumble,
a machinelike
fuck fuck fuck?
Who does that
remind you of?
He's out there
somewhere,
isn't he?
Come here.
Hah!
How much herer
could you be?
I mean
come closer spiritually.
Inside this
mummy case
of sooty dust,
the noise outside
isn't as thunderous
as it would like
to think.
Now, over in
the other urn,
I wonder if
the same thing's
happening or if
our other halves
re-recombined
to different DNA.
Is that us?—
Hear it?—
Whispers?—
dry red phosphorus
to powdered glass?
There's no
imperative to care.
We're bits
and pieces
99.9% burnt off,
and 99.9%
of what is left,
irrevocably lost,
then the remainder
cut like cards,
half dealt
and half a cairn
for junkyard
cats and curs
to paw,
and we
don't even know
which half of
which 1/10
of 1% we are:
but it's enough
we're here.
fuck fuck fuck
Fuck!
Is that a puff
of ash where
your left
phantom ear
pricked up?
You sack of shit!
A single atom
of your entity
is all it takes,
I swear!
Each microsec
the earth averts
its face
and stars roar
as the universe's
membrane beats
a terrified retreat
inevitably there
spring to life
another fifty ways
to leave
your lover.
The Bride Euterpe - Muse's Advisory, Sept. 19
1. Downstairs In the Lobby
Euterpe:
“God says...”
The typewriter bell rings
and the carriage returns.
Cantell, evangelist,
is losing feeling in his hands.
Ambrosia crusted on
his penis burns.
“Jehovah was a lecherous fat Turk,”
the Cretan Kazantzakis wrote.
“He fingered the Muses
but that was as far as he got.”
Tom, let me tell you what to write.
As soon as you put down your pen,
the handsome jackals congregate
like wraiths, and far birds start
to trace slow halos on the sky.
You have to plant
a big warm piece of meat
to cover your escape.
This isn't anyplace
for dabbling and diddling,
for monkey-dancing,
dilettante and debutante.
Of nine of us, I took the keenest
interest in your character.
I know who's in the jars upstairs
on your fake mantelpiece.
I've followed you—how many steps?
I split my dower into eighths
to bribe my sisters and make sure
I'd be the one to meet you here.
The elevator's coming...
7...
6...
5...
4...
3...
Wait until the final second,
then we'll dash inside
and I'll de-synchronize the worm gears
and the door cascade
so that the car can't take on
any other passengers—
and there I'll be,
alone with you—
and finally free
to kiss the perfect crescent
at the tip of your big toe.
Don't answer yet.
Your final line, however it comes out,
will seal my fate—
but no, no pressure—
do you understand?
I cast my lot with you as permanently,
trustingly, as parting lovers
commend strands of one another's hair
to heart-shaped lockets.
Some one's got to notify your family
once you're gone.
Yes, you'll still mope around,
and wash the dishes,
mutter darkly as you switch off
carelessly left blazing lights,
take garbage out,
still kiss the kids goodnight,
and grope the missus—
the part of you I'll take
may not be missed at all—
the high, surprised note in your voice
when the elevator door glides shut
and you discover who I really am.
I always had the most extraordinary eyes.
That's what was asked of me
and what I gave.
And what have you
that fits my bill?
You know exactly what I'm going to name:
I feel you subtly, subconsciously
withdrawing it, secreting it away.
Tom.
Tom, Tom, Tom, Tom, Tom.
Who do you think
you're putting something over on?
Give me that Chinese take-out bag.
Now,
take your pants down.
Yes. Right here.
Now, touch your toes.
Yes, both palms pressed flat
to the well-buffed marble floor.
Your grotesque characters are dead.
They make their way, today, as ash.
Not you. You still feel hope—
still subject to my regiment.
Ding!
Stand up, quickly!
Come, step in!
2. Upstairs in the Office
Miriam:
I see we interrupted your Chinese.
What is that, shrimp in black bean sauce
and vegetable lo mein? I'm starved!
No, thanks.
Alright, but
just one tiny bite.
Zeus:
So, Doctor T., I still can't die—
but thanks to brother Phaestos
I'm 3/4 blind in both my eyes!
My gentle daughters nine,
who I despise, if truth were told,
take turns hand-holding me
at myriad appointments made
with quacks and charlatans like you
who grope to re-root happy thoughts
into the muck inside my mind.
Oh, yes, I've taken pills!
Talk therapy? Till blue.
Re-visioning the story of my life?
We've tried that too.
That's why, although your meter
has a lively spring to it,
I haven't so much as
a eunuch's wife's cunt's
shred of faith in you.
My wife?
Oh, here we go again!
I think professional virgin is the technical term.
She says she'll love me till the end,
but hasn't even let me see her bush
since Burning Angel aired that spread
on “Waking Up With Strange Trim”
New Year's Day, 2010.
I love her too, don't get me wrong.
We've had our ups and downs,
only not for a very long time.
No, Doc, I'm joking!
Lighten up! Pull off that frown!
My lovely little girl Euterpe's
one your most ardent fans!
Why can't we talk about
your facts of life?
Why does it have to be
my way-too-thoroughly-raked-over
failings with this child or that wife?
The truth? Nobody wants to hear it—
that's one thing that hasn't changed.
My girls have made flirtation with you
shrink-wrapped, self-styled geniuses
the highlight of their woeful, isolated lives.
Don't say I hold them back,
manipulate them into being
lifelong handmaids to my own depression.
It's only grudgingly—for them—I'm here.
I want Pandora and her swarm of ills
to come and punch my ticket!
I want to locate the bucket
and kick it.
Why can't I moon and wallow, if I like?
Why can't I redefine myself as Omni-Impotent?
You and Euterpe, trot along to Ang Lee's porno flick.
Feel free to take my wife—
leave me alone here in the cold and dark
to play cat's cradle with what used to be my prick.
Miriam:
I hear this sad-ass bullshit every day!
I'm terrified I'll hear it till eternity!
I know it's quite a lot to ask, Tom,
this late in the game,
but is there some way to rewrite a bit
and have me to tell the tall, dark stranger
in the road outside my father's house:
“No thanks, I'm not that kind of dame”?
With everything I've learned,
I have a feeling I could live the kind of life
you fucking read about!
Tom,
one more bite?
Besides experience, what else have I to show?
I'm hitting goddam menopause—
at least I think I am, how do you tell for sure,
it's been six, seven months?—
and Zeus tells anyone who cares to hear
I've been an albatross
around his neck the last 200 years.
I might have clung, moped, nagged a bit,
but my life's been no bed of roses, has it?
Yeshua pulled up stakes 2000 years ago,
and hasn't shown one ounce of interest
in my happiness. And Yusuf—please excuse me,
but no Cock Ace in the first place—
left me high and dry, and now re-woos me
as an alcoholic televangelist!
Man kind has profited, you say?
Tom, time put that Purple Kush away!
Before this dullard's sperm attacked my egg
the world was cruel and human nature stank
but it was still a golden age for men and arts
because the voice of gods was vital, frank:
you sluiced out of your mother's womb
on shit and piss and blood, then paid
your taxes for the right to eat the holy
farts of sacred cows, until at last you died.
Tom:
Dad, Mom—is it too soon to call you that?—
Pak Zeus and Mami Miriam, as St. Paul said?—
Zeus:
Don't even breathe that lousy opportunist's name!
Tom:
—you're having one or two bad days
or weeks or months or years,
but if you'd add up all the pros and cons
and take the slightly longer view—
Zeus:
Excuse me, Doc,
but who the fuck are you
to tell us
how to count
or what to view?
Tom:
If you would shut your yap just once
and listen to a different take
on what gods can or cannot be and do,
you might be pleasantly surprised
to find out there's still hope for you—
Go, finish it.
I ate my fill.
Miriam:
Thanks, Tom.
Zeus:
Why not? Why look like half a cow?
Tom:
—to find out that the son you disinherited
is man and god enough
to make you proud you're you—
Zeus:
Oh, cut that crap! And cut the rhyme!
You're blowing smoke!
That dud is lucky if he ends up
shoveling manure or bottling Coke.
Euterpe:
Stop interrupting, Dad!
You've had
over 1000 lines to speak.
Please let Tom wrap this fucking epic up—
Zeus:
—and what?
Euterpe:
Is that what's eating you?
You like it in this poem?
Miriam:
You put your finger on the thorn
stuck in the mighty lion's paw!
This gig brought Zeus to life—
of course he's scared of going back
to being little more than Google hits.
Though I've been amply vitalized, throughout,
by myriad admirers and supplicants,
I'm horrified myself to think
I'll have to close my lips and legs
and sweetly grin again while sobbing women
kneel and light 6-hour votive candles—
stand on sideboards watching
pedophile priests get plastered—
be consigned to bobbling my head
on Lublin van and Fiat Punto dashes.
Euterpe:
That isn't going to happen. Is it, Tom?
Tom:
I haven't really thought it through, but—
Euterpe:
You would never do that
to my dad and stepmom.
Tom:
—all else being equal—
Zeus:
No! No fucking way
you're gonna stick us in a sequel!
Miriam:
The two of you, leave him alone!
Poor kid has clearly got his hands full
ending this poem!
Euterpe:
Stepmom common-law,
boss Zeus around as much as he'll permit—
who doesn't like their guy compliant?—
so you can bottle the admonishments
about the way I handle my man—
er, I mean my poet client.
Zeus:
Aha! At last! You're getting laid! I knew it!
And now all us other dickless popeyes
in this cockamamie yarn
are going to have no more consequence
than potted palms
compared to e. e. casanova here:
I can already read the postings on the wall
of an unfaithful daughter's Facebook page!
But good. I'm glad. It's easier for me to say
goodbye with you in someone else's hands.
Miriam:
Zeus! No!
Tom, help us! Tell him not to leave!
Sweet god,
before you irretrievably resign your role
as low-brow foil to nine highly cultured maids,
as simple, blue-balled john
lured halfway to domestication
by the doe-eyed faux-immaculate
who cast you in her dead-end
third-tier-market roadshow
second-fiddling as her adored son's
absent, passé—yes, cartoonish—dad,
before you cite artistic differences
and amateurish operatic plotting—
before you break my heart and go—
How is your stomach
feeling, Tom?
Was that lo mein okay?
I'm getting supernatural cramps,
myself.
Oh Jesus, not again.
I'm spotting...
-The End-
Sources Cited
[I'm still putting this together. - Tom]
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