1 Ibid. , p. 74.
4
word, and then went on reading to himself, 'Wonderful!' 'Wonderful!"1
The writer certainly does not want to pit the Old Testament against
the New Testament, with the resulting impression that one could "get along
without" the New Testament if one just uses the older section of the Bible. He
concurs with Walther Eichrodt in seeing that the "Old Testament religion,
ineffaceably individual though it may be, can yet be grasped in this essential
uniqueness only when it is seen as completed in Christ."2
Indeed, to stress the importance of the Old Testament over that
of the New would be both reactionary and heretical, a sort of anti-Marcionite
movement in the extreme. Often the excuse is given, however, that one can-
not learn everything, so the best choice is to study the New Testament. Such
is a false choice. Again we are reminded by the sharp wit of Bright:
Lest I be misunderstood, let me say that were I obliged to choose
whether students should be required to master the Old Testament or the
New, I should without hesitation opt for the New. But the choice is
a false one. I am confronted with no such choice--any more, I should
say, than on sallying forth in the morning I am obliged to choose between
wearing my trousers or my shirt: the decently dressed man requires
both. Just so, the well-prepared minister must know both Testaments.3
Nevertheless, let it be said at the outset that the writer has a
1 W. B. Riley, "Is the Bible 'a Human or a Divine Book?" The
Christian Fundamentalist, V (December, 1931), 213.
2 Walther Eichrodt, Theology of the Old Testament, trans. by J.
P. Baker (2 vols.; Philadelphia: The Westminster Press, 1961), I, 27.
3 Bright, Authority, p. 75, n. 46.
5
love-affair with the Old Testament Scriptures. While not agreeing with his
critical presuppositions, he does echo the view of the late H. H. Rowley who
wrote in the preface to a book by M. A Beek:
I share Professor Beek's view that the Bible is the most wonderful
book in the world. Within the Bible the Old Testament has a range and
variety far greater than the New, and the human interest that belongs
to its contents and persons whereby the rich and enduring word of God
was mediated to men makes it unique among the world's sacred litera-
ture.1
He further concurs with another reminder by the same author:
“He is wise if he remembers to read, not only all these books about the Old
Testament, but the text of the Old Testament itself; for it is a far more wonder-
ful book than all that has been written about it."2
The reference given above to a book by M. A Beek,3 however,
also serves to remind one of another reason for the loss of excitement in some
readers of the Old Testament. This is the logical legacy of the critical school
of approach of much of contemporary Old Testament scholarship. Though this
critical approach has many forms, it has one child: the loss of simhat torah.
In a magnificent article in Christianity Today, Cyrus Gordon of Brandeis
University comments on the loss of the delight of the Scripture to many heirs
1 H. H. Rowley, in the "Foreword, " to M. A. Beek's A Journey
Through the Old Testament, trans. by Arnold J. Pomerans (London: Hodder and
Stoughton, 1959), p. 8.
2 H. H. Rowley, "A Year's Work on the Old Testament, " Interp.,
VI (1952), 93.
3 M. A. Beek, of the University of Amsterdam, is a devotee of
the German school of Alt and Noth.
6
of the critical school:
If there is any expression in the Hebrew language that is charged
with meaning for the intellectual person devoted to his biblical heritage,
it is simhat torah, "the delight in studying Scripture. " I am familiar
with this delight and I like to see others have the opportunity of
experiencing it. I am distressed to meet ever so many intelligent and
serious university students who tell me that their teachers of Bible have
killed the subject by harping on the notion that biblical study consists
. of analyzing the text into JEDP. The unedifying conclusion of all such
study is that nothing is authentic. That this type of teaching should
go on in our age of discovery when biblical scholarship is so exciting
is, so to speak, a perverse miracle.1
Recently, Samuel Sandmel of the Hebrew Union College--Jewish
institute of Religion, Cincinnati, expressed chagrin at the loss of enjoyment
of the Old Testament Scriptures by those whose sole preoccupation seems to be
source analysis and redaction criticism. He admitted that he had no desire to
disassociate himself from the critical school, but at the same time he insisted
(with evident emotion), "I love the Hebrew Bible!" Often Pentateuchal scholar-
ship has so concentrated on isolating the putative sources, he maintained, the
synthesis of the whole, and its possible esthetic import has been lost.2
Hence, we find the Old Testament mutilated by its enemies and
ignored by its friends. The present paper is being written by one who cherishes
simhat torah, and who feels that the study of an Old Testament subject has a
1 Cyrus H. Gordon, "Higher Critics and Forbidden Fruit, " CT,
IV (November 23, 199), 6.
2 Samuel Sandmel, "The Enjoyment of Scripture: An Esthetic
Approach, " (unpublished paper presented at the International Congress of Learned Societies in the Field of Religion, Century Plaza Hotel, Los Angeles,
Calif. , September 4, 1972).
7
magnificent raison d'etre: the study of the text is its own reward.
The Subject in Itself
If one might grant the reasonableness of an Old Testament subject,
there still remains the question, "Why a study of Balaam?" To this question
several lines of answer will be proposed.
It is a story to be enjoyed. --To many, if the mention of the name
“Balaam” evokes any response, there comes an almost involuntary smile as one
remembers, "Is not he the character with the donkey?"1 Balaam for some might
be regarded as a precursor of television's almost forgotten series, "Mr. Ed."
In this case, however, we have a Sunday School story. At once we feel our
cultural distance from a pre-Walt Disney context in which it is reported that a
man and his donkey had a conversation on the care and treatment of animals of
burden. Despite our "culture shock, " however, we sense at once that this is
a story to be enjoyed.
More than one writer has seen the genuine humor in the narrative
and has commented thereon. Eakin, for example, says that "this story should
l Eising suggests that this story is common knowledge to anyone
at all aware of the Old Testament: "Wer im Alten Testament Bescheid weiss,
kennt die Erzahlung von der sprechenden Eselin des Propheten Balaam." Hermann
Eising, "Balaams Eselin, " BK, XIII (1958), 45. One has to be aware of some-
thing of the Old Testament, however, to ho able to associate the name "Balaam"
with the donkey incident. On more than one occasion the present writer has
been the subject of his thesis and has responded, only to confront a
rather blank expression on the part of the questioner.
8
be read as a didactic humor narrative.”1 Similarly, though from a different
perspective, Stevenson speaks of "the delightful, humorous tale of Balaam."2
Although remarking on the "strange" nature of the story of Balaam, Morley adds
that it caught the imagination of the Hebrews, and among liturgical churches
which, follow the pericope calendar, it has its place in the church year--the
Third Sunday After Easter. "The reason is clear," he states. "It is full of the
stuff of life. It is an elemental human story."3
Again, Westermann suggests that "the whole account is permeated
by a jubilant and grateful exultation over the blessing that God has granted, his
people, surrounded as they are by the superior might of other nations."4 One
writer has gone so far as to suggest that the story of Balaam is "one of the
most fascinating in the whole of the Old Testament."5 Hence, one fine reason
1 Frank E. Eakin, Jr., The Religion and Culture of Israel: An
Introduction to Old Testament Thought (Boston: Allyn and Bacon, Inc., 1971),
p. 121, n. 89. George W. Anderson classifies the story as an example of
Marchen, the German term for "fairy-tale" (though he does say that this term
may be misleading). The aim of Marchen, he avers, is to amuse rather than
to instruct or to edify. A Critical Introduction to the Old Testament (London:
Gerald Duckworth & Co., Ltd., 1959), p. 228.
2 Dwight E. Stevenson, Preaching on the Books of the Old Testa-
ment (New York: Harper & Brothers, Publishers, 1961), p. 36.
3 R. Wragge Morley, "Third Sunday After Easter. Balaam--Desire
in Conflict with Conscience, " ET, LIII (1941-42), 234.
4 Claus Westermann, Handbook to the Old Testament, trans. by
Robert H. Boyd (Minneapolis: Augsburg Publishing House, 1967), p. 75.
5 J. S. Stewart, "Third Sunday After Easter--Balaam, " ET, XLVI
(1934-35), 324.
9
for a study of this section of the Old Testament lies in the simple fact: it is
a story to be enjoyed.
It is a story that is exceptionally well-written. --This too is noted
by scholars of diverse theological persuasions. Throughout his article on the
Balaam narrative, the Hungarian scholar von Pakozdy comments on the rare art
of the one he takes to be the final redactor of the story. Note, for instance,
the words of his conclusion:
In conclusion we may ascertain how masterful the skill of the narrator
is and the theological revision technique of the final redactor, who,
forming so artfully of his ancient and written tradition, and in the spirit
of the prophetic religion, was able to create such a unity out of diverse
theological concepts.1
Another scholar who has remarked on the literary style of the narrative is the
Paulist father Frederick L Moriarty. He speaks of the art of the story, and
concludes that it is "one of the most fascinating stories of the Old Testament."2
A writer dramatically different to the above in theological outlook
was the Brethren author who chose to retain semi-anonymity as "C. H. M." He
1 His words are: "Zusammenfassend konnen wir feststellen, wie
meisterhaft die Erzahlunoskunst and die theologische Umarbeitungstechnik des
Endredaktor ist, der die sicher uralte mundliche and schriftliche Uberlieferung
so kraitvell und im Geiste der prophetischen Religion zu gestalten, aus vielerei
theologisch so Einheitliches zu shaffen vermochte." Ladislas Martin von
Pakozdy, "Theological Redactionsarbeit in der Bileam-Perikope (Num 22-24), "
Von Ugarit nach Qumran, ed. Otto Eissfeldt (Berlin: Verlag Alfred Topelmann,
p. 176.
2 Frederick L. Moriarty, The Book of Numbers, II: With A Commen-
tary, "Pamphlet Bible Series" (New York: Paulist Press [ Paulist Fathers ] ,
1960), p. 5.
10
wrote, "It is impossible to conceive anything more magnificent than these
parables."1 Again, by contrast in theological position, we may cite Heinrich
Ewald who is reported to have described our narrative as "unparalleled in
effectiveness and unsurpassed in artistic finish."2 Such statements could
be compounded several times over, but the point remains: the Balaam narra-
tive is exceptionally well-written.3
It is a story from which one is warned.--Many know of Balaam
primarily from New Testament references to him. There are three of these,
and they speak in unison of the warning to be made to the New Testament
believer from the story of Balaam. Peter denounces false prophets in words
of unrelieved severity:
Forsaking the right way they have gone astray, having followed the
way of Balaam, the son of Beor, who loved the wages of unrighteous-
ness, but he received a rebuke for his own transgression; for a dumb
donkey, speaking with a voice of a man, restrained the madness of
the prophet. [II Peter 2:15-16, N. A. S. B.]
Jude, the brother of our Lord, also cites Balaam as an horrible
1 C. H. M[ackintosh] , Notes on the Book of Numbers (Reprint
of 1880 ed.; Neptune, N. J.: Loizeaux Brothers, Inc., Publishers [n. d.] ), p.
423.
2 Cited [ without documentation ] by Alexander Whyte, Bible
Characters: Adam to Achan (10th ed.; London: Oliphants, Ltd. [n. d.] ), p. 264.
3 James A. Wharton begins a recent study on the Samson stories
by asserting that "only a Philistine can deny that the Samson stories are
superb examples of ancient narrative art." "The Secret of Yahweh: Story and
Affirmation in Judges 131-16, " Interp., XXVII (January, 1973), p. 48. We
might paraphrase, "only a Moabite can deny that the Balaam stories are
superb examples of ancient narrative art."
11
example out of the past respecting false prophets:
Woe to them! For they have gone the way of Cain, and for pay they
have rushed headlong into the error of Balaam, and perished in the
rebellion of Korah. [Jude 11, N. A. S. B.]
Finally, our Lord Himself, in His series of messages to the
churches, warned the Assembly in Pergamum by these words:
But I have a few things against you, because you have there some who
hold the teaching of Balaam, who kept teaching Balak to put a stumbling
block before the sons of Israel, to eat things sacrificed to idols, and
to commit acts of immorality. [Rev. 2:14, N. A. S. B.]
Hence, in three different books, three separate writers (Peter,
Jude and John) use Balaam as the example par excellence of false teachers, and
warn their readers accordingly. No section that is cited three times by New
Testament writers may be thought of as unimportant, even on a sliding scale
of value. Nevertheless, it is not the New Testament use of the Old Testament
section which "makes" the older passage important. Rather, the citation of
the passage three times in the New Testament seems to be from a common
recognition by these New Testament writers (and our Lord) of the intrinsic
illustrative worth of the story. Truly--it is a passage from which one is warned.
It is a story containing great poetry. --It has not always been
recognized that the oracles of Balaam are cast in poetry. The device of
parallelism in these sections seems to have escaped notice in post-biblical
writers until the time of Ibn Ezra, and then it was noted only haltingly. But
it seems that he was the first "modern" (A. D. 1093-1168) who pointed to the
12
parallelism in the Balaam oracles.1
Since the publication (in 1753) of De Sacra Poesi Hebraeorum by
Bishop Robert Lowth, the features of Hebrew poetry have become a subject of
detailed study. This study has become intense since the discovery of the large
body of poetic texts at Ugarit in 1928 and following. The relationship of the
Ras Shamra texts to our passage is striking, for the Balaam oracles "are full
of Ugaritic parallels."2
The poetry of the Balaam oracles has value in its own right, but
also, as will be seen, in relationship to the relative dating of early Israelite
poetry in the Old Testament. For the moment, though, we may remark with
Unger that the poetry of the Balaam oracles is superb, however one may regard
Balaam as a man.
The question is, Was Balaam, the soothsayer, the diviner, also
a prophet of Jehovah? Nowhere is he called a prophet, though plainly
he does the work of a prophet, and it is scarcely possible to conceive
of anything more magnificent in all prophetic literature than the parables
he delivered, which bear, in every detail, the superlative seal of divine
inspiration.3
1 George Buchanon Gray, The Forms of Hebrew Poetry: Considered
With Special Reference to the Criticism and Interpretation of the Old Testament,
"The Library of Biblical Studies," ed. Harry M. Orlinsky (Reprint; New York:
Ktav Publishing House, 1972), p. 18. Gray states, "so far as I am aware,
similar observations in writers earlier than Ibn Ezra have never yet been dis-
overed."
2 Roland Kenneth Harrison, Introduction to the Old Testament
Grand Rapids: William B. Eerdmans Publishing Company, 1969), p. 630.
3 Merrill F. Unger, Biblical Demonology: A Studv of the Spiritual
Forces Behind the Present World Unrest (Wheaton, Ill.: Scripture Press, 1952),
p. 215.
13
The poetry of the enigmatic Balaam is indeed superb poetry.
It is a story presenting significant theology. --Jewish readers
of these chapters of the Book of Numbers have sensed the theological impli-
cations of the oracles for generations. Gordon writes:
It is of more than passing interest to note that Numbers 22-24 represents
the gentile prophet Balaam as inspired by God; and his utterances, such
as "How goodly are thy tents, O Jacob; thy tabernacles, O Israel"
(Numbers 24:5) have remained among the most cherished passages in
Scripture throughout Synagogue history.1
That these chapters are cherished is utterly proper and fitting.
A mere perusal of the Book of Numbers should show the reader the relative
importance of the Balaam pericope. The principle of the economy and selec-
tivity of Hebrew historiography (a theological principle) militates against the
inclusion of lengthy sections unless the concern of such a section is of
overriding theological importance. The issue leading to the inclusion of the
Balaam materials in the Book of Numbers must be seen to be theological.
"This story was evidently preserved in such length because of its demon-
stration of the greatness of God."2
Though the point seems to be missed by some, the importance
of the section to Old Testament Theology is striking indeed. Moriarty, writing
in The Jerome Bible Commentary, avers: "Textual difficulties disregarded,
l Cyrus H. Gordon, Before the Bible: The Common Background
of Greek and Hebrew Civilizations (London: Collins, 1962), p. 41.
2 Note in The Westminster Study Edition of the Holy Bible
(Philadelphia: The Westminster Press, 1948), p. 224.
14
few sections in the Pentateuch are more important theologically than this
remarkable narrative. In a real sense the Balaam story may be said to summa-
rize the revelation of God's purpose as it was communicated to Moses."1
The theological thrust of the Balaam narrative is noted force-
fully in the estimation of the Czeckoslovakian scholar Zdenek Sousek:
The Balaam pericope is a weighty component of the message concerning
the salvation work of Yahweh. The superiority of Yahweh over all his
foes is there demonstrated. The incident is a mighty comfort to the
threat and quaking in the presence of wicked powers and is an eloquent
testimony that no annihilator, no destroyer, no death has the last
word, but Yahweh, who intervenes entirely unexpectedly to save his
community, to open to it new horizons and to give to it new hope.2
Hence, the Balaam oracles and the narrative in which they are
cast play a major role in Old Testament Heilsgeschichte. The oracles and
their setting contain concepts that are tangent to many critical areas of Old
Testament theology. Some of these include the knowledge of Yahweh by a
non-Israelite, reception of revelation, blessing and cursing motifs, magic
1 Frederick L. Moriarty, "Numbers, " JBC, I, 95. [It may be
noted that this is the same author, but a different work, than that cited on
page 9, n. 2.]
2 His words are: "Die Bileam-Perikope ist ein wichtiger Bestand-
teil der Botschaft uber das Heilswerk Jahwes. Es wird da die Ubermacht Yah-
wes uber alle seine Gegner demonstriert. Das Ereignis ist ein machtiger
Trost den Bedrohten and den vor bosen Machten Zitternden and ist ein bered-
sames Zeugnis, dass das letzte Wort kein Vernichter, kein Verderber, kein
Tod hat, aber Yahwe, der ganz unerwartet eingreift, seine Gemeinde zu
retten, ihr neue Horizonte zu offnen and neue Hoffnung zu geben." Zdenek
Souek, "Bileam and seine Eselin: Exegetische-theologische Bemerkungun
zu Num. 22," CV, X (1967), 185.
15
and divination, sacrifice, miracle, prophetism, messianic hope, eschatology,
and others but mainly, the concern within the oracles is with the person and
work of Yahweh and how He relates to His people.
Further, a major ramification of these oracles is to be found in
whit they contribute to the current crisis and debate concerning the concept
of the inerrancy of the Scriptures.
In summary, then, it may be reaffirmed: the oracles of Balaam
present significant theology.
It is a story that impinges dramatically on the critical issues of
Old Testament studies.--As will be seen in the sampling of critical studies
of the Balaam section, this pericope has become a cause celebre in the issue
of literary criticism of the Pentateuch. It is in fact a major battleground for
Pentateuchal-source theories; indeed--a veritable test case. Witness the
number of major articles and commentaries dealing with this basic issue.
Studies have been written on the critical issues of the Balaam section by
von Gall, van Hoonacker, Wellhausen, Gray, Nestle, Gressmann, Lohr,
Mowinckel, Edelkoort, Eissfeldt, Albright, Coppens, and many others. A
number of these articles will be surveyed in the following chapters. It may
Share with your friends: |