THE SYNCOPATED SIX
See Orchestre Syncopated Six.
THE SYNCOPATIN' FIVE / SEVEN
THE SYNCOPATIN' FIVE: Vernon "Mutt" Hayes, cl, as / Fritz Morris, vn / Russell Stubbs, p / Herb Hayworth, bj / Dusty Roads, d. Richmond, IN, October 27, 1921.
11032-A Maybe I'm Coming Back To You
Gnt Special (unnumbered)
11033-A Lips
Gnt Special (unnumbered)
NOTE: This record was made to the order of the Wallace Music Co., Marion, Indiana.
THE SYNCOPATIN' SEVEN: Red Nichols, c / Chuck Campbell, tb / Gilbert Dutton, cl / Ray Stillson, Cm / Russell Stubbs, p / Herb Hayworth, bj / Dusty Roads, d. Richmond, IN, November 22, 1922.
11235,-C Chicago
Gnt Special (unnumbered)
11236,-C Toot-Toot-Tootsie (Goo'bye)
Gnt Special (unnumbered)
11237 Strutting At The Strutters' Ball
Gnt Special (unnumbered)
NOTE: CHICAGO/TOOT-TOOT-TOOTSIE exists, on a copy using plain (non-suffixed) takes on both sides, with
labels crediting THE SYNCOPATIN' FIVE.
THE SYNCOPATIN' SKEETERS
It has been suggested that this is the New Orleans Jazz Band; the instrumentation is apparently c / tb / cl / p / d. New York, c. December, 1922.
Loose Feet
Bell P-205, Globe 7205
Telephone Blues
Bell P-205, Globe 7205
T
T & T TRIO
Banjo and mandolin duets with kazoo. New York, c. October 23, 1925
106338 Isabella (Tell Your Fella)
PA 021160, 11145, Per 11233, GP 18547
106339 Stop Flirting
PA 021160, 11145, Per 11233, GP 18547
NOTE: Pathé Actuelle 11145 as TAYLOR BROTHERS, possibly their real names; Grand Pree 18547 as
DOUGLAS AND HART.
TAFT DANCE ORCHESTRA
Unknown t / 2 as / ts / p / bj / bb / d. New York, c. 1931
79 San
Scully (unnumbered)
80 Sweet Sue
Scully (unnumbered)
WEN TALBERT
Wen Talbert and his Orchestra: Wen Talbert, p, dir. unknown 10-man orchestra; Lethia Hill, v. New York, October 28, 1926.
E-4016 / 17 Deep Henderson
Voc test
E-4018 / 19 Milenberg Joys - vLH
Voc test
WEN TALBERT AND HIS FRIENDS: Wen Talbert, p, dir. unknown instrumentation and personnel; Bob Blake, v. New York, April 8, 1927.
GEX-584,-A Red Hot Flo From Kokomo - vBB
Gnt unissued
GEX-585 Old Folks Shuffle
Gnt unissued
LORNE TALBOT'S ORCHESTRA
Pseudonym on Kismet K-721 for the Goofus Five, q.v.
TAMPA BLUE ARTISTS AND THEIR SINGER
Pseudonym on Parlophone R-560 for Charles W. Hamp, q.v.
TAMPA BLUE BOYS
Pseudonym on Parlophone R-3501 for Fred Hall's Sugar Babies, q.v.
TAMPA BLUE ENSEMBLE AND THEIR SINGER
Pseudonym on Parlophone R-183 and R-223 for Seger Ellis, q.v.
TAMPA BLUE FIDDLERS
Pseudonym on Parlophone R-3501 for Larry Abbott and his Orchestra, q.v.
TAMPA BLUE FIVE [AND THEIR SINGER]
Pseudonym on Parlophone R-3461 for Arnold Frank's Rogers Cafe Orchestra (TAMPA BLUE FIVE); and on Parlophone R-165 for Seger Ellis (...AND THEIR SINGER), both q.v.
TAMPA BLUE JAZZ BAND
Jules Levy, Jr., and usually another, c / Ephraim Hannaford, tb / Joseph Samuels, cl, bsx, vn / Larry Briers, p / d. (This is the same group as Samuels' Jazz Band and the Synco Jazz Band, both q.v.) New York, c. July 25, 1921.
70043-C Get Hot
OK / Apex 4397
70044-A Dangerous Blues
OK / Apex 4397
New York, c. August 1, 1921.
70054-B-C Mule Blues (The Hee-Haw)
OK 4405, Apex 4405
70055-A Bad Land Blues
OK 4405, Apex 4405
New York, c. August 13, 1921.
70093-B I've Got The Joys
OK 4425
New York, September, 1921.
70204-B The Missing Link
OK / Apex 4453
New York, October, 1921.
70264-B Brother Low Down
OK / Apex 4461
? Nathan Glantz, as, added on some sides. New York, c. November 8, 1921.
70304-B Sax-O-Phoney Blues
OK 4485, Beka / LAR A-4134, Eko NS-1671
70305-B Torrid Dora
OK 4485, Beka / LAR A-4134, Eko NS-1671
New York, c. November 14, 1921.
70313-B Down Home Blues
OK 4499
70314-B Every Day
OK 4499
Billy Jones, v. New York, December, 1921.
70383-B Atta Baby - vBJ
OK 4522
70384-B Uncle Bud (Tennessee Blues) - vBJ
OK 4522
New York, February 2, 1922.
70440-A Hurry Back Home
OK 4544
70441-B Dying With The Blues
OK 4573
70442-B 8 Rock Blues
OK 4544
New York, c. March 27, 1922.
70574-C Ain't Got Nothin' Blues
OK 4595
70575-C The West Texas Blues
OK 4595
New York, c. August 10, 1922.
70772-B Houston Blues
OK 4663, Od 312904
70773-B Hot Lips
Apex 4559
70773-C Hot Lips
OK 4663, Par E-5045, Od 312905
70774-B Haunting Blues
OK 4671, Od 312913
NOTE: Okeh 4663 (HOUSTON BLUES) as JOSEPH SAMUELS' JAZZ BAND; Odeon 312904, 312905, and 312913 as AMERICAN JAZZ BAND.
New York, c. January 1, 1923.
71140-B-C Four O'Clock Blues
OK 4773, Od 03219
71141-A Loose Feet
OK 4773, Od 03219
71142- At The Weeping Widow's Ball
OK 4777, LAR A-4153
New York, February, 1923.
71246-B The Cootie Crawl
OK 4791
71247-B The Fives
OK 4791
71248-B Sunny Jim
OK 4803, Od 03185
New York, March, 1923.
71324-C Railroad Man
OK 4816
71325-B Keep Off My Shoes
OK 4816
71326-C Maxie Jones
OK 4826, Od 03159
TAMPA BLUE ORCHESTRA
Pseudonym on English and Australian Parlophone for the following items listed in this book:
A-3207 One More Time (Ben Selvin and his Orchestra)
A-3209 Two Little, Blue Little Eyes (Ben Selvin and his Orchestra)
A-3218 There Ought To Be A Moonlight-Saving Time (Ben Selvin and his Orchestra)
A-3219 Roll On, Mississippi, Roll On (Ben Selvin and his Orchestra)
A-3366 Both sides by Ben Selvin and his Orchestra
R-463 True Blue Lou (Justin Ring and his Okeh Orchestra)
R-3335 That's My Hap-Hap-Happiness (Irwin Abrams and his Hotel Manger Orchestra)
R-3335 The Cat (Ted Wallace and his Orchestra)
R-3380 Both sides by Ted Wallace and his Orchestra
R-3418 Miss Annabelle Lee (Justin Ring and his Okeh Orchestra)
TAMPA RED
The following sides, from the hundreds made by Hudson Whittaker as TAMPA RED from 1928 to 1942, are of interest for their accompaniments to his blues vocals, or for his guitar solos. (See Blues and Gospel Records, 1890-1943 for this artist's other recordings.)
TAMPA RED'S HOKUM JUG BAND: Marcel Pettiford, k, g / Thomas A. Dorsey, p / Hudson Whittaker, g / Carl Reid, jug, jazzhorn / Herman Brown, wb / Frankie "Half-Pint" Jaxon, v. Chicago, October 31, 1928.
C-2504- Good Gordon Gin - vFJ
Voc 1254
C-2505- Down The Alley - vFJ
Voc 1254
Chicago, November 9, 1928.
C-2535- It's Tight Like That - vFJ
Voc 1228, Spt S-2230
C-2537-A How Long How Long Blues - vFJ
Voc 1228, Ban 32560, Or 8169, Per 0218, Ro 5169
C-2544- You Can't Come In - vFJ
Voc 1237
NOTE: Matrices C-2538 / 9 are by Laurence Salerno, C-2540 / 3 inclusive are untraced. Supertone 8-2230 as HONEY BOY SMITH'S BINGHAM BAND.
TAMPA RED, "THE GUITAR WIZARD": Guitar solos. Chicago, January 16, 1929.
C-2807- How Long How Long Blues
Voc 1258
C-2808- It's Tight Like That
Voc 1258
TAMPA RED'S HOKUM JUG BAND: Herman Brown, k, wb / p / Hudson Whittaker, g / Bill Johnson, sb / Carl Reid, jug, jazzhorn / Frankie "Half-Pint" Jaxon, v. Chicago, c. April 15, 1929.
C-3289- Mess, Katie, Mess - vFJ
Voc 1281
C-3290- Sho' Is Hot - vFJ
Voc 1281
Chicago, c. April 19, 1929.
C-3314- Boot It Boy - vFJ
Voc 1274, BRS 994, Square 2
C-3315- My Daddy Rocks Me (With One Steady Roll) - vFJ
Voc 1274, BRS 994, Square 2
NOTE: BRS 994 as TAMPA RED'S HOKUM JAZZ BAND.
TAMPA RED, "THE GUITAR WIZARD": Guitar solos. Chicago, June 22, 1929.
C-3685- Prison Bound Blues
Voc 1404
C-3686- You Got To Reap What You Sow
Voc 1404
TAMPA RED AND HIS HOKUM JUG BAND: Hudson Whittaker, g / Thomas A. Dorsey, p / Bill Johnson, sb* / Jasper Taylor, wb / Frankie "Half-Pint" Jaxon, v. Chicago, July 9, 1929.
C-3805-A I Wonder Where My Easy Rider's Gone? (Easy Rider Blues*) - vFJ
Voc 1420, JC L-58*, AF A-029
C-3806- *Come On' Mama, Do That Dance - vFJ
Voc 1420
Chicago, July 24, 1929.
C-3939-A Mama Don't Allow No Easy Riders Here - vFJ
Voc 1430, Ban 32560, Or 8169, Per 0218, Ro 5169, Spt S-2231
C-3940- Saturday Night Scrontch - vFJ
Voc 1430, Spt S-2231
NOTE: Supertone S-2231 as HONEY BOY SMITH'S BINGHAM BAND.
TAMPA RED, "THE GUITAR WIZARD": Guitar solos. Chicago, February 7, 1930.
C-5270- Moanin' Heart Blues
Voc 1484, Spt S-2230
C-5272- Chicago Moan Blues
Voc 1484
NOTE: Supertone S-2230 as HONEY BOY SMITH. Matrix C-5271 is untraced.
TAMPA RED AND HIS HOKUM JUG BAND: Hudson Whittaker, g / Thomas A. Dorsey, p / jug / Frankie "Half-Pint" Jaxon, v. Chicago, mid-August, 1930.
C-5998-A You Rascal You - vFJ
Voc 1540
C-5999-A-B She Can Love So Good - vFJ
Voc unissued
Chicago, August, September, 1930.
C-6079-A She Can Love So Good - vFJ
Voc 1540
Guitar solos. Chicago, December, 1930.
C-7135- A-B Dying Mercy Blues
Voc unissued
C-7136- A-B Broken Love
Voc unissued
C-7137-A-B Boogie Woogie Dance
Voc unissued
C-7138- A-B Bumble Bee Blues
Voc unissued
Chicago, January 28, 1931.
VO-105- Dying Mercy Blues
Voc 1572
VO-106- Broken Love
Voc 1572
VO-107- Boogie Woogie Dance
Voc 1619
VO-108- Bumble Bee Blues
Voc 1619
TAMPICO DANCE BAND
Pseudonym on Grand Pree 18644 for Lee Morse's Blue Grass Boys, q.v.
TANZ-ORCHESTER
Pseudonym on German Imperial for the following items listed in this book:
23055 Gene Kardos and his Orchestra
23061 Adrian Rollini and his Orchestra
TAR HEELS JAZZ ORCHESTRA
Unknown c / tb / cl / p / bj. Camden, NJ, October 23, 1924.
31357-1-2 Bugle Call Rag
Vic unissued
CARROLL C. TATE
Vocal, acc. by Bert Howell, vn / Fats Waller, or. Camden, NJ, November 14, 1927.
40078-2 Gone But Not Forgotten, Florence Mills
Vic 21061
40079-2 You Live On In Memory
Vic 21061
NOTE: The performances are of no jazz interest and are included here solely owing to the presence of Waller.
ERSKINE TATE'S VENDOME ORCHESTRA
Erskine Tate, bj, dir: Freddy Keppard, James Tate, c / Fayette Williams, tb / Angelo Fernandez, cl / Buster Bailey, cl, as / Norval Morton, ts / Adrian Robinson, p / Jimmy Bertrand, d. Chicago, June 23, 1923.
8399-A Cutie Blues
OK 4907, LAR A-4176
8400-A Chinaman Blues
OK 4907, LAR A-4176
Erskine Tate dir: Louis Armstrong, ? James Tate, t / Eddie Atkins, tb / Angelo Fernandez, cl / as / Stump Evans, as, bar / Norval Morton, ts / Teddy Weatherford and another, p / Frank Ethridge, bj / John Hare, bb / Jimmy Bertrand, d, wb. Chicago, May 28, 1926.
E-3140 Static Strut
Voc 1027, 15372, Or 1004, Br A-183, 80061, 03594
E-3141 / 42 Stomp Off, Let's Go
Voc 1027, 15372, Or 1004, Br A-183, 80061, 03594
NOTE: The above were originally assigned the following matrix numbers: one take from C-334 / 35 /36 (E-314), and C-337 / 38 (E-3141 / 42).
ART TATUM
Piano solos. New York, March 21, 1933.
B-13162-A Tea For Two
Br 6553, 01554, A-9905, A-500337, SF 5015-S, Od 286291
B-13163-A St. Louis Blues
Br 6543, 01506, A-9433, A-500265, Col DO-1227
B-13163-B St. Louis Blues
Br 6543
B-13164-A Tiger Rag
Br 6543, 01506, A-9433, A-500265, Col DO-1227
B-13165-A Sophisticated Lady
Br 6553, 01554, A-9905, A-500337, SE 5015-S
New York, August 22, 1934.
38387-A Moon Glow
Dec 155, Br 01877
38388-A (I Would Do) Anything For You
Dec 1373, Br 02015, A-9790
38388-C (I Would Do) Anything For You
Od 284465
38389-A When A Woman Loves A Man
Dec 741, Br 01978
38390-A Emaline
Dec 155, BM-1204, M-30777, Br 01862
38391-A Love Me
Dec 156, Br 02015, A-9790
38392-A Cocktails For Two
Dec 156, M-30777
New York, August 24, 1934.
38426-A After You've Gone
Dec 468, BM-1204, Br 01862, A-505015
38427-C Star Dust
Dec 306, BM-1203, Br 02051
38428-A-B I Ain't Got Nobody
Dec unissued
38429-A III Wind (You're Blowin' Me No Good)
Br 02051, Dec BM-1203
38430-A The Shout
Dec 468, Br 01877, A-505015
38431-C Beautiful Love
Dec 306, Br 02489, A-81298
38431-D Beautiful Love
Dec 306
38432-A Liza
Dec 1373
New York, October 9, 1934.
38388-C (l Would Do) Anything For You
Dec 1373, Br 80102, Od 284030, 284465
38389-D When A Woman Loves A Man
Dec 741, Br 01978, Od 286320
38426-C After You've Gone
Dec 468, Br 80141
38428-C I Ain't Got Nobody
Dec 741, Br 01978, Od 284030
38432-D Liza
Dec 1373, Br 80131, 02489, A-81298, Od 286310
TAYLOR BROTHERS
See T & T String Harmony Trio.
EDNA TAYLOR
Vocal, acc. by ? Tommy Ladnier, c / unknown p. Chicago, June, 1923.
1432-3 Jelly's Blues
Pm 12057
1433-2 Good Man Blues
Pm 12057
ETHEL TAYLOR
Pseudonym on Supertone 9285 for Billie Wilson, q.v.
EVA TAYLOR
Irene Gibbons (Mrs. Clarence Williams) is better-known under this name than her real one. For this reason, her entry is here, rather than under her real name.
Vocal, acc. by ? Johnny Dunn, c / ? Garvin Bushell, cl / as / ? Clarence Williams, p. (the label merely states "Piano acc."). New York, c. September, 1922.
New Moon
BS 2103
Acc. by Ernest Elliott, cl / Clarence Williams, p, and others. New York, September 5, 1922.
64171-1 I Got To Cool My Doggies Now
Unissued test
NOTE: It is not known what company recorded the above test, which was owned by Clarence Williams.
Acc. by Clarence Williams, p. New York, c. November 25, 1922.
71056-B I Wish I Could Shimmy Like My Sister Kate
OK 4740
71057-B Baby, Won't You Please Come Home?
OK 4740
IRENE GIBBONS AND JAZZ BAND: Vocal, acc. by ? Tom Morris, c / Charlie Irvis, tb / Ernest Elliott, cl, ? as / Clarence Williams, p / Buddy Christian, bj / d. New York, December 5, 1922.
80723-4 My Pillow And Me
Col A-3922
80724-1-2-3 That Da Da Strain
Col unissued
Clarence Robinson, cl, may replace Elliott. New York, January 6, 1923.
80724-6 That Da Da Strain
Col A-3834
Vocal, acc. by Clarence Williams, p. New York, c. January 10, 1923.
71152-C Down Hearted Blues
OK 4805, 8047
71163-B You Missed A Good Woman When You Picked All Over Me
OK 8047
IRENE GIBBONS: Vocal, acc. by Clarence Williams, p. New York, February 7, 1923.
80838-3 Last Go Round Blues
Col A-3834
Vocal, acc. by Clarence Williams, p. New York, c. February 8, 1923.
71242-B You Can Have My Man (If He Comes To See You Too)
OK 8050
71243-B I'm Going Away Just To Wear You Off My Mind
OK 8051
New York, c. February 14, 1923.
71260-A 12th Street Rag
OK 4805, 8049
71261-B My Pillow And Me
OK 8051
Vocal duet with Sara Martin, acc. by Tom Morris, c / Clarence Williams, p. New York, c. April 24, 1923.
71465-A Yodeling Blues
OK 8067
Vocal, acc. by Clarence Williams' Blue Five: Tom Morris, c / ? Charlie Irvis, tb / Ernest Elliott, cl / as / Clarence
Williams, p / Buddy Christian, bj. New York, c. May 4, 1923.
71499-A Farewell Blues
OK 3055 (12")
71500-A Gulf Coast Blues
OK 3055 (12")
Acc., by Clarence Williams, p. New York, c. May 8, 1923.
71512-B From Now On Blues
OK 8069
71513-B Church Street Sobbin' Blues
OK 8069
New York, c. May 15, 1923.
71533-B You'll Never Have No Luck By Quittin' Me
OK 8068
71534-A I'm Gonna See You Wnen Your Troubles Are Just Like Mine
OK 8068
Acc. by Clarence Williams' Blue Five: Tom Morris, c / ? Charlie Irvis, tb / ? Ernest Elliott, cl / as / Clarence Williams, p / Buddy Christian, bj. New York, c. May 17, 1923.
71538-B Barefoot Blues
OK 8073
71539-A Do It A Long Time Papa
OK 8073
The following remake session fits at this point in the discography, as pointed out by Tom Lord in his Clarence
Williams discography. The personnel for the next two titles is undoubtedly the same as for the previous session, suggesting they were either all made on the same date or on two separate dates on consecutive, days.
Acc. by Clarence Williams' Blue Five: Tom Morris, c / ? Charlie Irvis, tb / ? Ernest Elliott, cl / as / Clarence Williams, p / Buddy Christian, bj. New York, c. May 17-18, 1923.
71499-F Farewell Blues
OK 3055 (12")
71500-F Gulf Coast Blues
OK 3055 (12")
Vocal duets with Sara Martin, acc. by Tom Morris, c / Clarence Williams, p. New York, c. June 20, 1923.
71640-B That Free And Easy Papa O' Mine
OK 8082
71641-B Hesitation Blues
OK 8082
Vocal, acc, by Clarence Williams' Blue Five: Tom Morris, c / John Mayfield, tb / Sidney Bechet, cl / Clarence Williams, p, v / Buddy Christian, bj. New York, c. August 11, 1923.
71747-B Oh! Daddy Blues - vCW
OK 4927
71748-B I've Got The Yes! We Have No Banana Blues
OK 4927
? Charlie Irvis, tb, replaces Mayfield, Bechet omitted. New York, c. August 27, 1923.
71803-B Original Charleston Strut
OK 8089
71804-A If You Don't, I Know Who Will
Original Charleston Strut
Acc. by Clarence Williams Trio: Sidney Bechet, ss / Clarence Williams, p / Buddy Christian, bj. New York, c. September 29, 1923.
71910-A Irresistible Blues
OK 8129
71910-C Irresistible Blues
OK 8129, Par E-5261
71911-B Jazzin' Babies Blues
OK 8129, Par E-5261
Vocal duets with Lawrence Lomax, acc. by Tom Morris, c / Charlie Irvis, tb / Sidney Bechet, ss / Clarence Williams.
New York, c. November 10, 1923.
72028-C Old Fashioned Love
OK 8114
72029-B Open Your Heart
OK 8114
Vocal, acc. by Clarence Williams' Harmonizers: Tom Morris, c / Charlie Irvis, tb / ? Lorenzo Tio, cl / Clarence Williams, p. New York, c. May 16, 1924.
72531-B When You're Tired Of Me (Just Let Me Know)
OK 8145
72532-A Ghost Of The Blues
OK 8145
Vocal duets with Clarence Williams, acc. by Tom Morris, c / Buddy Christian, bj. New York, c. October 17, 1924.
72912-B Terrible Blues
OK 8183
72913;-B Arkansaw Blues [sic]
OK 8183
At this point, two sessions of two sides each took place, one of each pair being issued as by Eva Taylor, the other as by Clarence Williams' Blue Five, q.v., who accompanied Miss Taylor on both dates (January 8 and March 4, 1925).
Vocal, acc. by Clarence Williams, p / Buddy Christian, bj. New York, c. July 11, 1925.
73524-B Far As I'm Concerned
OK 8228
73525-B Get Off My Money Blues
OK 8228
Acc. by Clarence Williams, p. New York, c. July 1, 1926.
74206-A Señorita Mine
OK 40655
74207-B Charleston Hound
OK 40655
Acc. by Clarence Williams' Blue Five: c / Charlie Irvis, tb / cl / Clarence Williams, p / bj. New York, c. August 6, 1926.
74243-B When The Red, Red Robin Comes Bob, Bob, Bobbin' Along
OK 40671
74244-B (There's A Blue Ridge In My Heart) Virginia
OK 40671
Acc. by Clarence Williams' Morocco Five: Buster Bailey, ss, as / ? Arville Harris, cl, ts / Eddie South, vn / Clarence Williams, p / ? Leroy Harris, bj. New York, October 5, 1926.
74388-B Nobody But My Baby Is Getting My Love
OK 8407
74389-B Morocco Blues
OK 8407
Acc. by Clarence Williams' Blue Seven: Tommy Ladnier, c / Jimmy Harrison, tb / Buster Bailey, cl / Coleman Hawkins, ts / Clarence Williams, p / Leroy Harris, bj. New York, November 16, 1926.
80214-A Candy Lips (I'm Stuck On You)
OK 8414, 40715
80215-A Scatter Your Smiles
OK 8414, 40715
Acc. by Clarence Williams' Blue Five: Instrumentation and personnel unknown apart from Clarence Williams, p.
New York, December 15, 1926.
80251-A-B I Want Somebody To Tell My Troubles To
OK unissued
80252-A If I Could Be With You One Hour Tonight
OK unissued
Acc. by Clarence Williams' Blue Five: Jabbo Smith, c / ? Charlie Irvis, tb / Clarence Williams, p / g. New York, February 10, 1927.
80412-A I Wish You Would (Love Me Like I'm Loving You)
OK 8444
80413-B If I Could Be With You
OK 8444
Acc. by Clarence Williams' Blue Five: Ed Allen, c / Buster Bailey, cl / ? Howard Nelson, vn / Clarence Williams, p.
New York, April 16, 1927.
80739-B Smile Your Bluesies Away
OK 8463
80740-A Red Hot Flo (From Ko-Ko-Mo)
OK 8463
Acc. by Clarence Williams' String Four: 2 vn / vc / Clarence Williams, p. New York, September 29, 1927.
81491-A-B Longing
OK unissued
81492-A-B-C I'm Goin' Back To Bottomland
OK unissued
New York, October 13, 1927.
81492-D-E I'm Goin' Back To Bottomland
OK unissued
Acc. by David Martin, vc / Clarence Williams, p. New York, November 4, 1927.
81786-B May We Meet Again (Florence Mills)
OK 8518
81787-B She's Gone To Join The Songbirds In Heaven
OK 8518
NOTE: This issue is of no jazz interest, being straight renditions of two sentimental songs memorialzing Florence Mills. It is included solely for the sake of completeness.
IRENE GIBBONS: Vocal, acc. by Noel Clukies, vn / Marion Cumbo, vc / Clarence Williams, p. New York, February 17, 1928.
145652-1 Longing
Col 14296-D
145653-2 Let Me Forget
Col 14296-D
Vocal, acc. by Ed Allen, c / Buster Bailey, cl, ss or as / Albert Socarras, f / David Martin, vc / Clarence Williams, p.
New York, June 2, 1928.
400738-B Chloe
OK 8585
400739-A Back In Your Own Back Yard
OK 8585
IRENE WILLIAMS: Vocal, acc. by Clarence Williams, p. New York, July 31, 1928.
401040-C My Different Kind Of Man
OK 41104
401041-A You're A Real Sweetheart
OK 41104
IRENE GIBBONS AND CLARENCE WILLIAMS JAZZ BAND: Vocal, acc. by King Oliver, c / Omer Simeon, cl / Clarence Williams, p / Eddie Lang, g. New York, September 18, 1928.
147012-2 I'm Busy And You Can't Come In
Col 14362-D
147013-2 Jeannine I Dream Of Lilac Time (waltz)
Col 14362-D
Vocal, acc. by Clarence Williams' Orchestra: Ed Allen, c / Albert Socarras, cl, f / cl, as / Russell Procope, as / Clarence Williams, p / Cyrus St. Clair, bb. New York, December 20, 1928.
401469-A Happy Days And Lonely Nights
OK 8665
401470-B If You Want The Rainbow (You Must Have The Rain)
OK 8665
Acc. by Clarence Williams, p. New York, July 30, 1929.
19325 Have You Ever Felt That Way?
Ed 52646
19326 West End Blues
Ed 52646
N-1049-C Have You Ever Felt That Way?
Ed 14046
N-1050-A-B West End Blues
Ed 14046
NOTE: Both the above issues subtitle Eva Taylor QUEEN OF THE MOANERS.
New York, October 3, 1929.
N-1173 Oh Baby! What Makes Me Love You So?
Ed unissued
N-1174-A You Don't Understand
Ed ZM-473202, Recorded Publications 77 (LPs)
N-1175 In Our Cottage Of Love
Ed unissued
N-1176 I'm Not Worryin'
Ed ZM-473202, Recorded Publications 77 (LPs)
Acc. by Ed Anderson, c / Clarence Williams, James P. Johnson, p. New York, December 16, 1929.
57782-2 What Makes Me Love You So?
Vic V-38575
57783-1 You Don't Understand
Vic V-38575
Acc. by Ed Anderson, c / Albert Socarras, cl / Garvin Bushell, as / Clarence Williams, p. New York, February 13, 1930.
149983-2 What If We Do?
Diva 6050-G, VT 7076-V
149984-1 Keep It To Yourself
Diva 6040-G, VT 7066-V
NOTE: These issues as CATHERINE HENDERSON.
Acc. unknown. New York, 1931-1932.
A-566 De Trouble I See [sic]
Durium Junior A-5 (4")
NOTE: This is a cardboard-based flexible record; the only known copy is too damaged to be playable.
EVA TAYLOR'S SOUTHERNAIRES: Vocal, acc. by Albert Nicholas, cl / ? Willie "The Lion" Smith, p / Jimmy McLin, g / Clarence Williams, jug, v / ? Willie Williams, wb. New York, May 15, 1933.
TO-1301 I Like To Go Back In The Evening
Col test; Swaggie 811 (LP)
See also Clarence Williams, whose record of CRAZY BLUES / THE STUFF IS HERE AND IT'S MELLOW on
Banner 33261, Melotone M-13228, Oriole 3041, Perfect 16032, and Romeo 2415 is labeled EVA TAYLOR AND HER BOY FRIENDS; yet the first side has a vocal by her husband (Clarence Williams) only, and the second no vocal at all.
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