Conference Program
Music for the Office and its Sources in the Low Countries (1050–1550)
Antwerp, Conference Center Elzenveld, 21-23 August 2010
Saturday, 21 August
12.30 Registration
13.30 - 13.45 Opening of the conference
13.45 - 14.30 Performer's perspective 1
Björn Schmelzer (graindelavoix), Reading and performing thirteenth-century square notation in offices from Villers and Cambrai
14.45 - 15.45 Session 1: Chant and polyphony in Confraternities
Chair: A.-E. Ceulemans
Sarah Long (Katholieke Universiteit Leuven), The Confraternity of the Notaries in the Church of Our Lady at Tournai: Defining the Liturgical Practices of Lay Communities in the Southern Low Countries
Tim S. Pack (University of Oregon), A Subcorpus of Eight Motets Uniquely Transmitted in MunBS 34: Structural Interrelations between “Salve regina” Settings and Franco-Flemish Secular Models
16.00 - 17.00 Keynote 1
Alejandro Planchart (University of California), Dufay's Music for the Office
17.30 conference dinner
19.15 concert introduction (Dutch)
20.00 concert Huelgas Ensemble (Eton College anno 1500: Eton Choirbook)
21.00 conference reception
22.15 concert Club Médiéval (Squarcialupi's White Pages: Codex Squarcialupi)
— free for all participants
Sunday, 22 August
9.00 concert Marcel Pérès, organ (Magister Organisandi: Buxheimer Orgelbuch)
10.30 - 12.30 Session 2: Sources and chant from the Low Countries and the Rhineland
Chair: David Hiley
Alison Altstatt (University of Oregon), A Rhineland Antiphoner on the Shores of the Baltic?: Music and Liturgy for the Office from a Northern Benedictine Women’s Convent
Inga Behrendt (Katholieke Universiteit Leuven), Die Notationspraxis der Prämonstratenser in Flandern und dem angrenzenden Rheinland zwischen 1200 und 1600
Kristin Hoefener (Paris), Überlieferung des Ursula-Offiziums in einer Handschrift aus der Liebfrauenkirche in Tongeren (ca. 1300):Den Haag, Koninklijke Bibliothek HHK- 70 E 4
Sarah Long (Pieter Mannaerts, Inga Behrendt), Inventory of Antiphoners in Flanders
12.30 - 13.30 lunch
13.30 - 14.30 Session 3: Historiae
Chair: Pieter Mannaerts
David Hiley (Universität Regensburg), Late medieval offices of the saints: the view from South Germany
Jean-François Goudesenne (CNRS), New discoveries on Historiae (2003-2009): sources, schools and networks
15.00 concert Ensemble Organum (The other world of Hildegard von Bingen: Hildegard Codex)
16.30 - 18.00 Session 4: Bridgettine and Cistercian chant
Chair: Alejandro Planchart
Karin Strinnholm Lagergren (Stockholm University), The Bridgettine Order and its dissemination in the Low Countries with regard to the Bridgettine Office Cantus Sororum
Aaron Gies (Catholic University of America), Crimes, Corruption, Correction: Guy of Eu and the Cistercian Chant Reform
Pieter Mannaerts (Katholieke Universiteit Leuven), Exceptions to the Rule: the 13th-century historiae for Mary of Oignies and Arnulf Cornibout
19.15 concert introduction (Dutch)
20.00 concert Ensemble Clément Janequin (Desen bouck behoort tot Zeghere van male: Liedboek van Zeghere van Male)
Monday, 23 August
10.00 - 11.30 Session 5: Intersections between Mass and Office
Chair: Inga Behrendt
Lori Kruckenberg (University of Oregon), Influences of the Festal Office on the New Sequence, ca. 1100: Evidence from Northeastern France and Flanders
Anette Löffler (Technische Universität Darmstadt), Die Liturgie des Deutschen Ordens in der Ballei Utrecht: Das Missale des Johannes van de Zande
13.00 concert Capilla Flamenca (Missa Ave Maria | Antifonarium Tsgrooten)
— free for all participants
15.30 - 16.30 Keynote 2
Jennifer Bloxam (Williams College), Browsing Antiphoners with Obrecht: The Office through a Late Medieval Composer's Eyes and Ears
16.45 - 17.30 Conclusions
19.15 concert introduction (Dutch)
20.00 concert Anonymous 4 (Love's Illusion: Montpellier Codex)
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