Poetry: General Top ten General Classical poetics to 1900 Miscellaneous Top ten

A Bibliography of Literary Theory, Criticism and Philology

by José Ángel García Landa

(University of Zaragoza, Spain)

Poetry: General

Top ten

Classical poetics to 1900

Miscellaneous

Top ten
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 1973. London: Oxford UP, 1975.*

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, 1947.

Brooks, Cleanth, and Robert Penn Warren. Understanding Poetry. 1938. 4th ed. 1976. Fort Worth: Harcourt, 1988.*

Heidegger, Martin. Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper, 1971.

Jakobson, Roman. "Closing Statement: Linguistics and Poetics." In Style in Language. Ed. Thomas A. Sebeok. London: M.I.T. Press, 1960. 350-77.*

Paz, Octavio. El arco y la lira: El poema. La revelación poética. Poesía e historia. México: FCE, 1956. 3rd ed. 1972.*

Ransom, John Crowe. The World's Body. New York: Scribner's, 1938. Rpt. Baton Rouge: Louisiana UP, 1968.*

Shelley, Percy Bysshe. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 499-513.*

Vendler, Helen. Poems, Poets, Poetry: An Introduction and Anthology. Boston: Bedford, 1997.

Wordsworth, William. "Preface to Lyrical Ballads." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 458-72.*

Abercrombie, Lascelles. The Idea of Great Poetry. London: Secker, 1925.*

_____. The Theory of Poetry.

Arp, Thomas R., and Greg Johnson. Perrine's Sound and Sense: An Introduction to Poetry. 10^th ed. London: Harcourt, 2001.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 1973. London: Oxford UP, 1975.*

_____. The Breaking of the Vessels. Chicago: U of Chicago P, 1982.

Bodkin, Maud. Archetypal Patterns in Poetry: Psychological Studies of Imagination. New York: Oxford UP, 1934.

Boulton, Marjorie. The Anatomy of Poetry. London: Routledge, 1953.

Bousoño, C. Teoría de la expresión poética. 1952. 6th ed. 2 vols. Madrid: Gredos, 1976.

Bradley, A. C. "Poetry for Poetry's Sake". 1901. Select. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 737-747.*

_____. Oxford Lectures on Poetry. 1909. London: Macmillan, 1965.

Bremond, H. La Poésie pure. 1926.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, 1947.

_____. The Well-Wrought Urn. (Expanded ed.). New York: Harcourt, 1975.

Brooks, Cleanth, and Robert Penn Warren. Understanding Poetry. 1938. 4th ed. 1976. Fort Worth: Harcourt, 1988.*

Cowl, R. P. The Theory of Poetry in England. London: Macmillan, 1914.

Crane, R. S. The Languages of Criticism and the Structure of Poetry. Toronto: U of Toronto P, 1953.

Croce, Benedetto. La Poesia. Bari, 1937.

Davie, Donald. Articulate Energy. London: Routledge, 1955.

Derrida, Jacques. Che cos'è la poesia? (Quadrilingual). Berlin: Brinkmann und Bose, 1990.

Dilthey, Wilhelm. "Fragments for a Poetics (1907-1908)." Trans. Rudolf A. Makkreel. In Dilthey, Poetry and Experience. Vol. 5 of Selected Works. Ed. Rudolf A. Makkreel and Frithjof Rodi. Princeton (NJ): Princeton UP, 1985. 223-34.*

_____. Das Erlebnis und die Dichtung. 13th. ed. Stuttgart: Teubner, 1957.

_____. Poetry and Experience. Ed. Rudolf A. Makkreel and Frithjof Rodi. In Dilthey, Selected Works. Vol. 5. Princeton: Princeton UP, 1985.*

Dufrenne, Mikel. Le Poétique.

Eagleton, Terry. "What Is Poetry?" In Eagleton, How to Read a Poem. Malden (MA) and Oxford: Blackwell, 2007. 25-47.*

Easthope, Antony. Poetry and Phantasy. Cambridge and New York, 1989.

Eliot, T. S. "Tradition and the Individual Talent." 1919. In Eliot, The Sacred Wood. 1921. London: Methuen, 1986.

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.*

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950.

_____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960.

_____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 162-68.*

_____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963.

_____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.*

_____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. 6-11.

_____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.*

_____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.*

_____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*

_____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.*

_____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.*

_____. "A Brief Treatise on the Criticism of Poetry." Chapbook 2 (1920): 1-10.

_____. The Sacred Wood. London: Methuen, 1928.

_____. The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England. Cambridge, 1933.

_____. Selected Essays . 1932. London: Faber, 1951.

_____. On Poetry and Poets. London: Faber, 1957.

_____. Sobre poesía y poetas. Trans. Marcelo Cohen. Barcelona: Icaria, 1992.

Erskine-Hill, Howard, and Richard A. McCabe. Presenting Poetry: Composition, Publication, Reception. Cambridge: Cambridge UP, 1995.

Fry, Paul. A Defense of Poetry. Stanford (CA): Stanford UP, 1995.

Fubini, M. Critica e poesia. Bari: Laterza, 1956.

Furniss, Tom and Michael Bath. Reading Poetry: An Introduction. Hemel Hempstead: Prentice Hall Europe, 1996.*

Garrod, H. W. "The Profession of Poetry." 1924. In Garrod, The Profession of Poetry and Other Lectures. Rpt. in English Critical Essays: Twentieth Century. 1st. series. Ed. Phyllis M. Jones. London: Oxford UP, 1933. 213-31.

_____. The Profession of Poetry and Other Lectures. 1929.

_____. Poetry and the Criticism of Life. London: Oxford UP, 1931. 149-68.

_____. The Study of Poetry. Oxford: Oxford UP, 1936.

Greimas, A. J. "Hacia una teoría del discurso poético." In Greimas et al. 8 - 34.

Greimas, A. J., et al. Ensayos de semiótica poética. Barcelona: Planeta. Trans. of Essais de sémiotique poétique. Paris: Larousse, 1972.*

Groupe Rhétorique de la poésie. Bruxelles: Complexe, 1977.

Hagenbüchle, R., and L. Skandera, eds. Poetry and Epistemology: Turning Points in the History of Poetic Knowledge. Papers from the International Poetry Symposium Eichstätt 1983. 1986.

Heidegger, Martin. Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper, 1971.

Jakobson, Roman. "Closing Statement: Linguistics and Poetics." In Style in Language. Ed. Thomas A. Sebeok. London: M.I.T. Press, 1960. 350-77.*

_____ . "Linguistics and Poetics." In The Structuralists: From Marx to Lévi-Strauss. Ed. Richard and Fernande de George. Garden City (NJ): Doubleday, 1972.

_____. "Linguistics and Poetics." 1960. In Selected Writings, vol 3: Grammar of Poetry and Poetry of Grammar. The Hague: Mouton, 1981.

_____. "Linguistics and Poetics." In Language in Literature. Ed. Krystyna Pomorska and Stephen Rudy. Cambridge (MA): Harvard UP, 1987.

_____. "Linguistics and Poetics." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 119-24.

_____. "Linguistics and Poetics." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 31-56.*

_____. "Linguistics and Poetics." In The Discourse Reader. Ed. Adam Jaworski and Nikolas Coupland. London: Routledge, 1999. 54-62.*

_____. "Linguistics and Poetics." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 1.

_____. Lingüística y poética. Trans. Ana Mª Gutiérrez-Cabello. Madrid: Cátedra, 1981.*

_____. "Lingüística y poética." In Jakobson, Ensayos de lingüística general. Barcelona: Planeta-Agostini, 1985. 347-95.*

_____. Questions de poétique. Paris, 1963.

_____. "Describing Poetic Structure". Yale French Studies 36-37 (1966): 200-42.

_____. "Poetry of Grammar and Grammar of Poetry". Lingua 21 (1968): 597-609.

_____. Language in Literature. Ed. Krystyna Pomorska and Stephen Rudy. Cambridge (MA): Harvard UP, 1987.

Kennedy, X. J., and Dana Gioia. Literature: An Introduction to Fiction, Poetry and Drama. 7th ed. New York: Addison Wesley Longman, 1998.

_____. An Introduction to Poetry. 9th ed. New York: Addison Wesley Longman, 1998.*

Ker, W. P. The Art of Poetry: Seven Lectures 1920-1922. Oxford: Clarendon, 1923.

_____. Form and Style in Poetry. 1928.

Kibedi-Varga, S.-A. Les constantes du poème: Analyse du langage poétique. 1977.

Kitto, H. D. F. Poiesis. Berkeley: U of California P, 1966.

Krieger, Murray. "Poetry Reconstructed." In Krieger, Theory of Criticism. Baltimore: Johns Hopkins UP, 1976. 207-45.

Landa, Josu. Poética. México: FCE, 2002.* Online PDF:

https://www.facebook.com/groups/585938484801828/852461234816217/

2015

Lennard, John. The Poetry Handbook: A Guide to Reading for Pleasure and Practical Criticism. Oxford: Oxford UP, 1996.

Levi, Peter. The Art of Poetry. c. 1992.

Lotman, Iuri M. Struktura khudozhestvennogo teksta. Moscow: Iskusstvo, 1970.

_____. Analysis of the Poetic Text. Ann Arbor: Ardis, 1976.

_____. Estructura del texto artístico. 1970. Madrid: Istmo, 1982.*

Núñez Ramos, R. La poesía. Madrid: Síntesis, 1992.

Oller, Dolors. "Teoría de la poesía." In Curso de teoría de la literatura. Ed. Darío Villanueva. Madrid: Taurus, 1994. 191-217.*

Olson, Elder. "An Outline of Poetic Theory." In Critiques and Essays in Criticism, 1920-1948. Ed. Robert Wooster Stallman. New York: Ronald Press, 1949.

_____. "An Outline of Poetic Theory." 1949. In Critics and Criticism. Ed. R. S. Crane. Chicago: U of Chicago P, 1952.

Nemerov, Howard, ed. Poets on Poetry. New York: Basic Books, 1966.

Pallotti, Donatella. Weaving Words: A Linguistic Reading of Poetry. Bologna: Cooperativa Libraria Universitaria Editrice Bologna, 1990.

Paz, Octavio. El arco y la lira: El poema. La revelación poética. Poesía e historia. México: FCE, 1956. 3rd ed. 1972.*

_____. El arco y la lira. Introd. Juan Malpartida. (Biblioteca Universal, Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.*

Perry, Bliss. A Study of Poetry.

Pfeiffer, Johannes. Umgang mit Dichtung: Eine Einführung in das Verstandnis des Dicherischen. Leipzig: Meiner, 1936.

_____. La Poesía: Hacia la comprensión de lo poético. Trans. Margit Frenk Alatorre. México: FCE, 1951. 3rd. ed. 1959.

Ransom, John Crowe. "Poetry: A Note in Ontology." 1934. In Ransom, The World's Body. 1938. Baton Rouge: Lousiana State UP, 1968. 111-42.*

_____. The World's Body. New York: Scribner's, 1938. Rpt. Baton Rouge: Louisiana UP, 1968.*

Richard, Jean-Pierre. Poésie et profondeur. Paris: Seuil, 1955.

_____. Poésie et profondeur. Paris: Seuil (Points).

Ricks, Christopher. The Force of Poetry. Oxford: Clarendon Press, 1995.

Riffaterre, Michael.. Semiotics of Poetry. Bloomington: Indiana UP, 1978.*

Rosenthal, M. L., and A. J. M. Smith. Exploring Poetry. New York, 1955.

Sánchez Pérez, Aquilino. La poesía universal. Barcelona: Bruguera, 1972.

Santayana, George. "The Elements and Function of Poetry." In Santayana, Interpretations of Poetry and Religion. 1900.

Scholes, Robert. Elements of Poetry. New York, 1969.

_____. "Semiotics of the Poetic Text." In Scholes, Semiotics and Interpretation. New Haven: Yale UP, 1982. 37-56.

Scholes, Robert, Carl H. Klaus and Michael Silverman, eds. Elements of Literature: Essay, Fiction, Poetry, Drama, Film. New York: Oxford UP, 1973.

Scholes, Robert, Carl H. Klaus, Nancy R. Comley, and Michael Silverman, eds. Elements of Literature. 4th ed. New York: Oxford UP, 1991.

Segre, Cesare. Las estructuras y el tiempo: Narración, poesía, modelos. Barcelona: Planeta, 1976.*

Sémantique de la poésie. Paris: Seuil.

Turco, Lewis. The New Book of Forms: A Handbook of Poetics. New Hampshire: UP of New England, 1986.

Vendler, Helen. Poems, Poets, Poetry: An Introduction and Anthology. Boston: Bedford, 1997.

Wainwright, Jeffrey. Poetry: The Basics. London: Routledge, 2004.

Williams, John. Reading Poetry: A Contextual Introduction. London: Arnold, 1985.*

Wimsatt, W. K. The Verbal Icon: Studies in the Meaning of Poetry. With two essays in collaboration with Monroe C. Beardsley. Lexington: U of Kentucky P, 1954.

_____. The Verbal Icon. New York: Noonday, 1958.*

_____. The Verbal Icon. London: Methuen, 1970.

Young, Robyn V., ed. Poetry Criticism: Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature. Detroit: Gale Research, 1991-

Classical poetics to 1900
Alexander, William (Sir). Anacrisis: or a Censure of some Poets Ancient and Modern. c. 1634. 1st pub. in the Works of William Drummond of Hawthornden. Edinburgh, 1711.

_____. Anacrisis. In Rogers, Memorials of the Earl of Stirling. Edinburgh, 1877.

_____. Anacrisis. In Critical Essays of the Seventeenth Century. Ed. Joel Elias Spingarn. Oxford: Clarendon, 1908-9.

Anonymous. "A Question on the Nature of Poetry." In Medieval Literary Theory and Criticism. Ed. A. J. Minnis and A. B. Scott. 307-13.*

Aristotle. Peri poietikés. Bilingual edition (Greek and English). In S. H. Butcher, Aristotle's Theory of Poetry and Fine Art. 1895. 4th. ed.: London: Macmillan, 1932. 1-111.

_____. Peri poietikés. Bilingual edition (Greek and Spanish). In Sobre lo Sublime. Poética. Ed. and trans. José Alsina Clota. Barcelona: Bosch, 1977. 208-327.

_____. Poetics. Trans. S. H. Butcher. In The Great Critics. Ed. James Harry Smith and Edd Wnfield Parks. New York: Norton, 1932. 1-36.*

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 29-76.

_____. The Poetics. Trans. in Gilbert 69-124.

_____. Poetics. Trans. S. H. Butcher. In H. Adams 47-66.

_____. Poetics. Trans. Ingram Bywater. In Introduction to Aristotle. Ed. Richard McKeon. Chicago, 1973.

_____. Poetics. Trans. Ingram Bywater. Audio files. YouTube (ObjectivistAesthetic) 14 July 2010.*

2013

_____. Poetics. Trans. S. H. Butcher. Online at Internet Classics Archive. MIT, 1994-2009.*

2011

2012

_____. La poétique. Ed. and trans. Rosalyne Dupont-Roc and Jean Lallot. Paris: Seuil, 1980.*

_____. El arte poética. Trans. José Goya y Muniain. Madrid: Espasa-Calpe, 1948. 7th. ed., 1984. Trans. of Peri poietikés.

_____. The Poetics. Trans. W. Hamilton Fyfe. In Aristotle: The Poetics. "Longinus": On the Sublime. Demetrius: On Style. Cambridge (MA): Harvard UP, 1927.

_____. Aristotle's Rhetoric and Poetics. Trans. W. Rhys Roberts (Rhetoric) and Ingram Bywater (Poetics). Introd. Friedrich Solmsen. New York: Modern Library, 1954.

_____. Poética. Ed. and trans. Juan David García Bacca. 4th. ed. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca,1982.

_____. Poética. Trans. and notes Valentín García Yebra. In Aristotle, Física. Acerca del alma. Poética. (Grandes Pensadores Gredos). Madrid: Gredos, 2011. Rpt. Barcelona: RBA, 2014. 391-444.*

Aristotle (384-322 BC). Poetics. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Arnold, Matthew. Preface to Poems. 1853. ("The Choice of Subjects in Poetry"). In Jones, English Critical Essays (Nineteenth Century) 56-77.

_____. Preface to Poems (1853-1854). In Saintsbury, Loci Critici. 420-35.*

_____. "Preface to Poems (1853)." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1504-14.*

_____. "The Study of Poetry." 1880. In Arnold, Essays in Criticism: Second Series. 1888. London: Macmillan, 1918. 1-55.

_____. "The Study of Poetry." In English Literature and Irish Politics. Vol 9 of The Complete Prose Works. Ed. R. H. Super. Ann Arbor, 1973.

Averroes. Talkhis Kitab al-Shi'r. [Abridgement of the Book of Poetry = Middle Commentary of Aristotle's Poetics ]. Ed. C. E. Butterworth and A. Haridi. Cairo, 1985.

_____. Averrois Cordubensis Commentarium Medium in Aristotelis Poetriam. Ed. William F. Boggess. Diss. U of North Carolina, 1965.

_____. The Middle Commentary on the Poetics of Aristotle. In Hardison 79-122.

_____. De arte poetica, cum Averrois expositione. Ed. L. Minio-Paluello. (Corpus philolophorum medii aevi: Aristoteles Latinus 33). 2nd ed. Brussels, 1968.

Bacon, Francis. The Advancement of Learning. 1605. Ed. William Aldis Wright. 5th. ed. Oxford: Clarendon, 1900.

_____. The Advancement of Learning. Select. in Adams 192-94.

_____. De Augmentis. 1623.

Baumgarten, A. Reflexiones filosóficas acerca de la poesía. Buenos Aires: Aguilar, 1975.

Blount, Thomas Pope (Sir). De Re Poetica, or Remarks upon Poetry. 1694.

Boccaccio, Giovanni. "Life of Dante." Trans. J. R. Smith. Excerpt in Adams 125-27. Trans. from Vita did Dante. 1364, pub. 1477.

_____. "The Life of Dante." In Gilbert 208-11. Select. and trans. of Vita di Dante.

_____. Genealogia Deorum Gentilium. 1366? Ed. Vincenzo Romano. 2 vols. Bari: Laterza, 1951.

_____. "Genealogy of the Gentile Gods". Trans. Charles G. Osgood. Excerpt in Adams 127-135.

_____. "Genealogy of the Gentile Gods." Trans. Charles G. Osgood. Select. in Hardison 192-212.

_____. The Genealogy of the Gentile Gods: Extracts from Books XIV and XV. In Medieval Literary Theory and Criticism. Ed. A. J Minnis and A. B. Scott. Oxford: Oxford UP, 1988. 420-38.

_____. Boccaccio on Poetry: Being the Preface and the Fourteenth and Fifteenth Books of Boccaccio's Genealogia deorum gentilium. Trans. C. G. Osgood. Princeton: Princeton UP, 1930. Indianapolis and New York, 1956.

Boethius. Fragment on poetry. In Saintsbury, Loci Critici. 76.

Boileau-Despréaux, Nicolas. L'Art poétique. 1674. Ed. Guillaume Picot. Paris: Bordas, 1984.

_____. Art Poétique. By Nicolas Boileau. Trans. Sir William Soame and John Dryden. 1683. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 22-52.*

_____. L'Art poétique. Trans. Sir William Soames, rev. John Dryden. In Horace for Students of Literature: The "Ars Poetica" and Its Tradition. By O. B. Hardison, Jr., and Leon Golden. Gainesville: Florida UP, 1995. 180-210.*

Brimley, George. "Poetry and Criticism." Fraser's Magazine (February 1855). In Brimley, Essays. London: Routledge, 1882. 165-82.

Brown, Thomas. Praise of Poetry. 1704.

Bysshe, Edward. Art of Poetry. 1702. (Select.). In Saintsbury, Loci Critici. 173-6.*

Campoamor, Ramón de. Poética. 1883. In Campoamor, Obras completas. 8 vols. Madrid, 1901-1903.

_____. Poética. In Campoamor, Obras filosóficas. 2 vols. Oviedo: Fundación Gustavo Bueno, 2003.

Cascales, Francisco. Tablas poéticas. 1617. Ed. Benito Brancaforte. Madrid: Espasa-Calpe, 1975.

Cohen, Jean. Structure du langage poétique. Paris: Flammarion, 1966.

_____. Estructura del lenguaje poético. Madrid: Gredos, 1974.

Coleridge, Samuel Taylor. "On Poesy or Art." 1818? In Coleridge, Biographia Literaria. Ed. J. Shawcross. Oxford, 1907.

_____. "De la poesía y el arte." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 125-34.*

Dallas, Eneas Sweetland. Poetics: An Essay on Poetry. 1852.

Daniello, Bernardino. La Poetica. Venice, 1536.

Dennis, John. The Grounds of Criticism in Poetry. 1704. In Dennis, Critical Works. Ed. E. N. Hooker. Baltimore, 1939-43.

Drayton, Michael. To My Dearly Loved Friend, Henry Reynolds, Esq., of Poets and Poesy. Poem. 1627.

Drummond, William. "A Letter on the True Nature of Poetry." In Drummond, Poems and Prose. Ed. Robert H. MacDonald. Edinburgh: Scottish Academic Press, dist. Chatto and Windus, 1976. 191-92.*

Dryden, John, and William Soames, trans. Art Poétique. By Boileau. 1683.

Duff, William. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London, 1767.

_____. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London: Routledge, 1994.

Eliot, T. S. On Poetry and Poets. London: Faber, 1957.

_____. On Poetry and Poets. New York: Farrar, Straus & Cudahy, 1957.

_____. Sobre poesía y poetas. Trans. Marcelo Cohen. Barcelona: Icaria, 1992.

Emerson, Ralph Waldo. "The Poet." 1843. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 545-554.*

_____. "The Poet." In Emerson, Essays. London: Dent; New York: Dutton, 1906. 204-27.*

_____. "El poeta." In Emerson, Ensayos. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Espasa-Calpe, 2001. 275-302.*

Fenton, James. The Strength of Poetry. Oxford: Oxford UP, 2003. (Wilfred Owen, Philip Larkin, Seamus Heaney, Marianne Moore, Elizabeth Bishop, Sylvia Plath, D. H. Lawrence, W. H. Auden).

Fracastorio, Girolamo. Naugerius, sive de poetica dialogus. In Opera omnia philosophica et medica. Venice, 1555.

_____. Naugerius: Sive, de poetica dialogus. Trans. Ruth Kelso. U of Illinois, 1924.

Geoffrey of Vinsauf. Poetria nova. (A.k.a. Documentum de modo et arte dictandi et versificandi). Poetical treatise in verse.

_____. Documentum de modo et arte dictandi et versificandi. In Edmond Faral, Les Arts poétiques du XII et du XIII siècle. 1924.

_____. Poetria Nova of Geoffrey of Vinsauf. Trans. Margaret F. Nims. Toronto: Pontifical Institute of Medieval Studies, 1967.*

_____. Poetria Nova. Trans. Margaret F. Nims. Select. in Medieval Literary Criticism. Ed. O. B. Hardison et al. New York: Ungar, 1974. 123-144.*

_____. Poetria Nova. Trans. Margaret F. Nims. In Horace for Students of Literature: The “Ars Poetica” and Its Tradition. By O. B. Hardison, Jr., and Leon Golden. Gainesville: Florida UP, 1995. 93-148.*

_____. From Poetria Nova. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Gervase of Melcheley. Ars Poetica. Ed. Hans-Jürgen Gräbener. Munster: Aschendorff, 1965.

Gildon, Charles. The Complete Art of English Poetry. 2 vols. 1718.

Gilio da Fabriano, G. A. Topica poetica. 1580.

Gottschall, Rudolph. Poetik. Breslau, 1858.

Hazlitt, William. "On Poetry in General." 1818. In Hazlitt, Lectures on the English Poets. London: Dent; New York: Dutton, 1910. 1-18.*

_____. "On Poetry in General." (Selection). In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 539-41.*

_____. "Sobre la poesía en general." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 79-108.*

Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835.

_____. Ästhetik. Berlin, 1965.

_____. Vorlesungen über die Aesthetik. 1835. In Hegel, Werke in zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13.

_____. The Introduction to Hegel's Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886.

_____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.

_____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975.

_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox.  New York, 1975.

_____. Esthétique. Trans. S. Jankélévitch. Paris: Aubier, 1954.

_____. Estética. 1835. Buenos Aires: El Ateneo, 1954.

_____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona: Península, 1985.

_____. Introducción a la estética. Ediciones de Bolsillo.

_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.

_____. Filosofía del arte o Estética [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry).

Horace. Q. Horatii Flaccii Epistula ad Pisones de Arte Poetica / Horace – Art Poétique, Texte latin, publié d'après les travaux les plus récents de la philologie. Ed. and introd. Maurice Albert. Paris: Hachette, 1886. Online at Open Library

http://openlibrary.org/books/OL23297876M/Epistula_ad_Pisones_de_arte_poetica

2013

_____. The Art of Poetry. Trans. Ben Jonson. In The Great Critics. Ed. James Harry Smith and Edd Wnfield Parks. New York: Norton, 1932. 88-105.*

_____. The Epistle to the Pisos, or Art of Poetry. In Saintsbury, Loci Critici. 54-8.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Literary Criticism from Plato to Dryden. Ed. A. H. Gilbert. Detroit: Wayne State UP, 1962. 128-43.

_____. On the Art of Poetry. In Classical Literary Criticism. Trans. T. S. Dorsch. Harmondsworth: Penguin, 1965. 77-96.

_____. The Art of Poetry. Trans. Burton Raffel and James Hynd. Albany (NY): SUNY Press, 1974.

_____. Arte Poetica. Ed. A. Rostagni. Torino: Loescher, 1972.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Literary Criticism: Plato to Dryden. Ed. Gilbert 128-43.

_____. The Art of Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 92-102.*

_____. Ars Poetica. Trans. Leon Golden. In Horace for Students of Literature: The "Ars Poetica" and Its Tradition. By O. B. Hardison, Jr., and Leon Golden. Gainesville: Florida UP, 1995. 7-22.*

_____. Ars Poetica. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*