A bibliography of Literary Theory, Criticism and Philology

A Bibliography of Literary Theory, Criticism and Philology

by José Ángel García Landa

(University of Zaragoza, Spain)

British/English Fiction

Álvarez Amorós, José Antonio, ed. Historia crítica de la novela inglesa. Salamanca: Ediciones Colegio de España, 1998.*

Baker, E. A. History of the English Novel. 9 vols. London: Witherby, 1924-38.*

Eagleton, Terry. The English Novel: An Introduction. Oxford: Blackwell, 2005.*

Ford, Ford Madox. The English Novel: From the Earliest Days to the Death of Joseph Conrad. 1930. Manchester: Carcanet, 1983.

Kettle, Arnold. Introduction to the English Novel. Grey Arrow, 1962.*

Knight, Grant C. The Novel in English.

Lovett, Robert M., and Helen S. Hughes. The History of the Novel in England. Boston, 1932.

McKeon, Michael. Prose Fiction: Great Britain.

Richetti, John, ed. The Columbia History of the British Novel. Assoc. eds. John Bender, Deirdre David, Michael Seidel. New York: Columbia UP, 1994.*

Rogers, Jane, Hermione Lee, Daniel Hahn, Mike Harris and Douglas Houston. Good Fiction Guide. Oxford: Oxford UP, 2002.

Van Ghent, Dorothy. The English Novel: Form and Function. New York: Harper and Row, 1953.*

_____. The English Novel. New York: Rhinehart, 1953.

_____. The English Novel. New York: Harper Torchbook, 1961.

Wagenknecht, E. C. Cavalcade of the English Novel. New York: Holt, 1943.

Miscellaneous
Alcaraz Varó, Enrique. Semántica de la novela inglesa. Alicante: Publicaciones de la Caja de Ahorros Provincial de Alicante, 1982.

Allen, Walter. Six Great Novelists. London: H. Hamilton, 1955.

Alvarez Rodríguez, M. Origen y evolución en la novela histórica inglesa. Salamanca: Universidad, 1983.

Banerjee, Jacqueline.Through the Northern Gate: Childhood and Growing Up in British Fiction, 1719-1901. 1996.

Beer, Gillian. Arguing with the Past: Essays in Narrative from Woolf to Sidney. London: Routledge, 1989.

Caporale Bizzini, Silvia, and Asunción Aragón Varo, eds. Historia crítica de la novela inglesa escrita por mujeres. Salamanca: Almar, 2003.

Church, Richard. The Growth of the English Novel. London: Methuen, 1951.

Dowling, David, ed. Novelists on Novelists. London: Macmillan, 1983.*

Ermath, Elizabeth Deeds. Realism and Consensus in the English Novel. Princeton: Princeton UP, 1983.

Fins de romans: Aspects de la conclusion dans la littérature anglaise. Caen: Presses Universitaires de Caen, 1994.

Fraiman, Susan. Unbecoming Women: British Women Writers and the Novel Development c. 1996.

Gregor, Ian, ed. Imagined Worlds: Essays on Some English Novels and Novelists in Honour of John Butt. London: Methuen, 1968.

Hazell, Stephen, ed. The English Novel: Developments in Criticism since Henry James. (Casebooks series). Basingstoke: Macmillan, 1978.

Haviland, Thomas P. 'Roman de longue haleine' on English Soil. Philadelphia, 1931.

Herman, David. The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. (Frontiers of Narrative Series). Lincoln: U of Nebraska P, 2011.

2015

Hühn, Peter. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Berlin and New York: De Gruyter, 2010.*

_____. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Online at Scribd

http://es.scribd.com/doc/48979938/Eventfulness-in-British-Fiction

2013

_____. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.*

Korte, B. Körpersprache in der Literatur: Theorie und Geschichte am Beispiel englischer Erzählprosa. 1993.

Langbauer, Laurie. Women and Romance: The Consolations of Gender in the English Novel. Ithaca: Cornell UP, 1990.

Lázaro Lafuente, Alberto, Marisol Morales, Juan Elices Agudo and Mónica Olivares. "Datos inéditos sobre la narrativa inglesa en la España de Franco." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Leavis, Q. D. Fiction and the Reading Public. 1932. London: Bellew, 1990.

_____. "The Englishness of the English Novel." 1980. In Leavis, The Englishness of the English Novel. Ed. G. Singh. Cambridge: Cambridge UP, 1983. 303-27.

Leech, Geoffrey N., and Michael H. Short. Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Longman, 1981.

Mack, Maynard, and Ian Gregor, eds. Imagined Worlds: Some English Novels and novelists in Honour of John Butt. London: Methuen, 1968.

McMaster, J., and R. McMaster. The Novel from Sterne to James: Essays on the Relationship of Literature to Life. London: Macmillan, 1981.*

Milligan, Ian. The English Novel. Longman, 1984.

Mintz, Samuel, Alice Chandler and Christopher Mulvey, eds. From Smollett to James: Studies in the Novel and Other Essays Presented to Edgar Johnson. Charlottesville: UP of Virginia, 1981.

Molina Quirós, Jorge. La novela utópica inglesa. Madrid: Prensa Española, 1967.

Newton, A. Edward. The Format of the English Novel. 1928. New York: Burt Franklin, 1971.

Nünning, A. "'But Why Will You Say That I Am Mad?' On the Theory, History, and Signals of Unreliable Narration in British Fiction." Arbeiten aus Anglistik und Amerikanistik 22.1 (1997): 83-105.

Page, Norman. Speech in the English Novel. London: Longman, 1973.

Pearce, Roy Harvey, ed. Experience in the Novel. New York: Columbia UP, 1968.

Pritchett, V. S. The Living Novel. London: Chatto, 1946.

Schabert, Ina. Der historische Roman in England und Amerika. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981.

Smith, W. H. Architecture in English Fiction. New Haven, 1934.

Stevenson, Lionel. The English Novel: A Panorama. 1960.

Tomlison, T. B. The English Middle-Class Novel. London: Macmillan.

Walpole, Hugh. The English Novel: Some Notes on Its Evolution. Cambridge: Cambridge UP, 1925.

Weimann, Robert. "Erzählerstandpunkt und Point of View : Zur Geschichte und Aesthetik der Perspektive im englischen Roman." Zeitschrift für Anglistik und Amerikanistik 10 (1962): 369-416.*

Williams, Ioan. The Realist Novel in England. Pittsburgh: U of Pittsburgh P, 1975.

Williams, Jeffrey J. Theory and the Novel: Narrative Reflexivity in the British Tradition.. Oxford: Oxford UP, c. 2000.

Williams, Raymond. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "The English Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 233-39.*

Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*

Bibliographies

Dyson, A. E., ed. The English Novel: Select Bibliographical Guides. Oxford: Oxford UP, 1975.

Esdaile, Arundell. A List of English Tales and Prose Romances Printed before 1740. The Bibliographical Society, 1912.

Gecker, Sidney. English Fiction to 1820 in the University of Pennsylvania Library. Philadelphia, 1954.

Internet resources

2006-12-03

(Cooke's Pocket Edition of Select Novels). Cooke, c. 1793.

Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford UP, 2004.

Fludernik, Monika. "2. 1050-1500: Through a Glass Darkly; or, the Emergence of Mind in Medieval Narrative." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 69-100.*

McAlindon, T."The Emergence of a Comic Type in Middle English Narrative: The Devil and Giant as Buffoon." Anglia 81 (1963): 365-71.

Putter, Ad, and Jane Gilbert, eds. The Spirit of Medieval English Popular Romance. (Longman Medieval and Renaissance Library). Harlow: Addison Wesley Longman, 1999. (criticism on Lai le Freine, William of Palerne, Sir Tristrem, Eger and Grime, The Seege of Troy, Emaré, The Awntyrs off Arthure, Gamelyn, Sir Degaré, Sir Orfeo, Sir Launfal).

Waller, A. R. "17. Later Transition English: Secular Lyrics; Tales; Social Satire." In From the Beginnings to the Cycle of Romance. Vol. 1 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

2013

2013

Davis, Lennard. "A Social History of Fact and Fiction: Authorial Disavowal in the Early English Novel." In Literature and Society. Ed. Edward Said. (Selected Papers from the English Institute, 1978, ns., 3). Baltimore, MD: Johns Hopkins UP, 1980. 120-48.

_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.

Hart, F. Elizabeth. "3. 1500-1620: Reading, Consciousness, and Romance in the Sixteenth Century." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 103-31.*

Marchitello, Howard. Narrative and Meaning in Early Modern England: Browne's Skull and Other Histories. Cambridge: Cambridge UP, c. 1998.

Schlauch, Margaret. "English Short Fiction in the 15th and 16th centuries." Studies in Short Fiction 3 (1966).

Anthologies

Sánchez Escribano, Javier, [ed.]. Picaresca española en traducción inglesa (xx. XVI y XVII): Antología y estudios. Zaragoza: Universidad de Zaragoza, 1998.*

Garke, Esther. The Use of Song in Elizabethan Prose Fiction. Bern: Francke, 1972.

Nelson, William. "The Boundaries of Fiction in the Renaissance: A Treaty Between Truth and Falsehood." ELH 36 (1969): 30-58.

_____. Fact or Fiction: The Dilemma of the Renaissance Storyteller. Cambridge: Harvard UP, 1973.

Reilhan, Constance C., ed. Framing Elizabethan Fictions. Kent State UP, 1997.

Shaw, Patricia. "Características de la narrativa isabelina en prosa." In Estudios literarios ingleses: Renacimiento y barroco. Ed. Susana Onega. Madrid: Cátedra, 1986. 129-70.*

Watt, Ian. "Elizabethan Fiction." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 195-206.*

Wolff, S. L. The Greek Romance in Elizabethan Prose Fiction. New York: Columbia UP, 1912.

Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*

Bradburn, Elizabeth. "4. 1620-1700: Mind on the Move." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 132-58.*

Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.

Loftis, J. "The Drama and the Novel." In The Age of Dryden. Vol. 8 of The Cambridge History of English Literature. Ed. A. W. Ward and A. R. Waller. Cambridge: Cambridge UP, 1911. 2nd ed. 1932.

McKeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987*; London: Hutchinson-Radius, 1988.

Morgan, Charlotte E. The Rise of the Novel of Manners: A Study of English Prose Fiction between 1600 and 1740. New York: Columbia UP, 1911.

Rees, Christine. "Seventeenth-Century Utopias: 'witty fictions, but mere chimeras'." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 39-64.*

Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. Oxford: Blackwell, 1987.*

Spufford, Margaret. Small Books and Pleasant Memories: Popular Fiction and Its Readership in Seventeenth-Century England. Athens: U of Georgia P, 1981.

Warner, William. "Licensing Pleasure: Literary History and the Novel in Early Modern Britain." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 1-22.*

Bibliographies

Mish, Charles C. English Prose Fiction, 1600-1700: A Chronological Checklist. Charlottesville (VA), 1952.

Anthologies
Peterson, Spiro, ed. The Counterfeit Lady Unveiled and Other Criminal Fiction of Seventeenth-Century England. Garden City (NY): Anchor, 1961.

Salzman, Paul, ed. An Anthology of Seventeenth-Century Fiction. (World's Classics). Oxford: Oxford UP, 1991.*

Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*

Aragón Fernández, María Aurora. "Sobre las relaciones de la narrativa inglesa y la novela francesa del siglo XVIII." Stvdia Patriciae Shaw Oblata. Vol. 1. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 62-81

Backscheider, Paula R. and John J. Richetti, eds. Popular Fiction by Women 1660-1730. Oxford: Clarendon Press, 1996.

Backscheider, Paula, and Catherine Ingrassia, eds. A Companion to the Eighteenth-Century Novel. Oxford: Blackwell, forthcoming 2004.

Baker, E. A. The History of the English Novel. 1930. Vols. 3 and 4. (18th cent.).

Bender, John. Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England. Chicago: U of Chicago P, 1978.

Bhall, A. The Cartographers of Hell: Essays on the Gothic Novel and the Social History of England. 1991.

Birkhead, Edith. "Sentiment and Sensibility in the Eighteenth-Century Novel." Essays and Studies 11 (1925): 92-116.

Blamires, Harry. "Origins of the Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 151-59.*

_____. "The Eighteenth-Century Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 201-16.*

Bond, Clinton. "Representing Reality: Strategies of Realism in the Early English Novel." Eighteenth-Century Fiction 6.2 (1994): 121-40.

Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*

Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*

Case, Alison A. Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel. Charlottesville: UP of Virginia, 1999.

Conant, Martha P. The Oriental Tale in England in the Eighteenth Century. 1908.

Concha Muñoz, Angeles de la. "La escritura femenina como exploración de identidad personal y social en la novela inglesa del siglo XVIII." Epos 6 (1990): 379-96.

Craft-Fairchild, Catherine. Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women. University Park: Pennsylvania State UP, 1993.

Cross, Wilbur L. The Development of the English Novel. New York: Macmillan, 1899.

Cullens, Chris. Female Difficulties: Novels by English and German Women, 1752-1814. Stanford (CA): Stanford UP, forthcoming 1994.

_____. "Female Difficulties, Comparativist Challenge: Novels by English and German Women, 1752-1814." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 100-19.*

Damrosch, Leopold. God's Plot and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding. Chicago: U of Chicago P, 1985.

Davis, Lennard J. "'Wicked Actions and Feigned Words': Criminals, Criminality, and the Early English Novel." Yale French Studies 59 (1980): 106-18.

_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.*

Dibelius. Englische Romankunst. Berlin, 1910.

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

Duncan, Jeffrey L. "The Rural Ideal in Eighteenth-Century Fiction." Studies in English Literature 8 (1968): 517-35.

Eaves, Thomas Cary Duncan. "Graphic Illustration of the Principal English Novels of the Eighteenth Century." Diss. Harvard, 1944.

Frank, Judith. Common Ground: 18th-century English Satire Fiction and the Poor. Stanford: Stanford UP, 1997.

García Landa, José Angel. "Notes on Ian Watt's The Rise of the Novel." In García Landa, Vanity Fea 1 Dec. 2014.*

2014

Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*

Haggerty, George E. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*

Horner, Joyce. The English Women Novelists and Their Connection with the Feminist Movement (1688-1797). (Smith College Studies in Modern Languages, 11.1, 2, 3). 1929-1930.

Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.

Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: Norton, 1990.*

Johnson, Nancy E. The English Jacobin Novel on Rights, Property and the Law. Basingstoke: Palgrave Macmillan, 2004. (Thomas Holcroft, Charlotte Smith, Mary Hays, Mary Wollstonecraft, Maria Edgeworth).

Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. (Reading Women Writing). Ithaca (NY): Cornell UP, 1991.*

Karl, Frederick R. A Reader's Guide to the Development of the English Novel in the 18th Century. London: Thames and Hudson, 1974.*

Kelly, Gary. The English Jacobin Novel, 1780-1805. Oxford, 1976. (Bage, Holcroft, Inchbald, Godwin).

Kilgour, Maggie. The Rise of the Gothic Novel. London and New York: Routledge,1995.*

Killen, Alice M. Le Roman terrifiant. Paris, 1920, 1923.

_____. Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840. Ph.D. diss. 1920. 2nd ed. Paris: Honorè Champion, 1967.

Konigsberg, Ira. Narrative Technique in the English Novel: Defoe to Austen. Hamden: Archon-Shoe String Press, 1985.

Kroll, Richard, ed. The English Novel: vol. 2. Smollett to Austen. (Longman Critical Readers). Harlow: Addison Wesley Longman, 1998.*

Lasa Álvarez, Begoña. "Eighteenth Century British Women Novelists in Spain: Publishing and Advertising Strategies." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Lévy, Maurice. Le Roman "gothique" anglais (1764-1824). Thèse de doctorat d'Etat. Toulouse: Publications de la faculté des lettres et sciences humaines, 1968.

Lorenzo Modia, María Jesús. "Eurocentrism and Transculturalisms in Eighteenth-Century Women Novelists." In El discurso artístico en el norte y en el sur: Eurocentrismos y transculturalismos. Ed. José Luis Caramés. 3 vols. Oviedo: U de Oviedo, 1998. 2.393-402.

Lovell, Terry. Consuming Fiction. London: Verso-New Left Books, 1987.*

Masson, David. British Novelists and Their Styles. London: Macmillan,1859.

Mayo, R. D. The English Novel in the Magazines, 1740-1815. London, 1962.

McKee, J. B. Literary Irony and the Literary Audience: Studies in the Victimization of the Reader in Augustan Fiction. Amsterdam: Rodopi, 1974.

McKeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987; London: Hutchinson-Radius, 1988.

_____. Prose Fiction: Great Britain. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 600-12.* (18th c.).

McKillop, A. D. The Early Masters of English Fiction. Lawrence (KS): U of Kansas P, 1956.

_____. The Early Masters of English Fiction. London, 1962.

McMaster, Juliet. Reading the Body in the Eighteenth-century Novel. Basingstoke: Palgrave Macmillan, 2004. (Clarissa, Tristram Shandy, Burney, Wollstonecraft, Austen).

Medrano Vicario, Isabel. "Los orígenes de la novela inglesa y su desarrollo en el siglo XVIII, 1660-1760." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 11-64.*

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Miller, Nancy K. The Heroine's Text: Readings in the French and English Novel, 1722-1782. New York: Columbia UP, 1980.

Morgan, Charlotte E. The Rise of the Novel of Manners: A Study of English Prose Fiction between 1600 and 1740. New York: Columbia UP, 1911.

Napier, Elizabeth. The Failure of Gothic. Oxford: Clarendon, 1987.

Newton, Judith Lowder. Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. Athens (GA): U of Georgia P, 1981.

Nünning, Ansgar. "Mimesis und Poiesis im englischen Roman des 18. Jahrhunderts: Überlegungen zum Zusammenhang zwischen narrativer Form und Wirklichkeitserfahrung." In Neue Lesarten, neue Wirklichkeiten: Zur Wiederentdeckung des 18. Jahrhunderts durch die Anglistik: Symposium zu Ehren von Ulrich Suerbaum. Ed. Gerd Stratmann and Manfred Buschmeier. Trier: Wissenschaftlicher Verlag, 1992. 46-69.

Pajares Infante, Eterio. La traducción de la novela inglesa del siglo XVIII. Introd. Fernando Galván. Vitoria: Portal Education, 2010.

Paulson, Ronald. Satire and the Novel in Eighteenth-Century England. New Haven: Yale UP, 1967.

Phelps, Gilbert. "Varieties of English Gothic." In From Blake to Byron. Ed. Boris Ford. Harmondsworth: Penguin, 1982. 110-27.*

Probyn, Clive T., English Fiction of the Eighteenth Century, 1700-1789. London: Longman, 1987.*

Rader, Ralph, W. "The Emergence of the Novel in England: Genre in History vs. History of Genre."Narrative 1.1 (1993): 69-83.*

_____. "Richardson to Austen." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 140-53.*

Raleigh, Sir Walter. The English Novel. 1894.

Rees, Christine. "Utopian Discourse in the Eighteenth Century: A Preliminary View." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 65-72.*

_____. Utopian Imagination and Eighteenth-Century Fiction. (Studies in 18th and 19th Century Literature series). Harlow (Essex): Addison Wesley Longman, 1996.*

Richetti, John. Popular Fiction before Richardson: Narrative Patterns 1700-1739. Oxford: Clarendon, 1969.

Rousseau, G. S. "From Swift to Smollett: The Satirical Tradition in Prose Narrative." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 127-53.*

Sacks, Sheldon. Fiction and the Shape of Belief: A Study of Henry Fielding, with Glances at Swift, Johnson and Richardson. Berkeley: U of California P, 1964.

Saintsbury, George. The English Novel. London: Dent, 1913.

Schlaeger, Jürgen. "Truth, Fiction and Intertextuality in the Eighteenth-Century English Novel." In Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 77-100.* (William Beckford).

Scott, Walter. Lives of the Novelists. Prefaces to Ballantyne's Novelists Library (1821-24). Collected by Galignani in 1825.

_____. Lives of Eminent Novelists and Dramatists. London: Frederick Warne, 1887.

_____. The Lives of the Novelists. Introd. George Saintsbury. (Everyman). London: Dent, 1910.*

_____. Lives of the Novelists. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 15-190.

Shaw, Patricia. "The Idealization of America and Americans in English Novels of the 1790s." In Miscel-lània homenatge Enrique García Díez. Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 233-44.

Sherburne, George, and Donald F. Bond. "Types of Prose Fiction." "The Mid-Century Novel." "The Novel After 1760." In The Restoration and Eighteenth Century (1660-1789). Vol. 3 of A Literary History of England. Ed. A. C. Baugh. London: Routledge, 1948. 2nd ed. 1967. 793-805, 950-65, 1021-34.*

Skinner, Gillian. Sensibility and Economics in the Novel, 1740-1800: The Price of a Tear. Basingstoke: Macmillan, 1997.

Smith, Allan Lloyd, and Victor Sage, eds. Gothick Origins and Innovations. Amsterdam: Rodopi, 1994.*

Smith, Andrew. Gothic Literature. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.

Spacks, Patricia Meyer. Imagining a Self: Autobiography and Novel in Eighteenth-Century England. Cambridge (MA): Harvard UP, 1976.

_____. "Novels of the 1790s: Action and Impasse." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 247-74.*

Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. Oxford: Blackwell, 1987.*

Spender, D. Mothers of the Novel. London: Pandora, 1986.

Starr, G. A. "Sentimental Novels of the Later Eighteenth Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 181-98.*

Stevens, David. The Gothic Tradition. (Contexts in Literature). Cambridge: Cambridge UP, 2000.*

Taylor, Houghton W. The Idea of Locality in English Criticism of Fiction, 1750-1830. Chicago, 1936.

Taylor, John T. Early Opposition to the English Novel: The Popular Reaction from 1760 to 1830. New York: King's Crown Press, 1943.

Tompkins, J. M. S. The Popular Novel in England, 1770-1800. London, 1932. 1962.

Usandizaga, Aránzazu. "La novela inglesa en el siglo XVIII." In Lecciones de Literatura Universal. Ed. Jordi Llovet. Madrid: Cátedra, 1995.

Vallins, David. "6. 1775-1825: Affective Landscapes and Romantic Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 187-214.*

Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley: U of California P, 1957. 1965. 1967.

_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. London: Chatto and Windus, 1957.

_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Harmondsworth: Penguin, 1963.* 1983.

Weisser, Susan Ostrov. Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Basingstoke: Macmillan, 1996.

Wolf, Werner. "Das 18. Jahrhundert: die Etablierung der Großen Illusionistischen Tradition und das Entstehen illusionstörenden Erzählens in England." In Wolf, Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst. Tübingen: Niemeyer, 1993. 509-50.*

Wright, W. F. Sensibility in English Prose Fiction, 1760-1814: A Reinterpretation. (Illinois Studies in Language and Literature 222.3-4). Urbana, 1937.

Zimmerman, Everett. Defoe and the Novel. Berkeley: U of California P, 1975.

Zunshine, Lisa. "5. 1700-1775: Theory of Mind, Social Hierarchy, and the Emergence of Narrative Subjectivity." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 161-86.*

Anthologies
Barbauld, Anna Laetitia, ed. The British Novelists. Novel collection. c. 1810. 1820.

British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.

Bibliographies

García Landa, José Angel. "British/English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Wikeo Dwi Febri Ryansiah) 19 Dec. 2015.*

2015

Internet resources

2004-10-24

Journals
Eighteenth-Century Fiction 6.2 (1994).