The Symphony Orchestra as Cultural Phenomenon: Draft Programme
Date 10.08.2017 Size 86.54 Kb. #30028
The Symphony Orchestra as Cultural Phenomenon: Draft Programme
Thursday 1 July
Room 1
Room 2
12.00–14.00
Registration and lunch
14.00–14.15
Welcome Session
Chair
Duncan Boutwood/Roddy Hawkins
14.15–15.15
Women's Orchestras
Recording the Orchestra
Chair
L’Orchestre féminin de Paris: A Woman’s Orchestra in Interwar France
Laura Hamer, Birmingham Conservatoire
The London Symphony Orchestra: recording for LSO Live
Ananay Aguilar, RHUL
In the Wrong Geographic Location: The Rise and Demise of Canada’s Only All-Women’s Symphony Orchestra
Maria L Noriega, U. of Calgary
From Stage to Studio (…and back again)
Amy Carruthers, KCL
15.15–15.45
Tea/Coffee
15.45–17.00
Keynote 1: David C. H. Wright
Title
The symphony orchestra in an age of public subsidy: paying the piper and calculating the cost effectiveness of the tune in post-war Britain
Chair
John Irving
19.30–22.00
[Optional] LPO Concert, Royal Festival Hall, South Bank
John Adams: Shaker Loops, Philip Glass: Violin Concerto No.1, Ravi Shankar: Symphony (World premiere)
Friday 2 July
Room 1
Room 2
9.45–11.15
Subsidy and the State
Conductors and Leaders
Chair
The concept of public service broadcasting and the orchestras of the Belgian National Broadcasting Institute (N.I.R.): The search for a fitting music policy (1930-1939)
Lieselotte Goessens, Vrije U. Brussel
Defining the Job Description: Case Studies in English Orchestral Conducting in the mid-1800s
Fiona M Palmer, N. U. of Ireland, Maynooth
Questions of Yugoslavian Symphonism and Its Institutions: The Case of Belgrade Open Competition of 1935
Srdan Atanasovski, U. of Arts in Belgrade
Of Conductors, Orchestras, and Docile Bodies: Concert Culture as Embodied Experience in Nineteenth-Century America
Steven Baur, Dalhousie U.
The Symphony Orchestra and Musical Vitality
Benjamin Wolf
New Perspectives on Viennese Concert Life: Eduard Strauss’s Orchestra at the Musikverein, 1870-1900
Zoe Lang, U. of South Florida
11.15–11.45
Tea/Coffee
11.45 –13.00
Keynote 2: Tina K. Ramnarine
Interacting Orchestras: On New Communities, Social Relevance and Digital Technologies
Chair
13.00–14.00
Lunch
14.00–15.30
Panel:Premier(e) Culture
Symphonic Influences
Chair
(a) When All Music Was New Music: Creating Audiences in 19th-century Chicago
Mark Clague, U. of Michigan
Dropping the Bomb: Trinidadian Steel Band Adaptions of the Symphony Orchestra
Janine Tiffe
(b) An American Experiment: The Louisville Orchestra New Music Project, 1948–57
Michael Mauskapf, U. of Michigan
The Nusantara Symphony Orchestra: A Study in the Cross-Cultural Process
Edward Van Ness, Nusantara Symphony Orchestra
From the Atlanta School to the Reno Philharmonic’s New Music Initiative: A Conductor’s Role in Creating a Public for New Music
Laura Jackson, Reno Philharmonic
The Identity of the Modern Chinese Orchestra and Guoyue in Taiwan
Chang-Yi Chen, U. of Sheffield
15.30–16.00
Tea/Coffee
16.00–17.30
Elitism/Popularity
Constructing Canons
Chair
The Critical Response to Profitable Concerts: Arthur Fiedler and the Boston Pops Orchestra, 1930-1950
Ayden Adler, The Philadelphia Orchestra Assoc.
Nineteenth-Century Italian Orchestral Societies and Beethoven’s Symphonies
Aaron S Allen, U. of N. Carolina at Greensboro
Jacques Offenbach and American Cultural Enterprise ca. 1876
Myron Gray, U. of Pennsylvania
Music Critic George P. Upton and the Philharmonic Society: Promoting Orchestral Culture in 1860s Chicago
James Deaville, Carleton U.
A Democratic Commodity! The Hallé Orchestra in the 1920s
Declan Plummer, Queen's U. Belfast
Making Mahler French: Bernstein’s case for the composer in 1960
Matthew Mugmon,
19.00–22.00
[Optional] Conference Dinner
Saturday 3 July
Room 1
Room 2
9.45–10.45
Representations of the Orchestra
The Albert Hall and Transience
Chair
The Orchestra as a Machine in the French Romanticism
Nicholas Southon
In Search of an Ephemeral Orchestra: the New Symphony Orchestra, 1905–38
Emily Worthington, U. of York
Making Overtures: The Films of the M-G-M Symphony Orchestra
Nathan Platte, U. of Michigan
The Proms Arena as a Site of Pleasurable Work
Jonathan Gross
10.45–11.00
Short break
11.00–12.30
Ideology and Value
Orchestras and Cultural Policy Today
Chair
Militarisation, Industrialisation and the growth of the Symphony Orchestra in the Nineteenth Century
Ian Pace
An American Regional Orchestra in the Twenty-First Century: Beethoven, Harleys, and Social Justice
Melissa Angel Straus
Decorating the Bund: Establishment of the Shanghai Municipal Orchestra as a Colonial Ideology
Irene Pui-ling Pang, U. of Hong Kong
Materializing the Immaterial: Putting Musical Autonomy to Work in Venezuela
Sarah Carsman, U. of California, Berkeley
Negotiating the values of classical music: towards a definition of the symphony orchestra as a cultural actor
Francis Maes, Ghent U.
The effect of economic collapse on government music policy in Iceland and the Iceland Symphony Orchestra
Thorbjorg Daphne Hall, U. of Nottingham
12.30-13.30
Lunch
13.30–14.30
Orchestral 'Alternatives'
Group Dynamics
Chair
The Baroque Orchestra: Balancing Commodification and Counterculture
Kailan R. Rubinoff, U. of N. Carolina at Greensboro
Temporary culture: a psychoanalytic perspective on group life in the orchestra
Lydia Hartland-Rowe, Tavistock Clinic/U. of East London
Out of Tune, Out of Time , Off-Key: The Really Terrible Orchestra and the Politics of Musical Failure
Francesca Brittan, Case Western Reserve U.
Instruments and identity in British orchestras during the twentieth century
Bradley Strauchen, Horniman Museum
14.30–16.00
Round-table discussion
Title
The future of the symphony orchestra in the twenty-first century
Chair
Julian Rushton
Speakers
Stephen Cottrell (Goldsmiths College, London)
James Dillon (University of Minnesota)
Kathryn McDowell (London Symphony Orchestra)
Emile Wennekes (Utrecht University)
16.00–16.30
Closing Session
Chair
Duncan Boutwood/Roddy Hawkins
16.30–17.30
We are planning to hold a wine reception, sponsorship permitting
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