Women in French in Scotland: Annual Colloquium 2014 Parliament Hall, University of St Andrews Friday 19 September 2014



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Women in French in Scotland: Annual Colloquium 2014

Parliament Hall, University of St Andrews

Friday 19 September 2014

9.55am: Welcome


10.00am-11.30am Panel I: Chair Elise Huguény-Léger

  • Maternal presence and female persuasion in Thenaud’s Le Triumphe de Force (Lidia Radi, University of Richmond)

  • “Elle eust mis l’Epée à la main tout comme un homme”: Widowhood, Gender and Sexuality in La Devineresse (Sarah Townshend, University of St Andrews)

  • Hélène Cixous : esthétique et éthique de/à la limite (Elsa Laflamme, Collège Gérald-Godin / IMLR, University of London)

11.30am: coffee


11.45-1.15pm Panel II: Chair Vicky Turner

  • “L'amour, l'amitié et la beauté de l'art”: searching for meaning in Muriel Barbery's L'Elégance du hérisson (Katie Jones, University of St Andrews)

  • Femmes engagées: Germaine de Staël and Claire de Duras (Stacie Allan, University of Bristol)

  • Citoyenne française: Madame de Genlis’s Narrative Reconstructions of Post-Revolutionary France (Danielle Berrow, University of St Andrews)

1.15pm: buffet lunch


2.15pm-3.45pm Panel III: Chair Julia Prest

  • Forced Repression, Fanatical Remembrance: Leïla Marouane's Le Châtiment des hypocrites (Jenny Kosniowski, King’s College London)

  • Narrating Selfhood through Gender Performance: Marie Nimier’s Multiple “I”s (Adrienne Angelo, Auburn University)

  • L'invention d’une érotique dans le marquage du temps: portraits, fragments et carnets de Sabine Macher (Elodie Laügt, University of St Andrews)


4.15pm: Table Ronde (open to the public)

Gender Equality in Academia Today: Myth or Reality?

Chair: Frances Andrews (Mediaeval History, University of St Andrews).



Panelists: Bettina Bildhauer (German, University of St Andrews), Fiona Gray (Chemistry, University of St Andrews), Tom Jones (English and UCU, University of St Andrews), and Àine Larkin (French, University of Aberdeen)
5.15pm: Wine Reception, generously sponsored by the School of Modern Languages, University of St Andrews

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