September 2013 570 tracklists
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- 730315-17 Keith Jarrett Solo (BR)
- [CD] Keith Jarrett Solo– Bern 1973
- 730327 Keith Jarrett Solo (br)
- 730330 Keith Jarrett Solo
- 730630 Keith Jarrett Solo (BR)
- 730712 Keith Jarrett Solo
- 730714 Keith Jarrett Solo +++
- 730700 0800 Keith Jarrett Solo (Br)
- 731103 American Quartet + 1
- 731103 American Quartet (PL) (di) (fl+++)
730320 Keith Jarrett SoloKeith Jarrett (p) March 20th 1973, Salle de Spactacles D’Epalinges, Lausanne 1 Lausanne, March 20, 1973 (Keith Jarrett) 64.53 Keith Jarrett - Solo Concerts Bremen/Lausanne (ECM (G) 1035/37) Review by Scott YanowThese are the recordings that made Keith Jarrett famous. Originally released as a three-LP set, the two solo piano recitals feature Jarrett freely improvising and never seeming to run out of ideas. A simple figure often develops through repetition and subtle variations into a rather complex sequence and eventually evolves into a new figure. One of the improvisations lasts for three LP sides (64 minutes), while the second concert has two long solos for 30 and 35 minutes, respectively. Despite the length, the music never loses one's interest, making this an essential recording for all jazz collections. 730315-17 Keith Jarrett Solo (BR)Keith Jarrett (p) 1973, Bergamo, Italy
730319- or 23 Keith Jarrett Solo (DI) (fl+++)Keith Jarrett (p) 1973, Bern, Switzerland Solo Bern 1973 24.20
1973, march 19 Keith Jarrett Solo Keith Jarrett (p,Fl) 1973, Bern, Switzerland 1. Set 1 not present here 2. Set 2 45:31 3 Flute Encore 06:34
730321-22 Keith Jarrett Solo (br)Keith Jarrett (p), Salle de lâERA, Geneva, Switzerland -
Keith Jarrett (p) March 27th 1973, Nürnberg, Germany
730328 Keith Jarrett Solo (SP)Keith Jarrett (p) March 28th 1973, Munich, Germany 2 tracks 49:26 Jarrett K. Solo Media: CD-R Duration: Sound quality: A Source: audience Note: Track 1 the same as Solo concerts, Bremen 12-7-73, track 2, 39:00-45:10 ; track II is uncomplete
730330 Keith Jarrett SoloKeith Jarrett (p) March 30th 1973, Hotel Mohren, Willisau, Switzerland 730300 Keith Jarrett SoloKeith Jarrett (p) March 1973, Freiburg, Germany 1 Solo Freiburg 1973 – Part I 31.23 2 Solo Freiburg 1973 – Part II 32.00 [CD] Keith Jarrett Solo – Freiburg 1973
June 30, 1973, Philharmonic Hall, New York, NY, USA
730712 Keith Jarrett SoloKeith Jarrett (p) July 12th 1973, Kleiner Sendesaal, Radio Bremen, Bremen 1 Bremen, Pt. 1 (Keith Jarrett) 18.05 2 Bremen, Pt. 2 (Keith Jarrett) 39:25 3 Bremen, Encore (Keith Jarrett) 05:45 1-3: Keith Jarrett - Solo Concerts Bremen/Lausanne (ECM (G) 1035/37) In the official CDs there is no mention at all of the Encore in the Tracklist . 730714 Keith Jarrett Solo +++Keith Jarrett (p) July 14th 1973, Karhulinna, Pori, Finland Track 01 31:04730715 Keith Jarrett SoloJuly 15th 1973, Kirjurinluoto, Pori, Finland 730716 Keith Jarrett SoloKeith Jarrett (p) July 16th 1973, Pescara, Italy 730700 0800 Keith Jarrett Solo (Br)Keith Jarrett (p ) Kino, Molde, Norway (Molde International Jazz Festival) Late july – early August 731000 Keith Jarrett SoloOctober 1973, wien Track01 9:12 Early October 1973 Vienna, Austria (Musik fur 14 Hande ) - Solo 7-minute piece recorded for the Austrian television. Produced in October 1973 and broadcast in 1974. More information here: Piano-Jazz: Musik für 14 Hände 731103 American Quartet + 1Keith Jarrett (p, ss) Dewey Redman (ts) Charlie Haden (b) Paul Motian (dr) Guilherme Franco (perc) November 3rd 1973, Berliner Jazztage, Philharmonie, Berlin, Germany 1 Fort Yawuh 22.02 2 Le Mistral 13.07 3 Yaqui Indian Folk Song 3.00 1-3: CD]Keith Jarrett – Berlin November 1973 731103 American Quartet (PL) (di) (fl+++)
First set 01 Title Unknown / Angles (Without Edges) 12:39 02 Yaqui indian folk song 04:44 Second Set 03 Introduction (Willis Conover) 1:26 04 Unknown Title (percussion intro) 5:57 05 (If The) Misfits (Wear It) (K. Jarrett) 16:28 06 Fort Yawuh (K. Jarrett) 15:44 07 Le Mistral (K. Jarrett) 12:35 08 Yaqui Indian Folk Song (K. Jarrett) 3:02 09 Closing announcements (Willis Conover, Keith Jarrett) 1:46 Note: The last speech is as follows: ”We’re really having a hard time here because of various tempos: one tempo is here before we get here, and we bring one with us, and they don’t seem to match very well. For example, we gave you a chance to express yourself now...Ok, Good night! Those of you who wanna save Berlin, please try”. Then the presenter says: ”Das war eine Kostprobe mehr der Toleranz des Berliner Publikums und das war das KJ Quintett”
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