720802 Keith Jarrett Solo (DI)
Keith Jarrett (p, fl)
Kino, Molde, Norway
(Molde International Jazz Festival) August 2nd 1972
Solo Molde 1972 – Part I 37.48
Solo Molde 1972 – Part II 42.09
[CD] Keith Jarrett Solo – Molde 1972 (1-2)
Keith Jarrett Solo (DI) (fl+++)
August 2nd 1972,
Molde, Norway, Molde Kino, Molde Jazzfestival
FM
B+
tt 82.18
Keith Jarrett (p, fl)
CD1
01 Set I Part I (21.11)
02 Set I Part II (24:49)
(TT 46:00)
CD2
03 Set II (32:19)
04 Flute Encore (3:58)
Keith Jarrett (organ)
September 16th 1972, Storkyrkan, Stockholm, Sweden, audience recording
1 Organ Recital (Keith Jarrett) 34.29
[CD] Keith Jarrett – Organ Recital 1972
720917 Keith Jarrett Solo +++ (DI) (fl+++)
Keith Jarrett (p)
September 17th 1972,
Dramaten Theater, Stockholm, Sweden
1 Solo Stockholm 1972 44:36
2 Solo Flute Encore 4:22
[CD] Keith Jarrett Solo - Stockholm 1972
720900 Keith Jarrett Trio
Keith Jarrett (p) Charlie Haden (b) Paul Motian (dr)
Cafe Montmartre, Copenhagen, Denmark
72100405 Freddie Hubbard With Don Sebesky Orchestra
Freddie Hubbard (tp) Alan Rubin, Marvin Stamm (tp, flh) Wayne Andre, Garnett Brown (tb) Paul Faulise (b tb) Tony Price (tuba) Wally Kane (piccolo, b cl) Hubert Laws (fl) Romeo Penque (fl, cl, oboe, English horn) Phil Bodner, George Marge (fl, b cl) Keith Jarrett (p, el p) George Benson or Jay Berliner (g) Ron Carter (b) Billy Cobham (dr) Ray Barretto, Airto Moreira (perc) Don Sebesky (arr, cond)
October 4th & 5th 1972, Rudy Van Gelder Studio, Englewood Cliffs, NJ
1 Povo 14.46
2 In A Mist 7.05
3 Naturally 5.56
4 The Godfather 7.23
5 Sky Dive 7.37
6 Naturally (alt take) 5.02
1-4: Freddie Hubbard - Sky Dive (CTI 6018)
721028 Keith Jarrett Solo October 28, 1972 Mercer Arts Center, New York, NY, USA 72112526 Paul Motian - Keith Jarrett Duo
Keith Jarrett (p, fl) Paul Motian (perc)
November 25th & 26th 1972, New York, NY
1 Conception Vessel (Paul Motian) 7.44
2 American Indian / Song Of Sitting Bull (Paul Motian) 2.47
1,2: Paul Motian - Conception Vessel (ECM (G) 1028)
Conception Vessel is the debut album by Paul Motian and was released on the ECM label. It was released in 1972 and features performances by Motian with Keith Jarrett, Charlie Haden, Leroy Jenkins, Sam Brown and Becky Friend.
The Allmusic review by Ron Wynn awarded the album 4 stars stating "This is Motian's debut as a leader. It includes ambitious cuts with guitarist Sam Brown and also features pianist Keith Jarrett.".[1]
720000 American Quartet
Dewey Redman (ts, musette) Keith Jarrett (p, ss, tamb) Charlie Haden (b) Paul Motian (dr, perc)
1972 or 1973, Jubilee Auditorium, Edmonton, AB, Canada
1973 730220-21-22-23 25 American Quartet + 1
Dewey Redman (ts, musette, maracas) Keith Jarrett (p, ss, tamb) Charlie Haden (b) Paul Motian (dr, perc) Danny Johnson (perc)
February20 21 22 23 24 25 1973, Village Vanguard, New York, NY
730224 American Quartet + 1
Dewey Redman (ts, musette, maracas) Keith Jarrett (p, ss, tamb) Charlie Haden (b) Paul Motian (dr, perc) Danny Johnson (perc)
February 24th 1973, Village Vanguard, New York, NY
1 (If The) Misfits (Wear It) (Keith Jarrett) 12.58
2 Fort Yawuh (Keith Jarrett) 17.41
3 De Drums (Keith Jarrett) 11.53
4 Still Life, Still Life (Keith Jarrett) 8.37
5 (If The) Misfits (Wear It) (alt. take) (Keith Jarrett) 13.24
6 Whistle Tune 2.29
7 Spoken Introduction 2.12
8 Angles (Without Edges) (alt. take) 14.17
9 Roads Traveled, Roads Veiled 20.25
10 De Drums (excerpt) (alt. take) 7.27
11 Melting The Ice 18.03
1-11: Keith Jarrett - The Impulse Years, 1973-1974 (Impulse IMPD 5-237)
Fort Yawuh, Impulse Artists On Tour, and The Impulse Years, 1973-1974
On Fort Yawuh, Keith Jarrett is joined by Dewey Redman (tenor sax), Charlie Haden (bass), Paul Motian (drums), andDanny Johnson (percussion) to produce this set recorded live at the legendary Village Vanguard in New York City on February 24, 1973. About two minutes into "Fort Yawuh," Jarrett prepares the listener for a piano solo by announcing himself with quick and sharp keyboard jabs that evolve into spared and beautiful crescendos that before too long involve the soulful wails of Redman on the sax. The following song, "De Drums," is the one track that really swings on this album. Another long one, at 12 minutes in length, "De Drums" is much more focused on a steady and consistent rhythm that is established immediately by a smooth five-note bassline accented by the piano and shakers. Although describable as smooth and cool, this song has a palpable energy perhaps due to the construction of the bassline whose pauses give an enjoyable sense of suspense. A little more than five minutes into this song there is a thematic shift that speeds up the tempo and makes this title swing even more while involving Redman's sax and Motian's drum kit. Half past the eight-minute mark the tempo settles back down to its original drawl, and the song finishes with a lazy bop that makes this the standout track on the album. Fans of Jarrett's avant-garde liberalism will find "De Drums" to be the track most unlike the other four selections on this album. "Still Life, Still Life" is more like a ballad in that it's very slow, but it still maintains the structural freedom featured in the "Fort Yawuh," "(If the) Mysfits (Wear It)," and "Roads Traveled, Roads Veiled."
730200 Keith Jarrett With Orchestra
1: Willi Freivogel (flute) string section of the Südfunk Symphony Orchestra, Stuttgart, Mladen Gutesha (conductor)
2; Keith Jarrett (p)
3: American Brass Quintet
4: Keith Jarrett (p)
5: Fritz Sonnleitner Quartet: Fritz Sonnleitner, Günter Klein, Siegfried Meinecke, Fritz Kiskat
6: Ralph Towner (guitar) string section of the Südfunk Symphony Orchestra, Stuttgart, Keith Jarrett (cond)
7: 4 celli, 2 trombones
8: Keith Jarrett (p, gong, perc) string section of the Südfunk Symphony Orchestra, Stuttgart, Keith Jarrett (conductor)
February 1973, Ludwigsburg, Germany
1 Metamorphosis (K. Jarrett) 19.19
2 Fughata For Harpsichord (K. Jarrett) 5.26
3 Brass Quintet (K. Jarrett) 20.53
4 A Pagan Hymn (K. Jarrett) 7.27
5 String Quartet (K. Jarrett) 16.37
6 Short Piece For Guitar And Strings (K. Jarrett) 3.52
7 Crystal Moment (K. Jarrett) 4.54
8 In The Cave, In The Light (K. Jarrett) 12.18
1-8: Keith Jarrett - In The Light (ECM (G) 1033/34)
Review by Richard S. Ginell
Even before his solo concerts became popular successes, Keith Jarrett was clearly getting a free hand from ECM founder Manfred Eicher, as this ambitious double album of classical compositions proves. In this compendium of eight works for all kinds of ensembles, the then-28-year old Jarrett adamantly refuses to be classified, flitting back and forth through the centuries from the baroque to contemporary dissonance, from exuberant counterpoint for brass quintet to homophonic writing for a string section. Though the content is uneven in quality, Jarrett is clearly sincere and skilled enough to exploit his European roots with only a handful of syncopated references to his jazz work. The strongest, most moving individual pieces are the strange, gong-haunted "In the Cave, In the Light" (the probable source of the title of Jarrett's publishing company, Cavelight); "Metamorphosis," with its rich, flowing string lines, prominent solo flute, and free journeys in and out of tonality; and the Bartok-streaked String Quartet. Jarrett himself plays formal solo piano in the eclectic "Fughata" and "A Pagan Hymn," and even conducts the Stuttgart Radio Symphony strings. All of it is richly recorded in the ECM way, making four strings sound like twelve.
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