September 2013 570 tracklists

790503 Keith Jarrett Solo (pa)

May 03^rd, Boston,MA

790629 Keith Jarrett Solo (BR) (+++)

June 29th 1979, Paris, France

1. 
   Part I (36:51) [starts abruptly]
   
2. 
   Audience noise (0:19)
   
3. 
   Part II (26:02) [cut at 10:06]
   
4. 
   Audience noise (0:53)
   
5. 
   Encore I (4:47)
   
6. 
   Encore II (4:51)
   
7. 
   Encore III (3:44)
   

1. 01 set 1 part 01 > 27:58

2. 02 set 1 finale 8'48

3. 03 Set 2 complete 26:17

1. 04 Encore 01 4:51

2. 05 Encore 02 4:51

3. 06 Encore 03 3:43

tt 76:44

790725 Keith Jarrett Solo (PL) (fl+++)

July 25th 1979, Jazz à Juan, Pinède Gould, Antibes, Juan-Les-Pins, France

There are several places on this recording, especially on the first improvisation, where the speed fluctuates dramatically. The tune I've called "Clapping Tune" has Jarrett playing, then clapping a rhythm and encouraging the audience to clap it; he then plays along. (I guess you had to be there.) The final encore uses the same theme as the encore from the Bremen concert (July 12, 1973) included on Solo-Concerts (ECM 1035-37 ST). The crowd recognizes it and applauds as Jarrett begins.

Encores
02 08:05

03 00:20

04 00:22

06 my song 07:28

07 never never land 06:50

08 encore from the Lausanne concert (July 12, 1973) 08:40

790900 Keith Jarrett Solo

Keith Jarrett (p)

September (?) 1979, Tanglewood Music Shed, Lenox, MA, USA

791031 Keith Jarrett Solo (BR)

October 31, 1979 Dorothy Chandler Pavilion, Los Angeles Music Center,

Los Angeles, CA, USA

791100 Keith Jarrett Solo

Keith Jarrett (p, org, ss)

November 1979, Tonstudio Bauer, Ludwigsburg, Germany

1 Invocations 1st (Solo Voice) (Keith Jarrett) 5.24

2 Invocations 2nd (Mirage, Realities) (Keith Jarrett) 8.55

3 Invocations 3rd (Power, Resolve) (Keith Jarrett) 7.35

4 Invocations 4th (Shock, Scatter) (Keith Jarrett) 6.48

5 Invocations 5th (Recognition) (Keith Jarrett) 5.04

6 Invocations 6th (Celebration) (Keith Jarrett) 5.32

7 Invocations 7th (Solo Voice) (Keith Jarrett) 3.05

1-7: Keith Jarrett - Invocations/The Moth And The Flame (ECM (G) 1201/02)

The Allmusic review by Richard S. Ginell awarded the album 3 stars noting "If this schizophrenic double-CD set didn't throw Keith Jarrett's most devoted fans for a loop, nothing ever will. Here we have two radically disparate works involving different timbres, attacks and mindsets, both within themselves and with each other. On "Invocations," a seven-movement suite, Jarrett returns to the massive pipe organ in Ottobeuren, Germany for a series of sometimes wildly contrasting episodes... "The Moth and the Flame" finds Jarrett back in a studio with a grand piano, improvising musical still lifes, rambling aimlessly, or doing his rollicking E-flat ostinato thing familiar from the solo concerts. About all that these two pieces share, with the exception of the E-flat movement from "Moth," is an aversion to a jazz pulse, so although there are plenty of rewarding passages here, casual Jarrett browsers are hereby warned".^[2]

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