The bibliography below is excerpted from

New Media

Berghuis, Thomas J . and Pell, Karl, 'Domain Asia @ Art Dot Com: Asian art in technological times', IIAS Newsletter, No.25, July 2001

Brown, Azby, ‘Inter-Communication Center Opening Exhibition’, World Art, #15, Dec 1997. [Includes index for issues 1-12].

Carroli, Linda, ‘MAAP’, Art AsiaPacific, 32, 2001

Kusahara Machiko, ‘Avatars of virtual worlds’, Art AsiaPacific, 27, 2000

Shikata Yukiko, ‘Atopic Site, On Camp/Off Base, TAZ’ [Tokyo Art Zone], Visual Arts + Culture, Vol.1, No.1, 1998.

Shikata, Yukiko, ‘exonemo’ in Art Asia Pacific, Issue 37 (2003), p. 82

Yoshimoto, Midori, ‘From Space to Environment: the origins of Kankyo and the emergence of intermedia in Japan’ in Art Journal, 67.3 (Fall 2008): p. 24.

Crafts and Modern Design

Ben-Ari, E., Moeran, B., eds., Unwrapping Japan, New York, Manchester University Press, 1990.

Brandt, K., Kingdom of beauty : Mingei and the politics of fold art in imperial Japan, Durham & London, Duke University Press, 2007.

Collectif, XXIe ciel : le retentissement de la mode japonaise, cat. d’exposition au Musée des arts asiatiques de Nice, Milan, Cinq continents, 2003, 160 p.

Collectif, Fleurs d’automne, costumes et masques du théâtre No, Paris / Genève, Adam Biro, 2002, 192 p.

Collectif, Imari : porcelaines des shôgun et des souverains d’Europe de 1610 à 1760, Maison de la culture du Japon/Fondation du Japon, 2004.

Coolidge Rousmaniere, Nicole, ‘Bijutsu is not an Art and Craft is not Kogei: Thoughts on the Display of Ceramics in Art Museums’, in Fujita, Haruhiko, ed. Words for Design II: Comparative Etymology and Terminology of Design and its Equivalents, Osaka, 2009, p. 123- 36.

Dietz, Matthais; Mönninger, Michael, Japanese Design, Cologne, Benedikt Taschen 1992, 1994.

Evans, S., Contemporary Japanese Design, London, Collins & Brown, 1991.

Faulkner, Rupert, Japanese Studio Crafts: tradition and the avant-garde, London, Victoria and Albert Museum, 1995.

Fieschi, Aude, Kimono d’art et de désir, Arles, Picquier, 2002, 132 p.

Fraser James et al, Japanese Modern: Graphic Design Between the Wars, San Francisco, Chronicle Books, 1996.

Fraser, Simon, Contemporary Japanese Jewellery, London: Crafts Council, 2002.

Frolet, E., Yanagi Sôetsu, où les éléments d’une renaissance artistique au Japon, Paris, Publications de La Sorbonne, 1986

Fry Tony, ‘The Development of Modern Japanese Design: A Personal Account’ in Margolin VOL., Buchanan, R., eds, The idea of design : a Design issues reader, Cambridge, Mass : MIT Press, 1995.

Fusco, Cassandra, ‘The Many Voices in Japanese Clay’, World Sculpture News, Vol. 12, No. 3, 2006.

Gonse, François, Papiers japonais - Traditions et créations, Ouest France, 2004.

Gossot, A., ‘Le design, ‘art d’aujourd’hui, art pour tous’ », in Ebisu — Etudes japonaises, No.37, printemps-été 2007.

Hanley, Susan, B. Everyday Things in Premodern Japan: The Hidden Legacy of Material Culture, Berkeley, University of California Press, 1997.

Hantover, Jeffrey, ‘All that Glitters: Japanese Ceramics in the Golden Age’, ArtAsiaPacific, No. 48, 2006.

Harris, Victor, Japanese Imperial Craftsmen: Meiji Art from the Khalili Collection, London, British Museum, 1994.

Hendry, J., Wrapping Culture, Oxford, Clarendon Press, 1993.

Hiesinger, Kathryn B., Fischer, Felice, Japanese Design: A Survey since 1950, Philadelphia, Philadelphia Museum of Art, 1994.

Hokkaido Museum of Modern Art et al ed., Craft Movements in Japan 1920s-1945, Tokyo: Cogito, 1996.

Irvine, Grégory, Le sabre japonais : l’âme du samouraï, Meolans-Revel, Désiris, 2003, 135p.

Jackson, Anna, Japanese Country Textiles, Victoria and Albert Museum, 1997.

Japan Folk Crafts Museum 1991. Mingei: The Living Tradition in Japanese Arts, Tokyo: The Japan Folk Crafts Museum.

Japan Folk Crafts Museum 1995. Mingei: Two Centuries of Japanese Folk Art, Tokyo: The Japan Folk Crafts Museum.

Kennedy, Alan, Costumes japonais, Paris, Adam Biro, 2002, 153 p.

Kikuchi, Yuko, ‘Hybridity and the Oriental Orientalism of Mingei Theory’, Journal of Design History, 10-4:343-354, 1997.

Kikuchi, Yuko, ‘Sources of Inspiration: Takeshi Yasuda’, Crafts, 173: 46-49, 2001.

Kikuchi, Yuko, ‘The Harmony of Contrasts: tapestry art by Shigeo Kubota,’ Crafts, 150: 56-57, 1998.

Kikuchi, Yuko, ‘The Myth of Yanagi’s Originality: The Formation of Mingei Theory in its Social and Historical Context’, Journal of Design History, 7-4:259-262, 1994.

Kikuchi, Yuko, ‘Tomimoto Kenkichi’, Crafts, 143:22-23, 1997.

Kikuchi, Yuko, Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism, London, Routledge / Curzon, 2003.

Kikuchi, Yuko, Mingei Theory and Japanese Modernisation: Cultural Nationalism and ‘Oriental Orientalism, PhD thesis, The London Institute - Chelsea College of Art & Design, 1998.

Kikuchi, Yuko; Watanabe, Toshio, Ruskin in Japan 1890-1940: Nature for Art, Art for Life, Tokyo: Cogito, 1997.

Kojiro, Y. Forms in Japan. Honolulu: Univerisity of Hawai’i East-West Center, 1965.

Kopplin, Monika, Les Laques du Japon – Collections de Marie-Antoinette, Réunion des Musées Nationaux, Paris, 240 p.

Lecasseur, Marie et al., Netsukimono : Le Japon côté nature, Somogy, 2005, 102 p.

MacCarthy Cara ; McQuaid, Matilda, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998.

McDermott, Hiroko, ‘Meiji Kyoto Textile Art and Takashimaya’, in Monumenta Nipponica, Vol. 65, No. 1, Spring 2010

McNeil, P., ‘Myths of Modernism: Japanese Architecture, Interior Design and the West c.1920- 1940’, Journal of Design History, Vol.5, No.4, 1992.

Miller, Lesley et al., Textural Space: Contemporary Japanese Textile Art, The Surrey Institute of Art & Design University College, 2001.

Moeran, Brian, Folk Art Potters of Japan: beyond an anthropology of aesthetics, London: Curzon Press, 1997

Moeran, Brian, Lost Innocence: Folk Craft Potters of Onta, Japan. Berkeley, Los Angeles, London: University of California Press, 1984.

National Museum of Modern Art [Tokyo] et al ed., New Expression in Porcelain: Development in the 1990s, Tokyo: National Museum of Modern Art, 1996.

National Museum of Modern Art, [Tokyo], Zuan no Henbô 1868-1945 (Design in Transition, 1868-1945), National Museum of Modern Art, Tokyo, 1988.

Ng, Elaine W. ‘Cosmic Wonder: Not Your Everyday Cosmic Wonder’, ArtAsiaPacific, No. 49, 2006.

Oka, H. How to wrap five eggs: Japanese Design in Traditional Packaging, New York, Weatherhill, 1967.

Praudel, Andoche, Essai sur la céramique japonaise depuis les origines, Paris, You-Feng, 2001, 264 p.

Rathbun, William Jay ed., Beyond the Tanabata Bridge: Traditional Japanese Textiles, London: Thames and Hudson, 1993.

Richie, D., Buruma, I., The Japanese Tattoo, Weatherhill, New York, 1980.

Shimizu, Christine, La porcelaine japonaise, Paris, Charles Massin, 2002, 124 p.

Sparke, P., Japanese Design, London, Michael Joseph, 1987.

Sparke, Penny, Modern Japanese Design, New York: E. P. Dutton, 1987.

Steele, William, ‘Nationalism and Cultural Pluralism in Modern Japan: Soetsu Yanagi and the Mingei Movement’, in Macdonald, Gaynor Marilyn II; Maher, John Christopher III, Diversity in Japanese culture and language, London, Kegan Paul International, 1995.

Tamba, Akira, La Musique classique du Japon du XVe siècle à nos jours, POF, Aurillac, 2001, 173 p.

Tobin, J.J., ed., Re-Made in Japan: Everyday Life and Consumer taste in a changing society, New Haven, Yale University press, 1992.

Volk, Alicia, ‘Screen Projections: Modern and Contemporary Byobu’, in Katz, J., ed., Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the St. Louis Art Museum, New Haven, Yale University Press & Art Institute of Chicago, 2009.

Weisenfeld, Gennifer, ‘Designing After Disaster: Barrack Decoration and the Great Kantō Earthquake’ in Japanese Studies, Vol. 18, No. 3 (1998), pp. 229-246

Weisenfeld, Gennifer, ‘From Baby’s First Bath: Kaō Soap and Modern Japanese Commercial Design’ in The Art Bulletin, September 2004

Wesienfeld, Gennifer, ‘Nohon ni okeru shō gyō dezainshi to sono kenkyū’ (Art History and the Study of Japanese Commercial Design) in Bijutsu Forum 21 (Novermber 2001), pp. 123-130 (English Version)

Wilcox, Timothy ed., Shoji Hamada, Master Potter, London: Lund Humphries / Sussex: Ditchling Museum, 1998.

Winther-Tamaki, Bert, ‘Yagi Kazuo: The Admission of the Nonfunctional Object into the Japanese Pottery World’, Journal of Design History 12:2 1999.

Yanagi, Sôetsu, [adapted by Leach, Bernard]. The Unknown Craftsman, Tokyo, New York: Kodansha International, 1971, 1989.