The bibliography below is excerpted from

Art 1910s to 1930s

Bolas, G., Rimer, J., Takashina,S., McCallum, D., Paris in Japan, St.Louis, Washington University, 1987.

Bonnefoy,J., Vatte,G., Takashina,S., Japon des Avant Gardes, Paris, Éditions du Centre Pompidou, 1986.

Bowen-Struyk,Heather ‘Guest Editor's Introduction: Proletarian Arts in East Asia’, positions, Vol. 14, No. 2, 2006.

Clark, John, ‘Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s’, in Tipton, Elise, ed., Society and the State in Interwar Japan, London, Routledge, 1997.

Clark, J., ‘Artistic Subjectivity in the Taisho and Early Showa Avant Garde’ in Munro, A. Scream Against the Sky, New York, Abrams, 1994

Clark, John, ‘Asian Modernisms’, in Humanities Research, No. 2, 1999

Clark, John, ‘Dilemmas of Selfhood: Public and Private Discourses of Japanese Surrealism in the 1930s’, published as ‘Artistic Subjectivity in the Taisho and early Showa Avantgarde 1945’, in Monroe, Alexandra, ed., Scream against the sky: Japanese Art after 1945, New York, Abrams & The Guggenheim Museum, 1995, p. 40-53.

Clark, John, Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Sydney, Art Gallery of New South Wales, 1998.

Clark, J., ‘Surrealism in Japan’, in Ades, D., Lloyd, M., ed., Surrealism: Revolution by Night, Canberra, National Gallery of Australia, 1993.

Clark, J., Surrealism in Japan, Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute, 1997.

Clark, John, ‘Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: An International Comparison’, in Art History, Vol.18, No.2, June 1995, p. 253-285.

Dachy, Marc, Dada au Japon, Paris, PUF, 2002, 225 p.

Expressionist Movements in Japan [Exhibition Catalogue]. Edited by Hitoshi Mori. Various Museums, 2009.

Foster, S. L. (ed.) Choreographing History, Bloomington, Indiana University Press, 1995.

Garon, Sheldon, Molding Japanese Minds: The State in Everyday Life, Princeton, Princeton University Press, 1997

Goodall, D.B. et al, Yasuo Kuniyoshi, University of Texas at Austin, 1975

Gossot, A., ‘Des chaises pour tous ? Production de masse et design mobilier dans les années 1930’ , in La société japonaise devant la montée dumilitarisme : Culture populaire et contrôle social dans les années 1930, Arles, Philippe Picquier, 2007.

Guth, Christine M.E.; Yamanashi Emiko; Volk, Alicia, Japan Paris: Impressionism, Postimpressionism and the Modern Era, Honolulu: Honolulu Academy of Arts, 2004.e

Hatcher, Erica, Murayama Kaita (1896-1919): a study of his life, artworks and poetry, BA Honours thesis, School of Asian Studies, University of Sydney, 1995.

Hirayama, M., ‘Ishii Hakutei and the future of Japanese Painting’, Art Journal, Vol.55, No.3, Fall 1996.

Hunyor, Kathryn, ‘A modern Society’, [review of Being Modern in Japan Symposium], Art AsiaPacific, 22, 1999

Hynes, Victoria. ‘Tradition Through Modernity.’ [review of Mobo/Moga] Asian Art News 8:6 November/December 1998

Inaga, Shigemi, ‘De l’artisan à l’artiste au seuil de la modernite japonaise, ou l’implanatation de la notion de Beaux-Arts au Japon’, Sociologie de l’Art, No.8, 1995.

Inaga, Shigemi, ‘The Impossible Avant-Garde in Japan’, [tr.J.Flynn], Yearbook of General and Comparative Literature, 1994-95.

Kida, Emiko, ‘Japanese-Korean Exchange within the Proletarian Visual Arts Movement’, positions, Vol. 14, No.2, 2006.

Kimura Rieko et al, Dance in Japanese Modern Art, Utsunomiya, Tochigi Prefectural Museum of Fine Arts, 2003

Lamme J-C et M., ‘Le futurisme russe et l’art d’avant-garde japonais’, Cahiers du monde russe et soviétique, Vol.25, No.4, Oct.-Dec. 1984.

Linhartová, VOL., Dada et Surréalisme au Japon, Paris, Publications Orientalistes de France, 1987.

Low, Morris, ‘Japan, modernity and the Tokyo Olympics.’ Humanities Research 2: 1999

Menzies, Jackie, ed., 1998, Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Sydney, Art Gallery of New South Wales, 1998. (co-curated by Ajioka, Clark, Menzies, Mizusawa)

Okada, Shimoda and Tsutaka: 3 Pioneers of Abstract Painting in 20th Century Japan, Washington, Phillips Collection, 1979.

Omuka, T., ‘David Burliuk and the Japanese Avant-Garde’, Canadian-American Slavic Studies,V, Vol.20, nos 1-2 Spring-Summer 1986.

Omuka, T., ‘Vavara Bubnova’, in Rimer J.Thomas, A Hidden Fire: Russian and Japanese Cultural Encounters, 1868-1926, Palo Alto, Stanford University Press, 1995.

Rhapsody in Paris; Yasushi Tanaka and his contemporaries, Saitama, Museum of Modern Art, 1988.

Robertson, Jennifer, Takarazuka, Berkeley, University of California Press, 1998.

Selz. J., Foujita, J., Naefels, Bonfini Press, 1981

Shigeno Kae. ‘Mobo Moga Modernity in Japanese Art 1910-1935.’ [review article] Art AsiaPacific No. 21, 1999

Taku, H.,et al, Paris vu par les Artistes Japonais, Paris, Musée Carnavalet, 1986.

The Reorganization of the Imperial Academy of Fine Arts in 1935, Western-Style painting of the Era in Japan, Korea and Taiwan, Tokyo Metropolitan Teien Museum, 1992 [plates list and short essays in English: Fisher East Asian 6013].

Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian Humanities Research Foundation and Honolulu, University of Hawaii Press, 2000, contents: Mizusawa Tsutomu, ‘Artists Start to Dance’; Clark, John, ‘Indices of Modernity: changes in popular graphic representation’; Omuka Toshiharu, ‘Formation of the audiences for Modern Art in Japan’; Kashiwagi Hiroshi, ‘On rationalization and Modern life-style: Japanese design in the 1920s and 1930s’;Weisenfeld, Gennifer, ‘Japanese Modernism and consumerism; forging the new field of shôgyô bijutsu (Commerical art)’; Sand, Jordan, ‘The cultured life of contested space; dwelling and discourse in the 1920s’; Tipton, Elise, ‘The Café; contested space of modernity in inter-war Japan’; Satô, Barbara Hamill, ‘An alternate informant: Women in Mass Magazines in 1920s Japan’, Aoyama Tomoko, ‘The divided appetite: eating in the literature of the 1920s’; Wilson, Sandra, ‘The past in the present: war in narratives of modernity in the 1920s and 1930s’; Mackie, Vera, ‘Modern selves and modern spaces: an overview’; Appendix: Clark, John: Japanese printing, publishing and prints, 1860s-1930s’

Trede, Melanie. “Tokyo in Berlin, Berlin in Tokyo. Kunstausstellengen und Kulturdiplomatie,” Konferenz, Von, mit und über Japan reden – 120 Jahre Japanforschung in Berlin, Berlin-Bradenburgische Akademie der Wissenschaften, Gendarmenmarkt, Berlin (15 October 2007).

Trede, Melanie. “Kunstausstellungen der 1930er und 1940er Jahre als ästhetische und politische Inszenierung: Tokyo in Berlin, Berlin in Tokyo,” Museum für Asiatische Kunst, Staatiiche Museen zu Berlin (8 May 2008).

Trede, Melanie. “Domestizierte Kreigsikonografie: Die Darstellung der legendären Kaiserin Jingü im 19. Jahrhundert”, Österreichische Akademie der Wissenschaften und Universität Wein (29 May 2008)..

Trede, Melanie. “Wie japanisch ise die japanische Kunst?”, Deutsch-Japanische Gesellschaft, Industrie-Club Bremen, AM Markt 1, Bremen (6 June 2008).

Trede, Melanie. “Ein neuer Blick auf Banknotendesign: Jingu kôgô als populäre Ikone der Moderne,” Humbolt Universität, Mori Ôgai Gedenkstätte, Berlin. (12 June 2008)

Trede, Melanie. “Das Leben japanischer Malereien,” Graduiertenschule Transnational Media Events from Early Modern Times to the Present, Universität Gießen. (18 June 2008)

Trede, Melanie. “Stellschirmmalerei in Japan,” Bundeskunsthalle, Bonn. (9 July 2008)

Trede, Melanie. “Intercultural issues negotiated interregionally: Paintings as media of legitimacy,” Iwanami Bungaku Research Group, Image, Text, Media, Tokyo (5 October 2008)

Vlasos, Stephen, (ed.) Mirror of Modernity: Invented Traditions of Modern Japan, Berkeley, University of California Press, 1998.

Volk, Alicia, In Pursuit of Universalism: Yorozu Tetsugorô and Japanese Modern Art, Berkeley, University of California Press, 2010.

Volk, Alicia. “Yorozu Tetsugoro and Taisho-period Creative Prints: When the Japanese Print Became Avant-Garde,” in Impressions 26, 2004.

Volk, Alicia. “Katsura Yuki and the Japanese Avant-Garde” in Woman’s Art Journal 24, no. 2, 2003.

Volk, Alicia. “Modern Japanese Prints at Yale,” in Matheson, S. and Sadako Ohki, Yale University Art Gallery Bulletin, Special Issue on Japanese Art at Yale, 2007.

Weisenfeld, Gennifer, Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923, University of California Press, 2011.

Weisenfeld, G., ‘Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan’, in Art Journal, Vol. 55, No. 3, Fall 1996.

Weisenfeld, G., Mavo: Japanese Artists and the Avant-Garde 1905-1931, Berkeley, University of California Press, 2002.

Weisenfeld, Gennifer, ‘Saigai to Shikaku: Kantō Daishinsai no Shikaku Hyōshō o Megutte’ (Disaster and Vision: On the Visual Representations of the Great Kantō Earthquake). in Yasunori, Tan’o ed. Kioku to Rekishi: Nihon ni Okeru Kako no Shikakuka o Megutte (Memory and History: Visualising the Past in Japan), Tokyo, Waseda Daigaku Aizu Yaiichi Kinen Hakubutsukan, 2007, p. 42-53. (In Japanese)

Wolf, Tom, Yasuo Kuniyoshi’s Women, San Francisco, Pomegranate Art Books, 1993.

Young, Louise, ‘Marketing the Modern: Department Stores, Consumer Culture and the New Middle Class in Interwar Japan’, International Labour and Working-Class History, 55, 1999, pp. 52-70