The bibliography below is excerpted from


Meiji Art and Interaction with the West



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Meiji Art and Interaction with the West


Aitken, Geneviève and Delafond, Marianne, La collection d’estampes japonaises de Claude Monet : Musée Monet à Giverny, Lausanne, Bibliothèque des arts, 2003, 192 p.

Aoki Shigeru and the late Victorian Art, Tôkyô, Tôkyô Shimbun, 1983

Baekeland, F., Imperial Japan:The Art of the Meiji Era, Cornell, Herbert F. Johnson Museum of Art, 1980

Beretta, Lia, ‘Edoardo Chiossone’, Transactions of the Asiatic Society of Japan, 4th series, Vol.10, 1995.

Bryson, Norman, ‘Westernising bodies: women, art, and power in Meiji Yôga’, Mostow, Joshua S; Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field, Honolulu, University of Hawai’i Press, 2003.

Christ, Carol Nann, ‘The Sole Guardians of the Art Inheritance of Asia: Japan at the 1904 St. Louis World’s Fair’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 675-709

Clark, John, ‘Charles Wirgman (1832-1891), Recent Discoveries and Re-Evaluations’, Proceedings of the 1988 Japan Studies Colloqium, London, The British Library, 1990, p. 261-276.

Clark, John, ‘Charles Wirgman’, in Daniels, G., ed., Britain and Japan: Themes and Personalities, 1859-1991, [Japan Society of London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991, p. 54-63

Clark, J., Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001

Clark, John, ‘Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s’, in Elise Tipton, ed., Society and the State in Interwar Japan, London, Routledge, 1997.

Clark, John, ‘Modernités, Histoires; le cas Japonais’, translated in Belleter, Harry, ed., Face à l’Histoire, Paris, Centre Georges Pompidou, 1996.

Clark, John, [translation, unpublished] Kumasaka Atsuko, ‘Sanshirô and British Painting’, 1985, [Japanese original in Nihon Joshidagaku Kiyô, No.34, March 1985].

Clark, John, Charles Wirgman’, in Oxford Dictionary of National Biography, online article 100918, 2010.

Conant, E.P., ‘Principles and Pragmatism: The Yatoi in the Field of Art’, in Beauchamp, E.R. & Iriye, eds., Foreign Employees in Nineteenth Century Japan, Boulder & London, Westview Press, 1990.

Conant, Ellen P (ed.), Challenging Past and Present: the metamorphosis of nineteenth-century Japanese art, Honolulu, University of Hawai’i Press, 2006.

Conroy H., et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh Dickson University Press, 1984

Croissant, Doris. “Japanische Malerei am Anfang der Moderne: Kunst und nationale Repräsentation in der Meiji Zeit.” In Ehmke, Franziska (Hrsg.), Kunst und Kunsthandwerk Japans im Intellektuellen Dialog (1850-1915), München: ludicium Verlag, 2008.



Development of Western Realism in Japan, I, Tôkyô, National Museum of Modern Art, 1985

Esmein, Suzanne, Hugues Krafft au Japon de Meiji : photographies d’un voyage, 1882-1883, Paris, Hermann, p. 110.

Failla, Donatella, ‘The God of Wealth in Western Garb: Kawanabe Kyosai's Portrait of Edoardo Chiossone as Daikokuten’, in Monumenta Nipponica, Vol. 61, No 2, Summer 2006.

Fontanesi, Ragusa e l’arte giapponese nel primo periodo Meiji, Tôkyô, National Museum of Modern Art, 1977

Fukushima Kenritsu Kindai Bijutsukan ed. Salon des artistes Japonais and Baron Satsuma: Japanese Artists before World War II in Europe / Satsuma Jirohachi to Paris no Nihonjin. Tokyo: Kyodo Tsushinsha, 1998.



Georges Bigot: Il y a cent ans un artiste francais au Japon, Tôkyô,Yomiuri Shimbun, 1987

Guiterrez,F., ‘Artistic trends of the Meiji Period’, in Skrypczak, E. Japan’s Modern Century, Tôkyô, Tuttle, 1968

Guth, C.,M.,E., ‘Japan 1868-1945: art, architecture, and national identity’, Art Journal, Vol.55, No.3, Fall 1996.

Guth, Christine M. E., ‘Takamura Kôun and Takamura Kôtarô: on being a sculptor’ in Takeuchi, Melinda, ed., The artist as professional in Japan, Stanford, Stanford University Press, 2004.

Guth, Christine M.E., ‘Charles Longfellow and Okakura Kakuzō: Cultural Cross-Dressing in the Colonial Context’, in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 605-636

Guth, Christine. “Modernist Painting in Japan’s Cultures of Collecting” in Guth, C., Volk, A. and Emiko Yamanashi, Japan & Paris: Impressionism, postimpressionism and the modern era. Seattle: University of Washington Press and Honolulu Academy of Arts, 2004.

Haga, T., ‘The Formation of Realism in Meiji Painting: The Career of Takahashi Yûichi’, in Shively, D., Tradition and Modernization in Japanese Culture, Princeton, Princeton University Press, 1971

Harada, M., Meiji Western Painting, Tôkyô, Weatherhill, 1974

Hirayama, Mikiko. Restoration of Realism: Kojima Kikuo (1887 – 1950) and the Growth of Art Criticism in Modern Japan. PhD Diss.: University of Pittsburgh, 2001.

Inaga, Shigemi, ‘Théodore Duret et Japon’, Revue de l ‘Art, No.79, 1988.

Inaga, Shigemi, ‘La réinterpretation de la perspective linéaire au Japon (1740-1830) et son retour en France (1860-1910)’, Actes de la Recherche en sciences sociales, No.49, septembre 1983.

Inaga, Shigemi, ‘L’orientalisme en peinture: representation de l’autre et ses limites’, in Hignonnet, Margaret R., Jones, Sumie, eds. Visions of the Other, Tokyo, Proceedings of the International Comparative Literature Association, 1991.

Inaga, Shigemi, ‘De l’artisan à l’artiste au seuil de la modernité japonaise, ou l’implantation de la notion des Beaux-Arts au Japan’, Sociologie de l’Art, No.8, 1995.

Kaneda Tamoi. “Fenollosa and Tsubouchi Shoyo,” MJAH.

Kawakita, M., ‘Western Influence on Japanese Painting and Sculpture’ inYamada, C., ed. Dialogue in Art:Japan and the West, Tôkyô, Kôdansha, 1976

Khalili, Nasser, D. et al, Meiji no Takara: Treasures of Imperial Japan, [I: Selected Essays; II: Metalwork; III:Enamels; IV: Lacquer; V: Ceramics] London, The Kibo Foundation, 1995.

Kojima, Kaoru. The Image of Woman as a National Icon in Modern Japanese Art: 1980s – 1930s. PhD Diss.: London University of the Arts, 2006.

Kokatsu Reiko, Hashimoto Shinji and Suzuki Kaoru. Japanese Women Artists Before and Adter World War II, 1930s – 1950s / Hashiru onnatachi: josei gakano senzen sengo. Utsonumiya: Tochigi Prefectural Museum of Fine Arts, 2001.

Kornicki, P.F., ‘Public display and changing values: early Meiji exhibitions and their precursors’, Monumenta Nipponica, Vol.49, No.2, 1994.

Larking, Matthew. “The Present Representing the Past: Nihonga in the Expanded Field” in Orientations January/February 2009 Vol. 40 No. 1.

Lee, Sherman E., Hiroshige - Carnets d’esquisses, trad. de l’anglais par Isabelle Charrier, Paris, Phébus, 2001, 175 p.

Lewin, Bruno. “Mori Ogai and German Aesthetics” in MJAH.

Merritt, Helen and Yamada, Nanako, Woodblock Kuchi-e Prints, University of Hawaii Press, Honolulu, 2000.

Modern Japanese Art and The West, International Symposium, Tokyo November 28-30, 1988, Meiji Bijutsu Gakkai, 1992, [largely in Japanese but with essays on Kunisada (Timothy Clark), Kyoto Painting (Ellen Conant), Japonisme (Christine Shimizu), and Art Criticism (Thomas Rimer) in English: Fisher East Asian: 6047]

Munson, Todd, S., ‘A tempestuous tea-port: socio-political commentary in Yokohama-e, 1859-62’, East Asian History, No.24, December 2002.

Nagashima Yoichi, ed. Return to Japan from ‘Pilgrimage’ to the West. Aarhus: Aarhus University Press, 2001.

Odin, Steven, Artistic Detachment in Japan and the West, University of Hawaii Press, Honolulu, 2001.



Realistic Representation III: Painting in Japan 1884-1907, Tôkyô, National Museum of Modern Art, 1988

Rosenfield, J., ‘Western Style Painting in the Early Meiji Period and its Critics’, see Haga this section.

Screech, Timon, The Shogun’s Painted Culture: Fear and Creativity in the Japanese States, 1760-1829, London: Reaktion Books, 2000

Snodgrass, Judith, ‘Exhibiting Meiji Modernity: Japanese Art at the Columbian Exposition’, in East Asian History, No. 31, June 2006, pp. 75 – 100.

Sas, Mryam. Fault Lines: Cultural Memory and Japanese Surrealism. Palo Alto: Stanford University Press, 1999.

Tseng, Alice Y., ‘Kuroda Seiki’s Morning Toilette on Exhibition in Kyoto’, Art Bulletin, Vol.XC, No.3, September 2008.

Uyeno, N., Japanese Arts and Crafts in the Meiji Era, Tôkyô, Tôyô Bunko, 1958

Weisenfeld, G., ed., Visual cultures of Japanese Imperialism’, special issue of positions east asia cultures critique, Vol.8, No.3, winter 2000, including: Guth Christine M.E., ‘Charles Longfellow and Okakura Kakuzô: cultural cross-dressing in the colonial context; Sand, Jordan, ‘Was Meiji taste in interiors ‘Orientalist’?’; Christ, Carol Ann, ‘ ‘The sole guardians of the art inheritance of Asia’: Japan at the 1904 St. Louis World’s Fair’; Brandt, Kim, ‘Objects of desire: Japanese collectors and colonial Korea’; Weisenfeld, Gennifer, ‘Touring Japan-as-museum: NIPPON and other Japanese imperialist travelogues’; Wendelken, Cherie, ‘Pan-Asianism and the pure Japanese thing: Japanese identity and architecture in the late 1930s’.

Wendelken, Cherie, ‘Pan-Asianism and the pure Japanese thing: Japanese identity and architecture in the late 1930s’.



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