The bibliography below is excerpted from



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Photography


Adeney Thomas, Julia, ‘Power Made Visible: Photography and Postwar Japan’s Elusive Reality’, in Journal of Asian Studies, Vol. 67, Issue 2, 2008.

Annear, Judy., ‘Ishida and Kageyama- Japanese Photographers in Sydney’, in TAASA Review, Vol. 12, No. 4, December 2003, p.11.

Asahigraph, ed. Japan:A Pictorial Interpretation, Tôkyô, Asahi Shimbun, 1932, 1934

Auer, Michèle, and Michel Auer. Encyclopédie internationale des photographes de 1839 à nos jours/Photographers Encyclopaedia International 1839 to the Present. Hermance: Editions Camera Obscura, 1985.

Banta, Melissa, and Susan Taylor, eds. A Timely Encounter: Nineteenth-Century Photographs of Japan. Cambridge, Massachusetts: Peabody Museum Press, 1988.

Bennett, Terry, Early Japanese Images, Rutland and Tokyo, Charles E. Tuttle Company, 1996.

Bennet, T.B., ‘Early photographic images of Japan’, The PhotoHistorian, No.112, June 1996.

Bennett, Terry, ‘Felice Beato and the United States Expedition to Korea of 1871", Old Japan. http://www.old-japan.co.uk/article_korea.html, Accessed 3 April 2006.

Bennett, Terry, John Thomas Gulick (1832-1923): Pioneer Photographer in Japan, in Trans-Asia Photography Review, Vol. 1, No. 2, Spring 2011, available online, http://quod.lib.umich.edu/cgi/t/text/text-idx?c=tap;view=text;rgn=main;idno=7977573.0001.203

Bennet, T.B., Cortazzi, H., Japan: Caught in Time, Reading, Garnet Publishing, 1995.

Bennet, T.B., ‘The Early Photographers Photographing Japan’, Japan Digest, Jan., Apr., July, Oct., 1991.

Benett, Terry, Photography in Japan. 1853 – 1912. Tokyo, Rutland, Singapore, Tuttle Publishing, 2006.

Bennett, Terry, Old Japanese Photographs, Collectors’ Data Guide, London, Quaritch, 2006.

Best, Geoffrey, Mid-Victorian Britain, 1851–75, London, Fontana Press, 1971.

Broecker, William L., ed. International Center of Photography Encyclopedia of Photography. New York: Pound Press; Crown Publishers, 1984.

Bürer, Catherine, ed., Kirei - Plakate aus Japan, Zürich, Edition Stemmle & Museum für Gestaltung Zürich, 1993.

Calle, Sophie, Douleur exquise, récit photographique, Arles, Actes Sud, 2003, 281 p.

Canadian Centre for Architecture, Collections Online, s.v. "Beato, Felice", Available Online, http://svrdam.cca.qc.ca/search/bs.aspx?langID=1#s=Felice%20Beato&p=1&a=kw&nr=1&nq=1

Canadian Centre for Architecture, Collections Online, ‘Panorama of Edo (Now Tokyo)’, Available Online, http://svrdam.cca.qc.ca/ZooMI/Default.aspx?obj=PH1981:0809:001-005

Clark, J., Osman, C., Fraser,J., ‘Chronology of Felice Beato’ in Clark, J.,Japanese -British Exchanges in Art, 1850s-1930s, in Clark, J., Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001.

Collectif, Japon : un autoportrait : photographies 1945-1964, Paris, Flammarion, 2004.

Collectif, Black out. Photographie japonaise contemporaine, cat. de l’exposition à la Maison de la culture du Japon à Paris, Paris, Fondation du Japon, 2003, 160 p.

Collectif, Japon 1945-1975 : le renouveau photographique, cat. d’expo. au Pavillon Sully à Paris, Paris, Marval, 2003, 192 p.

Coolidge Rousmaniere, Nicole & Hirayama, Mikiko eds., Reflecting Truth: Japanese Photography in the Nineteenth Century, Amsterdam, Hotei Publishing, 2004.

Dobson, Sebastian, ‘Yokohama Shashin,’ in Art & Artifice: Japanese Photographs of the Meiji Era — Selections from the Jean S. and Frederic A. Sharf Collection at the Museum of Fine Arts, Boston, Boston, MFA Publications, 2004.

Dower, J. intr., A Century of Japanese Photography, London, Hutchinson, 1981

Edel, C. tr., Once upon a time: Visions of Old Japan from the photos of Beato and Stiullfried and the words of Pierre Loti, New York, Friendly Press, 1986.

Fouser, Robert J., ‘In Praise of Mad Shadows’: Tokihiro Sato’s revealing photographs’, Art AsiaPacific, No.21, 1999.

Fritsch, Agnes Lena, The Body as a Screen: Japanese Art Photography of the 1990s, PhD Dissertation Bonn University, 2010. (Published version forthcoming).

Fuji, H., Matsumoto, T., Kondo, Y., Photography in Contemporary Art, Tôkyô, National Museum of Modern Art,1983



Gartlan, Luke, ‘Types or Costumes? Reframing early Yokohama photography’, Visual Resources, Vol. XXII, No.3, September 2006, 239-263; ‘Chronology of Baron Raimund von Stillfried und Ratenicz’, in his University of Melbourne, BA Honours Thesis 1997; revised and extended in Clark, J., Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001; Photography in Nineteenth-Century Japan, Guest editor, History of Photography, Vol. 33, No. 2, May 2009. Wu Hung, Zhang Dali: A Second History.'"A native photographer of rare ability, skill and enthusiasm": Uchida Kuichi and his Foreign Clientele.' [Japanese and English] In Yoake mae shirarezaru Nihon shashin kaitakushi. I. Kantô hen kenkyû hôkoku [Dawn of Japanese Photography 1. Kantô Region] (Tokyo: Tokyo Metropolitan Museum of Photography, 2007), 14-26.; 'Shutirufuriito shashinkan shôshi : kyoshô to joshu to raiburu.' (A Brief History of Stillfried's Photographic Studios: Masters, Assistants and Rivals). Trans. Itô Hisako. In Saitô Takio, Bunmei kaikaki no Yokohama, Tôkyô: koshashin de miru fukei (Yokohama and Tokyo in the Era of ‘Civilization and Enlightenment’: Views of Old Photographs), (Yokohama: Yûrindô, 2007), 217-222.; 'Felice Beato (c.1834-1906),' and 'Baron Raimund von Stillfried-Ratenicz (1839-1911).' In John Hannavy, ed., Encyclopedia of Nineteenth Century Photography (New York: Routledge, 2007), 128-131, 1460-1462.; 'Types or Costumes? Reframing Early Yokohama Photography.' Visual Resources—An International Journal of Documentation, vol. XXII, no. 3 (September 2006): 239-263.; 'Views and Costumes of Japan: A Photograph Album by Baron Raimund von Stillfried-Ratenicz.' The La Trobe Journal, no. 76 (Spring 2005): 5-26. See http://www.slv.vic.gov.au/about/news/latrobe/viewsofjapan.html; December 2007.; 'James Robertson and Felice Beato in the Crimea: Recent Findings.' History of Photography, vol. 29, no. 1 (Spring 2005): 72-80.; 'Changing Views: The Early Topographical Photographs of Stillfried & Company.' Reflecting Truth: Japanese Photography in the Nineteenth Century, ed. Nicole Coolidge Rousmaniere and Mikiko Hirayama (Amsterdam: Hotei Publishing, 2004), 40-65.; 'In Search of Arcadia: Souvenir Photography in Yokohama, 1859-1900.' In Shashin: Nineteenth Century Japanese Studio Photographs (Melbourne, Aust.: National Gallery of Victoria, 2004), 12-17.; 'A Chronology of Baron Raimund von Stillfried-Ratenicz (1839-1911).' In John Clark, Japanese Exchanges in Art, 1850s to 1930s, with Britain, continental Europe, and the USA (Sydney: Power Publications, 2001), 121-188.; 'Notes on Early Japanese Photographs in Australia.' In John Clark, Japanese Exchanges in Art, 1850s to 1930s, with Britain, continental Europe, and the USA (Sydney: Power Publications, 2001), 189-204; 'Japan Day by Day? Edward Sylvester Morse, Henry William Metcalf and Early Photography in Japan.' Paper at conference Photography and Literature, University of St Andrews, School of Art History, May 26, 2007.; 'Off Camera: Samuel Cocking and the Rise of Meiji Photography.' Paper at the International Conference on the Research of Old Japanese Photographs, Nagasaki University, Japan, November 16-17, 2007.

Goto & Matsumoto, Yomigaeru Bakumatsu, Tôkyô, Asahi Shimbun, 1987

Hearst Museum of Anthropology, The World in a Frame: Photographs from the Great Age of Exploration, 1865–1915, online, http://hearstmuseum.berkeley.edu/exhibitions/photo/beato.html

Hirayama, Mikiko, ‘The Emperor’s New Clothes: Japanese Visuality and Imperial Portrait Photography’, in History of Photography, Vol. 33, No. 2, 2009, pp. 165-84.

Jana, Reena., ‘The History of Japanese Photography’ (review, Museum of Fine Arts, Houston), in Art AsiaPacific, Issue 38, Fall 2003, p.86-87.

Japanische Photographie 1860-1929, Berlin, Berliner Festspiele, 1993.

King, E.J., ‘The Beginnings of Photography in Japan’, The British Journal of Photography, 24-10- 1979, 2-11-1979, 9-11-1979, 18-11-1979, 24-11-1979; ‘The Middle Years’, ibid, 8-8-1980, 15-8- 1980.

Krischer, Olivier, ‘Ogawa Kazumasa’s Photographs of Cultural Properties’, in Geijutsugaku Kenkyū [Art Studies Research] No. 14, University of Tsukuba Art Studies Research Graduate Department, 2009.

Lufty, Janet, ‘Japanese Photography’, Art in America, May 1997.

Merewether, C. ‘Roaming the Thresholds of Modernity: Exposure and Secrecy in Moriyama’ in

Daido Moriyama Catalogue Raisonne, (vol.3), Edited by Kiyokazu Tanno, Tokyo: Publishing House: pp. 572-584, 2004.

Merewether, C., ‘A language to come: Japanese photography after the Event’ in Interarchive: Archival Practices and Sites in the Contemporary Art Field, Edited by Hans-Peter Feldmann and Hans Ulrich Obrist, Luneburg: Kunstraum der Universität,& Verlag der Buchhandlung Walther Konig: pp. 168-176, 2002.

Nagasaki University Library, ‘Japanese Old Photographs in Bakumatsu-Meiji Period, s.v. F. Beato’, Available online, http://oldphoto.lb.nagasaki-u.ac.jp/en/list.php?req=1&target=Beato

Naoyuki, Kinoshita, ‘Witnessing the Action of Current Events from the Comfort of your Chair: The Place of the Photographic Magazine The Graphic (Gurahikku)’, translated Erumi, Honda, in Trans-Asia Photography Review, Vol. 1, No. 1, Fall 2010, available online, http://hdl.handle.net/2027/spo.7977573.0001.105

Negretti, P.A., ‘Henry Negretti - gentleman and photographic pieoneer’, The Photographic Collector, Vol.1, 1984

Oshima, Ken Tadashi, ‘Watanabe Yoshio’s Photographs of the Okada House’, in Impressions, Issue 30, Spring 2009, p. 58-61.

Osman, C., ‘New Light on the Beato Brothers’, The British Journal of Photography, 16-10-1987.

Osman, C., ‘The Later Years of Felice Beato’, The Photographic Journal,November, 1988

Ozawa, T., ‘The history of early photography in Japan’, History of Photography, Vol.5, No.4, 1989.

Robinson, Bonnell D., ‘Transition and the Quest for Permanence: Photographer and Photographic Technology in Japan, 1854–1880s,’ in Banta, Melissa & Taylor, Susan, eds., A Timely Encounter: Nineteenth-Century Photographs of Japan,Cambridge, Massachusetts: Peabody Museum Press, 1988.

Rosenberg,G., Willhelm Burger-Ein Welt- und Forschungsreisender mit der Kamera, 1844 bis 1920, Wien/München, Edition Brandstätter, 1984.

Satow, Ernest, Chapter X, ‘Shimonoseki — Naval Operations,’ in A Diplomat in Japan. London, Seeley Service, 1921.

Saito Takio, ‘Photography in Yokohama and W. Saunders’, The PhotoHistorian, No.86, 1989.

Seigert, P. et al, Felice Beato in Japan, Heidelberg, Edition Braus, 1991.

Tucker, Anne Wilkes et al, The History of Japanese Photography, Houston, Museum of Fine Arts & New Haven, Yale University Press, 2003

Wakita, Mio. “From Ethnic to Allegorical Body: Representations of Japanese Women in Souvenir Photography of the Meiji Period,” The 11th Asian Studies Conference Japan, Meiji gakuin daigaku University, Tokyo (23-24 June 2007).

Wakita, Mio. “Female Images of Kusakabe Kinbei: Japanese Souvenir Photography of the Late Meiji Period,” Workshop for European Postgraduates Working on Art and Material Culture in Asia, Leiden University, Leiden (8-9 October 2007)

Wakita, Mio. “Representation of Female Beauties in Souvenir Photography of the Meiji Period.” The 9th Japan Art History Workshop, Seattle Asian Art Museum, Seattle (Publishedin Proceedings og the 9th Japan Art History Workshop (JAWS), 2007)

White, Stephen, ‘Felix Beato and the First Korean War, 1971’, The Photographic Collector, Vol.3, No.1, Spring 1983.

White, Stephen, ‘The Far East’, Image, Vol.34, nos 1-2, 1991.

Worswick, C., Japan, Photographs, 1854-1905, New York, Alfred A.Knopf, 1979

Worswick, C., ‘The disappearence of Uchida Kyuichi and the discovery of nineteenth century Asian photography’, Image, Vol.36, nos 1-2, 1993.

Volk, Alicia. “Photography” in Buckley, S. ed., Encyclopedia of Contemporary Japanese Culture. New York and London: Routledge, 2001.

Yokohama Archives of History, ed., F. Beato Bakumatsu Nihon Shashinshû,Yokohama, Yokohama Kaikô Shiryôkan, 1987.

Zannier, Italo, Antonio e Felice Beato, Venice, Ikona Photo Gallery, 1983.

Zannier, I. Felici e Antonio Beato, Milano, Editophoto, 1978.

Zannier, Italo, Verso oriente: Fotografie di Antonio e Felice Beato, Florence, Alinari, 1986.



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